1
Airod / P.E.A.R.L. - A1 Airod - Drumshock
2
Airod / P.E.A.R.L. - A2 Airod - Hit The Floor (Dub Mix)
3
Airod / P.E.A.R.L. - A3 Airod - Voxxx
4
Airod / P.E.A.R.L. - B1 P.E.A.R.L. - Dirty Knees
5
Airod / P.E.A.R.L. - B2 P.E.A.R.L. - The Purpose
6
Airod / P.E.A.R.L. - B3 P.E.A.R.L. - Blow Like That
2022 Repress
Tracklisting
A1 Airod - Drumshock
A2 Airod - Hit The Floor (Dub Mix)
A3 Airod - Voxxx
B1 P.E.A.R.L. - Dirty Knees
B2 P.E.A.R.L. - The Purpose
B3 P.E.A.R.L. - Blow Like That More
Tracklisting
A1 Airod - Drumshock
A2 Airod - Hit The Floor (Dub Mix)
A3 Airod - Voxxx
B1 P.E.A.R.L. - Dirty Knees
B2 P.E.A.R.L. - The Purpose
B3 P.E.A.R.L. - Blow Like That More
More records from Oaks
1
Loren Kuehne - INTOXICATION
2
Loren Kuehne - RADIUS
3
Loren Kuehne - SO WHAT
4
Loren Kuehne - WHAT THE 4UCK
5
Loren Kuehne - SPATIUM
Tracklisting
A1 Loren Kuehne - INTOXICATION
A2 Loren Kuehne - RADIUS
B1 Loren Kuehne - SO WHAT
B2 Loren Kuehne - WHAT THE 4UCK
B3 Loren Kuehne - SPATIUM
Sales Note
Loren Kuehne has been living the techno scene of Berlin for the past few years, finding inspiration in its clubs and streets. In this EP, she captures the current state of the city's electronic music culture.
This fuego 5 tracker ranges from energetic and powerful to uplifting and melancholic, always maintaining a high BPM with kick drums designed to shake dance floors around the world.
TECHNO DJ MUST LISTEN ALERT More
A1 Loren Kuehne - INTOXICATION
A2 Loren Kuehne - RADIUS
B1 Loren Kuehne - SO WHAT
B2 Loren Kuehne - WHAT THE 4UCK
B3 Loren Kuehne - SPATIUM
Sales Note
Loren Kuehne has been living the techno scene of Berlin for the past few years, finding inspiration in its clubs and streets. In this EP, she captures the current state of the city's electronic music culture.
This fuego 5 tracker ranges from energetic and powerful to uplifting and melancholic, always maintaining a high BPM with kick drums designed to shake dance floors around the world.
TECHNO DJ MUST LISTEN ALERT More
1
Keepsakes - Dog Anonymous Fluid
2
Keepsakes - Funk the Influence
3
Keepsakes - Criminal Drum Lab
4
Keepsakes - Egotistic Horn
5
Keepsakes - Powder Of The Gods
Tracklisting
A1 Keepsakes - Dog Anonymous Fluid
A2 Keepsakes - Funk the Influence
B1 Keepsakes - Criminal Drum Lab
B2 Keepsakes - Egotistic Horn
B3 Keepsakes - Powder Of The Gods
Sales Note
INTRODUCING OAKS23, FROM HAVEN'S LABEL BOSS KEEPSAKES. AFTER YEARS OF PLAYING HIS RECORDS, I AM PROUD TO INTRODUCE THIS SPECIAL RELEASE FROM HIM. IT DIVERGES FROM HIS USUAL INDUSTRIAL CONTEXT AND BRINGING IT MORE TO THE OAKS STYLE, SURE WEAPON FOR DISC-JOCKEYS.
EXPLORING NEW DIMENSIONS TO HIS SOUNDS WITH A FOCUS ON FUNK AND GROOVE, SPRINKLES OF EUPHORIA, ZANY ACID AND HIS USUAL DARK ATMOSPHERES.
More
A1 Keepsakes - Dog Anonymous Fluid
A2 Keepsakes - Funk the Influence
B1 Keepsakes - Criminal Drum Lab
B2 Keepsakes - Egotistic Horn
B3 Keepsakes - Powder Of The Gods
Sales Note
INTRODUCING OAKS23, FROM HAVEN'S LABEL BOSS KEEPSAKES. AFTER YEARS OF PLAYING HIS RECORDS, I AM PROUD TO INTRODUCE THIS SPECIAL RELEASE FROM HIM. IT DIVERGES FROM HIS USUAL INDUSTRIAL CONTEXT AND BRINGING IT MORE TO THE OAKS STYLE, SURE WEAPON FOR DISC-JOCKEYS.
EXPLORING NEW DIMENSIONS TO HIS SOUNDS WITH A FOCUS ON FUNK AND GROOVE, SPRINKLES OF EUPHORIA, ZANY ACID AND HIS USUAL DARK ATMOSPHERES.
