Transparent Blue Vinyl
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Herbert
LP FORMAT DETAILS: 2LP Black Vinyl in gatefold packaging.
TRACKLISTING:
A1. Two Doors featuring Joy Morgan
A2. Hypnotised featuring Mel Uye-Parker
A3. Might As Well Be Magical featuring Allie Armstrong
B1. Chain Reaction featuring Bianca Rose
B2. Fantasy featuring Verushka
B3. The Impossible featuring allie Armstrong
B4. Unrestorable featuring Siân Roseanna
C1. Tell Me A Secret featuring Siân Roseanna
C2. The Slip
C3. The Horror featuring Allie Armstrong
C4. The Way featuring Y’akoto
D1. Be Young featuring Daisy Godfrey
D2. Gold Dust featuring Bianca Rose
D3. Let Me Sleep featuring Bianca Rose
OVERVIEW:
Musca is the next in the series of domestic house albums to follow the groundbreaking LP classics? Around The House (1998), and Bodily Functions (2001).
2021 is proving to be a bumper year for Herbert fans who can also look forward to a package of very special 12” remixes later this summer and the premiere of 10-years-in-the-making-documentary, Symphony of Noise, about his work with sound.
After the wide expanse of his last big band album The State Between Us made with more than 1000 musicians and singers across Europe, this album instead is inward looking. Born of both intimacy and collaboration, features eight singers, Verushka, Siân Roseanna, Allie Armstrong,? Bianca Rose, Melissa Uye-Parker, Daisy Godfrey, Y’akoto and Joy Morgan - all of whom Matthew has never worked with before or met face to face. It also features musicians Nick Ramm, Tom Herbert, Tom Skinner, Finn Peters, Cevanne Horrocks-Hopayian and Leo Taylor, who, like the singers, all self-recorded and in isolation from each other.
Matthew says: “Like presumably many other albums made during the last year, Musca reflects on navigating the challenges and joys of our most intimate relationships whilst the world is in turmoil. Not just with Covid, but with the rise in state and political violence, facebook-friendly fascism, white supremacy and a climate in crisis.”
Matthew has talked about the need to retreat to an earlier, more familiar way of creating music as a form of solace during an unstable year. Having completed his PhD last year about the ethics of composing with sound and with his next experimental project based on more than one billion sounds, Musca is a moment of introspection, a pause. The album takes its name from musca -? the genus part of the latin name for a housefly and includes a variety of sounds from around the farm where he lives, including a synth made from his wife’s dog, one of his pig’s snoring and fox cubs gekkering.
Matthew continues, “The week last year when I wrote most of these songs seems like another era altogether. I have no idea how they will sound a year later now the context has changed so markedly. The optimist in me wants to leap forwards, vaccinated into the sunshine brandishing the NHS logo, but the realist in me is aghast at the wave of death unleashed upon this country by an incompetent and corrupt government. The record probably has ended up with both of those things however - optimism that an alternative way of organising ourselves is possible and anger and gloom that we’re not there yet.”
The 13 track album has been mixed by Matthew and mastered by long term collaborator and Grammy winning engineer, Mandy Parnell (Björk, Brian Eno and Aphex Twin). The artwork is by Sarah Hopper who has done nearly all the artwork for Matthew’s house music output for 25 years.
2021 also sees the release of a special documentary by Enrique Sanchez Lansch about Matthew and listening. Entitled A Symphony Of Noise, the film follows Matthew through 20 or so of his projects as an electronic musician, artist and sound activist over 10 years. The film was produced by Kloos and co and distributed by Rise and Shine Cinema. You can watch the trailer here
A Symphony Of Noise screening dates:
28th May - Premier, Poland
15th August - Premier, Berlin & Hamburg, Q & A’s with Matthew Herbert
2nd September - General Release in Germany Date in Autumn
TBC - Premier, London
Matthew Herbert is a widely acclaimed composer, producer and writer based next to the marshes of East Kent. His most recent album, The State Between Us was a collaboration across borders between 1000 musicians as part of the Brexit Big Band (2019), prior to that he released an album that was a book - the Music (A Novel Through Sound) published in 2018. Before that, A Nude soundtracked 24 hours of human activity through recordings of a single body. Matthew wrote the score for the Oscar-winning Chilean film A Fantastic Woman, the Academy Award nominated documentary The Cave, recent Julianne Moore film Gloria Bell and the acclaimed West End play People, Places and Things.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTING:
A1. Two Doors featuring Joy Morgan
A2. Hypnotised featuring Mel Uye-Parker
A3. Might As Well Be Magical featuring Allie Armstrong
B1. Chain Reaction featuring Bianca Rose
B2. Fantasy featuring Verushka
B3. The Impossible featuring allie Armstrong
B4. Unrestorable featuring Siân Roseanna
C1. Tell Me A Secret featuring Siân Roseanna
C2. The Slip
C3. The Horror featuring Allie Armstrong
C4. The Way featuring Y’akoto
D1. Be Young featuring Daisy Godfrey
D2. Gold Dust featuring Bianca Rose
D3. Let Me Sleep featuring Bianca Rose
OVERVIEW:
Musca is the next in the series of domestic house albums to follow the groundbreaking LP classics? Around The House (1998), and Bodily Functions (2001).
