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Freddy Fresh - No Title
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Freddy Fresh - No Title
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Freddy Fresh - No Title
Assemble Music welcomes the Techno legend Freddy Fresh to the label´s roster with a classic ep!
4 tracks of pure Acid techno and real electro recorded back in the 90´s at analog studios Minnesota. More
4 tracks of pure Acid techno and real electro recorded back in the 90´s at analog studios Minnesota. More
More records from Freddy Fresh
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Freddy Fresh - The Harvest
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Freddy Fresh - House-Spanner
3
Freddy Fresh - Misunderstood
4
Freddy Fresh - Twain
5
Freddy Fresh - Horlywagon
RAWAX proudly welcomes Mr. Frederick Schmid aka Freddy Fresh to the label Family! We are very happy to present you one of the true pioneers of Electronic Music on the RX - series. "The Harvest" marks only the beginning of a journey which hopefully takes a long path.
More to come! More
More to come! More
Label:Intrauterin Recordings
Cat-No:intrauterin009
Release-Date:16.07.2021
Genre:Drum + Bass
Configuration:7" Excl
Label:Intrauterin Recordings
Cat-No:intrauterin009
Release-Date:16.07.2021
Genre:Drum + Bass
Configuration:7" Excl
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FREDDY FRESH - A1: 333
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FREDDY FRESH - B1: Watch It Go Roun Roun [featuring Mikey Dredd]
Initial pressing will be limited to 225 copies on 7“ whitelabel vinyl. Hand-stamped with stickered cover.
File under: Drum'n'Bass / Jungle
Tracklist:
A1: 333
B1: Watch It Go Roun Roun [featuring Mikey Dredd]
Release Info:
Freddy Fresh is a legend. Period. From a plethora of 12“es on labels like Nu Groove, Drop Bass Network, Forced Nostalgia, Spaziotempo, Lone Romantic or Toolbox Killers to albums
on 90s scene mainstays like Harthouse, Anodyne or Eye Q to countless releases on his own imprints like Howlin Records, Analog Records USA and Electric Music Foundation. From
remixes for the likes of GusGus, Heaven 17, Kitachi, Steve Stoll, Frankie Bones and many more to hitting the UK Top 40 with the massive BigBeat smasher „Badder Badder Schwing“
produced alongside Fatboy Slim. The man has done it all. Nearly.
And therefore Intrauterin Recordings is proud to present the first ever Drum'n'Bass release in the more than 30 year spanning career of the one and only Freddy Fresh!
With „333“ Freddy Fresh is going down a twisted, hard stepping and yet positive alley of what the man himself refers to as Modular Drum'n'Bass that is unmistakably cooked up live
and direct in his Minneapolis-based studio. Expect a whirlwind of swirls, swooshes, bleeps and FX alongside raw junglistic beats and the most positive Synth bass motif you've heard in
a long while.
Yet the singles' main dancefloor smash is to be found on the flip side. „Watch It Go Roun Roun“ is a raw classic, a heavy original JumpUp banger driven by a killer vocal performance
by Mike Gates a.k.a. Mikey Dredd. Likely better known to many for his Techno productions on labels like Kanzleramt, Creation Rebel or Howlin Records rather than for his MC skills
this is the very first time Mikey Dredd's secret love for taking up the microphone as a proper Jungle / Drum'n'Bass MC is officially recognized and revealed on wax as a late tribute to and
honoration of a large scale talent which passed away way too soon in 2019. Lighter crew!
Initial pressing will be limited to 225 copies on 7“ whitelabel vinyl. Hand-stamped with stickered cover.
