DJ Moplen has outdone himself with this reimagining of Machine’s disco classic. Sticking purely to elements from the original, he’s managed to completely redesign the song, starting with an extended version of the soulful piano intro. Punching up the kick drums and handclaps moves the track into house territory, complemented by a funky guitar riff that was completely buried in the original. When the bass enters front and center Moplen practically forces you to the dancefloor, leaving you vulnerable to August Darnell’s controversial lyrics. Fresh from a career-making start with Dr. Buzzard’s Original Savannah Band, lyricist/vocalist Darnell’s collaboration here with Machine was only months from his next incarnation as Kid Creole. Just like those groups, Darnell here fills his song with the politics of race, religion, and sexuality under the guise of a great beat. This release features that rarest of things: a dub just as good as the original. Rather than just removing the vocals, Moplen again rearranges the song, removing the slow intro and building a killer groove from the ground up. As well as the 1979 version, this 12” also features Timmy Regisford’s 1994 house mix and an alternate “acapella reprise” take of that mix, both of which capture the dark energy of the song perfectly.

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Hi-NRG synth pioneer Patrick Cowley moved away from his usual robotic steeliness on 1982’s “Primitive World,” drawing instead on the groove rock of early 1970s gay discos. It’s a percussion track influenced by Baba- tunde Olatunji’s 1959 hit “Jin-Go-Lo-Ba,” made more famous by Santana’s 1969 cover. Cowley updated the sound for the 1980s with electronics and drum machines but kept the playful attitude of the original. Two choirs of voices chant back and forth to each other, giving Cowley a chance to include many of his friends from the San Francisco dance music community. This has been DJ Hifi Sean’s year, with a best-selling album with David McAlmont , count- less live gigs and high-profile remixes to his name. His interpretation of Cowley’s “Primitive World” can be counted among his best, bringing an intense TB-303 acid house vibe that perfectly complements Cowley’s weird electronic blips and bleeps. The effect is a disorienting mix of psychedelic 70’s groove, 80s synth pop, and 90s tacky house vibes. “Primitive World,” is one of the brilliant standouts on Cowley’s final record, Mind Warp, the so-called “death album” written as his health was rapidly sinking. Hifi Sean’s new remixes pay tribute to Cowley’s genius while fusing the track even more strongly to dance music’s electronic future.

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Unidisc 40th anniversary continues with a Saturday Night Band classic featuring brand new Dave Lee remixes! "Come On Dance, Dance" is a disco funk track by the Saturday Night Band, originally released in 1978. The song features an upbeat tempo and groovy bassline, with brass and string sections adding to the lively and energetic vibe. The catchy chorus invites listeners to join in the dancefloor, with the lead singer's soulful vocals urging everyone to let loose and have a good time. The song is a quintessential disco anthem, with its infectious rhythm and joyous spirit capturing the essence of the era's dance music. "Come On Dance, Dance" has become a classic of its genre and continues to be a popular choice for parties and events. Dave Lee, also known by his stage names Joey Negro and Jakatta, is a British DJ, remixer, and producer known for his contributions to the house, disco, and dance music scenes. Lee has been active in the music industry since the late 1980s and has released numerous singles and albums under his various aliases. Throughout his career, Lee has been a champion of disco and funk music, often incorporating these genres into his productions and remixes. He is also known for his expertise in crate-digging and his extensive record collection, which he has used to source samples and inspiration for his music.

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Germany
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DE - 22113 Hamburg
Germany
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Tavares were an American Disco-Soul-Funk band, with a great deal of songs that charted on Billboard, including their Disco hit “Heaven Must Be Missing An Angel”, which topped the US Dance Chart in 1976, and a grammy award for their rendition of The Bee Gee’s “More Than A Woman” in 1978. Both tracks have been rerecorded for this special 12’ edition.

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Another entry into Unidisc's mammoth 40th anniversary celebrations is this sublime prime piece of 1983 boogie pressure from Ingram, boasting a refix from the mighty Mark Knight & Michael Gray. James Ingram's evergreen jam was an anthem at 80's soul weekenders in the UK, as well as being a crossover record that found favour with B-boys and ravers alike with it's easy electro funk groove. A true classic in every sense of the world, 'DJ's Delight' is one of those tracks that just doesn't stop - watch that bassline! In the spirit of celebration, Unidisc has invited remix heavyweights Knight & Gray to bring their vision of the track into the year 2021 with their modern peaktime version appearing here in both extended and single versions alongside the OG mix. Absolutely essential repress, beautifully presented by your friends over at Unidisc.

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As part of the legendary Canadian label Unidisc's ongoing 40th anniversary celebrations, Lime's 1983 HI-NRG masterpiece is back with a super-fresh 2021 re-rub from the one and only Tiga. Husband and wife duo Lime (aka Denis & Denyse LePage) notched up tons of hits with their own unique brand of fast paced electronic disco and Italo leaning dance-floor bombs. 'Angel Eyes' was one such hit, a driving vocoder heavy synth fest with whiplash electronic drums and serious attitude to boot that can turn any discotheque into throbbing sweaty hysteria! Who else could lend their own style and flavour to such a momentous track but the man Tiga, whose darker edged and chopped up poppy remix takes 'Angel Eyes' into altogether different territory! Absolutely essential repress, beautifully presented by your friends over at Unidisc.

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Staple Disco club hit by American producer extraordinaire Hamilton Bohannon. “Let’s Start II Dance Again” features rap vocals by Dr. Perri Johnson, and the “Instrumental Club” version is available for the 1st time on vinyl. This 12’ is a must for every Disco Dj.

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Storming electronic disco anthem from 1982 on official repress, special coloured wax edition! Patrick Cowley and Sylvester's megaton bomb of a record is often cited as being one of THE definitive disco records from the dawn of the 1980's. Influencing everything from the burgeoning house sound to Italo disco, synth-pop and way beyond, 'Do You Wanna Funk' is simply a classic in every respect. Released on the seminal San Francisco 80s Disco/Hi-NRG label that Cowley had founded, it found it's way onto the turntables - and in turn - onto the dance-floors of every self-respecting disc jockey and nightclub for the next few decades. This is it, pure energy, uplift, body shocking electronic funk of the highest order. On the flipside of this very special reissue you'll find Sylvester's 'Don't Stop' lifted from the 'Do You Wanna Funk' long player, yet another roof raising, slamming and soulful performance from one of the most influential disco performers and figures of all time, an unmissable 12" for real.

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A top shelf electronic cosmic disco reissue here from the depths of Unidisc's impressive 40th anniversary vault. G.B. & The Tracks was the brainchild of Gerry Bribosia, an acclaimed Canadian musician, singer, disco producer and songwriter. While mainly a studio proposition, the outfit cut this singular long-player that contained enough forward looking and electronically inclined jams to impress the likes of Italian maestro Daniele Baldelli and his ilk who played selections from 'Dance To the Music' on the cosmic scene. You only have to listen to the LP closer 'My Kind Of Woman' to see how the enduring leftfield qualities and quirks of the music continue to inspire DJs, collectors and everyone else in-between since the records release in 1978. File under 'Space Disco Bombs'.

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