2021 is proving to be a bumper year for Herbert fans who can also look forward to a package of very special 12” remixes later this summer and the premiere of 10-years-in-the-making-documentary, Symphony of Noise, about his work with sound.
After the wide expanse of his last big band album The State Between Us made with more than 1000 musicians and singers across Europe, this album instead is inward looking. Born of both intimacy and collaboration, features eight singers, Verushka, Siân Roseanna, Allie Armstrong,? Bianca Rose, Melissa Uye-Parker, Daisy Godfrey, Y’akoto and Joy Morgan - all of whom Matthew has never worked with before or met face to face. It also features musicians Nick Ramm, Tom Herbert, Tom Skinner, Finn Peters, Cevanne Horrocks-Hopayian and Leo Taylor, who, like the singers, all self-recorded and in isolation from each other.
Matthew says: “Like presumably many other albums made during the last year, Musca reflects on navigating the challenges and joys of our most intimate relationships whilst the world is in turmoil. Not just with Covid, but with the rise in state and political violence, facebook-friendly fascism, white supremacy and a climate in crisis.”
Matthew has talked about the need to retreat to an earlier, more familiar way of creating music as a form of solace during an unstable year. Having completed his PhD last year about the ethics of composing with sound and with his next experimental project based on more than one billion sounds, Musca is a moment of introspection, a pause. The album takes its name from musca -? the genus part of the latin name for a housefly and includes a variety of sounds from around the farm where he lives, including a synth made from his wife’s dog, one of his pig’s snoring and fox cubs gekkering.
Matthew continues, “The week last year when I wrote most of these songs seems like another era altogether. I have no idea how they will sound a year later now the context has changed so markedly. The optimist in me wants to leap forwards, vaccinated into the sunshine brandishing the NHS logo, but the realist in me is aghast at the wave of death unleashed upon this country by an incompetent and corrupt government. The record probably has ended up with both of those things however - optimism that an alternative way of organising ourselves is possible and anger and gloom that we’re not there yet.”
The 13 track album has been mixed by Matthew and mastered by long term collaborator and Grammy winning engineer, Mandy Parnell (Björk, Brian Eno and Aphex Twin). The artwork is by Sarah Hopper who has done nearly all the artwork for Matthew’s house music output for 25 years.
2021 also sees the release of a special documentary by Enrique Sanchez Lansch about Matthew and listening. Entitled A Symphony Of Noise, the film follows Matthew through 20 or so of his projects as an electronic musician, artist and sound activist over 10 years. The film was produced by Kloos and co and distributed by Rise and Shine Cinema. You can watch the trailer here
A Symphony Of Noise screening dates:
28th May - Premier, Poland
15th August - Premier, Berlin & Hamburg, Q & A’s with Matthew Herbert
2nd September - General Release in Germany Date in Autumn
TBC - Premier, London
Matthew Herbert is a widely acclaimed composer, producer and writer based next to the marshes of East Kent. His most recent album, The State Between Us was a collaboration across borders between 1000 musicians as part of the Brexit Big Band (2019), prior to that he released an album that was a book - the Music (A Novel Through Sound) published in 2018. Before that, A Nude soundtracked 24 hours of human activity through recordings of a single body. Matthew wrote the score for the Oscar-winning Chilean film A Fantastic Woman, the Academy Award nominated documentary The Cave, recent Julianne Moore film Gloria Bell and the acclaimed West End play People, Places and Things.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
herbert - Got To Be Movin (On The Dancefloor)
2
herbert - Fat King Fire
3
herbert - Housewife
Forever ahead of the curve, Matthew Herbert dropped this 3 track EP on Classic all the way back in 1996 and every track featured sounds like it could easily have been released yesterday. Such is the genius of Herbert, always managing to be one step ahead of most other producers, whether it's producing slamming house like 'You got to be moving', rolling emotive electronics like 'Fat king fire' or subtle, shifting percussion confusing jams like 'Housewife' all of his tracks retain this fresh energy that can't be pigeon holed. 'Classic Herbert' is exactly that, a 3 tracker that defies genre, celebrates the eclecticism of it's producer and still manages to be slamming (& classic) in the process! Essential stuff! This EP has always been tough to track down, proving to be a very sought after gem in the vinyl digging world. A repress was definitely needed!
'Classic Herbert' has been legitimately re-released with the full involvement of Matthew Herbert for 2017 and remastered from the original sources specially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - Mint Condition!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
'Classic Herbert' has been legitimately re-released with the full involvement of Matthew Herbert for 2017 and remastered from the original sources specially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - Mint Condition!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
herbert - A Herbert - See You On Monday
2
herbert - B Herbert - See You On Monday (Linkwood Remix)
Including limited silk screen artwork. Reissue of this 20y old timeless classic with new Linkwood remix on the b-side.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
herbert - A1 Bumps
2
herbert - A2 Sucker
3
herbert - B1 Get Strong
4
herbert - B2 Pretty Daddy
Last year Accidental Records released 'Herbert Complete', a 130- track boxset featuring Herbert's entire extensive back catalogue. It included rare and unreleased tracks from the mid 90's right up to the critically acclaimed 'Bodily Functions' and 'Scale' albums. Though this might have felt like the closing of the doors for Matthew Herbert's house moniker, particularly with the ever forward-thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig, this thankfully is not the end for this side of the prolific composer's output. Following last month's release of the 4-track EP 'Part 6' comes the unsurprisingly titled 'Part 7'. Another 4 tracks of twisted club music kicking off with the RnB tilted pop chant 'Bumps' which once again featuring the vocals of Rahel from London band Hejira. Track 2 'Sucker' is reminiscent of the original 'Parts 1-5' that came out on the now defunct Phono label circa 1995, a true Herbert techno workout. Side B of the vinyl opens with 'Get Strong' a track that Herbert has already been playing out a fair bit in his DJ sets to heavy crowd responses at the likes of Fabric and Space already this summer, the bouncy melody picking the dance floor up against a backdrop of industrial sounding bass clunks. Moving on to the closing piece of the EP comes 'Pretty Daddy', a twisted and rigorous slab of electronica to keep you awake all night. With 'Part 7' directly following 'Part 6' (of which the first pressing of the vinyl sold out in under 2 weeks), we hope there may be more to come from the uncompromising producer yet...
