Label:Accidental
Cat-No:AC159C
Release-Date:11.08.2023
Genre:House
Configuration:3LP
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Label:Accidental
Cat-No:AC159C
Release-Date:11.08.2023
Genre:House
Configuration:3LP
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Transparent Blue Vinyl
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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More records from Herbert
Label:Accidental Jnr
Cat-No:ACJ214
Release-Date:27.09.2024
Genre:House
Configuration:12"
Barcode:5050580831551
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Cat-No:ACJ214
Release-Date:27.09.2024
Genre:House
Configuration:12"
Barcode:5050580831551
1
Herbert - Fallen (Feat. Momoko Gill)
2
Herbert - Find Me (Instrumental)
3
Herbert - Curt
10 years since the last installment, Herbert returns to the seminal Parts series synonymous with his trailblazing work in leftfield house music that began with Part One nearly 30 years ago.
It features the first of a series of pieces written with, and sung by artist, producer and drummer Momoko Gill (fka Metta Shiba and performer with Tirzah, Coby Sey, Alabaster de Plume amongst others).
Part 9is the first in a planned resurgence of forthcoming Herbert releases, withPart 10lined up for later in 2024 and his seventh album under this moniker slated for early next year.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
It features the first of a series of pieces written with, and sung by artist, producer and drummer Momoko Gill (fka Metta Shiba and performer with Tirzah, Coby Sey, Alabaster de Plume amongst others).
Part 9is the first in a planned resurgence of forthcoming Herbert releases, withPart 10lined up for later in 2024 and his seventh album under this moniker slated for early next year.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Accidental
Cat-No:AC165
Release-Date:14.01.2022
Genre:House
Configuration:2LP
Barcode:5053760073949
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Label:Accidental
Cat-No:AC165
Release-Date:14.01.2022
Genre:House
Configuration:2LP
Barcode:5053760073949
LP FORMAT DETAILS: 2LP Black Vinyl in gatefold packaging.
TRACKLISTING:
A1. Two Doors featuring Joy Morgan
A2. Hypnotised featuring Mel Uye-Parker
A3. Might As Well Be Magical featuring Allie Armstrong
B1. Chain Reaction featuring Bianca Rose
B2. Fantasy featuring Verushka
B3. The Impossible featuring allie Armstrong
B4. Unrestorable featuring Siân Roseanna
C1. Tell Me A Secret featuring Siân Roseanna
C2. The Slip
C3. The Horror featuring Allie Armstrong
C4. The Way featuring Y’akoto
D1. Be Young featuring Daisy Godfrey
D2. Gold Dust featuring Bianca Rose
D3. Let Me Sleep featuring Bianca Rose
OVERVIEW:
Musca is the next in the series of domestic house albums to follow the groundbreaking LP classics? Around The House (1998), and Bodily Functions (2001).
2021 is proving to be a bumper year for Herbert fans who can also look forward to a package of very special 12” remixes later this summer and the premiere of 10-years-in-the-making-documentary, Symphony of Noise, about his work with sound.
After the wide expanse of his last big band album The State Between Us made with more than 1000 musicians and singers across Europe, this album instead is inward looking. Born of both intimacy and collaboration, features eight singers, Verushka, Siân Roseanna, Allie Armstrong,? Bianca Rose, Melissa Uye-Parker, Daisy Godfrey, Y’akoto and Joy Morgan - all of whom Matthew has never worked with before or met face to face. It also features musicians Nick Ramm, Tom Herbert, Tom Skinner, Finn Peters, Cevanne Horrocks-Hopayian and Leo Taylor, who, like the singers, all self-recorded and in isolation from each other.
Matthew says: “Like presumably many other albums made during the last year, Musca reflects on navigating the challenges and joys of our most intimate relationships whilst the world is in turmoil. Not just with Covid, but with the rise in state and political violence, facebook-friendly fascism, white supremacy and a climate in crisis.”
Matthew has talked about the need to retreat to an earlier, more familiar way of creating music as a form of solace during an unstable year. Having completed his PhD last year about the ethics of composing with sound and with his next experimental project based on more than one billion sounds, Musca is a moment of introspection, a pause. The album takes its name from musca -? the genus part of the latin name for a housefly and includes a variety of sounds from around the farm where he lives, including a synth made from his wife’s dog, one of his pig’s snoring and fox cubs gekkering.
Matthew continues, “The week last year when I wrote most of these songs seems like another era altogether. I have no idea how they will sound a year later now the context has changed so markedly. The optimist in me wants to leap forwards, vaccinated into the sunshine brandishing the NHS logo, but the realist in me is aghast at the wave of death unleashed upon this country by an incompetent and corrupt government. The record probably has ended up with both of those things however - optimism that an alternative way of organising ourselves is possible and anger and gloom that we’re not there yet.”
The 13 track album has been mixed by Matthew and mastered by long term collaborator and Grammy winning engineer, Mandy Parnell (Björk, Brian Eno and Aphex Twin). The artwork is by Sarah Hopper who has done nearly all the artwork for Matthew’s house music output for 25 years.