More
1
Tim Tama - Burn (Tool Version)
2
Lars Huismann - Carimbó
3
Not A Headliner - Seeking Behind The Correct Things
4
JKS - Gonna Be Mine
Tracklisting:
A1 Tim Tama - Burn (Tool Version)
A2 Lars Huismann - Carimbó
B1 Not A Headliner - Seeking Behind The Correct Things
B2 JKS - Gonna Be Mine
Sales Note
Contemporary groove tribal techno compilation for the collective extasy induction. Discoteca use preferred for disc-jockeys and collectors. More
A1 Tim Tama - Burn (Tool Version)
A2 Lars Huismann - Carimbó
B1 Not A Headliner - Seeking Behind The Correct Things
B2 JKS - Gonna Be Mine
Sales Note
Contemporary groove tribal techno compilation for the collective extasy induction. Discoteca use preferred for disc-jockeys and collectors. More
1
Loren Kuehne - Now And Here
2
PEARL - My shoes burning with desire
3
Loren Kuehne - Serpentine 1.1
4
Ruiz Osc1 - Que gracioso
Tracklisting:
A1 Loren Kuehne - Now And Here
A2 PEARL - My shoes burning with desire
B1 Loren Kuehne - Serpentine 1.1
B2 Ruiz Osc1 - Que gracioso
Sales Note
Contemporary groove tribal techno compilation for the collective extasy induction. Discoteca use preferred for disc-jockeys and collectors. More
A1 Loren Kuehne - Now And Here
A2 PEARL - My shoes burning with desire
B1 Loren Kuehne - Serpentine 1.1
B2 Ruiz Osc1 - Que gracioso
Sales Note
Contemporary groove tribal techno compilation for the collective extasy induction. Discoteca use preferred for disc-jockeys and collectors. More
1
Héctor Oaks - Todo el polvo
2
Blue Hour - Traversing
3
Birmingblast - Bending
4
Keepsakes - House For Cynics
Tracklisting:
A1 Héctor Oaks - Todo el polvo
A2 Blue Hour - Traversing
B1 Birmingblast - Bending
B2 Keepsakes - House For Cynics
Sales Note
Contemporary groove tribal techno compilation for the collective extasy induction. Discoteca use preferred for disc-jockeys and collectors. More
A1 Héctor Oaks - Todo el polvo
A2 Blue Hour - Traversing
B1 Birmingblast - Bending
B2 Keepsakes - House For Cynics
Sales Note
Contemporary groove tribal techno compilation for the collective extasy induction. Discoteca use preferred for disc-jockeys and collectors. More
1
Ascion - Accelerate (Intro)
2
Ascion - Acidtraum
3
Ascion - Witnesses
4
Ascion - It began with that sound
5
Ascion - Energize
6
Ascion - Needless
7
Ascion - You know how it is
8
Ascion - Tribute to bad passion
9
Ascion - Midnight Tease
10
Ascion - U forget to partey
11
Ascion - Tainted Core
12
Ascion - Heave
Tracklisting:
A1 Ascion - Accelerate (Intro)
A2 Ascion - Acidtraum
A3 Ascion - Witnesses
B1 Ascion - It began with that sound
B2 Ascion - Energize
B3 Ascion - Needless
C1 Ascion - You know how it is
C2 Ascion - Tribute to bad passion
C3 Ascion - Midnight Tease
D1 Ascion - U forget to partey
D2 Ascion - Tainted Core
D3 Ascion - Heave
Sales Note
Ascion's debut solo album "ACIDTRAUM (You Know How It Is)" showcases his years of dedicated music production. It's a psychedelic blend of Underground Resistance, arcade games, 90s electronica, and sci-fi vibes, creating a unique post-modern club experience. The album reimagines the nostalgia of Trance, Acid, Electro, and Italo Disco, resulting in a captivating and innovative sound. More
A1 Ascion - Accelerate (Intro)
A2 Ascion - Acidtraum
A3 Ascion - Witnesses
B1 Ascion - It began with that sound
B2 Ascion - Energize
B3 Ascion - Needless
C1 Ascion - You know how it is
C2 Ascion - Tribute to bad passion
C3 Ascion - Midnight Tease
D1 Ascion - U forget to partey
D2 Ascion - Tainted Core
D3 Ascion - Heave
Sales Note
Ascion's debut solo album "ACIDTRAUM (You Know How It Is)" showcases his years of dedicated music production. It's a psychedelic blend of Underground Resistance, arcade games, 90s electronica, and sci-fi vibes, creating a unique post-modern club experience. The album reimagines the nostalgia of Trance, Acid, Electro, and Italo Disco, resulting in a captivating and innovative sound. More
1
Héctor Oaks aka Cadency - No Title
2
Héctor Oaks aka Cadency - No Title
3
Héctor Oaks aka Cadency - No Title
4
Héctor Oaks aka Cadency - No Title
Tracklisting:
A1 Héctor Oaks a.k.a. Cadency - Leben Auf Highspeed
A2 Héctor Oaks a.k.a. Cadency - NEVER ALWAYS FOREVER ANYMORE
B1 Héctor Oaks a.k.a. Cadency - Neanderthal
B2 Héctor Oaks a.k.a. Cadency - I Learned That On The Street
Sales Note
- 2023 repress / comes in Oaks' repress label sleeve -
"Scars cannot be obliterated. Scars make us who we are, Scars remind us how we got hurt but also that we can heal.
I learned that on the street."
Program and mood recorded on the streets of Berlin and Madrid.
Mastered by Joel Krozer in Copenhagen at 6BITDEEP.
2020 to eternity. More
A1 Héctor Oaks a.k.a. Cadency - Leben Auf Highspeed
A2 Héctor Oaks a.k.a. Cadency - NEVER ALWAYS FOREVER ANYMORE
B1 Héctor Oaks a.k.a. Cadency - Neanderthal
B2 Héctor Oaks a.k.a. Cadency - I Learned That On The Street
Sales Note
- 2023 repress / comes in Oaks' repress label sleeve -
"Scars cannot be obliterated. Scars make us who we are, Scars remind us how we got hurt but also that we can heal.
I learned that on the street."
Program and mood recorded on the streets of Berlin and Madrid.
Mastered by Joel Krozer in Copenhagen at 6BITDEEP.
2020 to eternity. More
1
Player - Player Three
2
Player - Player Twenty-Five
3
Player - Player Three (+8%)
4
Player - Ghetto Bootie
Tracklisting:
A1 Player - Player Three
A2 Player - Player Twenty-Five
B1 Player - Player Three (+8%)
B2 Player - Ghetto Bootie
Release Note:
Proudly bringing for you on vinyl maybe my most played track and mighty tribal techno most influential sounds from the beginning of the millennium. Wilko sample based hard kicking grooves have been destroying dance floors continuously since they were created. OAKS is here to perpetuate this mission with a compilation of true effective tunes in total PLAYER fashion, for disc-jockeys and collectors.
ORIGINALLY RELEASED IN PLAYER AND CORE BETWEEN 2001 and 2003. RESPECT TO JOHN NUCCLE AND WILKO FOR PERPETUATING THIS RELEASE TO THE NEXT GENERATION AND TO ETERNITY.
