2021 Repress

Two new tracks on this 12" by Ricardo Villalobos.
... a pretaste of his upcoming full lenght album, scheduled for summer 2012.


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2021 Repress

Tracklist LP-3 (12"):
I1 Defixia J1 Koito
The distance from Ricardo's last field trip "Thé au Harem d'Archimède" (PERL43) in 2004 to the present epic 5x12"LP-Set is a galaxy of electronic expression through sound independent from time and pace. It is said that Funk is defined by the notes that are not being played. The space between the notes here is so vast that Funk becomes transformed into the spirit that creates unfathomable emotional adventure. The rules of dynamics between 0 and 1 shift the relation from reality to relaxation. 14 freefloat sessions are made of natural, secret ingredients from the limbic system of astro aztecs. They evolve from rituals, ending in the release of the sinuous percussion ghost from the machine who breathes out a score for easy living. Which sounds like a primordial soup aerosol of funky molecules and molluscs.

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2x 12" EP , VINYL ONLY!

Berlin mainstay Ricardo Villalobos has delivered the 'Mandela Move EP,' a 4-track EP of freshly stripped-back dancefloor movers saturated in brilliantly clever, unorthodox and masterful sound design. Arriving as the second release on the Deset label, Ricardo Villalobos offers his incredible production talents to the blossoming Italian label, already heavily desired by both discerning DJs and punters alike.

Tracklist 12":

A1. : Mandela Move
B1 . : Fontec
C1. : Ectroscop
D1. : Beetglass

Short Info:
Berlin mainstay Ricardo Villalobos has delivered the 'Mandela Move EP,' a 4-track EP of freshly stripped-back dancefloor movers saturated in brilliantly clever, unorthodox and masterful sound design. Arriving as the second release on the Deset label, Ricardo Villalobos offers his incredible production talents to the blossoming Italian label, already heavily desired by both discerning DJs and punters alike.

'Mandela Move' is a patient club cut in true Villalobos style: loopy, tracky and trippy. Sonically shapeshifting in different directions, surprise percussion changes, perfectly sourced samples and a storytelling theme from start to end.

'Frontec' is a shimmering 13-minute banger focused on only the most important elements and effects. Live percussion and fantastic tones sprinkle throughout with creatively tuned bells and whistles scattered across in a way only Ricardo can do.

'Ectroscop' comes complete with some fuzzy bass frequencies and twisted vocal samples which rest under the surface. The loose rhythm structure and general freedom of the track confirms a true dance cut destined to be a favorite for the crowds listening closely.

'Beetglass' is centered around a shuffling house foundation with huge synth swirls which come seemingly out of nowhere. Truly a prime time Villalobos banger if there's ever been one. Destined to lift the heads off the lucky folks on the floor when it's played.




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Tracklist: (1) Sven Väth – L'Esperanza (Original Album Version) (DE-Q20-24-00009)
(2) Sven Väth – L'Esperanza (Hardspace Mix) (DE-Q20-24-00010)


L'Esperanza (Hope) is undoubtedly one of Sven Väth's greatest hits. After more than 30 years, we are very proud to revive this timeless masterpiece for you on Cocoon Recordings. The artwork of the A-side is from the original 12" cover, which was released on Eye Q Records back then. Anyone who knows Sven recognizes that he has always felt free and evolved in terms of appearance and style. That's why we instantly loved the idea of Sven re-staging himself in the same pose but in a new guise. This picture disc documents a 30-year-long transformation, both sonically and visually. It is a beautiful journey through time and a true collector’s item.

A1: L'Esperanza (Original Album Version) 1993 Produced in 1993, this track has certainly not lost any of its charm over the years. Lovely string sounds envelop you in a cloud of comfort, while the filtered downbeat emphasizes this feeling of lightness. The catchy tune of the playful synthesizer melody invites you to close your eyes and start dreaming. Let yourself fall into a deep state of meditation and trance. The airy electric bassline comes with a charismatic power and opens a door to the subconscious, calling on you to dive deep. The atmosphere of this composition sits somewhere between drifting through the sea and hovering through space.

B1: L'Esperanza (Hardspace Mix) 2023 A revised version of the "Hope Will Move Mountains Mix" by "Visions Of Shiva" occurs on the B-Side in the form of Len Faki’s hardspace mix. Len is renowned for his elegant edits and refined modifications as part of his side project, this time delivering a stripped-down 135 BPM version that fits perfectly into the current zeitgeist. A club version of "L'Esperanza" that radiates a high level of euphoric energy, constantly pushing the rhythm patterns forward. All hands go up in the air at the latest when the piano part starts in the middle section. Let’s go back to the good old days of the original 90s trance sound since the cheerful arpeggio synth melody takes us along.