2021 also sees the release of a special documentary by Enrique Sanchez Lansch about Matthew and listening. Entitled A Symphony Of Noise, the film follows Matthew through 20 or so of his projects as an electronic musician, artist and sound activist over 10 years. The film was produced by Kloos and co and distributed by Rise and Shine Cinema. You can watch the trailer here
A Symphony Of Noise screening dates:
28th May - Premier, Poland
15th August - Premier, Berlin & Hamburg, Q & A’s with Matthew Herbert
2nd September - General Release in Germany Date in Autumn
TBC - Premier, London
Matthew Herbert is a widely acclaimed composer, producer and writer based next to the marshes of East Kent. His most recent album, The State Between Us was a collaboration across borders between 1000 musicians as part of the Brexit Big Band (2019), prior to that he released an album that was a book - the Music (A Novel Through Sound) published in 2018. Before that, A Nude soundtracked 24 hours of human activity through recordings of a single body. Matthew wrote the score for the Oscar-winning Chilean film A Fantastic Woman, the Academy Award nominated documentary The Cave, recent Julianne Moore film Gloria Bell and the acclaimed West End play People, Places and Things.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTING:
A1. Two Doors featuring Joy Morgan
A2. Hypnotised featuring Mel Uye-Parker
A3. Might As Well Be Magical featuring Allie Armstrong
B1. Chain Reaction featuring Bianca Rose
B2. Fantasy featuring Verushka
B3. The Impossible featuring allie Armstrong
B4. Unrestorable featuring Siân Roseanna
C1. Tell Me A Secret featuring Siân Roseanna
C2. The Slip
C3. The Horror featuring Allie Armstrong
C4. The Way featuring Y’akoto
D1. Be Young featuring Daisy Godfrey
D2. Gold Dust featuring Bianca Rose
D3. Let Me Sleep featuring Bianca Rose
OVERVIEW:
Musca is the next in the series of domestic house albums to follow the groundbreaking LP classics? Around The House (1998), and Bodily Functions (2001).
2021 is proving to be a bumper year for Herbert fans who can also look forward to a package of very special 12” remixes later this summer and the premiere of 10-years-in-the-making-documentary, Symphony of Noise, about his work with sound.
After the wide expanse of his last big band album The State Between Us made with more than 1000 musicians and singers across Europe, this album instead is inward looking. Born of both intimacy and collaboration, features eight singers, Verushka, Siân Roseanna, Allie Armstrong,? Bianca Rose, Melissa Uye-Parker, Daisy Godfrey, Y’akoto and Joy Morgan - all of whom Matthew has never worked with before or met face to face. It also features musicians Nick Ramm, Tom Herbert, Tom Skinner, Finn Peters, Cevanne Horrocks-Hopayian and Leo Taylor, who, like the singers, all self-recorded and in isolation from each other.
Matthew says: “Like presumably many other albums made during the last year, Musca reflects on navigating the challenges and joys of our most intimate relationships whilst the world is in turmoil. Not just with Covid, but with the rise in state and political violence, facebook-friendly fascism, white supremacy and a climate in crisis.”
Matthew has talked about the need to retreat to an earlier, more familiar way of creating music as a form of solace during an unstable year. Having completed his PhD last year about the ethics of composing with sound and with his next experimental project based on more than one billion sounds, Musca is a moment of introspection, a pause. The album takes its name from musca -? the genus part of the latin name for a housefly and includes a variety of sounds from around the farm where he lives, including a synth made from his wife’s dog, one of his pig’s snoring and fox cubs gekkering.
Matthew continues, “The week last year when I wrote most of these songs seems like another era altogether. I have no idea how they will sound a year later now the context has changed so markedly. The optimist in me wants to leap forwards, vaccinated into the sunshine brandishing the NHS logo, but the realist in me is aghast at the wave of death unleashed upon this country by an incompetent and corrupt government. The record probably has ended up with both of those things however - optimism that an alternative way of organising ourselves is possible and anger and gloom that we’re not there yet.”
The 13 track album has been mixed by Matthew and mastered by long term collaborator and Grammy winning engineer, Mandy Parnell (Björk, Brian Eno and Aphex Twin). The artwork is by Sarah Hopper who has done nearly all the artwork for Matthew’s house music output for 25 years.
2021 also sees the release of a special documentary by Enrique Sanchez Lansch about Matthew and listening. Entitled A Symphony Of Noise, the film follows Matthew through 20 or so of his projects as an electronic musician, artist and sound activist over 10 years. The film was produced by Kloos and co and distributed by Rise and Shine Cinema. You can watch the trailer here
A Symphony Of Noise screening dates:
28th May - Premier, Poland
15th August - Premier, Berlin & Hamburg, Q & A’s with Matthew Herbert
2nd September - General Release in Germany Date in Autumn
TBC - Premier, London
Matthew Herbert is a widely acclaimed composer, producer and writer based next to the marshes of East Kent. His most recent album, The State Between Us was a collaboration across borders between 1000 musicians as part of the Brexit Big Band (2019), prior to that he released an album that was a book - the Music (A Novel Through Sound) published in 2018. Before that, A Nude soundtracked 24 hours of human activity through recordings of a single body. Matthew wrote the score for the Oscar-winning Chilean film A Fantastic Woman, the Academy Award nominated documentary The Cave, recent Julianne Moore film Gloria Bell and the acclaimed West End play People, Places and Things.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:mint condition
Cat-No:mc006t
Release-Date:09.03.2017
Configuration:12"
Barcode:
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Last in:27.01.2020
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Cat-No:mc006t
Release-Date:09.03.2017
Configuration:12"
Barcode:
1
herbert - Got To Be Movin (On The Dancefloor)
2
herbert - Fat King Fire
3
herbert - Housewife
Forever ahead of the curve, Matthew Herbert dropped this 3 track EP on Classic all the way back in 1996 and every track featured sounds like it could easily have been released yesterday. Such is the genius of Herbert, always managing to be one step ahead of most other producers, whether it's producing slamming house like 'You got to be moving', rolling emotive electronics like 'Fat king fire' or subtle, shifting percussion confusing jams like 'Housewife' all of his tracks retain this fresh energy that can't be pigeon holed. 'Classic Herbert' is exactly that, a 3 tracker that defies genre, celebrates the eclecticism of it's producer and still manages to be slamming (& classic) in the process! Essential stuff! This EP has always been tough to track down, proving to be a very sought after gem in the vinyl digging world. A repress was definitely needed!
