Belfast born imprint Computer Controlled Records follow up on their acid rich debut Explorer EP from Mark Forshaw with a five tracker from Chris Moss Acid on a release that also features a jacking collaboration with Breakin' Records owner and all time don DMX Krew. It marks the third in a run of original EP's from Chris Moss Acid who's been enjoying something of a renaissance in his productivity, releasing with a host of top grade labels from to Jerome Hill's revered and uncompromising techno imprint Don't and Dutch electronic hub Shipwrec. Here he delivers his five track Righteous Beats EP which is set off on the A side by Spatial Dimensions where discordant synths and bell powered melodies are ignited by driving percussion atop a pulsating bass line. Second track The Shamen rolls off driving drum fills and 303 acid lines illuminate the track as Moss Acid takes things up into peak time techno sphere until the A side is summated with his collaboration with DMX Krew, Where Is Your Jack, in a rawer toned track, featuring a jittering bassline and off kilter drum patterns which rove between distorted acid lines. The B side carries two dense and dark techno numbers to complete the acid romp; title track Righteous Acid Beat is marched along by yet another driving bass line as a pistol shots of noisy high hats punctuate the track. Ominous chants of 'We're gonna get you' lead us into final track Getchu where dark tension rides a brooding and dense techno horror story. More

After releasing 'Acid Flash,' a track with Drvg Cvltvre on Shipwrec earlier in the year and one that got picked up by the likes of the Guardian, Chris Moss Acid is now back with a full EP of his own. Before now, the British acid house and electronic musician has release on the taste making Mathematics and well established Don't label, as well as with the 030303 outfit, and is someone who really knows how to get the best out of his various roland drum machines. He also runs the digital label Boxfade Records but here appears on vinyl, with great artwork by Wood1 from the 030303 crew. Up first here is 'Phantacy', which could be seen as a mixture between phantasy and extacy, a dense, prickly, gallivanting techno affair with sinewy electronics, lots of acid and lively percussion all dancing about in a controlled frenzy. Next up, 'Let Me Feel It' is an urgent, up tempo bit of heady acid techno that races along on electro leaning drums as Chris tweaks and te ases his 303 lines beyond all recognition. It's slightly more heady than the opener, but is just as aligned with the dance floor. On the flip, 'The Grin' is a more soulful and uplifting cut, with smooth chords moving about the scales as a warmer, rubbery drums pound below. Keys add yet more colour and this one is a real peak time treat before 'Acid Tronic' gets all kinetic and restless once again. Here the chords are more troubled, the Roland's squeal and the acid is deep down low. It's an attention grabbing way to close down what is a perfectly formed EP that takes cues from the old school as well as looking to the future.



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