Debuting on brand new Berlin based house music label Ascension on Wax, Irish producer Glenn Davis is here with his 8th release, Space and Time EP, featuring 4 tracks. With subtle jazz references and motifs, skilful production layering, dreamy deep house chords and vocal sampling; this is one of Davis’s most accomplished releases to date.
The tracks Space And Time and Party With Me have stunning vocals and deep house keys which form the foundations of the tracks. They have a truly hypnotic effect as they progress and take the listener on a musical journey as the different layers of the songs reveal themselves. The former is perfect for playing earlier in the night and the latter, a dance floor ready number which will be sure to get the crowd going.
Following these, are Girl U Gotta and a remix of the same track by the talented jazz musician, sound engineer and producer Mark Hand. Girl U Gotta samples Aretha Franklin and the song has strong elements of the iconic 90’s sound house heads know and love so well. The remix is arguably the heaviest track on the release with accomplished jazz keys throughout and a fat bassline which will knock dancers off their feet.
Ascension on Wax is also releasing a limited pressing special edition of Space and

Support for the release from:
Franck Rogers | Jimpster | Tom Findley (Groove Armada) | Dj Sneak | Lars Behrenroth | Giles Smith (Secret Sundaze) | Orlando B and many others.



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Genre: Deep House, House, Detroit House , Soulful House, Vocal House, Acid House, Garage House


Tracklist 12":
1. Better Daze 07:42
2. Your Time 05:51
3. Dance 07:28
4. Inner Monologue 07:35

Release Info:
We return with the second Glenn Davis” 12”, a year on from his last Yore twelve-inch “Soul On My Side”, Dublin-based DJ and producer Glenn Davis returns with its sequel, the as-stellar Better Daze. The EP's melodic, soulful sound. The dynamic title cut locks in instantly with a pumping kick drum and builds layer by layer thereafter. Percussion, hi-hats, electric piano chords, and synthesizers add to the thrust of the production as it grows ever more urgent. As the track advances, Davis drapes a jazzy keyboard solo across the booming base as the swing swells to a near-ecstatic level. “Your Time” rounds out the A-side with a cut that suggests pure energy at its outset before quickly morphing into a sleek house strut. With percussion included and late-night synth atmospherics folded in, the breezy tune starts to sound like something you'd hear banging out on the Dancefloor thats surrounding you.
On the flip, Davis brings the skipping house groove of "Inner Monologue” to a fever while. Moody chords, hand drums, and a snappy groove set the scene. The female vocalist's soulful delivery and vibes-like earworm that make the tune the standout it is. Think of a dark Room and a red light bulb & House Music forever and a day.








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Germany
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Genre: Deep House, House, Disco, Nu-Disco, Detroit House

Tracklist 12":
1. Soul On My Side
2. Enter Slowly
3. All Or Nothing
4. Small Steps

Release Info:
Yore welcomes Glenn Davis to the Label, who delivers four various yet classic New York inspired Garage House tracks at it's best here – 4 Tracks that are so close to perfection, that this fine 12” will easily make It into all true Deep House Soldiers crates. Music that is so timeless, it can never go out of style. Get your copy while they last. No Represses on this strictly limited 250 copies release.




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12"

GENRE/S: Deep House, Deep Techno

TRACKLISTS:
A1 Pablo Bolivar - Tali
A2 Yarosslav - Boundaries (Iron Curtis no boundaries mix)
A3 Krissky - Candelaria
B1 In2Deep - Vine of the soul (Powel Remix)
B2 Anton Lanski - Never knew her
B3 Agatha Pher - Light shadow

SHORT INFO:
It is incredible, but yes, Seven Villas turns 10yo today!
In April 2014 Pablo started this exciting music adventure, since then we have been delivering our best
quality, music, photos and Dj mixes, introducing new talented artists and collaborating with well known
creators.
Now its time to celebrate, during this year we will release three compilations with our favourite tracks from
the catalogue, and three vinyl EP with the best songs that has never been released in wax.
Thanks for supporting our work during this wonderful journey, we'll continue delivering our best!