'Classic Herbert' has been legitimately re-released with the full involvement of Matthew Herbert for 2017 and remastered from the original sources specially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - Mint Condition!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
'Classic Herbert' has been legitimately re-released with the full involvement of Matthew Herbert for 2017 and remastered from the original sources specially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - Mint Condition!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Last in:10.02.2021
Label:curle
Cat-No:curle-p07x
Release-Date:23.09.2016
Genre:techhouse
Configuration:12"
Barcode:
1
herbert - A Herbert - See You On Monday
2
herbert - B Herbert - See You On Monday (Linkwood Remix)
Including limited silk screen artwork. Reissue of this 20y old timeless classic with new Linkwood remix on the b-side.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:accidental
Cat-No:ac81
Release-Date:31.07.2014
Genre:House
Configuration:12" Excl
Barcode:
in stock
Last in:12.09.2014
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Last in:12.09.2014
Label:accidental
Cat-No:ac81
Release-Date:31.07.2014
Genre:House
Configuration:12" Excl
Barcode:
1
herbert - A1 Bumps
2
herbert - A2 Sucker
3
herbert - B1 Get Strong
4
herbert - B2 Pretty Daddy
Last year Accidental Records released 'Herbert Complete', a 130- track boxset featuring Herbert's entire extensive back catalogue. It included rare and unreleased tracks from the mid 90's right up to the critically acclaimed 'Bodily Functions' and 'Scale' albums. Though this might have felt like the closing of the doors for Matthew Herbert's house moniker, particularly with the ever forward-thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig, this thankfully is not the end for this side of the prolific composer's output. Following last month's release of the 4-track EP 'Part 6' comes the unsurprisingly titled 'Part 7'. Another 4 tracks of twisted club music kicking off with the RnB tilted pop chant 'Bumps' which once again featuring the vocals of Rahel from London band Hejira. Track 2 'Sucker' is reminiscent of the original 'Parts 1-5' that came out on the now defunct Phono label circa 1995, a true Herbert techno workout. Side B of the vinyl opens with 'Get Strong' a track that Herbert has already been playing out a fair bit in his DJ sets to heavy crowd responses at the likes of Fabric and Space already this summer, the bouncy melody picking the dance floor up against a backdrop of industrial sounding bass clunks. Moving on to the closing piece of the EP comes 'Pretty Daddy', a twisted and rigorous slab of electronica to keep you awake all night. With 'Part 7' directly following 'Part 6' (of which the first pressing of the vinyl sold out in under 2 weeks), we hope there may be more to come from the uncompromising producer yet...
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:accidental
Cat-No:ac79
Release-Date:09.07.2014
Genre:House
Configuration:12" Excl
Barcode:
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Last in:16.09.2014
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Label:accidental
Cat-No:ac79
Release-Date:09.07.2014
Genre:House
Configuration:12" Excl
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1
herbert - one two three
2
herbert - manny
3
herbert - my dj
4
herbert - grab the bottle
: Last year Accidental Records released a complete 130 track boxset featuring all of Herbert's extensive back catalogue. It included rare and unreleased tracks from the mid 90's right up to the critically acclaimed Bodily Functions and Scale albums. Though this might have felt like the closing of the doors for Matthew Herbert's surname fronted house moniker, particularly with the ever forward thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig in recent years, this thankfully is not the end for this side of the prolific composers output. This new 12" vinyl and digital release is the first brand new Herbert release for 8 years. Lead track 'One Two Three' is a warm slice of summer house music featuring the stunning vocals of London based singer Rahel (from the band Hejira). The ep moves into darker territory with the perpetual club track 'Manny'. Side B of the limited vinyl veers darker again with the track 'My DJ', with its bursts of vocal reaching out from the twisted electronics. Finally 'Grab The Bottle' collapses towards a full acid house workout whilst remaining well within the eclectic world of Herbert production. 'Part 6' is more than just a nod towards Herbert's output of yesteryear. Its a direct continuation of his playful and intriguing electronic musical style that he pioneered in the original 'Parts 1 - 5' releases from 1995/96 on the now defunct Phono label. Its unlikely that Par 6 is going to be the end of this particular journey either… watch this space.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Accidental
Label:Accidental
Cat-No:AC165
Release-Date:14.01.2022
Genre:House
Configuration:2LP
Barcode:5053760073949
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Label:Accidental
Cat-No:AC165
Release-Date:14.01.2022
Genre:House
Configuration:2LP
Barcode:5053760073949
LP FORMAT DETAILS: 2LP Black Vinyl in gatefold packaging.
