CD
GENRE: Jazz

Tracklist LP & CD:

1. Killing in the name
2. Come as you are
3. On a plane
4. Walk
5. Under the bridge
6. Refuse /Resist
7. Alive
8. Black Hole Sun
9. Plush
10. Loser

Short Info:

With their cool jazz cover versions of Rage against the machine, Radiohead, and others, Jazz Against The Machine have become more than a tip for insider: their great cover of the RATM classic "Bombtrack" has more than 4 million views on youtube!

Their second album "Come As You Are" is a bitch's brew of nineties rock and independent covers by the likes of Rage against the machine (Killing in the name), Nirvana (Come as you are, On a plane), Pantera (Walk), Red Hot Chili Peppers (Under the bridge), Sepultura (Refuse /Resist), Pearl Jam (Alive), Soundgarden (Black Hole Sun), Stone Temple Pilots (Plush) and Beck (Loser). Other than foreseeable softened, bossa-driven "jazz" versions, Jazz Against The Machine manage to marry the youthful energy of their rock and grunge filled adolescence with their passion for the real masters of jazz.
More

LP

GENRE: Jazz

Tracklist LP & CD:

1. Killing in the name
2. Come as you are
3. On a plane
4. Walk
5. Under the bridge
6. Refuse /Resist
7. Alive
8. Black Hole Sun
9. Plush
10. Loser

Short Info:

With their cool jazz cover versions of Rage against the machine, Radiohead, and others, Jazz Against The Machine have become more than a tip for insider: their great cover of the RATM classic "Bombtrack" has more than 4 million views on youtube!

Their second album "Come As You Are" is a bitch's brew of nineties rock and independent covers by the likes of Rage against the machine (Killing in the name), Nirvana (Come as you are, On a plane), Pantera (Walk), Red Hot Chili Peppers (Under the bridge), Sepultura (Refuse /Resist), Pearl Jam (Alive), Soundgarden (Black Hole Sun), Stone Temple Pilots (Plush) and Beck (Loser). Other than foreseeable softened, bossa-driven "jazz" versions, Jazz Against The Machine manage to marry the youthful energy of their rock and grunge filled adolescence with their passion for the real masters of jazz.
More

CD

GENRE: Jazz

Tracklist CD:

1. Bombtrack (feat. DJ Mahmut)
2. Spoonman
3. Roots Bloody Roots
4. Creep
5. After Dark
6. Road To Eberbach (feat. DJ Mahmut)
7. (The Revenge of) Jorge Durango
8. Souljatm
9. Septemberblues


Short Info:

Jazz Against The Machine are a group of instrumentalists searching for their musical roots. On their album "Black Bossa", they marry the youthful energy of their rock filled adolescence with their passion for the masters of jazz: Rage against the machine, Radiohead, Sepultura, Soundgarden and Tito & Tarantula get a very special treatment with trumpet, vibraphone, bass and drums! Jazz Against The Machine have woven their own Roots Bloody Roots with the sonic tapestry of the Birth of the Cool.


More

LP

GENRE: Jazz

Tracklist LP & CD:

1. Killing in the name
2. Come as you are
3. On a plane
4. Walk
5. Under the bridge
6. Refuse /Resist
7. Alive
8. Black Hole Sun
9. Plush
10. Loser

Short Info:

With their cool jazz cover versions of Rage against the machine, Radiohead, and others, Jazz Against The Machine have become more than a tip for insider: their great cover of the RATM classic "Bombtrack" has more than 4 million views on youtube!