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
herbert - one two three
2
herbert - manny
3
herbert - my dj
4
herbert - grab the bottle
: Last year Accidental Records released a complete 130 track boxset featuring all of Herbert's extensive back catalogue. It included rare and unreleased tracks from the mid 90's right up to the critically acclaimed Bodily Functions and Scale albums. Though this might have felt like the closing of the doors for Matthew Herbert's surname fronted house moniker, particularly with the ever forward thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig in recent years, this thankfully is not the end for this side of the prolific composers output. This new 12" vinyl and digital release is the first brand new Herbert release for 8 years. Lead track 'One Two Three' is a warm slice of summer house music featuring the stunning vocals of London based singer Rahel (from the band Hejira). The ep moves into darker territory with the perpetual club track 'Manny'. Side B of the limited vinyl veers darker again with the track 'My DJ', with its bursts of vocal reaching out from the twisted electronics. Finally 'Grab The Bottle' collapses towards a full acid house workout whilst remaining well within the eclectic world of Herbert production. 'Part 6' is more than just a nod towards Herbert's output of yesteryear. Its a direct continuation of his playful and intriguing electronic musical style that he pioneered in the original 'Parts 1 - 5' releases from 1995/96 on the now defunct Phono label. Its unlikely that Par 6 is going to be the end of this particular journey either… watch this space.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Accidental
LP FORMAT DETAILS: 2LP Black Vinyl in gatefold packaging.
TRACKLISTING:
A1. Two Doors featuring Joy Morgan
A2. Hypnotised featuring Mel Uye-Parker
A3. Might As Well Be Magical featuring Allie Armstrong
B1. Chain Reaction featuring Bianca Rose
B2. Fantasy featuring Verushka
B3. The Impossible featuring allie Armstrong
B4. Unrestorable featuring Siân Roseanna
C1. Tell Me A Secret featuring Siân Roseanna
C2. The Slip
C3. The Horror featuring Allie Armstrong
C4. The Way featuring Y’akoto
D1. Be Young featuring Daisy Godfrey
D2. Gold Dust featuring Bianca Rose
D3. Let Me Sleep featuring Bianca Rose
OVERVIEW:
Musca is the next in the series of domestic house albums to follow the groundbreaking LP classics? Around The House (1998), and Bodily Functions (2001).
2021 is proving to be a bumper year for Herbert fans who can also look forward to a package of very special 12” remixes later this summer and the premiere of 10-years-in-the-making-documentary, Symphony of Noise, about his work with sound.
After the wide expanse of his last big band album The State Between Us made with more than 1000 musicians and singers across Europe, this album instead is inward looking. Born of both intimacy and collaboration, features eight singers, Verushka, Siân Roseanna, Allie Armstrong,? Bianca Rose, Melissa Uye-Parker, Daisy Godfrey, Y’akoto and Joy Morgan - all of whom Matthew has never worked with before or met face to face. It also features musicians Nick Ramm, Tom Herbert, Tom Skinner, Finn Peters, Cevanne Horrocks-Hopayian and Leo Taylor, who, like the singers, all self-recorded and in isolation from each other.
Matthew says: “Like presumably many other albums made during the last year, Musca reflects on navigating the challenges and joys of our most intimate relationships whilst the world is in turmoil. Not just with Covid, but with the rise in state and political violence, facebook-friendly fascism, white supremacy and a climate in crisis.”
Matthew has talked about the need to retreat to an earlier, more familiar way of creating music as a form of solace during an unstable year. Having completed his PhD last year about the ethics of composing with sound and with his next experimental project based on more than one billion sounds, Musca is a moment of introspection, a pause. The album takes its name from musca -? the genus part of the latin name for a housefly and includes a variety of sounds from around the farm where he lives, including a synth made from his wife’s dog, one of his pig’s snoring and fox cubs gekkering.
Matthew continues, “The week last year when I wrote most of these songs seems like another era altogether. I have no idea how they will sound a year later now the context has changed so markedly. The optimist in me wants to leap forwards, vaccinated into the sunshine brandishing the NHS logo, but the realist in me is aghast at the wave of death unleashed upon this country by an incompetent and corrupt government. The record probably has ended up with both of those things however - optimism that an alternative way of organising ourselves is possible and anger and gloom that we’re not there yet.”