TRACKLISTING:
A1. Two Doors featuring Joy Morgan
A2. Hypnotised featuring Mel Uye-Parker
A3. Might As Well Be Magical featuring Allie Armstrong
B1. Chain Reaction featuring Bianca Rose
B2. Fantasy featuring Verushka
B3. The Impossible featuring allie Armstrong
B4. Unrestorable featuring Siân Roseanna
C1. Tell Me A Secret featuring Siân Roseanna
C2. The Slip
C3. The Horror featuring Allie Armstrong
C4. The Way featuring Y’akoto
D1. Be Young featuring Daisy Godfrey
D2. Gold Dust featuring Bianca Rose
D3. Let Me Sleep featuring Bianca Rose
OVERVIEW:
Musca is the next in the series of domestic house albums to follow the groundbreaking LP classics? Around The House (1998), and Bodily Functions (2001).
2021 is proving to be a bumper year for Herbert fans who can also look forward to a package of very special 12” remixes later this summer and the premiere of 10-years-in-the-making-documentary, Symphony of Noise, about his work with sound.
After the wide expanse of his last big band album The State Between Us made with more than 1000 musicians and singers across Europe, this album instead is inward looking. Born of both intimacy and collaboration, features eight singers, Verushka, Siân Roseanna, Allie Armstrong,? Bianca Rose, Melissa Uye-Parker, Daisy Godfrey, Y’akoto and Joy Morgan - all of whom Matthew has never worked with before or met face to face. It also features musicians Nick Ramm, Tom Herbert, Tom Skinner, Finn Peters, Cevanne Horrocks-Hopayian and Leo Taylor, who, like the singers, all self-recorded and in isolation from each other.
Matthew says: “Like presumably many other albums made during the last year, Musca reflects on navigating the challenges and joys of our most intimate relationships whilst the world is in turmoil. Not just with Covid, but with the rise in state and political violence, facebook-friendly fascism, white supremacy and a climate in crisis.”
Matthew has talked about the need to retreat to an earlier, more familiar way of creating music as a form of solace during an unstable year. Having completed his PhD last year about the ethics of composing with sound and with his next experimental project based on more than one billion sounds, Musca is a moment of introspection, a pause. The album takes its name from musca -? the genus part of the latin name for a housefly and includes a variety of sounds from around the farm where he lives, including a synth made from his wife’s dog, one of his pig’s snoring and fox cubs gekkering.
Matthew continues, “The week last year when I wrote most of these songs seems like another era altogether. I have no idea how they will sound a year later now the context has changed so markedly. The optimist in me wants to leap forwards, vaccinated into the sunshine brandishing the NHS logo, but the realist in me is aghast at the wave of death unleashed upon this country by an incompetent and corrupt government. The record probably has ended up with both of those things however - optimism that an alternative way of organising ourselves is possible and anger and gloom that we’re not there yet.”
The 13 track album has been mixed by Matthew and mastered by long term collaborator and Grammy winning engineer, Mandy Parnell (Björk, Brian Eno and Aphex Twin). The artwork is by Sarah Hopper who has done nearly all the artwork for Matthew’s house music output for 25 years.
2021 also sees the release of a special documentary by Enrique Sanchez Lansch about Matthew and listening. Entitled A Symphony Of Noise, the film follows Matthew through 20 or so of his projects as an electronic musician, artist and sound activist over 10 years. The film was produced by Kloos and co and distributed by Rise and Shine Cinema. You can watch the trailer here
A Symphony Of Noise screening dates:
28th May - Premier, Poland
15th August - Premier, Berlin & Hamburg, Q & A’s with Matthew Herbert
2nd September - General Release in Germany Date in Autumn
TBC - Premier, London
Matthew Herbert is a widely acclaimed composer, producer and writer based next to the marshes of East Kent. His most recent album, The State Between Us was a collaboration across borders between 1000 musicians as part of the Brexit Big Band (2019), prior to that he released an album that was a book - the Music (A Novel Through Sound) published in 2018. Before that, A Nude soundtracked 24 hours of human activity through recordings of a single body. Matthew wrote the score for the Oscar-winning Chilean film A Fantastic Woman, the Academy Award nominated documentary The Cave, recent Julianne Moore film Gloria Bell and the acclaimed West End play People, Places and Things.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTING:
A1. Two Doors featuring Joy Morgan
A2. Hypnotised featuring Mel Uye-Parker
A3. Might As Well Be Magical featuring Allie Armstrong
B1. Chain Reaction featuring Bianca Rose
B2. Fantasy featuring Verushka
B3. The Impossible featuring allie Armstrong
B4. Unrestorable featuring Siân Roseanna
C1. Tell Me A Secret featuring Siân Roseanna
C2. The Slip
C3. The Horror featuring Allie Armstrong
C4. The Way featuring Y’akoto
D1. Be Young featuring Daisy Godfrey
D2. Gold Dust featuring Bianca Rose
D3. Let Me Sleep featuring Bianca Rose
OVERVIEW:
Musca is the next in the series of domestic house albums to follow the groundbreaking LP classics? Around The House (1998), and Bodily Functions (2001).
2021 is proving to be a bumper year for Herbert fans who can also look forward to a package of very special 12” remixes later this summer and the premiere of 10-years-in-the-making-documentary, Symphony of Noise, about his work with sound.
After the wide expanse of his last big band album The State Between Us made with more than 1000 musicians and singers across Europe, this album instead is inward looking. Born of both intimacy and collaboration, features eight singers, Verushka, Siân Roseanna, Allie Armstrong,? Bianca Rose, Melissa Uye-Parker, Daisy Godfrey, Y’akoto and Joy Morgan - all of whom Matthew has never worked with before or met face to face. It also features musicians Nick Ramm, Tom Herbert, Tom Skinner, Finn Peters, Cevanne Horrocks-Hopayian and Leo Taylor, who, like the singers, all self-recorded and in isolation from each other.
