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A man of many talents Skream makes a welcomed debut on the mighty Crosstown Rebels with the epic ‘Still Lemonade’ including a remix from the stupendous Redshape. A masterpiece for the peak time dancefloor ‘Still Lemonade’ sees melodic and emotive synth lines flow over rolling percussions with a powerful breakdown and build destined to make the crowd erupt. Over on the flip Redshape adds a grumble in the bassline, playing with the track for an intricate and subtle build but keeping in line with the original it soon progresses into a high intensity dance floor bomb. A fantastic double header of a release and destined for big things! Londoner Oliver Jones aka Skream is off to a flying start in 2015, working on his Crosstown LP, curating his own nights at XOYO for three months on a weekly basis and continuing his popular Radio 1 show where he covers everything from disco to techno. Starting out as one of dubstep’s first most prominent and prolific producers he then went on to achieve commercial success and critical acclaim with Magnetic Man alongside Artwork and Benga reaching no.5 in the UK Album Chart and reaching no.10 in the UK Singles Chart. Berlin resident, Redshape is a man of mysterious identity wearing a red mask for all of his shows. His impressive live act has seen him play at the likes of DC10 and Panorama Bar and releases can be found on Delsin, Music Man, Running Back and Styrax Leaves.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Germany
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Is there anything left to say about Oliver ‘Skream’ Jones the original Dub-step wonder kid that hasn’t already been said, probably not, but for those of you that don’t know here’s a brief history. Skream is one of the founder members of the then UK’s Dubstep movement alongside Digital Mystikz, Benga, Loefah, Kode9 etc and has taken the scene from its original darkest depths of Croydon to the top of the worldwide charts in less than 7 years. Currently one third of the chart topping super group ‘Magnetic Man’ alongside Artwork and Benga, the latter with whom he has travelled the globe DJing, selling out clubs, gigs and festivals wherever they go and who now have a semi regular prime time dance show on BBC Radio 1 showcasing the freshest and heaviest Dubstep joints. I think it’s safe to say without Skream the world of Dubstep would be in a very, very different place. Although some of Skream’s recent productions are finding their way onto daytime radio he has always been an ambassador of hard experimental underground UK dance music and this is exactly what he has delivered for DEEP MEDi. Gritty & Phatty Drummer are his second release for Mala’s (label and showcase Skream’s unquestionable production talent and ear for some of the coldest, stripped back skeletal rhythms around, both tracks are packed with enough dread and sub-weight to give you nightmares, strictly soundsystem music…


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Skream returns with his second 12? and it's a further exhibition of his freakish musical ability. Having been working on a number of projects this last year he's managed to squeeze time into his hectic schedule to make two remarkable tracks for Nonplus. a) Skream Exothermic Reaction Exothermic Reaction? has been doing the rounds on the DJ circuit for well over a year and has been patiently awaited by fans since its first airing on Rinse FM. Skream takes us deep into haunting graveyard territory with ghoulish effects and off beat creepy bass lines that send shivers down your spine. Snares crack like whips around your head whilst the lfo mid range stays well under control in a spellbinding and palpitating groove that subtly keeps the track evolving. aa) Skream Future Funkizm Future Funkizm completely flips the script into the kind of one off track that comes out of Skreams mind every now and again and completely grabs you with its musical madness. Rolling beats coupled with a robo tone bassline set the scene for a synth masterclass that expands and contracts across the keys into a g-funk laden glimpse of the future.

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Following on from his standout debut EP with Steel City Dance Discs back in 2021, G-TOWN’s gold-toothed Prince is now set to be crowned with the arrival of Fallen Angel, KETTAMA’s second EP via Steel City Dance Discs. Fly Away XTC is the diamond-plated lead-track from the EP, with anticipation for its release reaching new heights after a successful series of tests on the tour. The track blatantly showcases KETTAMA’s defining characteristics, as the producer bleeds ethereal vocals and masterful percussion into the fold, while the featured G-TOWN remix is driven by a series of piercing rave stabs and gut-hurdling bass. The otherworldly nature of Fly Away XTC is set to be further echoed on screen too, with a music video directed by Hugh Mulhern, who has previously worked for the likes of Fontaines DC and Hak Baker, set to explore themes of extraterrestrial beings and pagan practices within a rural setting in KETTAMA’s native Ireland. Having been released as a single two months prior to the full EP, Feeling Emotions ignited the flame for Fallen Angel, ultimately laying the foundations for the eagerly-anticipated project that would follow. The track again reinforces the unfailing relationship between entrancing vocal samples and a boundless drum pattern, something that is then echoed and mastered in the colossal closing track, Found My Angel.