The 13 track album has been mixed by Matthew and mastered by long term collaborator and Grammy winning engineer, Mandy Parnell (Björk, Brian Eno and Aphex Twin). The artwork is by Sarah Hopper who has done nearly all the artwork for Matthew’s house music output for 25 years.
2021 also sees the release of a special documentary by Enrique Sanchez Lansch about Matthew and listening. Entitled A Symphony Of Noise, the film follows Matthew through 20 or so of his projects as an electronic musician, artist and sound activist over 10 years. The film was produced by Kloos and co and distributed by Rise and Shine Cinema. You can watch the trailer here
A Symphony Of Noise screening dates:
28th May - Premier, Poland
15th August - Premier, Berlin & Hamburg, Q & A’s with Matthew Herbert
2nd September - General Release in Germany Date in Autumn
TBC - Premier, London
Matthew Herbert is a widely acclaimed composer, producer and writer based next to the marshes of East Kent. His most recent album, The State Between Us was a collaboration across borders between 1000 musicians as part of the Brexit Big Band (2019), prior to that he released an album that was a book - the Music (A Novel Through Sound) published in 2018. Before that, A Nude soundtracked 24 hours of human activity through recordings of a single body. Matthew wrote the score for the Oscar-winning Chilean film A Fantastic Woman, the Academy Award nominated documentary The Cave, recent Julianne Moore film Gloria Bell and the acclaimed West End play People, Places and Things.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTING:
A1. Two Doors featuring Joy Morgan
A2. Hypnotised featuring Mel Uye-Parker
A3. Might As Well Be Magical featuring Allie Armstrong
B1. Chain Reaction featuring Bianca Rose
B2. Fantasy featuring Verushka
B3. The Impossible featuring allie Armstrong
B4. Unrestorable featuring Siân Roseanna
C1. Tell Me A Secret featuring Siân Roseanna
C2. The Slip
C3. The Horror featuring Allie Armstrong
C4. The Way featuring Y’akoto
D1. Be Young featuring Daisy Godfrey
D2. Gold Dust featuring Bianca Rose
D3. Let Me Sleep featuring Bianca Rose
OVERVIEW:
Musca is the next in the series of domestic house albums to follow the groundbreaking LP classics? Around The House (1998), and Bodily Functions (2001).
2021 is proving to be a bumper year for Herbert fans who can also look forward to a package of very special 12” remixes later this summer and the premiere of 10-years-in-the-making-documentary, Symphony of Noise, about his work with sound.
After the wide expanse of his last big band album The State Between Us made with more than 1000 musicians and singers across Europe, this album instead is inward looking. Born of both intimacy and collaboration, features eight singers, Verushka, Siân Roseanna, Allie Armstrong,? Bianca Rose, Melissa Uye-Parker, Daisy Godfrey, Y’akoto and Joy Morgan - all of whom Matthew has never worked with before or met face to face. It also features musicians Nick Ramm, Tom Herbert, Tom Skinner, Finn Peters, Cevanne Horrocks-Hopayian and Leo Taylor, who, like the singers, all self-recorded and in isolation from each other.
Matthew says: “Like presumably many other albums made during the last year, Musca reflects on navigating the challenges and joys of our most intimate relationships whilst the world is in turmoil. Not just with Covid, but with the rise in state and political violence, facebook-friendly fascism, white supremacy and a climate in crisis.”
Matthew has talked about the need to retreat to an earlier, more familiar way of creating music as a form of solace during an unstable year. Having completed his PhD last year about the ethics of composing with sound and with his next experimental project based on more than one billion sounds, Musca is a moment of introspection, a pause. The album takes its name from musca -? the genus part of the latin name for a housefly and includes a variety of sounds from around the farm where he lives, including a synth made from his wife’s dog, one of his pig’s snoring and fox cubs gekkering.
Matthew continues, “The week last year when I wrote most of these songs seems like another era altogether. I have no idea how they will sound a year later now the context has changed so markedly. The optimist in me wants to leap forwards, vaccinated into the sunshine brandishing the NHS logo, but the realist in me is aghast at the wave of death unleashed upon this country by an incompetent and corrupt government. The record probably has ended up with both of those things however - optimism that an alternative way of organising ourselves is possible and anger and gloom that we’re not there yet.”
The 13 track album has been mixed by Matthew and mastered by long term collaborator and Grammy winning engineer, Mandy Parnell (Björk, Brian Eno and Aphex Twin). The artwork is by Sarah Hopper who has done nearly all the artwork for Matthew’s house music output for 25 years.
