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Barut - Cuantiz
2
Barut - Legunia
3
Barut - Decima
4
Barut - Decima (Priku Remix)
Awaited release from Miami based Barut on MTMLTD series + Priku rmx! 180g. Vinyl Only. Limited Copies
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More records from More Than Music
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Jake Flory - Pick Of Destiny
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Jake Flory - Pure Tone
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Jake Flory - Pure Tone (Cristi Cons Remix)
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Jake Flory - Wind
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Jake Flory - Blind
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Jake Flory - REvolve
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Jake Flory - Arp Pasta
The journey continues and this time with a double vinyl pack from the UK resident Jake Flory with 6 hypnotic tracks plus a powerful remix from Cristi Cons.
Played by Raresh. Limited Copies. Vinyl Only. 180gr. More
Played by Raresh. Limited Copies. Vinyl Only. 180gr. More
1
Rowlanz & Miroloja - Sunrise
2
Rowlanz & Miroloja - Redkiss
3
Rowlanz & Miroloja - Atribute Valor
Repress!
Now five releases deep, Ibiza based label More Than Music is absolutely on a roll with its releases. Since Cally’s bomb ‘Yes No, Maybe So’ back on MTMLTD001 last year, the label has proceeded to keep a consistent approach in providing the goods. It shows no signs of stopping any time soon and the latest release might just be the best yet.
Rowlanz & Miroloja have been invited to the forefront for MTMLTD005 with their Sunrise EP, a killer selection of three deeply euphoric yet energetic numbers. More
Now five releases deep, Ibiza based label More Than Music is absolutely on a roll with its releases. Since Cally’s bomb ‘Yes No, Maybe So’ back on MTMLTD001 last year, the label has proceeded to keep a consistent approach in providing the goods. It shows no signs of stopping any time soon and the latest release might just be the best yet.
Rowlanz & Miroloja have been invited to the forefront for MTMLTD005 with their Sunrise EP, a killer selection of three deeply euphoric yet energetic numbers. More
1
Nu Zau - Nina La Clape
2
Nu Zau - Nina La Clape (Vincentlulian Remix)
3
Nu Zau - Angels Go Bad Too
4
Nu Zau - Late Night Tales
2021 limited repress! More Than Music welcomes Nu Zau and Vincentlulian. Early support: Raresh, Petre Inspirescu, Priku, Arapu, Sepp, Gescu
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1
cally - Yes No, Maybe So
2
cally - Decisions (Martinez Rmx)
3
cally - Decisions
Introducing MTM the new vinyl imprint. First up on the label is (Yes No Maybe So) by Cally from Romania remixed by the talented Martinez
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a.s.o. - Go On
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a.s.o. - My Baby's Got It Out For Me
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a.s.o. - Rain Down
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a.s.o. - LITD Pt. 1
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a.s.o. - Love In The Darkness
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a.s.o. - Cold Feeling
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a.s.o. - True
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a.s.o. - Falling Under
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a.s.o. - Thinking
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a.s.o. - Understand
11
a.s.o. - Somebody
Repress!
Here is the debut, self-titled album from a.s.o., singer/songwriter Alia Seror-O'Neill, and producer Lewie Day. 'a.s.o.' is a thematic consolidation of the previous three singles and an impressive artistic progression. Day and Seror-O'Neill show they've mastered the format of the radio-friendly pop song and found how to subvert it completely. Across eleven songs, they have built a rich and compelling body of work.
We know where we are now, emotionally complex, trip-hop torch songs for club freaks. But the palette has broadened to encompass ethereal dream pop à la Cocteau Twins, slow-burning AOR-soul, and dubwise stylings. As a result, 'a.s.o.' is a satisfyingly coherent listen but never a musical monoculture. Variously there are nods toward Julee Cruise, Fleetwood Mac, and the uneasy listening of Portishead. It's an album that wears its influences lightly, is never weighed down by them, and always sure of its own identity.