Matthew says: “Like presumably many other albums made during the last year, Musca reflects on navigating the challenges and joys of our most intimate relationships whilst the world is in turmoil. Not just with Covid, but with the rise in state and political violence, facebook-friendly fascism, white supremacy and a climate in crisis.”
Matthew has talked about the need to retreat to an earlier, more familiar way of creating music as a form of solace during an unstable year. Having completed his PhD last year about the ethics of composing with sound and with his next experimental project based on more than one billion sounds, Musca is a moment of introspection, a pause. The album takes its name from musca -? the genus part of the latin name for a housefly and includes a variety of sounds from around the farm where he lives, including a synth made from his wife’s dog, one of his pig’s snoring and fox cubs gekkering.
Matthew continues, “The week last year when I wrote most of these songs seems like another era altogether. I have no idea how they will sound a year later now the context has changed so markedly. The optimist in me wants to leap forwards, vaccinated into the sunshine brandishing the NHS logo, but the realist in me is aghast at the wave of death unleashed upon this country by an incompetent and corrupt government. The record probably has ended up with both of those things however - optimism that an alternative way of organising ourselves is possible and anger and gloom that we’re not there yet.”
The 13 track album has been mixed by Matthew and mastered by long term collaborator and Grammy winning engineer, Mandy Parnell (Björk, Brian Eno and Aphex Twin). The artwork is by Sarah Hopper who has done nearly all the artwork for Matthew’s house music output for 25 years.
2021 also sees the release of a special documentary by Enrique Sanchez Lansch about Matthew and listening. Entitled A Symphony Of Noise, the film follows Matthew through 20 or so of his projects as an electronic musician, artist and sound activist over 10 years. The film was produced by Kloos and co and distributed by Rise and Shine Cinema. You can watch the trailer here
A Symphony Of Noise screening dates:
28th May - Premier, Poland
15th August - Premier, Berlin & Hamburg, Q & A’s with Matthew Herbert
2nd September - General Release in Germany Date in Autumn
TBC - Premier, London
Matthew Herbert is a widely acclaimed composer, producer and writer based next to the marshes of East Kent. His most recent album, The State Between Us was a collaboration across borders between 1000 musicians as part of the Brexit Big Band (2019), prior to that he released an album that was a book - the Music (A Novel Through Sound) published in 2018. Before that, A Nude soundtracked 24 hours of human activity through recordings of a single body. Matthew wrote the score for the Oscar-winning Chilean film A Fantastic Woman, the Academy Award nominated documentary The Cave, recent Julianne Moore film Gloria Bell and the acclaimed West End play People, Places and Things.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:accidental
Cat-No:ac81
Release-Date:31.07.2014
Genre:House
Configuration:12" Excl
Barcode:
in stock
Last in:12.09.2014
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in stock
Last in:12.09.2014
Label:accidental
Cat-No:ac81
Release-Date:31.07.2014
Genre:House
Configuration:12" Excl
Barcode:
1
herbert - A1 Bumps
2
herbert - A2 Sucker
3
herbert - B1 Get Strong
4
herbert - B2 Pretty Daddy
Last year Accidental Records released 'Herbert Complete', a 130- track boxset featuring Herbert's entire extensive back catalogue. It included rare and unreleased tracks from the mid 90's right up to the critically acclaimed 'Bodily Functions' and 'Scale' albums. Though this might have felt like the closing of the doors for Matthew Herbert's house moniker, particularly with the ever forward-thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig, this thankfully is not the end for this side of the prolific composer's output. Following last month's release of the 4-track EP 'Part 6' comes the unsurprisingly titled 'Part 7'. Another 4 tracks of twisted club music kicking off with the RnB tilted pop chant 'Bumps' which once again featuring the vocals of Rahel from London band Hejira. Track 2 'Sucker' is reminiscent of the original 'Parts 1-5' that came out on the now defunct Phono label circa 1995, a true Herbert techno workout. Side B of the vinyl opens with 'Get Strong' a track that Herbert has already been playing out a fair bit in his DJ sets to heavy crowd responses at the likes of Fabric and Space already this summer, the bouncy melody picking the dance floor up against a backdrop of industrial sounding bass clunks. Moving on to the closing piece of the EP comes 'Pretty Daddy', a twisted and rigorous slab of electronica to keep you awake all night. With 'Part 7' directly following 'Part 6' (of which the first pressing of the vinyl sold out in under 2 weeks), we hope there may be more to come from the uncompromising producer yet...
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Germany
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:accidental
Cat-No:ac79
Release-Date:09.07.2014
Genre:House
Configuration:12" Excl
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1
herbert - one two three
2
herbert - manny
3
herbert - my dj
4
herbert - grab the bottle
: Last year Accidental Records released a complete 130 track boxset featuring all of Herbert's extensive back catalogue. It included rare and unreleased tracks from the mid 90's right up to the critically acclaimed Bodily Functions and Scale albums. Though this might have felt like the closing of the doors for Matthew Herbert's surname fronted house moniker, particularly with the ever forward thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig in recent years, this thankfully is not the end for this side of the prolific composers output. This new 12" vinyl and digital release is the first brand new Herbert release for 8 years. Lead track 'One Two Three' is a warm slice of summer house music featuring the stunning vocals of London based singer Rahel (from the band Hejira). The ep moves into darker territory with the perpetual club track 'Manny'. Side B of the limited vinyl veers darker again with the track 'My DJ', with its bursts of vocal reaching out from the twisted electronics. Finally 'Grab The Bottle' collapses towards a full acid house workout whilst remaining well within the eclectic world of Herbert production. 'Part 6' is more than just a nod towards Herbert's output of yesteryear. Its a direct continuation of his playful and intriguing electronic musical style that he pioneered in the original 'Parts 1 - 5' releases from 1995/96 on the now defunct Phono label. Its unlikely that Par 6 is going to be the end of this particular journey either… watch this space.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Unknown Artist - Let Ya Body (Be Free)
2
Unknown Artist - Spank Technology
3
Unknown Artist - Body To Body
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Unknown Artist - Das Bul Gyn
New edits label by G-Gynn and Thoma Bulwer.
