"Back once again for the renegade master, BODY MVMT hits its stride with the L.E.S.S EP
from North Phase. Four releases deep now, label head Rob James showcases the label’s
breadth and depth; each release so far exploring the nuances of underground club music,
dance floor energy expressed through a variety of styles. North Phase step up with three
original cuts, plus a rework from Maher Daniel, utilising the outlet’s open format to delve into
a range of sounds"

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It's hard to keep up with the hugely prolific output of UK don Burnski and his several different labels these days but one thing is for sure - Pilot keeps on serving up the goods. For its 15th release, the tech and minimal focussed label welcomes Robin Graham who opens up with the lively and colourful synths of bustling groover 'Check Me Out'. 'Spark Plug' is more business-like - the dry drums and hits overlaid with retro chord stabs that amp up the crowd and 'For You' then gets loose and funky with some twisted and sugar synths over garage-flecked beats and 'What's That' (Refix) offers a jumbled percussive sound full of dynamism.

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North Phase and ADR share duties on this four track split EP, each dropping two tracks, although all four of them are firm dancefloor-filling candidates. North Face's 'Breaks Away' adds a few retro rave flourishes to a beat that's a distant cousin of Zinc's '138 Trek' and a bouncy, bumping bass holding the whole thing together. 'Sound Connection' has a hypnotic charm that nods to Fluke and early Underworld, although choppier and less linear in rhythmic approach. Aside from being probably the best named track we've come across in 2023 so far, ADR's 'Ned Flanders Hot Chocolate' is skippy enough to be 4x4 garage but with its scratched asides and cheeky, funky b-line has a unique personality, while 'Comet Relief' nods to the progressive house of the early 90s with an unexpected xylophone-like twist. It's all good, as they used to say.

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The rather naughty Pilot label is back and ready to take you on a trip to the heart of the dancefloor here as Wodda steps up with more fresh garage, minimal and tech fusions. 'T Total' is a perfectly infectious swinger with rasping bass notes and crisp percussion that will get faces screwed up and floors pumping. 'Aphrodite Curse' picks up with more damn sexy sound designs and super silky grooves that will take any crowd for a cruise. There is some bright and old school piano action to 'With Me' while 'Keep It' then offers a turbocharged future house excursion that is all about the good times.

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Johannes Kolter is Kolter and is also a producer who went under the name DJOKO. He's been busy this year with plenty of goodness dropping including an album and three EPs. Now comes hit sone, again on his home label Pilot. It is inventive stuff that functions well on the floor as it straddles the worlds of breaks, house and plenty more. 'Got High Again' is lively and dynamic with its squealing leads and dusty breaks, then 'Weirdo' layers up leftfield melodies and blurts of playful synth modulation. 'Prospekt' is a wild fusion of rock riffs and high-speed funky breaks and 'Duck Concert' closes with hardcore drum breaks and soulful synths next to mad scratchinG.

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Johannes Kolter is Kolter, as well as being the artist formerly known as DJOKO, and here he follows up on his very recent Between Fragments album with a cheeky three tracker, once again for the Pilot label. This 12" kicks off with 'Techno Life', which ironically is a breaks/electro hybrid affair with all the hallmarks you could ask for from vocoder vocals to electronic cowbells. 'Can't Stop Rocking' borrows some serious chunks from a very famous electro record made by one of jazz music's legends - that description must surely narrows it down - and adds some tempo and the occasional vocal hook. Then we see proceedings drawn to a close by 'Sorry You Had To Wait So Long', every bit as lively as the other two, spaciously produced and peppered with the subtlest of electro flourishes. All round good work, you have to agree.

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After this pair of Leeds residents made waves last November with their first EP for Pilot, Bobby O'Donnell and Reeshy return to lay down four new tracks that definitely stray towards the electro end of the breaks/electro spectrum. There's a sense of continuity, as the first EP's tracks - labelled 1-4, are followed by tracks 5-8, as well as being executed with a proper human touch that not all such machinefunk can boast. '6' is full of spiralling Drexciyan mystery, before being pared down to an LFO-style bass prod. '8' also echoes the former legends of Leeds with its dreamy pads and acid backdrop - something in the local water supply. Definitely funky enough to keep the breaks DJs onside, but with a thorough knowledge of love of 40 years of electronic music heritage at its disposal too, this is one release you should make sure you not miss.

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Johannes Kolter is Kolter, an artist formerly known as DJOKO, and now a hotly tipped breaks and garage head who has already got plenty of attention. Here though he makes a grand and widescreen statement with the first release on the all-new Pilot label. It is a stylish and adventurous record with plenty of killer cuts from the downbeat hip hop opener to the deep house delights of 'Journey' via the elastic and energetic future house kicks of 'Roboflow.' Showcasing both a knack for well craft synths and expert drum programming precisions, this record plays out like a mini DJ set with all the twists and turns you need to keep you on your toes and fully engaged.