Often Plus Never minus 8. More
A1 Player - Player Three
A2 Player - Player Twenty-Five
B1 Player - Player Three (+8%)
B2 Player - Ghetto Bootie
Release Note:
Proudly bringing for you on vinyl maybe my most played track and mighty tribal techno most influential sounds from the beginning of the millennium. Wilko sample based hard kicking grooves have been destroying dance floors continuously since they were created. OAKS is here to perpetuate this mission with a compilation of true effective tunes in total PLAYER fashion, for disc-jockeys and collectors.
ORIGINALLY RELEASED IN PLAYER AND CORE BETWEEN 2001 and 2003. RESPECT TO JOHN NUCCLE AND WILKO FOR PERPETUATING THIS RELEASE TO THE NEXT GENERATION AND TO ETERNITY.
Often Plus Never minus 8. More
1
Héctor Oaks - Is Imminent
2
Héctor Oaks - Sounds Violent, Truth Always Is
3
Héctor Oaks - Reign
4
Héctor Oaks - Forwarded State Of Evidence
5
Héctor Oaks - As We Were Saying
6
Héctor Oaks - Purpose-Method
7
Héctor Oaks - Afterall, She Had No Reason To Stay
8
Héctor Oaks - Horoom Reclusion
9
Héctor Oaks - Improved Motto
10
Héctor Oaks - Together We Stand
11
Héctor Oaks - From Here Onwards [Outro]
Tracklisting:
A1 Héctor Oaks - Is Imminent
A2 Héctor Oaks - Sounds Violent, Truth Always Is
A3 Héctor Oaks - Reign
B1 Héctor Oaks - Forwarded State Of Evidence
B2 Héctor Oaks - As We Were Saying
C1 Héctor Oaks - Purpose-Method
C2 Héctor Oaks - Afterall, She Had No Reason To Stay
C3 Héctor Oaks - Horoom Reclusion
D1 Héctor Oaks - Improved Motto
D2 Héctor Oaks - Together We Stand
D3 Héctor Oaks - From Here Onwards [Outro]
Release Note:
"2018 Tbilisi Georgia. The energy captured materialized into the beats, melodies, and grooves across this album.
2022 the energy extended, echoes from the rawness, and its intention can be perceived all around the globe. With no program to stop.
Reasons enough to repress this record thanking hard to all those who have taken part in this incredible story which still has to be written.
As we are saying.
One of you." More
A1 Héctor Oaks - Is Imminent
A2 Héctor Oaks - Sounds Violent, Truth Always Is
A3 Héctor Oaks - Reign
B1 Héctor Oaks - Forwarded State Of Evidence
B2 Héctor Oaks - As We Were Saying
C1 Héctor Oaks - Purpose-Method
C2 Héctor Oaks - Afterall, She Had No Reason To Stay
C3 Héctor Oaks - Horoom Reclusion
D1 Héctor Oaks - Improved Motto
D2 Héctor Oaks - Together We Stand
D3 Héctor Oaks - From Here Onwards [Outro]
Release Note:
"2018 Tbilisi Georgia. The energy captured materialized into the beats, melodies, and grooves across this album.
2022 the energy extended, echoes from the rawness, and its intention can be perceived all around the globe. With no program to stop.
Reasons enough to repress this record thanking hard to all those who have taken part in this incredible story which still has to be written.
As we are saying.
One of you." More
1
Takaaki Itoh - No Title
2
Takaaki Itoh - No Title
3
Takaaki Itoh - No Title
2022 repress
Proudly reissuing one of the most wanted Birmingham industrial techno records by the Japanese legend Takaaki Itoh. This seminal milestone has been carefully remastered, for fitting nowadays standards, but conserving all the rawness and power of the original, by Pedro Romero at Nexo 101. Contained in a 12" disco bag designed by Marcos Leiras Santos. For disc-jockeys and collectors.
Originally released in 2004 in IM records. More
Proudly reissuing one of the most wanted Birmingham industrial techno records by the Japanese legend Takaaki Itoh. This seminal milestone has been carefully remastered, for fitting nowadays standards, but conserving all the rawness and power of the original, by Pedro Romero at Nexo 101. Contained in a 12" disco bag designed by Marcos Leiras Santos. For disc-jockeys and collectors.
Originally released in 2004 in IM records. More
1
Syndromania - Tenebrae
2
Syndromania - Araña Vascular
3
Syndromania - Schelmowg
4
Syndromania - 4sturi3s
5
Syndromania - Toboggan
6
Syndromania - Telangictasia
Tracklisting:
A1 Syndromania - Tenebrae
A2 Syndromania - Araña Vascular
A3 Syndromania - Schelmowg
B1 Syndromania - 4sturi3s
B2 Syndromania - Toboggan
B3 Syndromania - Telangictasia
Release Note:
"In the beginning of the 2000's being a producer or a DJ wasn't cool, it was something for nerds. And no one was so crazy to spend all their money in machines. I was going to the clubs in the weekend and when everyone was going to the afterparty i was going to work for a little money to be able to make music, music that I wanted to be play by all these big DJ's I had the chance to see, and I made it."
- Tells Hector Sandoval AKA Tensal Aka Syndromania to me and some other younger DJS (P.E.A.R.L, Jheal Bashta) while we drink a beer in Gijon north of Spain, city close to the town where Syndromania is based. -
After hundreds of records released and the recognition of every single artist of the scene. Few has changed for Syndromania, he keeps getting immersed in his studio with the same love although now with another point of view plus the experience to twist it to the next level.
DJing since 1993 his musical knowledge may be in the top 5 more knowledgeable people I ever met. As you can hear along the 6 cuts of this Sacrilegio EP it's fully rooted on straight messages and codes that have been filling up years of rave culture with a new take on them in order to optimize them for a contemporary rave experience.