What is certain, you can't tell that either version has been around for 30 years.




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2024 repress

4 Track Vinyl EP with 27 Track Download

Tracklist Vinyl:
A1 - Howling - Stole the Night (Oliver Koletzki Remix)
A2 - Giorgia Angiuli - Nothing to Lose (Oliver Koletzki Remix)
B1 - Sam Shure - Nandoo (Oliver Koletzki Remix)
B2 - Koletzki & Schwind - Camps Bay (Oliver Koletzki Remix)

While working on his next full-length album, the Berlin-based artist, DJ and label-owner Oliver Koletzki looks back onto an impressive career and a plethora of styles and moods, best exemplified by the diverse set of remixes he's been crafting for prolific friends and outstanding musicians for close to a decade. For 'Remix Tales', Oliver has now complied his personal favorites, with some previously unreleased, high-impact material forming the icing on the cake.

Stylistically, 'Remix Tales' exemplifies Oliver's chameleon-like approach in the studio, as dynamics shift from organic dreaminess to high-octane club-fare, all held together by the trademark musicality that shines through every single Koletzki production. While recent remix highlights such as Monolink's 'Swallow' or Giorgia Angiuli's 'Nothing to Lose' rub shoulders with classics like HVOB's 'Dogs' and Cassius' 'Toop Toop', it's the inclusion of Oliver's previously unreleased 2017 rework of Howling's 'We Stole The Night', as well as the freshly remixed Koletzki & Schwind track 'Camps Bay', that add unexpected and particularly precious twists and turns to this rollercoaster of an anthology. Enjoy the ride!

Tracklist Download:

1. Oliver Koletzki - A Tribe called Kotori (Oliver Koletzki's Woodfloor Remix)
2. HVOB - Dogs (Oliver Koletzki Remix)
3. Monolink - Swallow (Oliver Koletzki Remix)
4. Sam Shure - Nandoo (Oliver Koletzki Remix)
5. Koletzki & Schwind - Camps Bay (Oliver Koletzki Remix)
6. Chopstick & Johnjon - Pining Moon (Oliver Koletzki Remix)
7. Howling - Stole the Night (Oliver Koletzki Remix)
8. Giorgia Angiuli - Nothing to Lose (Oliver Koletzki Remix)
9. Fünf Sterne Deluxe - Mein Herz schlägt schneller (Oliver Koletzki Remix)
10. Channel X feat. Jake the Rapper - Snug Descent (Oliver Koletzki Remix)
11. Cassius - Toop Toop (Oliver Koletzki Remix)
12. Fran - We Are Planets (Oliver Koletzki Remix)
13. Boy Next Door - Living a Lie (Oliver Koletzki Remix)
14. Niko Schwind feat Lil Magdalene - Over the Trees (Oliver Koletzki Remix)
15. Fischerspooner - The Best Revenge (Oliver Koletzki Remix)
16. Karri O. - The Hits (Oliver Koletzki Remix)
17. Illesnoise - Nova (Oliver Koletzki Remix)
18. Mason - The Ridge (Oliver Koletzki Remix)
19. Super Flu - K5000 (Oliver Koletzki Remix)
20. Nörd - Keine Sterne (Oliver Koletzki Remix)
21. Edu Imbernon - Mystery Inside (Oliver Koletzki Remix)
22. Niko Schwind - Perfect Fit (Oliver Koletzki Remix)
23. Benotmane - Sunqueen (Oliver Koletzki Remix)
24. Marlon Hoffstadt & HRRSN - Once Again (Oliver Koletzki Remix)
25. Chopstick & Johnjon feat. Fritz Kalkbrenner - New Day (Oliver Koletzki Remix)
26. Lexy & K. Paul - Killing Me (Oliver Koletzki Remix)
27. The Egg - Wall (Oliver Koletzki Remix)
28. HVOB - Always Like This (Oliver Koletzki Remix)


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2025 Repress

Tracklist:
A. Nata Alma (Club Smash Hit Version) 08:40
AA Venq Tolep (Hit Club Version) 06:24

