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Label:In Dust We Trust
Cat-No:IDWT009
Release-Date:19.05.2023
Genre:House
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Label:In Dust We Trust
Cat-No:IDWT009
Release-Date:19.05.2023
Genre:House
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1
Chaos In The CBD & Jon Sable - Mahia Madness
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Chaos In The CBD - Coral Castle
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Chaos In The CBD & Jon Sable - Te Puke Thunder
4
Jon Sable - Ascension Island
Repress!
Te Puke Thunder is one of New Zealand’s oldest and most sought after cannabis strains.
Hailing from the volcanic regions of New Zealand, Te Puke Thunder is prized for its larger buds and higher potency. Gaining popularity in the 70s, the polyploid plant succeeded in becoming a well renowned strain and was notably displayed in a number of Amsterdam coffee shops.
New Zealand authorities believe they have successfully wiped out the majority, if not all, possible trails for the whereabouts of the venerable strain. Some believe there may not be a single seed left with the unmatched genetics of the original Te Puke Thunder strain.
If any old timers are still growing it, please contact [email protected] - we would love to talk.
For now, the hunt for the elusive strain lives on…
More
Te Puke Thunder is one of New Zealand’s oldest and most sought after cannabis strains.
Hailing from the volcanic regions of New Zealand, Te Puke Thunder is prized for its larger buds and higher potency. Gaining popularity in the 70s, the polyploid plant succeeded in becoming a well renowned strain and was notably displayed in a number of Amsterdam coffee shops.
New Zealand authorities believe they have successfully wiped out the majority, if not all, possible trails for the whereabouts of the venerable strain. Some believe there may not be a single seed left with the unmatched genetics of the original Te Puke Thunder strain.
If any old timers are still growing it, please contact [email protected] - we would love to talk.
For now, the hunt for the elusive strain lives on…
More
More records from In Dust We Trust
Label:In Dust We Trust
Cat-No:IDWT013
Release-Date:23.02.2024
Genre:House
Configuration:12"
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Label:In Dust We Trust
Cat-No:IDWT013
Release-Date:23.02.2024
Genre:House
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Chaos In The CBD - Sirena Deep (Ft. Nathan Haines)
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Chaos In The CBD - Outdoor Limit
Following on from their Fabric presents mix compilation and a busy summer of touring, including 2x sold out All Night Long shows in London - Chaos In The CBD return with 'Outdoor Limit’ to complete the 'Sirena Deep’ EP on their much loved In Dust We Trust imprint.
Sirena Deep
This classy Deep House track has a warm and deep rolling bass line and beautifully layered keys. Washed over with a stunning flute accompaniment from long-term collaborator and legendary jazz musician Nathan Haines which adds the extra magic to this outstanding production.
Outdoor Limit
On the B-side the boys deliver a slightly darker, mischievous and moody roller with ‘Outdoor Limit’ - an 8 minute journey through minimal grooves, in what feels like the perfect soundscape for getting lost in a dark room in the small hours. More
Sirena Deep
This classy Deep House track has a warm and deep rolling bass line and beautifully layered keys. Washed over with a stunning flute accompaniment from long-term collaborator and legendary jazz musician Nathan Haines which adds the extra magic to this outstanding production.
Outdoor Limit
On the B-side the boys deliver a slightly darker, mischievous and moody roller with ‘Outdoor Limit’ - an 8 minute journey through minimal grooves, in what feels like the perfect soundscape for getting lost in a dark room in the small hours. More
Label:In Dust We Trust
Cat-No:IDWT008
Release-Date:19.05.2023
Genre:House
Configuration:12"
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Label:In Dust We Trust
Cat-No:IDWT008
Release-Date:19.05.2023
Genre:House
Configuration:12"
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Chaos In The CBD - Come Together
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Chaos In The CBD - Digital Sound
Repress!
Peckham-based DJ and producer duo Chaos In The CBD have announced their new 12” ‘Come Together / Digital Sound’ on their In Dust We Trust imprint, out October 28th 2019.
Consisting of New Zealand brothers Ben and Louis Helliker-Hales, the duo’s new release features two excellently crafted club cuts that display their flair for creating deep house soundscapes, from the jacking, percussive heavy hitter ‘Come Together’ which features searing synths and a fierce bassline, to the expressive rhythmic stylings of ‘Digital Sound’, which features driving percussion and atmospheric synths.