More
File under: Drum'n'Bass / Jungle
Tracklist:
A1: 333
B1: Watch It Go Roun Roun [featuring Mikey Dredd]
Release Info:
Freddy Fresh is a legend. Period. From a plethora of 12“es on labels like Nu Groove, Drop Bass Network, Forced Nostalgia, Spaziotempo, Lone Romantic or Toolbox Killers to albums
on 90s scene mainstays like Harthouse, Anodyne or Eye Q to countless releases on his own imprints like Howlin Records, Analog Records USA and Electric Music Foundation. From
remixes for the likes of GusGus, Heaven 17, Kitachi, Steve Stoll, Frankie Bones and many more to hitting the UK Top 40 with the massive BigBeat smasher „Badder Badder Schwing“
produced alongside Fatboy Slim. The man has done it all. Nearly.
And therefore Intrauterin Recordings is proud to present the first ever Drum'n'Bass release in the more than 30 year spanning career of the one and only Freddy Fresh!
With „333“ Freddy Fresh is going down a twisted, hard stepping and yet positive alley of what the man himself refers to as Modular Drum'n'Bass that is unmistakably cooked up live
and direct in his Minneapolis-based studio. Expect a whirlwind of swirls, swooshes, bleeps and FX alongside raw junglistic beats and the most positive Synth bass motif you've heard in
a long while.
Yet the singles' main dancefloor smash is to be found on the flip side. „Watch It Go Roun Roun“ is a raw classic, a heavy original JumpUp banger driven by a killer vocal performance
by Mike Gates a.k.a. Mikey Dredd. Likely better known to many for his Techno productions on labels like Kanzleramt, Creation Rebel or Howlin Records rather than for his MC skills
this is the very first time Mikey Dredd's secret love for taking up the microphone as a proper Jungle / Drum'n'Bass MC is officially recognized and revealed on wax as a late tribute to and
honoration of a large scale talent which passed away way too soon in 2019. Lighter crew!
Initial pressing will be limited to 225 copies on 7“ whitelabel vinyl. Hand-stamped with stickered cover.
More
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freddy fresh - Gnomes feat Paul Mix
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freddy fresh - Sham
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freddy fresh - Slippery
After the success of Regenerator 1 featuring Dj Emile, Lone Romantic is back with another monster from the vaults with Regenerator 2 coming curtesy of Freddy Fresh, originally released in 2001 the Gnomes Ep is a proper electro beast which is sure to make some noise on the dance floor.
More
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Freddy Fresh - Slow Death
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Freddy Fresh - Space Funk
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Freddy Fresh - Scared
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Freddy Fresh - Binder
Special remarks: Limited remastered coloured 12" in plastic sleeve.
Four archival mid 90s (acid) tracks, vintage analog gear used only (TR 909 / TR 606 Roland System 100M, EMS VCS3, ARP 2600, TB 303, Jupiter 8, Korg DSS1.Releases on cult labels such as Electric Music Foundation, Labworks, Synewave, Drop Bass Network, Analog, etc "Space Funk" previously unreleased on vinyl!
RIYL: Dark acid, Thomas Heckmann, Tim Taylor, Cari Lekebusch, DJ Slip, DJ Esp
Tracklist
A1. Slow Death A2. Space Funk B1. Scared B2. Binder
Shortinfo:
If Comacid is your starting point for the music of Frederick Schmid you are in for a treat with this 12". Quite a gem! (igloomag.com)
This new outing on Forced Nostalgia is an absolute must have for those who'd like to start a Freddy Fresh collection! Haunting 303 electro, dark melodies and sinister layers. (technobass.net)
More
Four archival mid 90s (acid) tracks, vintage analog gear used only (TR 909 / TR 606 Roland System 100M, EMS VCS3, ARP 2600, TB 303, Jupiter 8, Korg DSS1.Releases on cult labels such as Electric Music Foundation, Labworks, Synewave, Drop Bass Network, Analog, etc "Space Funk" previously unreleased on vinyl!