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Making their debut appearance on Steel City Dance Discs, Clouds, an irrefutable powerhouse of sound consisting of Liam Robertson and Calum Macleod, exercise their intensely unapologetic musical personality with their latest venture with Mass Hysteria, for SCDD040. The Scottish duo have become recognised for their heavenly balance of euphoric soundscapes, ladened with break-neck percussion, ecstasy-induced melodies and rupturing drum patterns. All of these highly characteristic elements are found in Mass Hysteria; an EP that highlights the hard-edged nature of Clouds’ ever-evolving style. Mass Hysteria is a five-piece project that is nothing short of atomic. Typically energy-fuelled, the duo coordinate a masterful blend of hard-hitting, four-to-the-floor basslines: a seemingly perfect marriage for an EP that sets the listener deep into a cosmic whirlwind of electronic emotions.

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Steel City Dance Discs presents the ‘Wonder’ EP from fast-rising Italian artist Matisa. Fresh and filled with spirit, Matisa kicks off the EP with the transcendent, IDM-meets-Bingo Beats energy of ‘Brilliantine’, where twisted modulations fuse in harmony with angelic abstract vocals. Her original ‘Eyeliner’ is a euphoric breakbeat hardcore stomper, whilst Mall Grab’s take on the same track goes in harder with jacking drums, ecstatic rave stabs and menacing bass. Closing the EP is ‘Lip Plumper’ – a hypnotic stripped-back house cut which nods to UKG. This EP represents a significant moment in Matisa’s musical journey, as she evokes a combination of discovering yourself through creative expression with losing yourself on the dancefloor.

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Egyptian-Australian DJ/producer moktar announces his second boundary-pushing five track EP, ‘Immigrant’. An expressive and considered journey that combines his Middle Eastern heritage and influential club sounds in one. ‘Immigrant’ sees moktar continue to bring traditional Arabic instrumentation into the club by weaving samples like polyrhythmic drumming and the Arabic Oud into experimental club music which has captured the attention of many tastemakers. Giant Swan, Anz, Tash LC, Raji Rags, Jamie XX, Bonobo, Groove Armada, Hudson Mohawke, Mary Anne Hobbs and Jamz Supernova all championed his highly favoured self-titled EP in 2021, which topped the Australian community radio charts as a number #1 most played alongside the global support it received. The release represented re-learning the value of his Egyptian heritage following racism and stereotyping growing up. ‘Immigrant’ expands on the story.

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After going AWOL, the elusive DJ Boneyard checks back in with 'Bonestyle' – a six track ruckus of raw techno jaunts.

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As far as debut EP’s go, Life In Exile is a spellbinding introduction to the sounds of CRTB, a producer and DJ whose name is beginning to burn hot on the tongues of punters up and down the land, with good reason. Characterised by pulsating, bass-driven grooves and masterful percussion, Newcastle born, London based CRTB has unveiled a monster of sound with his latest venture, where the producer flexes an ungodly blend of four-to-the-floor basslines, contagious melodies and synths to create a visceral soundscape, infectious enough to cause dance-floor destruction wherever these sounds land. From the pulsating percussion of It Never Ends, to the rattling rapture of Nothing Moves You; a track that erupted in Mall Grab’s Melbourne Boiler Room set, this EP has energy coursing through its veins. This energy fuels the hypnotic sounds of Temper, and the radioactive rhythm of Nature Boy, where CRTB brings fellow heavy-hitter KETTAMA into the fold, resulting in an unforgiving, atomic anthem. Life In Exile is an EP that sees its creator, CRTB, conduct wild, electronic experiments of sound to devastating effect: a sign of things to come from one of Newcastle, aka the Steel City’s most exciting prospects.

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‘Pulse Love/Heaven’s Passage' is the latest EP from Ireland’s Tommy Holohan and is a direct, personal insight into the personality and diversity of the Irish producer. Tommy Holohan joins forces with KETTAMA for the first time and sets a bold precedent for what is another scintillating project from the young heartthrob.

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Somewhere in the deep blue Caribbean Sea, between reality and illusion, lies an island: X-Coast.

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For Steel City Dance Discs Volume 28, we’re honoured to be welcoming Collector – the deep-rooted output of Jason Campbell of Newcastle, Australia AKA the Steel City. Uncompromising, bone-crushing, Industrial sonics built entirely on hardware. The EP titled ’Pacing The Perimeter’ serves up a 5-track onslaught of metallic havoc. Harsh, droned excursions on the A-side and slammers on the flip!