Since moving to Peckham in 2012, the duo quickly became an integral part of the South London electronic community with their standout releases, including records on Rhythm Section, Mule Musiq and their own In Dust We Trust imprint, which they co-founded with fellow kiwi producer Jon Sable. This combined with the infectious energy of their magnetic and accomplished DJ sets have propelled them to play at some of the best clubs worldwide.
Chaos In The CBD say: “The purpose of IDWT has always been to serve as an outlet to release our own music without being at the mercy of external labels, whilst also retaining full control of the project both musically and aesthetically. Our goal has always been to release timeless music that we will be proud of for decades to come.”
With their new release, Chaos In The CBD continue their rise as refreshing producers in the electronic scene, and look set to close out 2019 on a high with a jam-packed worldwide tour ahead, including their In Dust We Trust label tour, and stops at Tokyo, Melbourne, Bali and London. More
Peckham-based DJ and producer duo Chaos In The CBD have announced their new 12” ‘Come Together / Digital Sound’ on their In Dust We Trust imprint, out October 28th 2019.
Consisting of New Zealand brothers Ben and Louis Helliker-Hales, the duo’s new release features two excellently crafted club cuts that display their flair for creating deep house soundscapes, from the jacking, percussive heavy hitter ‘Come Together’ which features searing synths and a fierce bassline, to the expressive rhythmic stylings of ‘Digital Sound’, which features driving percussion and atmospheric synths.
Since moving to Peckham in 2012, the duo quickly became an integral part of the South London electronic community with their standout releases, including records on Rhythm Section, Mule Musiq and their own In Dust We Trust imprint, which they co-founded with fellow kiwi producer Jon Sable. This combined with the infectious energy of their magnetic and accomplished DJ sets have propelled them to play at some of the best clubs worldwide.
Chaos In The CBD say: “The purpose of IDWT has always been to serve as an outlet to release our own music without being at the mercy of external labels, whilst also retaining full control of the project both musically and aesthetically. Our goal has always been to release timeless music that we will be proud of for decades to come.”
With their new release, Chaos In The CBD continue their rise as refreshing producers in the electronic scene, and look set to close out 2019 on a high with a jam-packed worldwide tour ahead, including their In Dust We Trust label tour, and stops at Tokyo, Melbourne, Bali and London. More
Label:In Dust We Trust
Cat-No:IDWT001
Release-Date:19.05.2023
Genre:House
Configuration:12"
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Label:In Dust We Trust
Cat-No:IDWT001
Release-Date:19.05.2023
Genre:House
Configuration:12"
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1
Chaos In The CBD - Accidental Meetings
2
Chaos In The CBD - North Pole Cafe
3
Chaos In The CBD - United Identities
4
Chaos In The CBD - Distorted Fields
Repress!
Chaos In The CBD's Ben & Louis Helliker-Hales team up with long-time friend and collaborator Jon Sable to present their new imprint ‘In Dust We Trust.’
In Dust We Trust is an ode to a collection of friends who share a certain understanding, who live by a love and respect for the people around them. That friend who saves that last puff for you, that friend who will share their drink with you when you can't afford your own, that friend who will learn how to drive a car on the spot because you're too drunk to make it home.
Kicking things off with a release from Chaos In The CBD, ‘Accidental Meetings’ is a record that celebrates this way of living. The four cuts effortlessly move you through a journey of delicate textures and atmospheres. It begins with the late night basement sounds of the title track, then sends you through the spacious and meditative ‘North Pole Cafe.’ The wild rhythms of ‘United Identities’ hypnotise you, until you find yourself spat out by the energetic grooves of ‘Distorted Fields.’
Play it in the club, play it in the hotbox, or play it for your mum, this record is filled with soulful, rhythmically complex, melancholic music that is unmistakably dusty. More
Chaos In The CBD's Ben & Louis Helliker-Hales team up with long-time friend and collaborator Jon Sable to present their new imprint ‘In Dust We Trust.’
In Dust We Trust is an ode to a collection of friends who share a certain understanding, who live by a love and respect for the people around them. That friend who saves that last puff for you, that friend who will share their drink with you when you can't afford your own, that friend who will learn how to drive a car on the spot because you're too drunk to make it home.