Release Info:
Robag Wruhme, working on the material. On the very same piece. And performing two different movements. First, thinking in category Album: who will hear it where? also: mood, position, length. Second, thinking in category Maxisingle: a spinning-tool for the club – another form of another functionality: accelerating the rhythm, lowering the harmonicmelodious, still preserving the nature of the song. And each version should make you HOT for the other!
Nata Alma, a voice loses itself in the infinite, a car brakes, a horse whinnies, the sun scorches relentless. Further, further on, towards the flickering, stoically. Water, flames on the horizon, Fata Morgana, a mirage. »And you might say, we've got no place to go?« - okay? no notokay at all!: Shuffle!
Nata Alma, melancholic Eight-minute-forty. A love song, a wave good-bye: »And you might say, that you need me no more?« sings Sidsel Endresen alongside Bugge Wesseltoft's swells and ebb-aways – metal never sounded so longing; a buzzing swing, a siren call from afar.
Robag Wruhme takes a seat at the organ and plays minor bass notes. He gets up, leaves the room and lays down a dry rock of funk: wooden kick on wooden snare, tight-cut voices, driving hi-hats and shakers, gated synth danglers and percussion loops. Relentless, stoically. »And you might say, that it's over?« – relentless, maybe, but that's how he creates the Further: keep going! dance it off! a new day rising!
And right here. Flip it and keep on moving: Venq Tolep. A summer meadow, grass-stains, a gentle breeze, an early smell of hay. Venq Tolep. Endorphins tickle under the skin. A
percussive spectacle, dance of the insects. Hopping around in flat shoes, the beat is phat and reverberated by a cluster of trees. Stabs on the e-piano set in, picturing the euphoric moment when Loving-feelings walk hand-in-hand with a Hint of Melancholy.
Robag Wruhme, Nata Alma and Venq Tolep - music for dance floors, inside and outside, music for the summer, day and night, and for convertibles on the way there.






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2024 repress

Tracklist:
A Monlink - Return to Oz - Artbat Remix – 8:00
B1 Monolink - Father Ocean - Ben Böhmer Remix – 7:56
B2 Monolink - Sirens - Patrice Bäumel Remix – 7:25

Short Info:
Berlin’s own Steffen Linck, a multi-instrumentalist known as Monolink, announces the 12” remixes release, due June 7th via Embassy One. ARTBAT + BEN BÖHMER + PATRICE BÄUMEL + MONOLINK – no more words needed.




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Following on from the irresistible debut of Die Vögel's Blaue Moschee, DJ Koze and Marcus Fink continue on in their quest to push the envelope and fill the dancefloor with Pampa Records' second release. Pampa Records looks to highly respected producer and DJ Michel Baumann for the next chapter of the story, and he doesn't disappoint! Undoubtedly one of best producers and DJs on both the German and international scenes, Baumann is well known to fans of quality deep house and techno as the owner of the Philpot and phil e imprints. Baumann has also made a name for himself with the deep, soulful house of SoulPhiction, and with tougher beats as his club-focused alter ego Jackmate; all of this when he's not devoting any spare in-between moments to his many colllaborative projects, like The Missing Linkx.For their first Pampa Records release, Jackmate & Missing Linkx's raw grooves and innate musicality achieve new heights of inventiveness with DIsicodisco2, a record that is already one of the most memorable of the year.Within the first few seconds of "Discodisco2" it's clear this isn't any ordinary club track! A favourite in Koze's recent DJ sets, the atmospheric "Discodisco2" is propelled by the urgent momentum of stomping post-punk and deep funk. A brooding retro groove is built on a three-note bass guitar loop, with the dubbed-out bass lick making for a uniquely organic dancefloor experience. Building to a crescendo with sampled soul vocals and a dueling guitar-and-synth melody, "Discodisco2" is guaranteed to momentarily transform any club into an authentic disco block party.On the flip Jackmate & The Missing Linkx again hone in on the power of instrumentation, resulting in a track that Koze himself says sounds "like Sly Stone in the bathtub"! "TäteräTä" is built on a base of honking brass, handclaps, mouth-made percussion, and tech-tinged beats, before a cello thunders to life to deliver the penultimate moment of psychedelic quirkiness. Melding, moulding and transforming the cello into unrecognisability, it takes on a life of its own at the forefront of the track, before melting into liquid keys and ghostly choruses. By refusing the empty synthesized effects and "modern" sounds found in so many tracks these days, Jackmate & The Missing Lynkx have succeeded with Discodisco2 in creating timeless classics for fans of forward-thinking music.


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2024 repress


The First Authorised, Official Re Edition of this Electronic, New Wave, Cold Wave, Pop, Synth, Post-Punk Classic, Personally Overseen by Stephan Eicher, Everything Original: Art, Tracklist, Cut on 45 rpm - Printed on 350 GSM Paperstock incl. Sticker!

WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Tracklisting:
A1. Eisbär
B1. FILM 2
B2. Ich Lieb Sie

Info:
WRWTFWW Records is very honored to announce the official reissue of Grauzone’s essential 1981 maxi single with timeless classic "Eisbär", proto-techno beast "FILM 2", and romantic synth ballad "Ich Lieb Sie", just in time for the 40th anniversary of the Swiss band’s formation. The three-track vinyl is sourced from the original reels, cut at 45rpm, and comes with its iconic artwork on a 350gsm sleeve.

Ich möchte ein Eisbär sein…Written by Martin Eicher after a nightmare in which he saw talking polar bears on the walls, and with music by the Grauzone crew consisting of Martin and his brother Stephan Eicher, Marco Repetto, Christian "GT" Trüssel, and Claudine Chirac (on saxophone), "Eisbär" is the most recognizable title from the band, a sublime mix of ingredients reflecting the transitional era it comes from - the raw energy of punk music still palpable, combined with the audacity of early electronics, the warm groove of a disco gem, beautifully fragile lyrics, and one of the best basslines ever. It became a mega hit, totally unplanned, but how could you resist such a track?

"FILM 2" is the ultimate b-side monster, a menacing all-instrumental pre-techno masterpiece, slowly building to a magnetizing frenzy. An instant underground favorite, it was famously heard played at both speeds depending on the scenes and DJs you were frequenting, 45rpm as it was first intended, and 33rpm for the cosmic experience (search Daniele Baldelli’s Cosmic C75 1982 mixtape online for a great example of this).

The maxi single ends with "Ich Lieb Sie", a synth-pop meets doo-wop ballad, a true love song oozing with innocence. Simple, stylish, and just right.

At the crossroads of post-punk, new wave, pop, and electronic experimentation, the Eisbär maxi offers three songs that are technically different but hold the same spirit, the perfect embodiment of Grauzone’s music - wild, unpredictable, and youthful, yet sophisticated, catchy, and ingenious. The magic recipe for the good stuff.

Stephan Eicher went on to be, arguably, the most successful Swiss musician ever, with an international career extending from pop chanson to experimental escapades and collaborations with Moondog, artists Sophie Calle and John Armleder, and author Martin Suter among many other luminaries. Marco Repetto flourished as a techno and ambient producer, releasing multiple projects including releases on Aphex Twin’s Rephlex label.

Grauzone and WRWTFWW will continue to collaborate on the band’s 40th anniversary reissue campaign, with numerous projects planned for the year, including a vast selection of music, visuals, and literature never available before.


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2022 repress

UPC: 827170506664 Release : June 24th, 2013
Tracklist:
A1. GSCHEIDS PLANET A2. HAECKLS KOSMOS B. FREIHERR iN dER WALL
After a few nice but largely unnoticed 12"s for lower-profile labels, Dürerstuben is ready to make a serious maneuver, and Pampa is pleased to provide them with the proper platform. The Sheets of Rane EP is the Berliner duo's most sophisticated statement yet, imbuing cold programmed sounds with a glowing human touch and a penchant for melody.
A1 "Gscheids Planet" unfolds with a deceptive intro, click-clackety downtempo stomps and crunchy snares beneath a tender vocoder coo, just when some muted guitar plucks crescendo into a burst of robo-synths. Although three minutes have passed, only now does the song reveal its true nature, a summery tune with rich synths that billow in the wind.
Then, as its title indicates, "Haeckles Kosmos" further explores Dürerstuben's fascination with the unlimits of outer space. This star system in particular has a very tropical flair, punctuated with bouncy parallel fifths straight out of the Italo Orient. In between movements, the duo makes some brief non sequiturs into piano balladry, the kind that force a smile (and a record deal) out of DJ Koze.
Finally, venturing even further into jacking territory, "Freiherr in der Wall" hinges upon syncopated, sometimes faltering beatbox rhythms, a swaggering bassline and fluttering arpeggiation. Coupled with hand-played chords, this is a prime example of how Dürerstuben can tame the beast machine and let irregularities be strengths. If you can get down with Metro Area, Zapp, Tensnake, and yes, even Survivor, then pick this one up.


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Tracklist
A1 Eingang
A2 Veddel Braav
A3 Perluv

B1 Wuzzelbud FF
B2 Tisma

C1 Provol Eto
C2 Maiowu

D1 Wabb Bodun
D2 Ausgang

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.
A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.
Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.
No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.
The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey




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