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GENRE/S:
Deep House, Lo-Fi House

TRACKLISTS:
A1. We Begin
A2. Understanding
B1. We Begin (Frank & Tony and Will Long Wide Open Edit)

SHORT INFO:
Following the success of their EPs released last year on Scissor and Thread, Frank & Tony return with another outing of deeper than deep house with a three track EP including an expansive collaborative exploration with Comatonse recording artist Will Long.
The title track, Understanding takes a nod to 90s Chicago deep house with a slow rolling groove set against plush pads and euphoric stabs sure to send dancefloors swirling in the earliest of nights and mornings alike. We Begin, a dreamy trip of emotive soundscapes, kicks things up a notch with jazzy undertones but a drive meant for peak times as it unfolds in moods and grooves for ages.
The EP then culminates with a vast rework of the same track in collaboration with Comatonse artist and DJ Sprinkles collaborator, Will Long, pushing the EP to psychedelic lengths as the essence of what we call a house groove reaches new idiosyncratic heights. Essential.











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DE - 22113 Hamburg
Germany
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Genre: Deep House, House, Disco, Nu-Disco, Detroit House

Tracklist 12":
1. Soul On My Side
2. Enter Slowly
3. All Or Nothing
4. Small Steps

Release Info:
Yore welcomes Glenn Davis to the Label, who delivers four various yet classic New York inspired Garage House tracks at it's best here – 4 Tracks that are so close to perfection, that this fine 12” will easily make It into all true Deep House Soldiers crates. Music that is so timeless, it can never go out of style. Get your copy while they last. No Represses on this strictly limited 250 copies release.




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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Double-LP, Gatefold sleeve

GENRE/S: House, Deep House, Lo-Fi House, Electronica

TRACKLISTS:
A1. Olympia (with Eliana Glass)
A2. Ethos (with DaRand Land)
B1. Too Poor For Movies, Too Tired For Love (with Lawrence)
B2. Nobody Present Ever Stood So Still
C1. By The End They Will
C2. Cecile (with Eliana Glass)
D1. Drift (with DJ Aakmael)
D2. From Life Ahead
D3. Continuity

SHORT INFO:
More about the world has changed than not in the decade since dance production dyad Frank & Tony released their last full-length record, 2014’s You Go Girl. Despite, or perhaps in spite of, this shifting landscape, house music has managed to stay fundamentally reliable (either a bug or its greatest feature, depending on who you ask). Where previously, Frank & Tony have been celebrated for their contemplative, studious approach to the genre, with 2024’s Ethos, the Brooklyn/Biarritz-based duo return amidst metastatic cultural upheaval to prove out those scholarly credentials — with an album that serves to remind listeners why dancefloors and liberatory politics consistently share the language of movements and revolutions.
Undoubtedly, Ethos is tremendously influenced by the multitude of projects originating from, and supported by, the duo and their label in the decade since You Go Girl– releasing records from a vast diversity of artists (including Nadia Khan, Gry, Villete, Darand Land, Alex Albrecht, DJ Sprinkles and CCL), and Harris becoming curatorial voice of Brooklyn’s premiere venue for audiophiles, Public Records, where he continues to amplify work across a global diaspora (and where the duo maintain a residency of wide praise).

It is this bright energy and focus on the necessity of community and relationships that animates the aptly-titled Ethos. If past Frank & Tony releases have been lauded as ‘a coloring book in which someone has exclusively drawn inside the lines… with extreme precision,’ Ethos deviates by inviting friends in for a game of exquisite corpse. From singer and pianist Eliana Glass, whose androgynous, double-reeded voice freestyles across album opener Olympia, to distinct track features from fellow house masterminds DaRand Land, DJ Aakmael and Lawrence over half of the album’s nine tracks highlight artists in the larger Scissor & Thread circle.