Kicking things off with a release from Chaos In The CBD, ‘Accidental Meetings’ is a record that celebrates this way of living. The four cuts effortlessly move you through a journey of delicate textures and atmospheres. It begins with the late night basement sounds of the title track, then sends you through the spacious and meditative ‘North Pole Cafe.’ The wild rhythms of ‘United Identities’ hypnotise you, until you find yourself spat out by the energetic grooves of ‘Distorted Fields.’
Play it in the club, play it in the hotbox, or play it for your mum, this record is filled with soulful, rhythmically complex, melancholic music that is unmistakably dusty. More
Label:In Dust We Trust
Cat-No:IDWT006
Release-Date:27.01.2023
Genre:House
Configuration:12"
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Label:In Dust We Trust
Cat-No:IDWT006
Release-Date:27.01.2023
Genre:House
Configuration:12"
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1
Chaos In The CBD - Orange Blank
2
Chaos In The CBD - Green Dove
Repress!
Slow and smooth build up with an intense but mellow peak that just goes on and on. It fills you with empathy and intense sensation heightening. SWIM smoked a joint halfway through and melted into the couch. It’s perfect for a rolling party with a group of friends, though SWIM imagines it would be great for a proper party too. Sometimes SWIM felt like dancing, but spent most of the time staring into space. This is really nice, intense, smooth and mellow. Get ahold of these if you get the chance!
Note: Your experience will vary depending on your settings. If you're in a bad place with bad people, you won’t feel a thing. More
Slow and smooth build up with an intense but mellow peak that just goes on and on. It fills you with empathy and intense sensation heightening. SWIM smoked a joint halfway through and melted into the couch. It’s perfect for a rolling party with a group of friends, though SWIM imagines it would be great for a proper party too. Sometimes SWIM felt like dancing, but spent most of the time staring into space. This is really nice, intense, smooth and mellow. Get ahold of these if you get the chance!
Note: Your experience will vary depending on your settings. If you're in a bad place with bad people, you won’t feel a thing. More
Label:In Dust We Trust
Cat-No:IDWT012
Release-Date:11.11.2022
Genre:House
Configuration:12"
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Label:In Dust We Trust
Cat-No:IDWT012
Release-Date:11.11.2022
Genre:House
Configuration:12"
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Chaos In The CBD - Intimate Fantasy
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Chaos In The CBD - Club Miyako
“They say the soul cannot rest until it finds its match, then it ignites”
Chaos In The CBD put forward two intriguing, sensual and romantic tracks, aimed at audiophiles who celebrate their beauty and cherish their fantasies.
The Intimate Fantasy EP opens with the title track. A deep house cut with a groove like a single flower blooming in an endless desert. The drums are warm, comfortable and smooth and the track is decorated with irresistible guitar licks.
Flip the record over to find "Club Miyako", a cut that is alive with enchantment and rich with the thrill of the chase. An intoxicating bassline weaves through the pads and piano stabs to form a love potion of sweet temptation and sensuality.
IDWT012, a new fragrance by Chaos In The CBD in stores Nov 21st More
Chaos In The CBD put forward two intriguing, sensual and romantic tracks, aimed at audiophiles who celebrate their beauty and cherish their fantasies.
The Intimate Fantasy EP opens with the title track. A deep house cut with a groove like a single flower blooming in an endless desert. The drums are warm, comfortable and smooth and the track is decorated with irresistible guitar licks.
Flip the record over to find "Club Miyako", a cut that is alive with enchantment and rich with the thrill of the chase. An intoxicating bassline weaves through the pads and piano stabs to form a love potion of sweet temptation and sensuality.
IDWT012, a new fragrance by Chaos In The CBD in stores Nov 21st More
Label:In Dust We Trust
Cat-No:IDWT011
Release-Date:19.08.2022
Genre:House
Configuration:12"
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Label:In Dust We Trust
Cat-No:IDWT011
Release-Date:19.08.2022
Genre:House
Configuration:12"
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Jon Sable - Endorphin Loops
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Jon Sable - Sleep Suit
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Jon Sable - Soft Focus
Jon Sable returns to In Dust We Trust with three new tracks which bring his love of dub influenced house to the forefront. Starting off the record with the title track, ‘Endorphin Loops’ centres around evolving synths and a heavy low end layered with tripped out synths resulting in an energetic sound for late night dance floors.