From UK infected electro, mechanical-industrial techno music, leaning Chicago house cut to a tremendous take on techno-trance. This record is one of my favorites ever released on OAKS/KAOS and one of the ones that I'm sure that sets the level to inspire many to reinvent and develop our culture.
To be honest Sacrilegio is one of the records I'm more proud about of all in our catalogs. Thanks to Syndromania for this extraordinary piece of art and DJ apex tool which won't ever leave my record bag, neither probably yours."
Respeto.
Hector.
#oftenplusneverminus8 More
A1 Syndromania - Tenebrae
A2 Syndromania - Araña Vascular
A3 Syndromania - Schelmowg
B1 Syndromania - 4sturi3s
B2 Syndromania - Toboggan
B3 Syndromania - Telangictasia
Release Note:
"In the beginning of the 2000's being a producer or a DJ wasn't cool, it was something for nerds. And no one was so crazy to spend all their money in machines. I was going to the clubs in the weekend and when everyone was going to the afterparty i was going to work for a little money to be able to make music, music that I wanted to be play by all these big DJ's I had the chance to see, and I made it."
- Tells Hector Sandoval AKA Tensal Aka Syndromania to me and some other younger DJS (P.E.A.R.L, Jheal Bashta) while we drink a beer in Gijon north of Spain, city close to the town where Syndromania is based. -
After hundreds of records released and the recognition of every single artist of the scene. Few has changed for Syndromania, he keeps getting immersed in his studio with the same love although now with another point of view plus the experience to twist it to the next level.
DJing since 1993 his musical knowledge may be in the top 5 more knowledgeable people I ever met. As you can hear along the 6 cuts of this Sacrilegio EP it's fully rooted on straight messages and codes that have been filling up years of rave culture with a new take on them in order to optimize them for a contemporary rave experience.
From UK infected electro, mechanical-industrial techno music, leaning Chicago house cut to a tremendous take on techno-trance. This record is one of my favorites ever released on OAKS/KAOS and one of the ones that I'm sure that sets the level to inspire many to reinvent and develop our culture.
To be honest Sacrilegio is one of the records I'm more proud about of all in our catalogs. Thanks to Syndromania for this extraordinary piece of art and DJ apex tool which won't ever leave my record bag, neither probably yours."
Respeto.
Hector.
#oftenplusneverminus8 More
1
Christian Varela - A1 New Experiment 1
2
Christian Varela - A2 New Experiment 2
3
Christian Varela - B1 New Experiment 3
4
Christian Varela - B2 New Experiment 4
Tracklist
A1 Christian Varela - New Experiment 1
A2 Christian Varela - New Experiment 2
B1 Christian Varela - New Experiment 3
B2 Christian Varela - New Experiment 4 More
A1 Christian Varela - New Experiment 1
A2 Christian Varela - New Experiment 2
B1 Christian Varela - New Experiment 3
B2 Christian Varela - New Experiment 4 More
1
Dj Plant Texture a.k.a. A662 - No Title
2
Dj Plant Texture a.k.a. A662 - No Title
3
Dj Plant Texture a.k.a. A662 - No Title
4
Dj Plant Texture a.k.a. A662 - No Title
Taking the basics from the past we seed our future. Apparently the songs hosted in this 12" are just techno tracks but the man behind them knows what he is doing.
Expect the unexpected: trap breaks, Chicago swinged rhythms, epic breaks and a lot of cowbell. All out of the ordinary to surprise the crowd, the listener and your neighbor if you play it loud enough during lockdown. All written and produced by one of those underrated genius who has studied and mastered the history and culture of rave music.
Dj Plant Texture is a sublime vinyl DJ, he owns a record store in the south of Italy and his prolific producer catalog along genres speaks for itself. Honored to have him in this second edition of Música Techno para Discoteca Presenting his new alias A.662
Disruptive techno music for believers, disc-jockeys and collectors. Play under your own risk. More
Expect the unexpected: trap breaks, Chicago swinged rhythms, epic breaks and a lot of cowbell. All out of the ordinary to surprise the crowd, the listener and your neighbor if you play it loud enough during lockdown. All written and produced by one of those underrated genius who has studied and mastered the history and culture of rave music.
Dj Plant Texture is a sublime vinyl DJ, he owns a record store in the south of Italy and his prolific producer catalog along genres speaks for itself. Honored to have him in this second edition of Música Techno para Discoteca Presenting his new alias A.662
Disruptive techno music for believers, disc-jockeys and collectors. Play under your own risk. More
There was a time when Techno was written with a K; when the music was presented as a song not as a track. It followed a structure - intro, chorus, bridge... These recordings were naive, spontaneous, and raw, that's what made some of them timeless.
More
1
Rumenige / Loktibrada - No Title
2
Rumenige / Loktibrada - No Title
3
Rumenige / Loktibrada - No Title
4
Rumenige / Loktibrada - No Title
Originally released between 2002 and 2006 by Antidandruff. Remastered by Joel Krozer at 6BitDeep Studio Copenhagen. Respect to Rumenige and Loktibrada for making this reissue transcend to the next generation and probably to eternity.
More
1
Rumenige / Loktibrada - No Title
2
Rumenige / Loktibrada - No Title
3
Rumenige / Loktibrada - No Title
4
Rumenige / Loktibrada - No Title
Originally released between 2002 and 2006 by Antidandruff. Remastered by Joel Krozer at 6BitDeep Studio Copenhagen. Respect to Rumenige and Loktibrada for making this reissue transcend to the next generation and probably to eternity.
More
1
Héctor Oaks - We Met Under The Strobe Light
2
Héctor Oaks - Cybertunnel
3
Héctor Oaks - Two-Step Dance Ensured
4
Héctor Oaks - Let It Guide You, Let It Burn You, Obey
Stepping in with a new maxi, first after the album, can't deny it wasn't the easiest job. Inspired by several meetings with influential people in my life, this 4 tracker delivers melancholia and funk for the toughest Dancefloors in the very Oaks tradition.