RIYL: Dark acid, Thomas Heckmann, Tim Taylor, Cari Lekebusch, DJ Slip, DJ Esp
Tracklist
A1. Slow Death A2. Space Funk B1. Scared B2. Binder
Shortinfo:
If Comacid is your starting point for the music of Frederick Schmid you are in for a treat with this 12". Quite a gem! (igloomag.com)
This new outing on Forced Nostalgia is an absolute must have for those who'd like to start a Freddy Fresh collection! Haunting 303 electro, dark melodies and sinister layers. (technobass.net)
More
More records from Assemble Music
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Acid Cell - Mir
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Acid Cell - One Orbit Of Earth
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Acid Cell - STS - 74
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Acid Cell - Vostok
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Acid Cell - Phrase
ONLY 100 COPIES WORLDWIDE AVAILABLE - BE FAST!
More
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Reedale Rise - A1_Reedale Rise - This Beautiful Life
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Reedale Rise - A2_Reedale Rise - Waking Mountain
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Reedale Rise - A3_Reedale Rise - Mango
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Reedale Rise - B1_Reedale Rise - Voyager
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Reedale Rise - B2_Reedale Rise - Loose Thought
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Reedale Rise - B3_Reedale Rise - Kiala
beautiful electro techno crossovers by Reedale Rise
More
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Population One - Unfolding
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Roundhouse Kick - Acid Grind
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Lake Haze - Acid Warfare
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Roma Zuckerman - We Call It Aciddomine
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2Jack4U - Acid 00010
Assemble Music returns in 2021 with its 25th release: a 5-track heavyweight compilation featuring a handful of the finest electronic acts in Portugal and two well sought after internationals.
Population One a.k.a. Terrence Dixon, having released in iconic labels such as Metroplex, Tresor, Rush Hour and Jeff Mills’ imprint Axis in the last decades, kicks off this record with ‘Unfolding’ some Detroit Techno cargo (A1), followed by a hypnotizing, spiraling acidic Techno bomb - ‘Acid Grind’ (A2) - courtesy of the Algarve duo Roundhouse Kick. Prolific Portuguese DJ and producer, formerly based in The Netherlands, Lake Haze finishes off this first side with the Electro infused, twisted ‘Acid Warfare’ (A3).
Over to the B side, Roma Zuckerman, originally from Siberia and also releasing a double LP on Nina Kraviz’s ???? this year, pulls off a classic fast-paced Acid groove on ‘We Call Its Acidomine’ (B1), while the Lisbon duo 2Jack4U takes us to a dream party land with the anthem ‘Acid 00010’ (B2)
Surely a must-have tool for an upcoming post-pandemic rave! More
Population One a.k.a. Terrence Dixon, having released in iconic labels such as Metroplex, Tresor, Rush Hour and Jeff Mills’ imprint Axis in the last decades, kicks off this record with ‘Unfolding’ some Detroit Techno cargo (A1), followed by a hypnotizing, spiraling acidic Techno bomb - ‘Acid Grind’ (A2) - courtesy of the Algarve duo Roundhouse Kick. Prolific Portuguese DJ and producer, formerly based in The Netherlands, Lake Haze finishes off this first side with the Electro infused, twisted ‘Acid Warfare’ (A3).
Over to the B side, Roma Zuckerman, originally from Siberia and also releasing a double LP on Nina Kraviz’s ???? this year, pulls off a classic fast-paced Acid groove on ‘We Call Its Acidomine’ (B1), while the Lisbon duo 2Jack4U takes us to a dream party land with the anthem ‘Acid 00010’ (B2)
Surely a must-have tool for an upcoming post-pandemic rave! More
Raw machine funk from an intergalactic mind – Hakim Murphy brings us two contrasting sides of classic analog jams, Chicago style. On the A-side, ‘Toms From Space’ and ‘Bgstyle’ both have a melodic nostalgia, the former with pads and drum accents that are almost conversational, the latter’s ringing synth lines cleaving more to the Jamal Moss school of machines-gone-wild, but still in an introspective mood. The B-side is a heavier affair, ‘StompsB’ coming at you with a barrage of snares, claps and toms that will tickle the more adventurous dancers out there. By ’TF3_2’ the machines are in pure revolt, battery draining and sounds escaping in fits and starts – avant-garde chicago house, no questions asked.