Their second album "Come As You Are" is a bitch's brew of nineties rock and independent covers by the likes of Rage against the machine (Killing in the name), Nirvana (Come as you are, On a plane), Pantera (Walk), Red Hot Chili Peppers (Under the bridge), Sepultura (Refuse /Resist), Pearl Jam (Alive), Soundgarden (Black Hole Sun), Stone Temple Pilots (Plush) and Beck (Loser). Other than foreseeable softened, bossa-driven "jazz" versions, Jazz Against The Machine manage to marry the youthful energy of their rock and grunge filled adolescence with their passion for the real masters of jazz.
More

CD
GENRE: Jazz

Tracklist LP & CD:

1. Killing in the name
2. Come as you are
3. On a plane
4. Walk
5. Under the bridge
6. Refuse /Resist
7. Alive
8. Black Hole Sun
9. Plush
10. Loser

Short Info:

With their cool jazz cover versions of Rage against the machine, Radiohead, and others, Jazz Against The Machine have become more than a tip for insider: their great cover of the RATM classic "Bombtrack" has more than 4 million views on youtube!

Their second album "Come As You Are" is a bitch's brew of nineties rock and independent covers by the likes of Rage against the machine (Killing in the name), Nirvana (Come as you are, On a plane), Pantera (Walk), Red Hot Chili Peppers (Under the bridge), Sepultura (Refuse /Resist), Pearl Jam (Alive), Soundgarden (Black Hole Sun), Stone Temple Pilots (Plush) and Beck (Loser). Other than foreseeable softened, bossa-driven "jazz" versions, Jazz Against The Machine manage to marry the youthful energy of their rock and grunge filled adolescence with their passion for the real masters of jazz.
More

CD

GENRE: Jazz

Tracklist CD:

1. Bombtrack (feat. DJ Mahmut)
2. Spoonman
3. Roots Bloody Roots
4. Creep
5. After Dark
6. Road To Eberbach (feat. DJ Mahmut)
7. (The Revenge of) Jorge Durango
8. Souljatm
9. Septemberblues


Short Info:

Jazz Against The Machine are a group of instrumentalists searching for their musical roots. On their album "Black Bossa", they marry the youthful energy of their rock filled adolescence with their passion for the masters of jazz: Rage against the machine, Radiohead, Sepultura, Soundgarden and Tito & Tarantula get a very special treatment with trumpet, vibraphone, bass and drums! Jazz Against The Machine have woven their own Roots Bloody Roots with the sonic tapestry of the Birth of the Cool.


More

1LP in Gatefold Sleeve, 180g Vinyl
Tracklist LP:

Tracklist

A1. Aroon
A2. Morning Star
A3. Point & Figure
A4. Heikin-Ashi
A5. TRIX
B1. Keltner & Chalkin
B2. Ichimoku
B3. Donchian Reprise
B4. Boolean Hawks
B5. Evening Star

Shortinfo:

Mark Barrott is the man behind International Feel, Roca, Future Loop Foundation, as well as being a founding of the Balearic boy-band “Talamanca System” alongside Gerd Janson & Lauer.
Nature Sounds of The Balearics is Mark’s debut LP on Running Back Incantations.

Most music does not come out of nowhere. Arising and appearing in a pre-existing system of influences, cross-references, roots, memories and desires, it either directly points towards a heritage or into the future. Mark Barrott’s Nature Sounds of the Balearics is a bit of both. The mastermind behind the International Feel label and the Sketches from an Island series presents an intermediary.

Technically, it’s his departure from a software based workflow and onto (or back to) a hardware driven creative point of view.

Philosophically, it deals with the schizophrenia of our times: the late Paul Virgilio’s dromology and logistics of perception versus a decelerated life outside of cities, internet algorhythmics (sic!) versus meditation, the excessive stock market (all track titles are derivates of that world) against a tactile way of living.

Musically, it is the outcome of what Barrott himself described as his „techno album“. For people whose definition of techno has to do with speed (again) and kick drums that might seem like a misinterpretation. Listeners who remember the Artificial Intelligence and Freezone compilations, various chill out channels or Detroit’s mellow moments, will tend to agree. „Nature Sounds of the Balearics“ miraculously evokes those days and times, without breaking his neck. It is as much at home in a Caribbean water utopia between dolphins and old fishing boats as it feels current and applicable in a Ridley Scott dystopia. And if meta levels aren't your thing: it’s just a beautiful album.