More
1
ascion - No Title
2
ascion - No Title
3
ascion - No Title
4
ascion - No Title
"The next one is signed by one of my contemporary idols. His zero-f*cks-giving attitude and his aim to move forward make Ascion the perfect artist to keep telling this story which two years ago was started to write. It could have been nineteen ninety two or today. It could be acid, techno-trance or even 'ardcore (you know the score). Echoes from Belgian New Beat and UK's Intelligent Dance Music resound all along it. Call it how you want and no matter when or where. This rave instrument is going to fill many epic warehouse moments. There is no way to escape: welcome to Your Finest Nightmare."
More
More
Customers who bought this also bought this
1
dj rasoul - Let Me Love You
2
dj rasoul - Let Me Love You (Dub)
3
dj rasoul - Blue Note
4
dj rasoul - Night At The Top
One of the defining releases on Large Music gets a special re-issue after a 16 year wait. Considered by many to be one of the top 3 packages in the early Large catalog, this EP set the trajectory for what would quickly become known as the "West Coast" sound of American House. The main vocal on side A also became a venerable classic at the Shelter in NYC and was played consistently by Timmy Regisford throughout his tenure there. The darker, more disco filtered tones on the flip side were also highly praised and played at the time by French DJs such as Daft Punk, Phil Weeks, Cassius and many others. Rasoul is often overlooked as one of the chief architects of modern Deep House, yet this release certainly secures his elite standing in the annals of House Music history. Essential!
More
1
Speedy J - Rise
2
Speedy J - Something For Your Mind
3
Speedy J - Tresor
4
Speedy J - De Orbit
Repress coming mid January 2025.
Remastered reissue of the second landmark EP for Plus 8 Records by Speedy J. Again expanding on the emerging sounds of Techno Speedy J took it further into euphoric, minimal lofi and bleepy territory with ''Rise'', ''Tresor'' and ''De-orbit''. All while effectively stripping it down to the bare bones rocking only a 909 and a vocal sample on ''Something For Your Mind''. This release and in particular ''Something For Your Mind'' was there at the forefront of techno as we know it these days with a harder, raw and no-nonsense approach and all its variations such as Gabber that grew out of that in Rotterdam the following year. More
Remastered reissue of the second landmark EP for Plus 8 Records by Speedy J. Again expanding on the emerging sounds of Techno Speedy J took it further into euphoric, minimal lofi and bleepy territory with ''Rise'', ''Tresor'' and ''De-orbit''. All while effectively stripping it down to the bare bones rocking only a 909 and a vocal sample on ''Something For Your Mind''. This release and in particular ''Something For Your Mind'' was there at the forefront of techno as we know it these days with a harder, raw and no-nonsense approach and all its variations such as Gabber that grew out of that in Rotterdam the following year. More
1
Borai & Denham Audio - Extended Mix
2
Borai & Denham Audio - Big Ang's Rave To The Grave Remix
3
Borai & Denham Audio - Mani Festo Remix
4
Borai & Denham Audio - Paul Sirrell Remix
One of the biggest, breakbeat channelling stompers out there, courtesy of the in-demand duo Borai and Denham Audio, finally gets an official release with three fiery remixes via Room Two Recordings. A track that’s ripped through airwaves and club dancefloors alike, ‘Make Me’ has all the hallmarks of a future classic. Doused in Amen breaks, rattling subs, rave stabs and an instantly recognizable mid ‘80s Donna Allen sample. Together the track feels like a long forgotten rave anthem from the ‘90s with its mix of high intensity breaks and soulful vocals.
With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat.
DJ Support:
Peggy Gou, Prospa, Special Request, Annie Mac, DJ Seinfeld, Kolsch More
With the original sample cleared, three producers step up to remix this undeniable anthem. First Sheffield’s Big Ang with her Rave To The Grave remix, playing homage to her hometown with a bassline and bleep flavoured rework. Mani Festo then hits hyperspace with his glitched out, jungle warper, before Paul Sirrell closes out proceedings serving up a huge slice of piano house heat.
DJ Support:
Peggy Gou, Prospa, Special Request, Annie Mac, DJ Seinfeld, Kolsch More
1
Speedy J - Wicked Saw
2
Speedy J - Minimal
3
Speedy J - Journey
4
Speedy J - Spectrum
Remastered reissue of this seminal EP by Speedy J originally released on Detroit's Plus 8 records. Taking his inspiration from the early Detroit and Chicago imports that landed on the Dutch coast in the late 80's Speedy J ended up creating a classic that innovated and embodied the raw energy of the then still emerging sound of Techno. After all these years this is the very first repress of this landmark release!
More
1
My Friend Dario - Keep On Cruising
2
My Friend Dario - Zingarella
3
My Friend Dario - Senza Estate
4
My Friend Dario - Marittimo
5
My Friend Dario - What You Need
6
My Friend Dario - Falo
7
My Friend Dario - Il Pianeta Proibito
8
My Friend Dario - Acid Panorama
Limited to 350 copies
Stop what you're doing and give us your full attention because Hell Yeah mainstay My Friend Dario's new album Senza Estate is going to define the sound of summer 2024. It's an eclectic eight-track collection that has something for everyone and is inspired by dreamy Italian soundtrack composers Piero Piccioni and Umiliani.
Curveball Italian talent Dario is a real dance floor don who collides acid, nu-disco, breakbeat and electro. His take on Balearic is unique and always sends dance floors wild, as proven with his last outing Food For Woofers Vol 2 earlier in the year. His new album is the sound of life by the Mediterranean, Balearic audio pleasure for daytime dreaming and nighttime dancing with vocal tracks written and performed by the UK's Space Echo Records associate Darene Obika.
Dario hails from Catania on the island of Sicily and his inspiration for Senza Estate, which translates as 'without summer,' was an imaginary holiday, weekends at the seaside, car journeys in the sun, relaxing sunsets and late-night dancing. 'For five years, I worked in a shop six days a week so despite living on a Mediterranean island I could never enjoy these things. Instead, I locked myself in the studio and jotted down the ideas, sensations, melodies and rhythms I had about another lost summer.'