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WAS - Word and Sound Medien GmbH
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Germany
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Double-LP, Gatefold-Sleeve

GENRE/S:
Deep House, Lo-Fi House, Minimal / Deep Tech, House

TRACKLISTS:
A1. Sprinkles Says
A2. 727 Anthem (House Is Black)
A3. Hearts Not Broken feat. Léah Lazonick
B1. Pleasure Chaser
B2. The Beat Direct
B3. Love Triangle
C1. Ghosts feat. Léah Lazonick
C2. Out From Within
C3. Prisoner
D1. At Home In Strange Places
D2. Resonate
D3. In The Valley

SHORT INFO:
Black Light Smoke is the electronic music moniker of Jordan Lieb - producer, songwriter, and award winning film and TV composer. A Chicago native, Jordan transplanted to New York City in 2001, where his career as a multi-disciplined musician has taken flight in many forms.
Currently residing in upstate New York, Black Light Smoke returns to Scissor and Thread for his first full length debut-album: Ghosts.
The 12 tracks (plus three digital bonus tracks) span everything from 90s house, smooth and deep soulful beats, dusty grooves and thoughtful treaties on the state of creativity, capitalism and identity.
It’s a collection that sits together as a listening experience perfectly, building peaks and sliding into serene troughs, all with a strong sense of radical thought and creative experimentation. Tracks bend and warp in unexpected directions, while gritty, distortion and overdrive counterpoint classic rave stabs and vocal samples. Taken as a whole, the album could be the soundtrack to a night drive through the city, as much as certain tracks will no doubt find themselves woven into the sets of the more leftfield and genre pushing DJs. Either way, it’s an essential release from one of the most exciting and vital producers out there and the first artist signed to Scissor and Thread back in 2011.
The album title, Ghosts, tells two stories. One is personal - an artist embracing the shadows of his past in order to move forward and complete a body of work. The second story is a search for the original meaning of house music - not just the usual sample, appropriation or casual nod to the originators of house - but a meditation on the living story of Black America in which house music is an inseparable chapter. Both stories are a reflection on grief and the transformation of trauma into celebration.
100% of Jordan Lieb’s personal proceeds from this record will go to Little Bit Foundation, empowering students living in poverty to achieve their academic goals.











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WAS - Word and Sound Medien GmbH
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Germany
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Debuting on brand new Berlin based house music label Ascension on Wax, Irish producer Glenn Davis is here with his 8th release, Space and Time EP, featuring 4 tracks. With subtle jazz references and motifs, skilful production layering, dreamy deep house chords and vocal sampling; this is one of Davis’s most accomplished releases to date.
The tracks Space And Time and Party With Me have stunning vocals and deep house keys which form the foundations of the tracks. They have a truly hypnotic effect as they progress and take the listener on a musical journey as the different layers of the songs reveal themselves. The former is perfect for playing earlier in the night and the latter, a dance floor ready number which will be sure to get the crowd going.
Following these, are Girl U Gotta and a remix of the same track by the talented jazz musician, sound engineer and producer Mark Hand. Girl U Gotta samples Aretha Franklin and the song has strong elements of the iconic 90’s sound house heads know and love so well. The remix is arguably the heaviest track on the release with accomplished jazz keys throughout and a fat bassline which will knock dancers off their feet.
Ascension on Wax is also releasing a limited pressing special edition of Space and

Support for the release from:
Franck Rogers | Jimpster | Tom Findley (Groove Armada) | Dj Sneak | Lars Behrenroth | Giles Smith (Secret Sundaze) | Orlando B and many others.



Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Genre: Deep House / Soulful House / Bossanova / Detroit House

Tracklist 12":

A1. Cosmic Bossa 09:28
B1. Days of Life 07:22
B2. Our Instinct 06:20

Release Info:
Shaka of the Vibes and Grooves imprint with releases on Local Talk and forthcoming EP on Kai Alce's NDATL, debuts on Yore with a Bossa Nova Deep House masterpiece and classic soulful jazzy deep house on the flip. Not to be missed as this will sell out real quick as only very limited copies available. NO REPRESS.






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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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2LP, Gatefold Sleeve, download code

Tracklist
A1. At First A Wide Space
A2. St. Catherine And The Calm
B1. Song For Aguirre
B2. Trivial Occupations
C1. Dalloway
C2. Recital Of Facts
C3. Parklife
D1. Minor Forms
D2. Beaumont
D3. No Useless Leniency

Release Info
'Trivial Occupations' is the third LP released under the Kingdoms and Scissor and Thread founder’s own name - and continues in the traditions of those landmark records. Having scaled to heights within the club scene and released almost a hundred records under different monikers, Francis Harris embarked on an altogether more personal journey as a composer of intimate, atmospheric pieces removed from the dancefloor.