DJ Support:
Saoirse, Anna Wall, Voigtmann, Thoma Bulwer, N-Gynn
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DE - 22113 Hamburg
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DJ Support:
Saoirse, Anna Wall, Voigtmann, Thoma Bulwer, N-Gynn
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DE - 22113 Hamburg
Germany
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Label:Soundway Records
Cat-No:SNDWLP170
Release-Date:14.07.2023
Genre:World Music
Configuration:LP
Barcode:5060571362261
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Genre:World Music
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1
Yoruba Singers - Ojinga's Own
2
Yoruba Singers - What To Do
3
Yoruba Singers - Stay Away
4
Yoruba Singers - Uncomprehensidensible Radio-Matic Woman
5
Yoruba Singers - Neighbour Jean
6
Yoruba Singers - G.o.-Go
7
Yoruba Singers - Massacura Man
8
Yoruba Singers - Woman A Dead Ya Fuh Man
9
Yoruba Singers - Ka Duma
10
Yoruba Singers - I've Got To Be Somebody
11
Yoruba Singers - No Intention
Tracklist:
Sida A
1. Ojinga’s Own
2. What To Do
3. Stay Away
4. Uncomprehensidensible
Radio-Matic Woman
5. Neighbour Jean
6. G.o.-Go
SIDE B
1. Massacura Man
2. Woman A Dead Ya Fuh Man
3. Ka Duma
4. I’ve Got To Be Somebody
5. No Intention
The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital.
The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended.
The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments.
Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steel-band culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.
For Fans Of:
Sir Victor Uwaifo, Francis Bebey, Fela Kuti
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sida A
1. Ojinga’s Own
2. What To Do
3. Stay Away
4. Uncomprehensidensible
Radio-Matic Woman
5. Neighbour Jean
6. G.o.-Go
SIDE B
1. Massacura Man
2. Woman A Dead Ya Fuh Man
3. Ka Duma
4. I’ve Got To Be Somebody
5. No Intention
The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital.
The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended.
The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments.
Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steel-band culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.
For Fans Of:
Sir Victor Uwaifo, Francis Bebey, Fela Kuti
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
12" Excl
in stock
Label:Heist Recordings
Cat-No:heist076
Release-Date:22.09.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142977
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Last in:24.08.2023
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Label:Heist Recordings
Cat-No:heist076
Release-Date:22.09.2023
Genre:House
Configuration:12" Excl
Barcode:4251804142977
1
Amy Dabbs - Everything alright feat. Aika Mal
2
Amy Dabbs - Everything alright feat. Aika Mal (Dam Swindle remix)
3
Amy Dabbs - Eleven eleven twenty two
4
Amy Dabbs - Crush
5
Amy Dabbs - Only breaks can love your heart
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart
Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix
Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.
With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.
Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.
The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.
‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.
Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!
We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!
Yours Sincerely,
Maarten & Lars
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart
Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix
Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.
With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.
Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.
The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.
‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.
Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!
We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!
Yours Sincerely,
Maarten & Lars
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Erased Tapes
Cat-No:ERATPLE87
Release-Date:04.08.2023
Genre:Electronic
Configuration:LP
Barcode:3700551784790
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Label:Erased Tapes
Cat-No:ERATPLE87
Release-Date:04.08.2023
Genre:Electronic
Configuration:LP
Barcode:3700551784790
1
Rival Consoles - Pattern Of The North
2
Rival Consoles - Johannesburg
3
Rival Consoles - Slow Song
4
Rival Consoles - Lone
5
Rival Consoles - Night Melody
6
Rival Consoles - What Sorrow
Repress on blue vinyl coming at the beginning of August!
London-based electronic songwriter Ryan Lee West aka Rival Consoles to release his most personal work to date in the form of a mini-album titled ‘Night Melody’ through Erased Tapes on 5th August 2016.
During the release of his acclaimed full-length album ‘Howl’ and heavy touring in late 2015, Ryan came out of a 13-year long relationship and found himself making music throughout the winter months. The result of his efforts is a 34-minute, 6-track mini album ‘Night Melody’, born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.
“I found myself, in a silent home, with the days getting dark very early. I’ve never before in my life been affected by the lack of light so much. I just remember it always being night time. I would either make music into the night, go out drinking with friends, or go to parties and dance into the early hours, every day, week after week, month after month, until eventually the days became brighter again.”
The opening statement ‘Pattern of the North’ starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by ‘Johannesburg’, an early sketch gradually filled out during his tour in South Africa.
“After playing it around some of the cities, I got a lot of inspiration to bring it to life and push it into something that really moves me. I think this is one of my most colourful pieces of music, with its driving rhythm and almost a homage to Terry Riley’s ‘In C’ towards the end, with a build of very simple, hypnotic parts. I especially love that for over five minutes the piece is tied to just one note. This makes the ending very dramatic, because all of a sudden there is this harmonic change.”