2021 also sees the release of a special documentary by Enrique Sanchez Lansch about Matthew and listening. Entitled A Symphony Of Noise, the film follows Matthew through 20 or so of his projects as an electronic musician, artist and sound activist over 10 years. The film was produced by Kloos and co and distributed by Rise and Shine Cinema. You can watch the trailer here
A Symphony Of Noise screening dates:
28th May - Premier, Poland
15th August - Premier, Berlin & Hamburg, Q & A’s with Matthew Herbert
2nd September - General Release in Germany Date in Autumn
TBC - Premier, London
Matthew Herbert is a widely acclaimed composer, producer and writer based next to the marshes of East Kent. His most recent album, The State Between Us was a collaboration across borders between 1000 musicians as part of the Brexit Big Band (2019), prior to that he released an album that was a book - the Music (A Novel Through Sound) published in 2018. Before that, A Nude soundtracked 24 hours of human activity through recordings of a single body. Matthew wrote the score for the Oscar-winning Chilean film A Fantastic Woman, the Academy Award nominated documentary The Cave, recent Julianne Moore film Gloria Bell and the acclaimed West End play People, Places and Things.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
herbert - A1 Bumps
2
herbert - A2 Sucker
3
herbert - B1 Get Strong
4
herbert - B2 Pretty Daddy
Last year Accidental Records released 'Herbert Complete', a 130- track boxset featuring Herbert's entire extensive back catalogue. It included rare and unreleased tracks from the mid 90's right up to the critically acclaimed 'Bodily Functions' and 'Scale' albums. Though this might have felt like the closing of the doors for Matthew Herbert's house moniker, particularly with the ever forward-thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig, this thankfully is not the end for this side of the prolific composer's output. Following last month's release of the 4-track EP 'Part 6' comes the unsurprisingly titled 'Part 7'. Another 4 tracks of twisted club music kicking off with the RnB tilted pop chant 'Bumps' which once again featuring the vocals of Rahel from London band Hejira. Track 2 'Sucker' is reminiscent of the original 'Parts 1-5' that came out on the now defunct Phono label circa 1995, a true Herbert techno workout. Side B of the vinyl opens with 'Get Strong' a track that Herbert has already been playing out a fair bit in his DJ sets to heavy crowd responses at the likes of Fabric and Space already this summer, the bouncy melody picking the dance floor up against a backdrop of industrial sounding bass clunks. Moving on to the closing piece of the EP comes 'Pretty Daddy', a twisted and rigorous slab of electronica to keep you awake all night. With 'Part 7' directly following 'Part 6' (of which the first pressing of the vinyl sold out in under 2 weeks), we hope there may be more to come from the uncompromising producer yet...
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
herbert - one two three
2
herbert - manny
3
herbert - my dj
4
herbert - grab the bottle
: Last year Accidental Records released a complete 130 track boxset featuring all of Herbert's extensive back catalogue. It included rare and unreleased tracks from the mid 90's right up to the critically acclaimed Bodily Functions and Scale albums. Though this might have felt like the closing of the doors for Matthew Herbert's surname fronted house moniker, particularly with the ever forward thinking producer having moved onto making music out of an exploding bomb, a shopping list, a club and even a pig in recent years, this thankfully is not the end for this side of the prolific composers output. This new 12" vinyl and digital release is the first brand new Herbert release for 8 years. Lead track 'One Two Three' is a warm slice of summer house music featuring the stunning vocals of London based singer Rahel (from the band Hejira). The ep moves into darker territory with the perpetual club track 'Manny'. Side B of the limited vinyl veers darker again with the track 'My DJ', with its bursts of vocal reaching out from the twisted electronics. Finally 'Grab The Bottle' collapses towards a full acid house workout whilst remaining well within the eclectic world of Herbert production. 'Part 6' is more than just a nod towards Herbert's output of yesteryear. Its a direct continuation of his playful and intriguing electronic musical style that he pioneered in the original 'Parts 1 - 5' releases from 1995/96 on the now defunct Phono label. Its unlikely that Par 6 is going to be the end of this particular journey either… watch this space.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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Yoruba Singers - Neighbour Jean
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Yoruba Singers - Woman A Dead Ya Fuh Man
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Tracklist:
Sida A
1. Ojinga’s Own
2. What To Do
3. Stay Away
4. Uncomprehensidensible
Radio-Matic Woman
5. Neighbour Jean
6. G.o.-Go
SIDE B
1. Massacura Man
2. Woman A Dead Ya Fuh Man
3. Ka Duma
4. I’ve Got To Be Somebody
5. No Intention
The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital.
The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended.
The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments.
Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steel-band culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.
For Fans Of:
Sir Victor Uwaifo, Francis Bebey, Fela Kuti
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Germany
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Sida A
1. Ojinga’s Own
2. What To Do
3. Stay Away
4. Uncomprehensidensible
Radio-Matic Woman
5. Neighbour Jean
6. G.o.-Go
SIDE B
1. Massacura Man
2. Woman A Dead Ya Fuh Man
3. Ka Duma
4. I’ve Got To Be Somebody
5. No Intention
The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital.
The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended.
The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments.
Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steel-band culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.
For Fans Of:
Sir Victor Uwaifo, Francis Bebey, Fela Kuti
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Amy Dabbs - Everything alright feat. Aika Mal
2
Amy Dabbs - Everything alright feat. Aika Mal (Dam Swindle remix)
3
Amy Dabbs - Eleven eleven twenty two
4
Amy Dabbs - Crush
5
Amy Dabbs - Only breaks can love your heart
Format : Vinyl 12” (180 gr., Limited Full Cover)
Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart
Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix
Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.
With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.
Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.
The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.
‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.
Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!
We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!
Yours Sincerely,
Maarten & Lars
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart
Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix
Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.
With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.
Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.
The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.
‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.
Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!
We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!