On the B side ‘Sleep Suit’, is a rolling chunk of dub influenced house with layers of pad textures and percussive elements that form a heavy yet meditative listen.
‘Soft Focus’ closes out the record featuring atmospheric pads layers over an energetic garage influenced beat forming unique sound with nods to his previous home town of London. More
On the B side ‘Sleep Suit’, is a rolling chunk of dub influenced house with layers of pad textures and percussive elements that form a heavy yet meditative listen.
‘Soft Focus’ closes out the record featuring atmospheric pads layers over an energetic garage influenced beat forming unique sound with nods to his previous home town of London. More
Label:In Dust We Trust
Cat-No:IDWT007
Release-Date:18.10.2019
Genre:House
Configuration:12"
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Label:In Dust We Trust
Cat-No:IDWT007
Release-Date:18.10.2019
Genre:House
Configuration:12"
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1
Jon Sable - A1.All Night, All Right!
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Jon Sable - B1. Shoplifters
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Jon Sable - B2.Shifting Sounds
Down the long driveway at the end of Second Avenue is a single story abode perched on a cliff overlooking the water. The timber constructed house built in the 1950s, is surrounded by native pohutukawa trees whose bright red coloured flowers are mimic'ed by the window frames and detailing of the exterior. As you walk down the narrow path along the side of the property, you can peer into the studio and catch a glance of an older man working away at his desk. Surrounded by books, records and CDs he will be drafting plans by hand for his next project. Continue along the path and reach the edge of the cliff — watch your step as you go down the decaying staircase and arrive at a small landing lapping in the waves of the harbour.
This record is dedicated to my grandfather Jack and the house he built. More
This record is dedicated to my grandfather Jack and the house he built. More
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Label:Delusions Of Grandeur
Cat-No:DOG91
Release-Date:31.03.2023
Genre:Deephouse
Configuration:12"
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Label:Delusions Of Grandeur
Cat-No:DOG91
Release-Date:31.03.2023
Genre:Deephouse
Configuration:12"
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Session Victim - Motivation (With Ras Stimulant)
2
Session Victim - Dromedary Twist
3
Session Victim - Green Run
Time to welcome Session Victim back to Delusions Of Grandeur following some heavyweight releases on Toytonics and Rhythm Section International. The German duo show absolutely no signs of slowing down continuing to impress with their unique sound which combines organic live elements, fat, floor-filling beats and a deep, musical approach. Here on The Intangibles EP we’re treated to three original tracks spanning high energy jazz disco meets techno, soulful uplifting house and downtempo blunted beats. Opener Motivation features spoken word from Ras Stimulant backed by urgent looping Rhodes stabs and an uptempo disco groove. An instant Session Victim dance-floor shaker if ever there was one, the energy cranked up to the maximum without losing sight of that all important groove. Next up we have Dromedary Twist which keeps up the pace but goes deeper on the jazzy organ chords and lays down a heavy syncopated bass- line which ensures the funk factor remains present and correct. Rounding out the EP in fine style, Green Run drops the BPM’s as we head into lazy, hazy, blissed-out jazzed-up beats territory. Lush strings and layers of analogue synths come together on this simple yet enchanting little tune which compliments the other tracks perfectly and will appeal to fans of SV’s more home-listening output from their 2020 LP Needledrop.
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12"
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Label:Sweat It Out
Cat-No:SWEATSV046
Release-Date:19.04.2024
Configuration:12"
Barcode:9342977236473
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Label:Sweat It Out
Cat-No:SWEATSV046
Release-Date:19.04.2024
Configuration:12"
Barcode:9342977236473
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Purple Disco Machine Featuring Roosevelt - Extended
2
Purple Disco Machine Featuring Roosevelt - Instrumental
Purple Disco Machine has been setting the world on fire for years, and he’s showing no signs of slowing down any time soon. He has teamed up with German artist Roosevelt for their latest collaborative single, 'Higher Ground.'
'Higher Ground' sounds straight out of the 80s. It’s a club banger with an infectious synth loop that will keep you sweating on the dance floor. More
'Higher Ground' sounds straight out of the 80s. It’s a club banger with an infectious synth loop that will keep you sweating on the dance floor. More
Label:hotbath edits
Cat-No:hbedits002
Release-Date:04.01.2018
Configuration:12"
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Label:hotbath edits
Cat-No:hbedits002
Release-Date:04.01.2018
Configuration:12"
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crazy p - No Title
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crazy p - No Title
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crazy p - No Title
4
crazy p - No Title
Re-issue of the much sought after Hotbath edit series from Crazy P. Hot Bath is back with more hot and steamy gems... Four edits that take you on a musical journey from funk/foul/disco to even a little touch of pop! This is going to make it to many various DJ's boxes and dance floors!