More

Lim. 100 Copies / Yellow Version

When South Korean balearic prodigy Mogwaa came to MM Discos with an idea for his rst full-length album, we were a bit surprised.
He said, ‘I want to do an album of bossa tracks with synths, a drum machine and my guitar’. We obviously had to take him up
on that deal.

Fresh from the recent Bandcamp feature on his own brand of danceoor-ready modern boogie, Seungyoung Lee (aka Mogwaa)
arrives back on MM Discos with his - and our - rst full length exercise. With six tracks per side of 80s inuenced synth and bossa
badness, ‘Hazy Dreams’ is an exercise in simplicity, and more proof of the ever-expanding musical horizons of one of the scene’s
most virtuosic instrumentalists.

Pairing a sensitivity to the construction of ambient, funk, bossa and cassette-tape 80s experiments with his own cinematic subtlety,
‘Hazy Dreams’ takes a gentle, minimalistic approach, crafting its own escapist world that oers a welcome diversion from the
steady ow of busy balearica and downtempo.

Opening track ‘Full Bloom’ paints a picture of midsummer at dawn, some clear-skied island where lush vegetation climbs through
hibiscus gardens. ‘Nacimiento’ is an AOR/bossa crossover evoking West Coast yachting in full afternoon, and A3, ‘Soothing’, adds
a touch of wistfulness with reverb-doused guitars over meandering bass motifs.
The easy kick-and-snare combo of ‘Levitation’ sets the scene for a drum machine love aair, unrequited love on the rocks, and
‘Flashback’ plays with short delay trails and o-kilter melodic sequences, where you feel the soft presence of the nebula approaching
at the break of day. Closing out the A-side, ‘Dispatching’ reaches out even further into the imagined cosmos of Mogwaa’s
picture-perfect world, portraying an ambience at dusk, observing, calmy, as pued-up pink clouds melt into the evening canvas.
On the other side, Mogwaa explores quiet corners with ‘Illusions’, a slow meditation on the nature of simple presence, and ‘Echoes
of You’, a stream of subdued brush strokes that crescendo into higher frequencies on gently undulating pads. B3, ‘Moondance’,
ups the tempo and recalls classic Mogwaa with its sideways shue and starry melodic refrain, pivoting through folk-dance
moods and surprising chord changes.
Nearing the end of the album, ‘Footprints’ wades through tall grass in search of altered states, innite and hypnotic, changing
course only to crouch down and study the landscape, and B5, ‘It always comes and goes’, pictures the to-and-fro of jetstreams and
comets in the blinding midday sky. Finally we have the closing credits of ‘Swingin’ that looks o into the horizon, jaunty and exalted,
a guitar-led tribute to an easy-going world, and ultimately mindful of the power of dreams.
We’re humbled to have such a special record for our rst full-length release on the label.
Limited stock - don’t sleep on this. More

Tracklist

A1. Subtle Body
A2. Nightfall (Instrumental)
B1. The Light Of Jesus
B2. Room ’96 (Recorded live at Room Nightclub, Hull)

Release Info:
Hot on the heels of last year’s Mermaids reissue retrospective, Hull’s deep listening house forerunners return: this time revisiting a pair of originals as well as previously unreleased versions.

It’s testament to the depth of feeling that Steve Cobby and David McSherry can conjure, that these tracks sound as potent and impactful as they did when they first came out - and not just for the dance. Throughout their 30+ years, the Yorkshire duo have produced ten albums amid many more collaborations, and transformed the remix into an artform, putting their fingerprints on everyone from Busta Rhymes to The Orb to Radiohead.