Yours Sincerely,
Maarten & Lars
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Minnie Riperton - Les Fleurs
2
Minnie Riperton - Completeness
3
Minnie Riperton - Come To My Garden
4
Minnie Riperton - Memory Band
5
Minnie Riperton - Rainy Day In Centerville
6
Minnie Riperton - Close Your Eyes & Remember
7
Minnie Riperton - Oh! By The Way
8
Minnie Riperton - Expecting
9
Minnie Riperton - Only When I'm Dreaming
10
Minnie Riperton - Whenever, Wherever
180g Lilac Vinyl, Gatefold Sleeve
Released in 1970 and produced by the prestigious Charles Stepney, 'Come To My Garden' is the debut studio album by R&B/Soul singer Minnie Riperton. The purity and virtuosity of Minnie Riperton’s vocals are seeped in Stepney’s orchestral flourishes and jazz-inspired driving grooves courtesy of Ramsey Lewis’ rhythm section. Minnie Riperton is arguably one of the most overlooked soul voices of this era. An unforgettable piece of seductive chamber-soul history, reissued here on heavyweight 180g lilac virgin vinyl in a gatefold sleeve.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Released in 1970 and produced by the prestigious Charles Stepney, 'Come To My Garden' is the debut studio album by R&B/Soul singer Minnie Riperton. The purity and virtuosity of Minnie Riperton’s vocals are seeped in Stepney’s orchestral flourishes and jazz-inspired driving grooves courtesy of Ramsey Lewis’ rhythm section. Minnie Riperton is arguably one of the most overlooked soul voices of this era. An unforgettable piece of seductive chamber-soul history, reissued here on heavyweight 180g lilac virgin vinyl in a gatefold sleeve.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Hotline - Fellas Doing It In Lago
2
Peter Abdul - Don't You Know
3
Steve Monite - Only You
4
Oby Onyioha - Enjoy Your Life
5
Kio Amachree - Ivory
6
Livy Ekemezie - Holiday Action
7
Willy Roy - Don't Give Up
8
Danny Offia & The Friks - Funk With Me
9
Rick Asikpo & Afro Fusion - Too Hot
10
Toby Foyeh - Ore Mi
11
Gboyega Adelaja - Colourful Environment
12
Mike Umoh - Shake Your Body
13
Brnis Moleme - Where Is The Answer
14
Sony Enang - Don't Stock That Music
15
Nkono Teles - Be My Lady
16
Veno - Groove I Like
17
Godfrey Odili - Let's Do More Music
18
Terry Mackson - Distant Lover
19
Ofege - Bruning Jungle
20
Lexy Mella - On The Air
REPRESS!! 3LP+7"
You like African disco/boogie? Then this comp. is for you.. No need to drop crazy amounts of cash on the originals. This one holds winners only!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
You like African disco/boogie? Then this comp. is for you.. No need to drop crazy amounts of cash on the originals. This one holds winners only!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
(2023 remaster) Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
TRACKLISTING
A1. A3000 - Sonic Stripes
A2. A3000 - Flow
B1. A3000 - Rise
B2. A3000 - Phantome Of House
C1. A3000 - Shelloid
C2. A3000 - P.S.E.
D1. A3000 - Part Of The Planet
D2. A3000 - Destination Underwood
INFO
8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.
Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.
Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
TRACKLISTING
A1. A3000 - Sonic Stripes
A2. A3000 - Flow
B1. A3000 - Rise
B2. A3000 - Phantome Of House
C1. A3000 - Shelloid
C2. A3000 - P.S.E.
D1. A3000 - Part Of The Planet
D2. A3000 - Destination Underwood
INFO
8 tracks of genuine mid-90s acid, techno, and ambient for fans of AGE, Spacetime Continuum, Caustic Window & Air Liquide.
Reissue of A3000 "Magnetic Gliding" album, produced by Swiss musicians Marco Repetto and Stefan Riesen, also known as Synectics on Rephlex and founders of Axodya Records. Originally released in 1995 on the Italian Disturbance label, it has now been remastered and proudly reissued for 2023 in a limited edition of 500 copies by Musique Pour La Danse. Enjoy this trip.
Marco Repetto was a member of the world-famous wave/punk band Grauzone. In the late '80s, he delved into techno, ambient, and psychedelic music, drawing inspiration from nature and shamanic knowledge. His performances are described as colorful, playful, and mind-opening experiences. His main project now is "Bigeneric," which he releases on his label, Inzec Records.
Stefan Riesen has been a prominent figure in the Swiss techno scene since 1995. He is the founder-manager of Phont Music, SuperBra, Morris/Audio, Floppy Funk, and Speaker Attack. He has (co-)produced numerous tracks under various aliases on different labels, including Box Blaze, Flaptrack, Hooper, Nylon, Sonic Tourism, Spin, A3000, Box Blaze & Deetron, Dialogue, Lausen, R.B.R., Sidestepper, Silver Zone, Skank Burner, Synectics, and more.
Mark Wigan was an influential pioneer of urban art in New York, Tokyo and London during the 1980s and 90s. Amongst other, he did the whole The Brain club visuals, as well as several records sleeves for Frankie Bones, A Guy Called Gerald and Bobby Konders. His work explores and responds to anthropology and subcultures, evoking a magical symbolism and the collective unconscious, ancient motifs and the beginning of language itself he has created a whole universe of compelling artworks. He was also involved in illustrating the London club scene. Mark draw the visuals for this album.
www.markwigan.com
This album is for Steen who what there on the night, and Louis the dancing cat.