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Cologne's DJOKO has been exploring breakbeats and electro formations under the Kolter banner over the past couple of years, dropping some serious heat on Talman, Pilot and Body Movement. It's Pilot he returns to for this bang tidy two tracker of taut and crisp breaks which wouldn't sound out of place in a Plump DJs set circa 2005. 'Ying Yang' slips some vocodered spirituality in amongst a punchy beat and warm splashes of analogue synth work. The slightly saucier 'Drop De Tiddies' rides a break and works an old-skool hip hop sample before ripping into some chirpy lead lines, making for a fun and fruity dancefloor delight.

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Four tracks of juicy, cheeky breakbeat action with an underlying hint of skippy two-step synchopation going on, overlaid with elements from the more musical end of house and the most dancefloor-slanted side of P-funk. 'Giftig', with its Bollywood string flourishes, is the most exotic beast among the pack, while 'Cllosing Time' boasts searing 80s disco stabs and some neat tickling of the Hammond very much in jazz funk style. That said, it's all action across all four tunes, so get stuck in.

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Last seen sharing vinyl space with 100Hz and Voightmann on his own E Numbers imprint a couple of years back, Bobby O'Donnell resurfaces via a collaborative outing with Reeshy, a fellow Leeds resident who is seen by many as a rising star of the Yorkshire scene. In keeping with the PILOT label's breakbeat-driven, retro-futurist feel, each of the four cuts on show doff a cap to turn of the '90s rave culture. This is arguably best exemplified by weighty, funky and spacey bleep & breaks jam '2', though the arguably even more sub-heavy, UK garage influenced opener '1' comes a close second. Elsewhere, '3' delivers subtle nods towards Rob Gordon and Richard H Kirk's short-lived XON project (look it up, kids) while '4' is an acid-flecked warehouse shuffler.

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It's hard to keep up with the hugely prolific output of UK don Burnski and his several different labels these days but one thing is for sure - Pilot keeps on serving up the goods. For its 15th release, the tech and minimal focussed label welcomes Robin Graham who opens up with the lively and colourful synths of bustling groover 'Check Me Out'. 'Spark Plug' is more business-like - the dry drums and hits overlaid with retro chord stabs that amp up the crowd and 'For You' then gets loose and funky with some twisted and sugar synths over garage-flecked beats and 'What's That' (Refix) offers a jumbled percussive sound full of dynamism.

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The third in a series of self-released Liquid Earth Physical Records, “Three Dimensional Rocker” is a sonic cheese plate for the dedicated dancer.

The 12” navigates through four robust club tunes, surely an expected outcome from the seasoned Californian producer. From Aside titles’ full throttle funkery to the equally nauseating floor fillers on the flip, LEP003 is one big kahuna.

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The Oyster Cult’s Naarm continent grows larger with the addition of Ebbs N Flow. The unholy alliance of Dashiell and Will Holden of Hybrid Man touching down with some precision-tooled tech house variants, and considering their only previous collab came on an Animalia compilation back in 2022, this has been long in the making.

OYSTER56 marks the first full release from this lesser spotted project. The handiwork of two producers, both accomplished in their own right but transcending their respective styles for a 4-track dose of late nite propulsion. Seductively stripped-back and engineered for optimum impact.

Flexing a deftness of touch, and a far cry from the smudged, dubby FX Holden tends to deploy under the Hybrid Man banner, these tracks set the duo’s stall out as purveyors of the nocturnal and club-ready. Sultry, sleek, and sumptuous like only the dankest cuts can sound.

It’s fitting that a track with the title 'Deeper Dream' might feature on a release feeling like a transmission from the other side; a parallel dimension where the after-hours never end.

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Indeep was the brainchild of New Jersey native Mike Cleveland, who with vocalists Rose Marie Ramsey and Réjane (Reggi) Magloire recorded the original “Last Night a DJ Saved My Life” for the struggling Sound of New York Records in 1982. For the song Cleveland reunited with producer Reggie Thompson (with whom he had worked with on Glass’s “Let Me Feel Your Heartbeat” that same year for West End Records, a track co-produced by legendary DJ Larry Levan.) Becket Records first distributed “Last Night” but within a year was releasing all Indeep’s music under their own imprint, where the group fit in perfectly with that label’s roster of funky New York electro and early hip hop artists. This Unidisc release sees two new remixes by British house DJ George Smeddles, who departs from his trademark ‘90s sound, and the original track’s 808 slow groove, for an intense, faster house beat that puts the Chic-influenced guitar/bass riffs front and center. Also here, from the 1982 12” single, are the original “Acapella” mix with vocals including Cleveland’s rap and the “Sure Shot” vocal mix by house DJ Tony Humphries, who had built a reputation in New York for his KISS FM radio show but broke into the mainstream with this mix, the first of many club hits for this iconic DJ.

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For their 9th release, AGT Records is happy to present a highly sought after two-tracker from Eric Spire. Originally released in 2003 on his own Silver Pearl Records, the ‘Big Brother’ EP provided the perfect blend of tech house, acid and progressive house that took the US scene by storm.

Each side has its own time and place at the party. The A Side is a peak time percussive workout, with drums and acid lines flying around the constant pulse of a big old bassline. The B Side is designed for the more horizontal after-hours, with a psychedelic melody and groove that keeps on swirling round and round and round.