It's anchored by Alia's unique voice. Her words speak of restraint and release, taking us from the elegiac to the euphoric. This elegantly crafted, perfect pop music sounds like it has had enough of your shit. And Day's music is the perfect foil; deep, slightly menacing, restrained, and powerful. The album has a cinematic texture, as with David Lynch; the seemingly familiar becomes uncanny and strange the closer we look. a.s.o. take our emotions for a joyride before leaving us floating in space.
'a.s.o.' is a journey; by its end, we all are changed.
More
Here is the debut, self-titled album from a.s.o., singer/songwriter Alia Seror-O'Neill, and producer Lewie Day. 'a.s.o.' is a thematic consolidation of the previous three singles and an impressive artistic progression. Day and Seror-O'Neill show they've mastered the format of the radio-friendly pop song and found how to subvert it completely. Across eleven songs, they have built a rich and compelling body of work.
We know where we are now, emotionally complex, trip-hop torch songs for club freaks. But the palette has broadened to encompass ethereal dream pop à la Cocteau Twins, slow-burning AOR-soul, and dubwise stylings. As a result, 'a.s.o.' is a satisfyingly coherent listen but never a musical monoculture. Variously there are nods toward Julee Cruise, Fleetwood Mac, and the uneasy listening of Portishead. It's an album that wears its influences lightly, is never weighed down by them, and always sure of its own identity.
It's anchored by Alia's unique voice. Her words speak of restraint and release, taking us from the elegiac to the euphoric. This elegantly crafted, perfect pop music sounds like it has had enough of your shit. And Day's music is the perfect foil; deep, slightly menacing, restrained, and powerful. The album has a cinematic texture, as with David Lynch; the seemingly familiar becomes uncanny and strange the closer we look. a.s.o. take our emotions for a joyride before leaving us floating in space.
'a.s.o.' is a journey; by its end, we all are changed.
More
1
Sascha Funke - FEZ
2
Sascha Funke - QAM
3
Sascha Funke - TSC
4
Sascha Funke - SEZ
Tracklist
A1-FEZ
A2-QAM
B1-TSC
B2-SEZ
Release Info:
In the constant state of flux that house and techno are in since their inception, Berlin’s Sascha Funke is at once a fixture and an emblem of the city’s transformations. Probably best-known for his work on BPitch, Kompakt or the evergreen MZ, Funke’s EP for Running Back is an amalgamation of sounds, influences and atmospheres. Subdued rave euphoria, robotic disco-influenced techno-pop and hints of Berlin’s long gone „Dubmission“ party ethics get re-arranged, extracted and reconfigured with „German engineering“ values.
Take the ritual QAM for instance. Using a sample and the legendary morse melody of the weather forecast at the end of each „Tagesschau“ and putting it in a completely different context, is a prime example of a free-form approach to making music and making nostalgia future-proof.
That also holds true for the rest of the EP. While titles like FEZ (Freizeit- und Erholungszentrum) or SEZ (Sport- und Erholungszentrum) refer to lost places in East Berlin, the tracks are anything but. Yearning, precisely programmed and full of joie de vivre at the same time, they all lock into and complement each other. So much, that you will find a new favorite with every listen.
More
A1-FEZ
A2-QAM
B1-TSC
B2-SEZ
Release Info:
In the constant state of flux that house and techno are in since their inception, Berlin’s Sascha Funke is at once a fixture and an emblem of the city’s transformations. Probably best-known for his work on BPitch, Kompakt or the evergreen MZ, Funke’s EP for Running Back is an amalgamation of sounds, influences and atmospheres. Subdued rave euphoria, robotic disco-influenced techno-pop and hints of Berlin’s long gone „Dubmission“ party ethics get re-arranged, extracted and reconfigured with „German engineering“ values.
Take the ritual QAM for instance. Using a sample and the legendary morse melody of the weather forecast at the end of each „Tagesschau“ and putting it in a completely different context, is a prime example of a free-form approach to making music and making nostalgia future-proof.
That also holds true for the rest of the EP. While titles like FEZ (Freizeit- und Erholungszentrum) or SEZ (Sport- und Erholungszentrum) refer to lost places in East Berlin, the tracks are anything but. Yearning, precisely programmed and full of joie de vivre at the same time, they all lock into and complement each other. So much, that you will find a new favorite with every listen.
More