'Keep On Cruising' is a downtempo opener with innocent synths that are filled with hope and promise for the warm months ahead. 'Zingarella' is a wide open sea view with wispy pads, seductive flutes and jazzy melodies that bristle with life and the tropical title cut gets more dancey on shuffling broken beats and radiant synth glows. There's a seductive laid-back cool to the tumbling keys of 'Marittimo' and 'What You Need' is a horizontal groove with loved-up vocals, 'Falò' pairs sensual acoustic guitar with work with pillowy drums and 'Il Pianeta Proibito' layers up sci-fi synths and stuttering bass into a bubbly sound that leads to cosmic take-off. 'Acid Panorama' is the melancholic closer which hints that the summer sun is setting one final time after weeks of carefree fun.
But the good news is, you can repeat the joys of My Friend Dario's masterful Senza Estate over and over again. More
Stop what you're doing and give us your full attention because Hell Yeah mainstay My Friend Dario's new album Senza Estate is going to define the sound of summer 2024. It's an eclectic eight-track collection that has something for everyone and is inspired by dreamy Italian soundtrack composers Piero Piccioni and Umiliani.
Curveball Italian talent Dario is a real dance floor don who collides acid, nu-disco, breakbeat and electro. His take on Balearic is unique and always sends dance floors wild, as proven with his last outing Food For Woofers Vol 2 earlier in the year. His new album is the sound of life by the Mediterranean, Balearic audio pleasure for daytime dreaming and nighttime dancing with vocal tracks written and performed by the UK's Space Echo Records associate Darene Obika.
Dario hails from Catania on the island of Sicily and his inspiration for Senza Estate, which translates as 'without summer,' was an imaginary holiday, weekends at the seaside, car journeys in the sun, relaxing sunsets and late-night dancing. 'For five years, I worked in a shop six days a week so despite living on a Mediterranean island I could never enjoy these things. Instead, I locked myself in the studio and jotted down the ideas, sensations, melodies and rhythms I had about another lost summer.'
'Keep On Cruising' is a downtempo opener with innocent synths that are filled with hope and promise for the warm months ahead. 'Zingarella' is a wide open sea view with wispy pads, seductive flutes and jazzy melodies that bristle with life and the tropical title cut gets more dancey on shuffling broken beats and radiant synth glows. There's a seductive laid-back cool to the tumbling keys of 'Marittimo' and 'What You Need' is a horizontal groove with loved-up vocals, 'Falò' pairs sensual acoustic guitar with work with pillowy drums and 'Il Pianeta Proibito' layers up sci-fi synths and stuttering bass into a bubbly sound that leads to cosmic take-off. 'Acid Panorama' is the melancholic closer which hints that the summer sun is setting one final time after weeks of carefree fun.
But the good news is, you can repeat the joys of My Friend Dario's masterful Senza Estate over and over again. More
1
Victor Romero Evans - At The Club
2
The Detonators - Lift Off
Diggin deep, two treasured cuts from the John Collins vaults, remastered, reissued and sounding oh so weighty. The lush Lovers vibe of Victor Romero Evans - At The Club and the mind-bending, cosmic, space-echoed dub from The Detonators - Lift Off.
Both written and produced by the mighty John Collins, producer of some seminal tracks from the likes of Janet Kay and Rick Clarke, it was his production prowess on these two tracks that led Jerry Dammers to get Collins in to produce The Specials - Ghost Town / Why? / Friday Night, Saturday Morning after hearing the magic of this EP. With originals trading hands for £70 it's high time a reissue came around. More
Both written and produced by the mighty John Collins, producer of some seminal tracks from the likes of Janet Kay and Rick Clarke, it was his production prowess on these two tracks that led Jerry Dammers to get Collins in to produce The Specials - Ghost Town / Why? / Friday Night, Saturday Morning after hearing the magic of this EP. With originals trading hands for £70 it's high time a reissue came around. More
1
Dopplereffekt - Cellular Phone
2
Dopplereffekt - Technic 1200
3
Dopplereffekt - Scientist
4
Dopplereffekt - Rocket Scientist
5
Dopplereffekt - Superior Race
6
Dopplereffekt - Satellites
7
Dopplereffekt - Plastiphilia 2
8
Dopplereffekt - Voice Activated
9
Dopplereffekt - Speak & Spell
10
Dopplereffekt - Denki No Zuno
11
Dopplereffekt - Sterilization
12
Dopplereffekt - Die Radiometre
13
Dopplereffekt - Pornoactress
14
Dopplereffekt - Infophysix
15
Dopplereffekt - Pornoviewer
The stunning 3 12inch releases from Dataphysix records released in the mid 90's together on one double album/CD. Including amazing tracks like Scientist, Pornoactress, Sterilization, Rocket scientist, Cellularphone and Speak and Spell. This is almost as important for a complete techno generation as Kraftwerks Computerworld and Autobahn was for many in the 70's. Finally available again after being out of print for years!
More
1
Grauzone - A1. Film 2
2
Grauzone - A2. Schlachtet!
3
Grauzone - A3. Hinter Den Bergen
4
Grauzone - A4. Maikäfer Flieg
5
Grauzone - A5. Marmelade Und Himbeereis
6
Grauzone - B1. Wütendes Glas
7
Grauzone - B2. Kälte Kriecht
8
Grauzone - B3. Kunstgewerbe
9
Grauzone - B4. Der Weg Zu Zweit
10
Grauzone - B5. In Der Nacht
11
Grauzone - C1. Eisbär
12
Grauzone - C2. Ich Lieb Sie
13
Grauzone - C3. Moskau
14
Grauzone - C4. Ein Tanz Mit Dem Tod
15
Grauzone - D1. Träume Mit Mir
16
Grauzone - D2. Ich Und Du
17
Grauzone - D3. Wütendes Glas (Maxi Version)
18
Grauzone - D4. Raum
19
Grauzone - D5. Film 1
Double LP: Heavy 350gsm Sleeve, Liner Notes, Sticker
- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!
Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental
Tracklisting Double LP Album
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
B1. Wütendes Glas
B2. Kälte Kriecht
B3. Kunstgewerbe
B4. Der Weg Zu Zweit
B5. In Der Nacht
C1. Eisbär
C2. Ich Lieb Sie
C3. Moskau
C4. Ein Tanz Mit Dem Tod
D1. Traüme Mit Mir
D2. Ich Und Du
D3. Wütendes Glas (Maxi Version)
D4. Raum
D5. Film 1
WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Points of interests
- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.
- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).
More
- Official reissue of Grauzone's album with 9 bonus songs including the megahit "Eisbär" and more, straight from the original reels!
Genre: Post-Punk, Electronic, New Wave, Cold Wave, Pop, Synth, Industrial, Experimental
Tracklisting Double LP Album
A1. Film 2
A2. Schlachtet!
A3. Hinter Den Bergen
A4. Maikäfer Flieg
A5. Marmelade Und Himbeereis
B1. Wütendes Glas
B2. Kälte Kriecht
B3. Kunstgewerbe
B4. Der Weg Zu Zweit
B5. In Der Nacht
C1. Eisbär
C2. Ich Lieb Sie
C3. Moskau
C4. Ein Tanz Mit Dem Tod
D1. Traüme Mit Mir
D2. Ich Und Du
D3. Wütendes Glas (Maxi Version)
D4. Raum
D5. Film 1
WRWTFWW Records is very happy to reissue Swiss cult band Grauzone's self-titled album in an expanded 40 Years Anniversary Edition packed with the original 1981 album plus 9 extra songs, as well as extensive liner notes by Swiss music historian Lurker Grand. The 19-track album is available as a double LP vinyl in heavy 350gsm sleeve and a digipack CD, both sourced from the original reels and put together under the supervision of band member and all around legend Stephan Eicher.
The pioneering band from Bern (Switzerland) had a short-lived but highly-regarded career which birthed a cult discography that still fascinates and resonates today. Consisting of core members Martin Eicher, Stephan Eicher, and Marco Repetto, and on-and-off participants Christian GT Trüssel, Claudine Chirac, and Ingrid Berney, the elusive group broke new grounds in the early 80s, experimenting with punk and industrial music, early techno sounds, minimalism, new wave, pop, and various electronics. With an innovative and polished approach to design, visuals, performance, and all around style and philosophy on top of their superb music, the constantly transforming unit developed a whole experience - the Grauzone experience: wild and unpredictable, yet sophisticated and cohesive, or as Swiss music historian Lurker Grand would call it, "an Art band with a Punk attitude".
Completely rejecting the music industry rules and refusing to play the game of promotion, touring, release schedules, and TV appearances even though they had a multi-platinum international hit with the song "Eisbär", the band quickly disintegrated in full convention-defying glory, leaving behind an inspiring music legacy for the world to discover and discover again, one generation after the other.
This extended version of their debut (and only) album beautifully crystallizes the Grauzone miracle/accident - where pop and youthful experimentation meet at (new/cold/no) wave and industrial crossroads, and where classic hits ("Eisbär", "FILM 2", "Raum", "Träume Mit Mir", "Der Weg Zu Zweit"…) flawlessly mesh with unconventional deep cuts ("In Der Nacht", "Film 1", "Maikäfer Flieg"…). Very simply put: GOOD timeless music with an edge.
Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and Sylvie Fleury, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin's Rephlex label.
Points of interests
- For fans of electronic, post-punk, new wave, cold wave, Swiss wave, no wave, Neue Deutsche Welle (Welle means wave!), synth, pop, industrial, proto-techno, 80s, Stephan Eicher, Marco Repetto, Liaisons Dangereuses, Tristesse Contemporaine, Young Marble Giants, The Cure but weirder, Switzerland, romance, mountains, polar bears, contemporary art, wearing nice (white) shoes in dirty basement squats, and xerox machines.
- New release from WRWTFWW Records (Grauzone's Eisbär and Raum, Midori Takada's Through The Looking Glass, Kenji Kawai's Ghost in the Shell Original Soundtrack, John Carpenter's Dark Star Soundtrack, Ryo Fukui's Scenery, Dominique Guiot's L'Univers de la Mer, Bernard Parmegiani soundtracks and more).
More
1
Nala Sinephro - Space 1
2
Nala Sinephro - Space 2
3
Nala Sinephro - Space 3
4
Nala Sinephro - Space 4
5
Nala Sinephro - Space 5
6
Nala Sinephro - Space 6
7
Nala Sinephro - Space 7
8
Nala Sinephro - Space 8
Caribbean-Belgian composer, producer and musician Nala Sinephro announces her debut album Space 1.8 with lead track “Space 3”. Space 1.8 will be released on 3rd September via Warp Records.
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
The instrumental “Space 3” is a short clip from a 3 hour improvised session with drummer Eddie Hick (Sons of Kemet) and producer/multi-instrumentalist Dwayne Kilvington on synths bass (Wonky Logic, Steam Down) culminating in a synth driven, particle-splitting, rapture. Speaking about the track, Sinephro explains: “We recorded it in the start of spring, it was a magical day. The day after recording I collaged the drums, added fifteen synths, produced and mixed it at home and it was all done.”
Sinephro’s music fuses meditative sounds, jazz sensibilities, folk and field recordings. Her musical practice is rooted in the study of frequency and geometry and guided by the premise that sound moves matter. Her debut album Space 1.8 takes shape as a metaphysical structure, where each curative space is a womb-like cocoon created by Sinephro in service of relief and affirmative, ecstatic freedom. Space 1.8 was composed, produced, performed, engineered, recorded, mixed by Sinephro at age 22. On the album, she plays modular synths and pedal harp alongside her friends James Mollison, Shirley Tetteh, Nubya Garcia, Eddie Hick, Dwayne Kilvington, Jake Long, Lyle Barton, Rudi Creswick and more.