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Last in:28.08.2024
Label:SoSure
Cat-No:SSMDC007W
Release-Date:05.04.2024
Genre:House
Configuration:12"
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Frankie Knuckles Pres Director’s Cut - Your Love (Darius Syrossian Remix)
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Frankie Knuckles Pres Director’s Cut - Your Love (Alan Dixon ‘Love Attack’ Remix)
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Frankie Knuckles Pres Director’s Cut - Your Love (Director’s Cut Signature Mix)
LIMITED EDITION WHITE VINYL VERSION
Arguably one of the most memorable house music moments, born out of the black LGBT scene in Chicago at the legendary Warehouse and known as one of Frankie Knuckles earliest productions; ‘Your Love’ is a stone cold classic. A record that is up there with the greats, instantly recognisable and a song that only get better with time.
Written by Jamie Principle and originally released in 1986, ‘Your Love’ has become a seminal recording over the past 34 years. Originally an underground club anthem, famously borrowed on the crossover hit ‘You’ve Got The Love’ (The Source feat. Candi Staton), and most recently re-produced by as part of the Director’s Cut project which aimed to update a number of classic cuts for the modern dancefloor, this is a record that endures the test of time. Working alongside The Frankie Knuckles Foundation and Eric Kupper, SoSure Music now releases two new remixes for 2020 from Darrius Syrossian and Alan Dixon.
First up, House music aficionado and legendary Sankey’s resident Darius Syrossian offers his unique blend of beats to the remix package. With releases on the likes of Get Physical, Viva Music and Hot Creations, Darius’ production is heavily influenced by some of the greats – think of the finest spinners from Detroit, New York and Chicago – and is well placed to approach this huge task. Darius introduces a rolling house beat and some old skool breakbeats into his mix, keeping the energy high throughout; bringing a feeling of a euphoria and hitting the peak time moment.
Charting a rapid rise through the ranks in a relatively short time Alan Dixon is already building a name for himself in House and Nu Disco scene and has recently released on labels including Glitterbox, Permanent Vacation, Running Back and True Romance. Alan’s remix aims directly at the centre of the disco dancefloor. A strong beat dominates a unique energy through the mix along with a slightly nostalgic vibe. With a beautiful floaty interlude and a raw emotion this remix updates a classic with respect while also giving a fresh new twist. More
Arguably one of the most memorable house music moments, born out of the black LGBT scene in Chicago at the legendary Warehouse and known as one of Frankie Knuckles earliest productions; ‘Your Love’ is a stone cold classic. A record that is up there with the greats, instantly recognisable and a song that only get better with time.
Written by Jamie Principle and originally released in 1986, ‘Your Love’ has become a seminal recording over the past 34 years. Originally an underground club anthem, famously borrowed on the crossover hit ‘You’ve Got The Love’ (The Source feat. Candi Staton), and most recently re-produced by as part of the Director’s Cut project which aimed to update a number of classic cuts for the modern dancefloor, this is a record that endures the test of time. Working alongside The Frankie Knuckles Foundation and Eric Kupper, SoSure Music now releases two new remixes for 2020 from Darrius Syrossian and Alan Dixon.
First up, House music aficionado and legendary Sankey’s resident Darius Syrossian offers his unique blend of beats to the remix package. With releases on the likes of Get Physical, Viva Music and Hot Creations, Darius’ production is heavily influenced by some of the greats – think of the finest spinners from Detroit, New York and Chicago – and is well placed to approach this huge task. Darius introduces a rolling house beat and some old skool breakbeats into his mix, keeping the energy high throughout; bringing a feeling of a euphoria and hitting the peak time moment.