And to all that where around there then, and somehow still are.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kerri Chandler - Who’s Afraid Of The Dark (Original)
2
Josh Butler - Sunday Club (Original Mix)
Kerri’s Kaoz Theory label unlocks the vault to two key tracks from the early days of the label that have never pressed on vinyl before.
First up the man himself, Kerri Chandler with a deep, heads down stomper ‘Who’s Afraid Of The Dark’. Kerri at his hard hitting best, as vocal refrains wash over the chunkiest of synth stabs and basslines with crunched up percussion laying the basis for a track that is readymade for smoke filled clubs and pumping sound systems.
On the flip, Josh Butler ‘Sunday Club’ goes deep down the rabbit hole effortlessly moving from ethereal elegance to twisted machine energy, showcasing that light and dark can sit together seamlessly to produce something seriously special.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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First up the man himself, Kerri Chandler with a deep, heads down stomper ‘Who’s Afraid Of The Dark’. Kerri at his hard hitting best, as vocal refrains wash over the chunkiest of synth stabs and basslines with crunched up percussion laying the basis for a track that is readymade for smoke filled clubs and pumping sound systems.
On the flip, Josh Butler ‘Sunday Club’ goes deep down the rabbit hole effortlessly moving from ethereal elegance to twisted machine energy, showcasing that light and dark can sit together seamlessly to produce something seriously special.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Djrum - Plantain
2
Djrum - What I Was Doing When I Was Doing What I Was Doing
2023 Repress
Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklisting:
A1 Djrum - Plantain
B1 Djrum - What I Was Doing When I Was Doing What I Was Doing
Sales Note:
2023 Repress of the Djrum 12" for Samurai Red Seal on a special Colour in Colour pressing
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Coco Bryce - Nirwana
2
Coco Bryce - Pull Up
3
Coco Bryce - Daze Of Our Lives
4
Coco Bryce - Life Changed
Tracklisting:
A1 Coco Bryce - Nirwana
A2 Coco Bryce - Pull Up
B1 Coco Bryce - Daze Of Our Lives
B2 Coco Bryce - Life Changed
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DE - 22113 Hamburg
Germany
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A1 Coco Bryce - Nirwana
A2 Coco Bryce - Pull Up
B1 Coco Bryce - Daze Of Our Lives
B2 Coco Bryce - Life Changed
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kerri Chandler - What Will We Do Ft. Grampa
2
Kerri Chandler - Tonight
3
Kerri Chandler - Into The Night
4
Kerri Chandler - This And That
Repress!
Kerri Chandler delivers ‘Lost & Found Vol.1’ this March, a four-track collection of revisited, unreleased archive cuts, including Kerri’s own Grampa, Calvin Reed Sr. as a featuring artist on the opening track.
New Jersey’s Kerri Chandler has been at the forefront of house music since the beginning of his career in the early 90’s. Over the past three decades he’s released an extensive back catalogue of material including several albums on his own Madhouse and Kaoz Theory imprints as well as the likes of DJ Deep’s Deeply Rooted, Apollonia, Jerome Sydenham’s Ibadan and Watergate Records.
Here we see Kerri dig up some never before heard archived material from the 90’s and early 2000’s for this four-track EP. Up first is ‘What Will We Do ft Grampa’, featuring spoken word and vocal lines from Kerri’s Grandfather Calvin Reed St. atop gritty swinging drums, organ lines and rounded subs. ‘Tonight’ follows and tips focus over to airy chord sequences, choppy bass notes, dreamy arpeggio lines and dynamic drums.
‘Into The Night’ opens the b-side next, bringing a raw bass hook, tension building strings and vocal chants of the track’s title into the forefront while bumpy stripped-back drums keep things driving. ‘This and That’ then rounds out the release, bringing twitchy resonant synths and phaser sweeps into the mix alongside stuttering drum programming for a funk-infused, loop driven eight minute workout.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Kerri Chandler delivers ‘Lost & Found Vol.1’ this March, a four-track collection of revisited, unreleased archive cuts, including Kerri’s own Grampa, Calvin Reed Sr. as a featuring artist on the opening track.
New Jersey’s Kerri Chandler has been at the forefront of house music since the beginning of his career in the early 90’s. Over the past three decades he’s released an extensive back catalogue of material including several albums on his own Madhouse and Kaoz Theory imprints as well as the likes of DJ Deep’s Deeply Rooted, Apollonia, Jerome Sydenham’s Ibadan and Watergate Records.
Here we see Kerri dig up some never before heard archived material from the 90’s and early 2000’s for this four-track EP. Up first is ‘What Will We Do ft Grampa’, featuring spoken word and vocal lines from Kerri’s Grandfather Calvin Reed St. atop gritty swinging drums, organ lines and rounded subs. ‘Tonight’ follows and tips focus over to airy chord sequences, choppy bass notes, dreamy arpeggio lines and dynamic drums.