Following electrifying live performances across the London scene, word of Nala Sinephro’s playing quickly spread throughout the UK jazz scene, consequently landing her performances as part of the celebrated jazz night Steam Down, alongside playing with and supporting the likes of Demae, Eun, Coby Sey, Rosie Turton, Robert Ames, London Contemporary Orchestra, Touching Bass, Spitfire Audio, Nadeem Din-Gabisi. She was touted as one of The Guardian’s artists to watch in 2020, has garnered support from the likes of Gilles Peterson; and is a resident DJ on NTS sharing monthly selections of celestial sounds. In 2021, she joined the innovative Warp Records roster where she continues to weave her unique sound world.
- Specs Black vinyl 12" in printed inner in printed 3mm spine outer with download card insert
TRACKLIST:
A1. Space 1
A2. Space 2
A3. Space 3
A4. Space 4
A5. Space 5
B1. Space 6
B2. Space 7
B3. Space 8
QUOTES:
“A benchmark in ambient jazz featuring outstanding players and delicately woven arrangements” - 8.3 - Pitchfork (Best New Music)
“Space 1.8 is a healing sound bath full of rigorous psychoacoustic knowledge and elegant playing” - The Observer (One to watch)
“Very few records have this capacity to make you temporarily fearless, but on Space 1.8, Sinephro harnesses the power of sound to move and heal the listener in ways that are real, and expansive.” - 9/10 - Loud & Quiet
"What sticks with Space 1.8 is the focus of its vision: precise like mathematics but imbued with a rich cosmic breadth." - 9/10 - UNCUT
'Her debut album sits at a slight angle to anything else you may have heard coming out of the UK in recent years” - Stereogum
"A calming, restorative and mind-expanding blend of jazz and ambient" - Resident Advisor (RA Recommends) More
1
Decal - Too Step
2
Decal - More Space
3
Decal - Sick & Tired
4
Decal - (Thinking) Of The Present
Available on limited vinyl and digital (IR006) Irish electro great Decal was digging back through the archives to find the original edit of Free The Flange for Sunil Sharpe's recent "Dreams Of Electric Bleep" compilation when he found a stash of old electro tracks from 1999-2004 that never quite made it onto any release.
"At the time I'd have been fairly upfront about wanting to release tracks that were faster than most and in a style that wasn't straight electro. Some of these tracks fell into a weird middle ground for me, so they got put aside. It had been 20 years since I'd heard any of them and on listening back I reckoned that time had been kind to them so I started remastering them and uploading to Soundcloud alongside some classic 12" releases from my label Trama Industries.
For me, it was interesting to hear sounds and techniques emerging on some later tracks that would form the basis of my later projects like Legion Of Two and Of One. I'd kinda forgotten about that. Huge thanks to Eddie and Intrinsic Rhythm for suggesting a release and believing in the project" More
"At the time I'd have been fairly upfront about wanting to release tracks that were faster than most and in a style that wasn't straight electro. Some of these tracks fell into a weird middle ground for me, so they got put aside. It had been 20 years since I'd heard any of them and on listening back I reckoned that time had been kind to them so I started remastering them and uploading to Soundcloud alongside some classic 12" releases from my label Trama Industries.
For me, it was interesting to hear sounds and techniques emerging on some later tracks that would form the basis of my later projects like Legion Of Two and Of One. I'd kinda forgotten about that. Huge thanks to Eddie and Intrinsic Rhythm for suggesting a release and believing in the project" More
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
Label:Tresor Records / BMG
Cat-No:TRESOR313EP1
Release-Date:13.10.2023
Genre:Techno
Configuration:12" Excl
1
Cybotron - Maintain 04:56
2
Cybotron - The Golden Ratio (Version) 04:43
Territory: WORLD
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More
FORMAT 12” 180g vinyl, printed labels,
A4 printed inlay 170gsm, dl code,
black innersleeve, white outersleeve
TRACKLIST
A. Maintain 04:56
B. The Golden Ratio (Version) 04:43
INFO
Cybotron has re-emerged in our contemporary cybercultural age when artifactual futures begin a transition into a new era of
"Meta".
By combining their knowledge of philosophy, science fiction, and mechanical engineering, at a time when electronic instrument
companies were only just beginning to distribute their products to the masses, two prosumer audio technicians named Juan
Atkins and Rik Davis were able to re-engineer Cybotron – a combination of the words “Cyborg” and “Cyclotron” (an atomic
particle accelerator) – to be used as a home studio performance music that would change the course of independently produced
and distributed electronic music.
Dissolving the boundary between singer, songwriter, and producer, Juan Atkins named Cybotron’s future forward funkadelic
sound “techno” in reference to Alvin To ler’s concept of unlikely “techno rebels” against technocracy. Techno is music that
sounds like technology, and its purpose was to help society survive our collision with a universally felt “future shock” by inserting
an audio virus into the cultural matrix.
Techno’s blueprint spread across the Detroit-Berlin Axis between Metroplex and Tresor. As human society began its transition
from a post-industrial to an information-based market economy, Cybotron enabled a thorough system override of the human
senses towards a tangible man-machine hybridity and showed the world how to channel their emotions and imaginations into
new sound technologies and create new ‘sonic’ spatialities where listeners can transport themselves out of the physical world
into the future. The cover of their debut album Enter (1983) transmitted a fragmented view of a body in motion being digitized
mid-stride, dissolving physical and virtual reality into sonic fiction.
Today, the man-machine hybridity of Cybotron is still the truest form of techno, coevolving in conversation with the technological music they created and inspired. The latest data disk marks a new chapter that reflects a techgnostic musical expression of
the knowledge acquired during their decades-long hiatus. Unlike the dance music industrial replications of the Model 500
formula, acknowledging the content marketing expectations that segments music into specific, sellable genres, this techno
music is self-aware. Cybotron processes dance music tropes spawned from its very own blueprint with a meta-tactical precision
out of sync with our current rave new world.
Cybotron’s return demonstrates a studied engagement with what techno was and should be with a peerless update of Juan
Atkins’ initial inventive idea of do-it-yourself electrically reengineered music xeroxed onto both sides of the 12” – uploaded
directly into the alleys of your mind.
- The Rhythmanalyst
More