Here, with 'Trivial Occupations', Harris dives deep into a new sound pallette - bringing the listener on a journey through various states over the almost one hour run time. The album was made over the course of four years in various studios with an array of notable players, bringing a diversity of perspectives and approaches encompassed within Harris stunning artistic studio approach. It was also mixed at Jack White’s Third Man Studios again with the help of long time collaborator and friend, Bill Skibbe.

'At First A Wide Space' opens up the album, setting the tone with a vista of soundscapes, merging synths, live strings by Kingdom’s artist Emil Abramyan. It sets the stage for what is perhaps the album’s (first) opus, 'St Catherine And The Calm'. Spanning over 12 minutes, drifting through ambient textures, shuffling beats and beautifully arpeggiated melodies and found recordings, it gives the listener a widescreen intimacy, not unlike the enveloping sensation of a cinematic experience. 'Song For Aguirre' is a more mournful affair, built around Abramyan’s cello, deep bass tones, pad washes and distant sounding horns from Greg Paulus, adding to the noir-ish 70’s soundtrack feel. 'Trivial Occupations' the album's title track and perhaps the centerpiece in terms of mood and tone, is a dizzying off kilter Jazz trip featuring a cast of remarkable jazz players, including vocalist Genevieve Marentette, Robb Reddy (tenor sax), Darkside member Dave Harrington on guitar and Will Shore (vibes).

Breaking up the album nicely, 'Dalloway', perhaps Harris’ most unique production to date, moves into Dancehall territory with a collaboration with Cameroon born but NY based singer, Kaïssa.

'Recital Of Facts' , one of the only beat driven songs on the LP, harkens back to the sound of Harris' last two albums with a melancholic groove paired with melodic bass fragments and the ever-present pad washes. 'Parklife' follows a similar vibe with the return of Greg Paulus’ mournful horns, but without any rhythmic underpinning, before the previous single 'Minor Forms' appears with its shuffling percussion and the singular sound of Will Shore’s Vibraphone, bringing about a climatic moment listening moment.

The final two tracks - 'Beaumont' and 'No Useless Leniency' both further explore the sense of space with which Harris has become so enamoured - creating textures and backdrops for piano (Beaumont) and horns (Useless Leniency).

It’s an album that is easy to get lost in - a structure suggesting no real beginning or end. Listening to it on loop offers the listener a chance to be fully immersed in the rich, melancholic tonalities of Harris’ sound universe..



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Territories: WW -DE, -AT

TRACKLIST:
A1. Useless Machines
A2. And Everything Is One Thing After Another
A3. Rebstock Fold
B1. Earth Moves
B2. Thresholds
B3. Luck Takes A Step
C1. I Can Still See Us
C2. Speculative Nature Of Purposive Form
C3. Cut Up
D1. New Pastoral
D2. On That Occasion, Landeau
D3. Every Degree Of Distance

SHORT INFO:
While previous albums, most notably Leland and Minutes of Sleep (2014) as well as two albums released as one half of the duo Aris Kindt (most notably the stellar Swann and Odette from 2017) have relied on singular thematic and narrative drives that were often of a personal, collaborative, or hermetic in nature, Thresholds is an album that aspires to sonic universality and the presentation of a fully formed psychoacoustical world. That being said it is not an “album of ideas”. Inspired by the ecological and political upheavals of the present and the role of speculative thought as an avenue of global transformation Thresholds is the work of a mature artist fully in control of his powers. Both expansive and nuanced the album widens the aperture of the affective possibilities of the electronic assemblage; themes skip from one track to the next, elevating and informing each other in tangible fields of abstract figuration. The titles, while often heady, concisely allude to strategies implicit in the construction and arrangement of the works: Cut Up, within the context of the album, is exactly that. Luck Takes a Step juxtaposes stately synths with just the right touch of playful fluctuation and latent atonality. The title track itself is a knotted mass of uncertainty and propulsive beats the breakdown of which is a nervous series of fits and starts that resonate not just within the track but as the fulcrum of the entire album: the threshold of our Threshold: “…we are caught up in our own original transversals of time to the point of dissolution, and that which remains a part of the contrivance of ourselves is ultimately that which crosses the threshold and is somehow, miraculously, reconstituted on the other side of it. Because it is via the threshold that we can best observe the conditions of experience as lived even as we cross to the other side of understanding, rejoining the ancient equilibriums of which we, in our depths, are comprised.” (From the liner notes)
No track overstays its welcome and with the help of standout vocalist Eliana Glass, and instrumentation by Dave Harrington (Darkside with Nicolas Jaar), Mark Nelson (Pan American), Will Shore, Greg Paulus and Gareth Redmond, and mixed by Phil Weinrobe, the result is a dizzyingly pure inward gaze that is first and foremost an album about connection.