Charting a rapid rise through the ranks in a relatively short time Alan Dixon is already building a name for himself in House and Nu Disco scene and has recently released on labels including Glitterbox, Permanent Vacation, Running Back and True Romance. Alan’s remix aims directly at the centre of the disco dancefloor. A strong beat dominates a unique energy through the mix along with a slightly nostalgic vibe. With a beautiful floaty interlude and a raw emotion this remix updates a classic with respect while also giving a fresh new twist. More
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Label:no frills
Cat-No:NF002
Release-Date:01.01.2023
Genre:Techno
Configuration:12"
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Various - DJ Gigola - Mi Vida
2
Various - Rico & C. - Chiquita (Gerd Janson Edit)
3
Various - Rico & C. - Chiquita (Rifts Epic Ripoff)
4
Various - Rico & C. - Chiquita (Original Remaste
5
Various - Rico & C. - Chiquita (Versione Strum
Repress from sought after italo-disco gem, totally under the radar dreamy tune. Includes the original, instrumental and two remakes !
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Label:Space Grapes
Cat-No:SGP003
Release-Date:12.01.2024
Configuration:7"
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Label:Space Grapes
Cat-No:SGP003
Release-Date:12.01.2024
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1
Jambonne - Carpet Ride
2
Jambonne - Touch Down
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Last in:09.06.2024
Label:defected
Cat-No:DFTD573
Release-Date:25.04.2019
Genre:Deephouse
Configuration:12"
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1
Ferreck Dawn, Robosonic & Nikki Ambers - ‘In My Arms’ (Extended Vocal Mix)
2
Mat.Joe & Kid Enigma - ‘Get Loose’ (Extended Mix)
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OFFAIAH featuring Cat Connors - ‘Somewhere Special’ (Club Mix)
4
OFFAIAH - ‘Push Pull’ (Club Mix)
The fifth edition of Defected’s vinyl series commits the labels biggest digital releases to wax, delivering upfront packages of house heat previously unavailable on vinyl. This springtime release delivers all the summer stompers you need on your sound system, with the A-Side featuring Ferreck Dawn, Robosonic & Nikki Ambers’ ‘In My Arms’ and Mat.Joe & Kid Enigma’s ‘Get Loose’; two sure-fire party starters. On the flip are two tracks from man of the moment OFFAIAH. First up is his collaboration with vocalist Cat Connors ‘Somewhere Special’, where the Las Vegas based artist delivers a deep, rolling bassline and tension-building drops. Up next is his 2018 smash ‘Push Pull’, another record ready to set the club alight this summer and beyond.
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LP Excl
in stock
Label:Be With Records
Cat-No:bewith102lp
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804125376
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Label:Be With Records
Cat-No:bewith102lp
Release-Date:20.09.2024
Genre:Soul/Funk
Configuration:LP Excl
Barcode:4251804125376
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Ian Carr’s Nucleus - A1 : Roots (9:24)
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Ian Carr’s Nucleus - A2 : Images (4:55)
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Ian Carr’s Nucleus - A3 : Caliban (4:35)
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Ian Carr’s Nucleus - B1 : Whapatiti (3:22)
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Ian Carr’s Nucleus - B2 : Capricorn (4:00)
6
Ian Carr’s Nucleus - B3 : Odokamona (3:24)
7
Ian Carr’s Nucleus - B4 : Southern Roots And Celebration (7:45)
Format Notes: 2024 repress, 140g vinyl, remastered from the original analogue tapes
Track List:
1 A1 : Roots (9:24)
2 A2 : Images (4:55)
3 A3 : Caliban (4:35)
4 B1 : Whapatiti (3:22)
5 B2 : Capricorn (4:00)
6 B3 : Odokamona (3:24)
7 B4 : Southern Roots And Celebration (7:45)
Release Notes:
What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.
Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.
Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.
The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.
The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.
Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.
The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.
And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.
Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.
This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.
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Track List:
1 A1 : Roots (9:24)
2 A2 : Images (4:55)
3 A3 : Caliban (4:35)
4 B1 : Whapatiti (3:22)
5 B2 : Capricorn (4:00)
6 B3 : Odokamona (3:24)
7 B4 : Southern Roots And Celebration (7:45)
Release Notes:
What an unbelievable record. From the wild cover to the iconic breakbeats, Roots from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven. Originally released on Vertigo in 1973, other than a couple of versions at the time for other territories, Roots was never re-pressed since so it’s gone on to become another one of those impossible to find records.
Maybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.
Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.
Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.