This EP collection finds them at the full scope of their powers: from disembodied mood music, to tripped-out dubby beats and raw house sessions for the club. The title track Subtle Body sounds like it drifted in through the window in the middle of a snowy night. Its layered chimes, looped delay feedback and floaty chords (played on a Wurlitzer Electronic Piano that Steve bought from Bill Nelson), mark it out as an enduring piece of ambient music, and a favorite for film-makers, able to soundtrack both haunted memories and afterparty comedowns with finesse. It precedes an unreleased instrumental version of Nightfall from Fila Brazillia’s 2002 album Jump Leads (named Mixmag’s chill album of the year), and as an instrumental, the chunky electro bass and mix of ephemeral tones and bird-like chirrups are brought clearly into focus. The attention to detail is what makes Fila Brazillia’s sound palette so rich, and Nightfall a certified smokers’ anthem.

On the B side, the tempo and temperature rises, and we’re treated to The Light Of Jesus, a favorite from Fila Brazillia’s 1994 debut LP Old Codes: New Chaos. Atop a bumping house groove, the song weaves together smooth organ pads and electrified guitar licks with syrupy bass and gospel-tinged exaltations from Charles Bukowski. The EP rounds out with Room ‘96, a live house jam from Hull’s Room nightclub, and a veritable time capsule back to the halcyon ‘90s rave days, when the lights were still on, everyone was home, and anything seemed possible.

The songs here on Subtle Body might be a window into a time long past, but they remain in the present: and as long as bodies seek pleasure, and dancers want to keep going til sunrise, Fila Brazillia will endure, and soundtrack those moments for us all to get lost in.




More

The underground music scene in Asia has experimented a notorious rise in the last years, Taiwan, Indonesia, Thailand or South Korea are more inside the radar than ever, contributing actively with amazing djs and super talented producers; creating an effervescence subculture where to keep an eye on.
Multifaceted producer Mogwaa is not an stranger anymore, awarded in 2021 with best electronic album of the year in South Korea, his versatility and skills have found a place in labels as "Klasse Records", "Spring Theory" or Sound Metaphors' "Bless You" among others.
We are glad to present one of the most awaited records on MM Discos; “Del Mar” is a bliss of fresh air, a story about all this little things that make us dream everyday. “The Sea” as the main actor of the movie orchested by Mogwaa and supported by crackles, waves and little islands where to get lost in.


GENRE/S: DOWNTEMPO, BALEARIC, AMBIENT, ELECTRONICA

TRACKLISTS:

A1) Where the wave beggins
A2) Kalimotxo
A3) Sonrisa del Mar
B1) Jane Wave
B2) Crackle
B3) Tabarca

More

GENRE/S:
Electronica, Ambient, Deep House, Lo-Fi House

TRACKLISTS:
A1. Snow Storm
A2. Cargo
B1. Pilot (feat. Joseph Batrouney)
B2. Storage Room (feat. Leo Yucht)
B3. Helipad

SHORT INFO:
Sean La’Brooy is an Australian producer and composer currently based in New York, who’s work traverses ambient, jazz and house music. He is the co-founder of Australian ambient label Analogue Attic Recordings. With this release, La’Brooy has hooked up with the Scissor and Thread label to put out Merchant - five dreamy and versatile tracks featuring his distinct style of harmonically complex pads mixed with jazz-influenced instrumental melodies and solos. Snow Storm starts the journey, coupling field recordings with snippets of gentle jazz lines and wandering percussion. Cargo is the most dancefloor-oriented of the release, and locks into a driving groove early on, featuring various synth and piano fragments to add and flow through the track. Pilot is a track that also finds an off-kilter groove, embellished with dubbed-out percussion by fellow Australian Joseph Batrouney and samples. Storage too features a guest—New York based drummer Leo Yucht—who delivers a rolling breakbeat which is intertwined with live percussion, airy pads and snippets of piano to build a rich atmosphere. The closing piece is Helipad, a dubby bassline providing the anchor for an intricate rhythm of bongos and synth to support a light-as-a-feather melody.









More