AGT Records is excited to get this one back onto turntables, all in good time.

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Tracklisting
A1 Carlo Di Roma - One Night In New York
A2 Carlo Di Roma - One Night In New York (C H K L T E remix)
B1 Carlo Di Roma - Big Fuking Surprise
B2 Carlo Di Roma - Big Fuking Surprise (Franco Cinelli remix)

Sales Note
For the third edition of Oblivium vinyl we present this exclusive project : Carlo di Roma "Subway ep" is an ambition project together two amazing remix from Franco Cinelli and Chktle


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Underground hero and label boss DJ Steaw makes his Nu Groove debut with ‘Seascape EP’, a four-track odyssey of deep, soulful house. With over 12 years of experience, the revered DJ and producer is known for his arresting sets appearing on famed stages including Berlin's Tresor, London's fabric, Amsterdam's Shelter and all over his home nation of France. As an electronic tastemaker spanning multiple genres and influences, DJ Steaw has launched House Puff Records, Steaward and Rutilance Records, the latter of which he co-founded with crate digger Gunnter. Having already received support from tastemaker Chris Stussy, this four-track package is a perfect fit for the cult NYC label. Opening with the powerful stabs of ‘Take It There’, ‘Seascape EP’ explores the producer’s signature, bass-heavy sound as well as the myriad of influences from further afield. The title track ‘Seascape’ contrasts breathy pads with bright, dynamic percussion, as ‘Close To You’ and ‘Exotica’ further demonstrate a recognisable, nostalgic aesthetic that is both club-ready and dreamlike in quality.

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Tracklisting
A1 Chech - Eternal Youth
A2 Chech - Regular Guy
B1 Chech - Regular Guy (Reboot remix)
B2 Chech - Eternal Youth (Niko Maxen remix)

Sales Note
We warmly welcome Chech to the label, he is delivering our next only vinyl imprint. This Ep features two originals "Regular Guy" and "Eternal Youth". A1 "Eternal Youth" shows an appealing sound based on eternal youth, with percussive sounds and vocal effects, which together with snares, atmospheres and the play of highs, generate this entire movement with an underground and vivid essence. A2 "Regular Guy", the sound of this track is with a powerful bass that tries to add suspense and consistency to the message, giving the result of the minimal sound transporting you to the moment, taking a journey through emotions. B side comes with two stunning remixers, Reboot & Niko Maxen.

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Naya Beat continues to champion South Asian musical heritage with the aptly titled Bhangra House Xtc EP featuring music from the late great Manjeet Kondal with remixes from Mr. Scruff and new tracks from label heads Filip Nikolic and Raghav Mani aka Turbotito & Ragz. It celebrates the overlooked influence of late 80s dance and dub music on Bhangra and comes complete with over-the-top artwork, an ode to Bhangra sleeves from the era.

This EP pays homage to a special and relatively untold time when Asian and Western producers collaborated to bridge musical cultures on the dance floor and when British Asian youths were finding their own space at daytime raves. It is in part a tribute to Bhangra innovator Manjeet Kondal, who passed away late last year, and part a tribute to the forgotten yet scintillating confluence of acid house and dub music with late 80s and early 90s Bhangra, now highly sought after as long out of print 12”s.
Kondal, a founding member and percussionist of the legendary band Alaap, left to pursue his solo career as a vocalist. He helped broaden the Bhangra sound by incorporating elements of dub and house into Punjabi folk and traditional instrumentation. His first album, Holle Holle became a household hit, and it is from there that the originals for this package are taken.

The famously deep digging and eclectic selector that is Manchester's Ninja Tune regular Mr. Scruff remixes Kondal’s proto-house banger Ishkaan De Mamle. He first became a fan of Turbotito & Ragz after their label’s superb Naya Beat Volume 1 release and doesn’t disappoint here with a sublime acid house-inspired take with the most infectious and bounciest of basslines. He also serves up an Instrumental Dub and Vocal Strip Down that twists the original into subtly different moods.

Next up, Turbotito & Ragz deliver a dub tribute that works with Kondal’s vocal stems from an assortment of tracks from his album ‘Holle Holle’. It's a compelling and vibrant sound with exotic instrumentals and dubbed-out low ends, all held together by hooky Punjabi vocals. It also comes as a Lovey Dubby Dub version.
With dance music now coming full circle and South Asian DJs increasingly regular faces on the mainstream festival, club, and underground circuit, this release is a fitting and timely modern tribute to the pioneers that came before.

A1 - Ishkaan De Mamle (Mr. Scruff Remix)
A2 - Pyaar
B1 - Ishkaan De Mamle (Mr. Scruff Instrumental Dub)
B2 - Pyaar (Lovey Dubby Dub)

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Sweden's mash-up maestro returns with six tracks of masterfully cross- pollinated bangers on this hand stamped white label. On tap we have classics from CURTIS MAYFIELD, STEVIE, ELVIS and more, classily recontextualized in ways...

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