‘Into The Night’ opens the b-side next, bringing a raw bass hook, tension building strings and vocal chants of the track’s title into the forefront while bumpy stripped-back drums keep things driving. ‘This and That’ then rounds out the release, bringing twitchy resonant synths and phaser sweeps into the mix alongside stuttering drum programming for a funk-infused, loop driven eight minute workout.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Zeta Reticula - Common Centre
2
Zeta Reticula - An Activity Cycle
3
Zeta Reticula - Protostellar Cloud
We are very happy to present you the newest eudemonia record by no other than Zeta Reticula. The Slovenian born artist needs no introduction as he has released several iconic releases during the last 23 years. For this EP he explores his more melodic side and presents three unique tracks ranging from Electro to Breakbeat.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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1
Jonny 5 - Joy Riding
2
Dreems - Bususua
3
Miserymix - Adjust Your Love
4
Black Bones - Lil' Pil
Jonny 5 is known for his superlative edits as well as heading up the Bahnsteig 23 label and here he returns from time out becoming a father to kick off this new one from Duca Bianco. 'Joy riding' is loopy disco-post-punk for a peak-time trip. Multi Culti man Dreems then brings the Afro party vibes with his 'Bususua' which is packed with dub fx and steeped in fun. Miserymix then throws in his Italo-licked post-disco and punk sounds on 'Adjust Your Love' before a big finale by Black Bones. He offers deep and dubby house that has been a secret edit for a while but finally gets unveiled here to great effect as it worms its way into your brain.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dora Morelenbaum - Japão
2
Dora Morelenbaum - Vento De Beirada
3
Dora Morelenbaum - Avermelhar
4
Dora Morelenbaum - Dó a dó
Tracklist:
1. Japão
2. Vento De Beirada
3. Avermelhar
4. Dó A Dó
Singer-songwriter Dora Morelenbaum is one of the stunning voices at the forefront of Brazil’s exciting new musical wave. Her sublime 'Vento De Beirada' EP takes you on a trip into the sensuous sounds of Dora's world. On first hearing her music, we were reminded of the transformational moment when we first discovered the Brazilian singer-songwriter, Joyce. The music is completely new to you, yet instantly familiar, like rediscovering a past love.
Dora is a member of the Brazilian Latin-Grammy-winning superstar quartet Bala Desejo; a trailblazing light opening up Brazilian music to a whole new audience outside of the country. 'Vento De Beirada' EP showcases a different sound to the riotous, joyful, avant-garde Tropicália sound of Bala Desejo. This solo set takes a more dream-like, downbeat, MPB stance. It is firmly contemporary, yet you can also trace the lines of influence back to idols such as Gal Costa and Maria Bethânia.
The EP is comprised of four tracks that have already garnered critical acclaim following their digital release. It starts with the tender and gentle 'Japão', which was inspired by the melodies of the legendary Japanese composer, Ryuichi Sakamoto. Sakamoto once collaborated with Dora's musician parents, Paula and Jaques Morelenbaum, when she was young. 'Dó a Dó' is drenched in lush, sweeping strings that were arranged by her father himself, and is co-written by Dora and Tom Veloso of the band, Dônica. There’s further collaboration on the EP, including production from one of the lynchpins and stars of the current Rio scene, Ana Frango Elétrico. Fellow Bala Desejo band member, Lucas Nunes, contributes towards the production, writing, and guitar with Guilherme Lírio also on production, guitar, and bass. Whilst Bala Desejo’s Zé Ibarra penned the song 'Vento De Beirada' with Lucas and Victor Vasconcellos.
The four-track EP has been cut to 12" and mastered for vinyl by Joker (Liam McLean). With crystalline beauty and a breezy sense of ease and serenity, sounding classic yet contemporary. This release serves as the perfect introduction to an extraordinary talent.
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Germany
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1. Japão
2. Vento De Beirada
3. Avermelhar
4. Dó A Dó
Singer-songwriter Dora Morelenbaum is one of the stunning voices at the forefront of Brazil’s exciting new musical wave. Her sublime 'Vento De Beirada' EP takes you on a trip into the sensuous sounds of Dora's world. On first hearing her music, we were reminded of the transformational moment when we first discovered the Brazilian singer-songwriter, Joyce. The music is completely new to you, yet instantly familiar, like rediscovering a past love.
Dora is a member of the Brazilian Latin-Grammy-winning superstar quartet Bala Desejo; a trailblazing light opening up Brazilian music to a whole new audience outside of the country. 'Vento De Beirada' EP showcases a different sound to the riotous, joyful, avant-garde Tropicália sound of Bala Desejo. This solo set takes a more dream-like, downbeat, MPB stance. It is firmly contemporary, yet you can also trace the lines of influence back to idols such as Gal Costa and Maria Bethânia.
The EP is comprised of four tracks that have already garnered critical acclaim following their digital release. It starts with the tender and gentle 'Japão', which was inspired by the melodies of the legendary Japanese composer, Ryuichi Sakamoto. Sakamoto once collaborated with Dora's musician parents, Paula and Jaques Morelenbaum, when she was young. 'Dó a Dó' is drenched in lush, sweeping strings that were arranged by her father himself, and is co-written by Dora and Tom Veloso of the band, Dônica. There’s further collaboration on the EP, including production from one of the lynchpins and stars of the current Rio scene, Ana Frango Elétrico. Fellow Bala Desejo band member, Lucas Nunes, contributes towards the production, writing, and guitar with Guilherme Lírio also on production, guitar, and bass. Whilst Bala Desejo’s Zé Ibarra penned the song 'Vento De Beirada' with Lucas and Victor Vasconcellos.
The four-track EP has been cut to 12" and mastered for vinyl by Joker (Liam McLean). With crystalline beauty and a breezy sense of ease and serenity, sounding classic yet contemporary. This release serves as the perfect introduction to an extraordinary talent.
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