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LP - Territory: WW Minus UK/Eire,Usa

1. ABOUT
- Black vinyl
- Printed on heavyweight reverse board outer sleeve
- Double sided printed vinyl insert featuring liner notes by Brian Allen Simon
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK



2. GENRE/S: Ambient / Experimental / Jazz




3. TRACKLISTS: see next page
Please add track lists for all listed formats.

Side A
01. Untitled Skies
02. Moons Melt Milk Light
03. Maine Piano
04. Night Painting I
05. A Million Birds II
06. As it is When it Appears

Side B
01. Champeix
02. Night Painting II
03. Hand Poetry
04. Endings (Solo)
05. Sightless Eyes (N16)



4. SHORT INFO:

Anenon's tenor saxophone breathes an emotive contemplation on loss, meshed with sustained piano and field recordings. 'Moons Melt Milk Light' is a hyper-personal statement contained in a visceral beauty.

LA native Anenon returns with a highly anticipated new album 'Moons Melt Milk Light' on Tonal Union, bearing his most personal, expressive, and arresting works to date. Anenon is the ongoing solo studio and live project of Brian Allen Simon, whom since 2010 has released multiple albums and EPs to critical acclaim, including the highly revered 'Tongue' (2018) and 'Petrol' (2016).

'Moons Melt Milk Light' is direct, efficient, and unwavering in its immediacy. Anenon departs from the electronics of previous works, and embarks on a reductive, almost entirely acoustic approach consisting of piano, tenor saxophone, bass clarinet, and field recordings. All of the music was improvised with everything recorded as either a first or second take with no edits. Any layering happened fast and in the moment, and yet the sonic architecture of the whole feels both planned and refined.

"I feel a kinetic and messy honesty that doesn't exist in any of the other music I've ever made. There is also a sense of being settled, of calm. There is no faking it here."


Full Press Release here: Click here


5. VITAL SALES POINTS:

- PR + Radio campaign by Five Worlds PR (UK) / Dense PR + Radio campaign (EU)


Anenon - Previous Press / Quotes

"Anenon straddles the line between esoteric and accessible with ease and grace, a trait attributable to Simon's self-taught style" - Pitchfork, Tongue (2018)

"Anenon creates a world built from the snug comfort of rain and the quiet joy that comes from solitude." - Pitchfork, Tongue (2018)

"Anenon straddles the line between esoteric and accessible with ease and grace, a trait attributable to Simon's self-taught style" - Pitchfork, Petrol (2016)

"Petrol finds the artist coming into his own, interpreting his life experience into sublime electro-acoustic music." - RA, Petrol (2016)

"Campana," "Pure" and "Verso" are all exceptional. In its own way, each is exquisitely played and a pleasure to take in. - Exclaim, Tongue (2018)

"The first few listens don't disclose the full complexities of Simon's work - it remains semi-horizontal and distant, like a tired shrug. But after several repeats, the circular motifs begin to, if not get under the skin, then at least claw at it a bit" - The Wire, Tongue (2018)

"There's velocity and suspense in equal proportion" - The Wire, Petrol (2016)

"There's velocity and suspense in equal proportion, a sense of expansion that evokes the metropolitan area's sprawl." - The Wire, Petrol (2016)

"Skittering strings and spectral sax luxuriate in gossamer textures" - The Wire, Petrol (2016)





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WAS - Word and Sound Medien GmbH
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