Working together with producer Fritz Fryer and engineer Roger Wake, the seven compositions by Carr, Brian Smith and Dave MacRae that make up Roots flirt with perfection, and Nucleus at that time made up of the cream of 1970s UK jazz with Brian Smith on tenor saxophones and flutes, Dave MacRae on piano and electric piano, Jocelyn Pitchen on guitar, Roger Sutton on bass, both Clive Thacker and Aureo De Souza on drums and percussion, Joy Yates delivering the vocals and of course Carr on trumpet.
The spellbinding title track immediately renders the album indispensable. Riding the illest of loping breakbeats, “Roots” is low-slung, doped-out heist-funk. An absolute monster. If it sounds familiar then that’s likely down to it being sampled by Madlib for Lootpack and Quasimoto’s “Loop Digga”, as well as by a whole host of beat manipulators. “Roots” conjures prime instrumental hip-hop / beat music, only 20 years ahead of its time. Truly, these are the roots. Through sinuous bass, twinkling keys and a hypnotic guitar riff, a smoky brass motif weaves its way into a gloriously deep haze around Carr’s solos. “Roots” is over 9 minutes long, but there’s not a single wasted second, not surprising given that this is a condensed version of an originally 40 minute long commissioned composition.
The soothing vocal fusion delight of “Images” follows. Meticulously constructed, with gorgeous flute work from Brian Smith, with Joy Yates’ silky vocals and Dave MacRae’s Rhodes never sounding better. The cool, driving “Caliban” closes out the first side. Originally the third movement in a four part commission to celebrate Shakespeare’s birthday it stands up on its own, all robust rhythms and blended brass. Keyboard colour and Carr’s trumpet are splashed across the funk drums and basslines (and there’s even some bamboo flute). This really is fusion: the elements of jazz and rock coming together in beautifully synthesis.
Side two opens in riotous fashion with the short, thrilling samba of “Wapatiti”. Next up, “Capricorn” forms a smoothed-out, jazzy constellation. Mellow and dreamy, its twinkling percussion and languid horns slowly build the vibe before head-nod drums and a killer bassline enter the fray. With a distinct heaviness that Black Sabbath would’ve envied, “Odokamona” is a venomous slice of riff-soaked jazz metal (yes, you read that right), elevated by Carr’s wah-wah horns.
The album closes with MacRae’s exceptionally cosmic “Southern Roots and Celebration”. Very much in conversation with Weather Report, it opens as a languorous, spiritual jazz of chiming keys and serene guitar that turns slowly, gorgeously into a mid-paced, brass-laced banger. It’s another sure-fire party starter and the sound of the band having a righteous blast, building an ecstatic chaos that ends with Yates screaming.
And of course we need to talk about Keith Davis’ cover for Roots. Perhaps the coolest record cover of all time? Certainly one of the most bonkers. Just your run-of-the-mill high-gloss, acid-tinged airbrush dystopian/utopian living-room party scene. Consider this your chemical flashback trigger warning.
Front-and-centre the hip-to-death green robot holds court with their giant ball of yellow barbwire wool, hooked up to… something(?) being teased out from under the stairs (probably best not to ask). A thoroughly zoned-out, long-legged Pop Art party-goer lounges half-plugged in to the painting behind her as a pair of legs flail into shot from the the top of the stairs opposite. We won’t even begin to guess what the chap’s up to in the middle, but the view out of the windows is rather nice, and someone’s already got the hoover out ready to tidy up. All of the Nucleus sleeves are something special, but this particular one? Crikey.
This Be With edition of Roots has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Pete Norman’s cut to weave their usual magic with these wonderful recordings. The crazy cover has been restored at Be With HQ as the finishing touch to this long overdue re-issue.
More
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in stock
Last in:21.08.2024
Label:Pampa
Cat-No:PAMPA038
Release-Date:21.04.2023
Genre:House
Configuration:12" Excl
Barcode:4251804128346
1
DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) (9:07)
2
DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) (5:38)
3
DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix)(6:12
2023 repress
12”
TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12
PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.
Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
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12”
TRACK LIST
A DJ Koze - Drone me up, Flashy feat. Sophia Kennedy (&ME Remix) 9:07
B1 DJ Koze - Muddy Funster (Mano Le Tough Fuzzy Munster Remix) 5:38
B2 DJ Koze - Illumination feat. Róisín Murphy (Mano Le Tough Needs A Birra Light Remix) 6:12
PR EN:
&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.
Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.