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Nite Fleit steers a course through electro, breaks, techno and acid to deliver a debut LP made up of two distinct halves, exploring contrasting emotional states and new sonic territories. Shifting between styles, emotions and eras with ease and hiding surprises around every corner, Nite Fleit owes her rapid rise as a DJ and producer to an ability to keep dancers perpetually on their toes. Coming up through Sydney’s underground club scene, the Australia-born, London-based artist started producing as recently as 2016, making her production debut for Steel City Dance Discs in 2018. Since then she has appeared on labels across the globe including Return to Disorder, Planet Euphorique, Unknown To The Unknown, International Chrome, Acid Avengers and her own imprint, Atomic Alert. ‘Day Fleit / Nite Fleit’ is an LP with no front or back cover - depending on the listener’s intended destination the album’s two discs can be listened to in either order. ‘Overload’ wastes little time in setting the tone for ‘Day Fleit’. Densely layered, soaring arpeggiated acid lines twist and dance around Nite Fleit’s spoken lyrics, inspired by Delia Derbyshire and Barry Bermange’s iconic 1964 ‘The Dreams’ sound collage. On ‘Like I Used To Be’ warm, dreamy chords are decorated with sparkling synth melodies and vocals from Nite Fleit’s friend and fellow producer Mesmé. From the triumphant EBM textures of ‘The Flower Dance’, which features a theatric monologue by Partiboi69 reciting an Alan Watts speech, to the video-game pop melodies of ‘Dark End of the Street’ and ‘Morning Song’, on ‘Day Fleit’ Nite Fleit infuses her sound with a new buoyance and musicality. On the flip, those rich colourful harmonies make way for the imposing, mechanical rave energy on punishing percussive techno and electro cuts like ‘Double Digits’ and ‘Nah’. Nite Fleit’s graceful acid lines turn feverish and frenzied on ‘Airs & Graces’ and ‘Paranoid Energy’ - a pair of break-heavy, mutant club tracks fine-tuned for dark and manic basement raves. ‘Bold Poke’ provides a moment of brooding, melodic respite, before ‘Serious Effect’ a cinematic closing electro workout. Across these 12-tracks, taken from a vast pool of demos sketched out over the last two years, Nite Fleit provides a sonic snapshot of swinging emotions and dancefloor yearnings, delivered with uncompromising energy, melody and contrast.



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French dynamo LB aka Labat returns for his second EP on Steel City Dance Discs. The Lyon-based artist delivers another collection of eclectic productions, displaying his trademark ability to source and integrate individuality and soul. Skincare’s title track of the same name is a pure house throwback featuring labat’s trademark punchy 808’s, swirling synths and hypnotic vocal line guaranteed to have you moving on any dancefloor.

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Buckle in for Steel City Dance Discs Vol. 26 with KETTAMA! The G-Town heavyweight ticks all the boxes with this 5-track barrage of head-thumping House and Techno.

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Moktar is a DJ and producer effortlessly combining club and techno with traditional Arabic instrumentation, sampling and producing to emphasise his Egyptian-Australian background. Steel City Dance Discs Volume 25 sees him embrace complex and traditional rhythmic ideas while traversing emotive melodic states.

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Maruwa logs back on to infiltrate the S.C.D.D. network, disrupting systems with a 5-track cluster of interface-melting dance music. The Saint Petersburg programmer re-codes Techno – encrypting it with hypnotic acid lines, dreamy Trance atmospherics and her very own vocal processing on ‘Dvizhenie’. No firewall can stop this complete anatomical takeover.

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The X CLUB. beasts have busted out of Brisbane, Australia with Steel City Dance Discs Volume 22. Buckle in as the renegades, known individually as DJ Speed/Jesse Patrick and NORA DRUM, take us on a manic hoon through electro, rave and jungle-informed techno. Although this is only their first vinyl offence, their criminal record is a hefty one. The delinquents are charged with lawless breaks, aggravated synth chaos, verbal sample assault and series of twisted bass infringements.

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Handle with caution: Steel City Dance Discs Volume 21 sees London’s Yazzus carve up a razor-sharp 4-track boost of jacking club music. With a history of mind-bending dance offerings, Yazzus continues the saga – fusing Techno, Footwork and Juke-leaning sounds into a blistering ball of high-energy rave.

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