‘Lone’ started life around the time Ryan was working on his ‘Sonne’ EP in 2014. It’s the result of constant adjustments to find the perfect balance of fragility and assurance. As everything on the album, it’s a carefully considered, emotionally mature piece. “I think, as I get older, I need music to represent something and not just sound interesting, though of course the two are connected.”
The closing statement ‘What Sorrow’ is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.
“This record is very personal to me and I hope it offers something for other people, as it helped me to make it and to listen to it. Almost every synth line was recorded intuitively, without perfection but with a lot of intention and expression. I’m not interested in making something sad or making something happy. I want music to be bittersweet, to be more complex, like life – containing moments of vibrant colour and hope, as much as darkness and sadness.”
This summer will see Ryan follow on from his recent North American Tour with the appearance at many festivals including Lovebox, Secret Garden Party, La Route Du Rock, Sea Change and Tale of Us-curated Afterlife party at Space. ‘Night Melody’ will be available on August 5th.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
London-based electronic songwriter Ryan Lee West aka Rival Consoles to release his most personal work to date in the form of a mini-album titled ‘Night Melody’ through Erased Tapes on 5th August 2016.
During the release of his acclaimed full-length album ‘Howl’ and heavy touring in late 2015, Ryan came out of a 13-year long relationship and found himself making music throughout the winter months. The result of his efforts is a 34-minute, 6-track mini album ‘Night Melody’, born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.
“I found myself, in a silent home, with the days getting dark very early. I’ve never before in my life been affected by the lack of light so much. I just remember it always being night time. I would either make music into the night, go out drinking with friends, or go to parties and dance into the early hours, every day, week after week, month after month, until eventually the days became brighter again.”
The opening statement ‘Pattern of the North’ starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by ‘Johannesburg’, an early sketch gradually filled out during his tour in South Africa.
“After playing it around some of the cities, I got a lot of inspiration to bring it to life and push it into something that really moves me. I think this is one of my most colourful pieces of music, with its driving rhythm and almost a homage to Terry Riley’s ‘In C’ towards the end, with a build of very simple, hypnotic parts. I especially love that for over five minutes the piece is tied to just one note. This makes the ending very dramatic, because all of a sudden there is this harmonic change.”
‘Lone’ started life around the time Ryan was working on his ‘Sonne’ EP in 2014. It’s the result of constant adjustments to find the perfect balance of fragility and assurance. As everything on the album, it’s a carefully considered, emotionally mature piece. “I think, as I get older, I need music to represent something and not just sound interesting, though of course the two are connected.”
The closing statement ‘What Sorrow’ is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.
“This record is very personal to me and I hope it offers something for other people, as it helped me to make it and to listen to it. Almost every synth line was recorded intuitively, without perfection but with a lot of intention and expression. I’m not interested in making something sad or making something happy. I want music to be bittersweet, to be more complex, like life – containing moments of vibrant colour and hope, as much as darkness and sadness.”
This summer will see Ryan follow on from his recent North American Tour with the appearance at many festivals including Lovebox, Secret Garden Party, La Route Du Rock, Sea Change and Tale of Us-curated Afterlife party at Space. ‘Night Melody’ will be available on August 5th.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
4LP
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Label:Soundway Records
Cat-No:SNDWLP087
Release-Date:11.11.2022
Configuration:4LP
Barcode:5056032306622
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Cat-No:SNDWLP087
Release-Date:11.11.2022
Configuration:4LP
Barcode:5056032306622
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Hotline - Fellas Doing It In Lago
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Peter Abdul - Don't You Know
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Steve Monite - Only You
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Oby Onyioha - Enjoy Your Life
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Godfrey Odili - Let's Do More Music
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Ofege - Bruning Jungle
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Lexy Mella - On The Air
REPRESS!! 3LP+7"
You like African disco/boogie? Then this comp. is for you.. No need to drop crazy amounts of cash on the originals. This one holds winners only!
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DE - 22113 Hamburg
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You like African disco/boogie? Then this comp. is for you.. No need to drop crazy amounts of cash on the originals. This one holds winners only!
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP
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Cat-No:MPD039
Release-Date:29.09.2023
Genre:Techno
Configuration:2LP
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Genre:Techno
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(2023 remaster) Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
TRACKLISTING
A1. A3000 - Sonic Stripes
A2. A3000 - Flow
B1. A3000 - Rise
B2. A3000 - Phantome Of House
C1. A3000 - Shelloid
C2. A3000 - P.S.E.
D1. A3000 - Part Of The Planet
D2. A3000 - Destination Underwood
INFO
8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.
Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.
Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTING
A1. A3000 - Sonic Stripes
A2. A3000 - Flow
B1. A3000 - Rise
B2. A3000 - Phantome Of House
C1. A3000 - Shelloid
C2. A3000 - P.S.E.
D1. A3000 - Part Of The Planet
D2. A3000 - Destination Underwood
INFO
8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.
Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.
Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
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12"
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Label:Critical Music
Cat-No:crit208
Release-Date:18.08.2023
Genre:Drum + Bass
Configuration:12"
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Last in:24.05.2024
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Last in:24.05.2024
Label:Critical Music
Cat-No:crit208
Release-Date:18.08.2023
Genre:Drum + Bass
Configuration:12"
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1
Coco Bryce - Nirwana
2
Coco Bryce - Pull Up
3
Coco Bryce - Daze Of Our Lives
4
Coco Bryce - Life Changed
Tracklisting:
A1 Coco Bryce - Nirwana
A2 Coco Bryce - Pull Up
B1 Coco Bryce - Daze Of Our Lives
B2 Coco Bryce - Life Changed
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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A1 Coco Bryce - Nirwana
A2 Coco Bryce - Pull Up
B1 Coco Bryce - Daze Of Our Lives
B2 Coco Bryce - Life Changed
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Kolony Gorky
Cat-No:GORKY2
Release-Date:10.11.2023
Genre:Breaks
Configuration:12"
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Last in:10.11.2023
Label:Kolony Gorky
Cat-No:GORKY2
Release-Date:10.11.2023
Genre:Breaks
Configuration:12"
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1
Ahu - Jina
2
Ahu - Mahsa
3
Ahu - The Code
There sure is an appropriate sense of futurism in these new breakbeats from Ahu. Opener 'Jina' is run through with far-sighted chords that bring to mind the glowing metropolis of Ridley Scott's 'Bladerunner' - it even feels like there's rain falling in the tune as well as subtle celestial vocals and deep, driving bass. and spoken word samples to add that cinematic ambiance. 'Jina (Mahsa)' is soulful machine music - fans of the glorious 69 project of Carl Craig will doubtless dig it - and then 'Nika' rides on a much more rubbery and lovely, lumpy Herbert-esque beat with molten synth melodies and a darker energy. A stylish EP, no doubt.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Acid Avengers
Cat-No:SMGRS01
Release-Date:08.09.2023
Genre:Drum + Bass
Configuration:12"
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Last in:06.10.2023
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Last in:06.10.2023
Label:Acid Avengers
Cat-No:SMGRS01
Release-Date:08.09.2023
Genre:Drum + Bass
Configuration:12"
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1
Djrum - Plantain
2
Djrum - What I Was Doing When I Was Doing What I Was Doing
2023 Repress
Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Last in:17.10.2024
Label:eudemonia
Cat-No:eudemonia015
Release-Date:15.09.2023
Genre:Breaks
Configuration:12"
Barcode:4250101453892
1
Zeta Reticula - Common Centre
2
Zeta Reticula - An Activity Cycle
3
Zeta Reticula - Protostellar Cloud
We are very happy to present you the newest eudemonia record by no other than Zeta Reticula. The Slovenian born artist needs no introduction as he has released several iconic releases during the last 23 years. For this EP he explores his more melodic side and presents three unique tracks ranging from Electro to Breakbeat.
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DE - 22113 Hamburg
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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12"
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Label:Duca Bianco
Cat-No:DB12010
Release-Date:18.08.2023
Configuration:12"
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Last in:08.11.2023
Label:Duca Bianco
Cat-No:DB12010
Release-Date:18.08.2023
Configuration:12"
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1
Jonny 5 - Joy Riding
2
Dreems - Bususua
3
Miserymix - Adjust Your Love
4
Black Bones - Lil' Pil
Jonny 5 is known for his superlative edits as well as heading up the Bahnsteig 23 label and here he returns from time out becoming a father to kick off this new one from Duca Bianco. 'Joy riding' is loopy disco-post-punk for a peak-time trip. Multi Culti man Dreems then brings the Afro party vibes with his 'Bususua' which is packed with dub fx and steeped in fun. Miserymix then throws in his Italo-licked post-disco and punk sounds on 'Adjust Your Love' before a big finale by Black Bones. He offers deep and dubby house that has been a secret edit for a while but finally gets unveiled here to great effect as it worms its way into your brain.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Label:Butter Sessions
Cat-No:BSR040
Release-Date:04.08.2023
Genre:Deephouse
Configuration:12"
Barcode:5050580808485
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Last in:09.11.2023
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Last in:09.11.2023
Label:Butter Sessions
Cat-No:BSR040
Release-Date:04.08.2023
Genre:Deephouse
Configuration:12"
Barcode:5050580808485
1
Unsolicited Joints - Joint 1
2
Unsolicited Joints - Joint 2
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Unsolicited Joints - Joint 3
4
Unsolicited Joints - Joint 4
5
Unsolicited Joints - Joint 5
Setting the tone in a similarly deep and heady post-rave delirium as RBI's Disseminate and in-house group Sleep D's latest album, the spectral dub techno of Unsolicited Joints slips in perfectly to the Butter Sessions 2023 vibe. Unsolicited…no one asked for these joints, yet here they are. Salvaged from many spontaneous late night jams over the last few years in a darlinghurst studio with only the mood in the room and the spirit of fun as guides. It's all here really - Convextion-esque Midwest futurism, spiralling pads and woodblock style percussion mixed with the kind of borderless deep house timbres that nod more to Sprinkles, Regelbau and Acido than the watered-down, commercialised monotony. Elements of bleep, golden era 90s progressive house and even dubstep ('Joint 5') coalesce to prove a distinct UK influence, though Sydney brothers, Cousin & Ben Fester, combine them with ease. 'J0oint 2' manages to at once subtly unfold yet rapidly ascend into peak-time 130 territory, knowingly crafted with the DJ in mind. Meanwhile 'Joint 3' gathers momentum through a shuffling, almost European minimal sort of groove, equally floor friendly but with less of the intensity. The aforementioned bleep tropes poke their head out on the latter half of the opening cut, while across the whole thing is a sense that the Fester's are as voracious listeners as they are talented producers. An exciting collection of tracks that wear their stylistic influences on their sleeve but are deep in the knowledge of those that have come before them.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More