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backorder
Last in:20.03.2024
Label:Pampa
Cat-No:pampa032
Release-Date:08.09.2023
Genre:House
Configuration:12" Excl
Barcode:4260544825668
1
&ME - In your eyes 09:41min
2
&ME - As above so below 08:02 min
2023 repress
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
More
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
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Label:All Day I Dream
Cat-No:ADID093
Release-Date:31.03.2023
Genre:techhouse
Configuration:3LP
Barcode:
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Last in:18.04.2024
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Last in:18.04.2024
Label:All Day I Dream
Cat-No:ADID093
Release-Date:31.03.2023
Genre:techhouse
Configuration:3LP
Barcode:
All Day I Dream has released its ‘A Winter Sampler V’ V.A. compilation.
Featuring 12 new original cuts, the collection is now finally available as vinyl as well.
Tastefully capturing the label’s signature sound, All Day I Dream’s ‘A Winter Sampler V’ compilation showcases emotive, melodic, and dreamy creations by Double Touch, Fulltone, and Somelee, as well as newcomers like Limara, Dimitri Nakov, Arina Mur, Fluida, and more.
TRACK LISTING
A1. Limara & Dimitri Nakov - Nocturne (ft. Natacha Atlas) ?
A2. Camelo~t - Moon In The Desert ?
B1. Fulltone - Nowhere To Go ?
B2. Vandelor - Happy Man ?
C1. Somelee - Sacramental Song ?
C2. Valdovinos - Extremely In Green ?
D1. Do¯uble Touch - The Promises ft. Reigan ?
D2. Bai - Kalevala ?
E1. Kamilo Sanclemente - Go Home ?
E2. Atsushi Asada & Hiroyuki Kajino - Utopia ?
F1. Ramiro Drisdale - Pound Away ?
F2. Arina Mur & Fluida - I Saw A Cat ? More
Featuring 12 new original cuts, the collection is now finally available as vinyl as well.
Tastefully capturing the label’s signature sound, All Day I Dream’s ‘A Winter Sampler V’ compilation showcases emotive, melodic, and dreamy creations by Double Touch, Fulltone, and Somelee, as well as newcomers like Limara, Dimitri Nakov, Arina Mur, Fluida, and more.
TRACK LISTING
A1. Limara & Dimitri Nakov - Nocturne (ft. Natacha Atlas) ?
A2. Camelo~t - Moon In The Desert ?
B1. Fulltone - Nowhere To Go ?
B2. Vandelor - Happy Man ?
C1. Somelee - Sacramental Song ?
C2. Valdovinos - Extremely In Green ?
D1. Do¯uble Touch - The Promises ft. Reigan ?
D2. Bai - Kalevala ?
E1. Kamilo Sanclemente - Go Home ?
E2. Atsushi Asada & Hiroyuki Kajino - Utopia ?
F1. Ramiro Drisdale - Pound Away ?
F2. Arina Mur & Fluida - I Saw A Cat ? More
12"
backorder
Label:glitterbox
Cat-No:glits033
Release-Date:25.06.2019
Genre:House
Configuration:12"
Barcode:
backorder
Last in:18.12.2023
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Last in:18.12.2023
Label:glitterbox
Cat-No:glits033
Release-Date:25.06.2019
Genre:House
Configuration:12"
Barcode:
1
the shapeshifters ft. kimberly davis - No Title
2
the shapeshifters ft. kimberly davis - No Title
3
the shapeshifters ft. kimberly davis - No Title
4
the shapeshifters ft. kimberly davis - No Title
The Shapeshifters has become a name synonymous with the Glitterbox sound. Simon Marlin’s previous catalogue with the label includes the sublime ‘When Love Breaks Down’, ‘Try My Love (On For Size)’ and ‘Lola’s Theme Recut’, and as a key resident for the party he has brought his joyous disco-infused house sets to events across the globe. Now his latest output ‘Life Is A Dancefloor’ has its long-awaited vinyl outing, following support across the board for the record. Showing his evolution as an artist, the record features the unmistakable chart-topping voice of CHIC vocalist Kimberly Davis and glorious instrumentals arranged by Colin Smith and provided by some of the UK’s finest session players. With its disco influenced sound, expect to hear ‘Life Is A Dancefloor’ at Glitterbox parties and beyond for years to come. This timeless 12” release also features the Reprise, Instrumental and Accapella versions.
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