More
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Mike Shannon - - Pimp Limp
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Voigtmann - - MuffShuffler
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Aloe Varu - - Shifty
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Nicola Kazimir - - Reductive Ford
Four multi-purpose, innovative tracks from the Assemble Music family. Mike Shannon takes the pace right down on ‘Pimp Limp’ to stunning effect, weaving together tweaked pads and a deep, tripping bass with the tightest of drum sounds, developing an irresistible, effortless groove. Aloe Varu (aka Dan Andrei) takes the shuffle up a notch on ‘Shifty’, evoking classic Herbert with cut-up jazz samples and bumping, stop-start percussion. Nicola Kazimir nods to another master, Jan Jelinek aka Farben, on ‘Reductive Ford’, channeling the latter’s contemplative, intricate and emotive programming. Finally Voigtmann’s ‘Muff Shuffler’ does, well, exactly that, shuffling along with a minimal vibe enhanced with fine atmospherics.
More
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patrick specke & daze maxim - A1: Battery
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patrick specke & daze maxim - B1: Drag Me
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patrick specke & daze maxim - B2: Chromosome
Extended precision-tooled killers on this latest EP from specialist label Assemble Music, which reunites Daze Maxim with his long-time friend and collaborator Patrick Specke. The two put their considerable DJ experience to the proof on two serious heads-down weapons aimed squarely at the floor: ‘Battery’ rides a threatening bassline and loose, propulsive percussion through a series of phased synth lines that envelop and disorientate, while the Portside Waves-esque bass swells on ’Drag Me’ massage the eardrums and direct the feet. Completing the EP in complementary fashion is ‘Chromosome’, which brings some more skip to proceedings, its shuffling percussion, pitchbent bassline and melodic accents all interlocking to form an irresistible groove. Primed and ready for action and only on vinyl – get it while it’s hot.
More
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Daze Maxim adds another episode to his practice of long-form explorations, on this his second release for Lisbon’s Assemble Music. This time he’s joined by a master in this field, Baby Ford, whose remixes over the past few years continue his own distinctive development of extended minimal house trips. Daze’s ‘Beginning An Ending’ rides a skippy, loose beat for several minutes, the snares and hats gradually opening up as wordless vocalizations exclaim and interject with increasing regularity, the bass bumping contentedly underneath. Pads join the equation for an intricate midsection – evoking memories of Alcachofa-era happy experimentalism that nonetheless fit within Daze Maxim’s disciplined and dancefloor-oriented approach. Peter Ford recasts the original into his now unmistakable soundspace, where the push and pull between front-and-centre rhythmic components and evanescent background atmospherics creates that recognizable but undefinable sense of emotion, felt but unexplained. In Ford’s world there isn’t anything as simple as a beginning or an end, so the remix provides a valuable counterpoint to the original. Given their now impressive track record, it’s no surprise that Assemble Music has pulled off another cohesive statement that works equally on the body and the mind.
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A series of very special minimal funky music based on very small and sneaky samples, danceable music but very much influenced by architecture and by the idea of taking minimal by the word and leaving out as much elements as possible to bring the maximum within the minimum.” – Wolfgang Voigt on the Studio 1 series. With this re-release of two tracks from Wolfgang Voigt’s seminal Studio 1 series, Lisbon’s Assemble Music turns the spotlight back on to what amounts to the basic grammar of most contemporary underground house and techno. Along with Basic Channel and the Concept series, Studio 1 has long been acknowledged as one of the forerunners of minimalist techno, though Voigt is at pains to point out the ‘differences between their handwriting’. Rightly so, since neither Mark & Moritz nor Hawtin prioritised the funk and fizz that jumps out of these two tracks: ‘Gelb’ the determined younger brother to the more conventionally dubby (but no less groovy) ‘Lila’. Any producer who has spent long hours making minute adjustments to the interplay between the simplest of elements – kick, bass, snare, hats – should know they’ve been walking in Voigt’s ever-so-well-placed footsteps. This re-release from Assemble Music serves as a reminder of where the music has come from; where it’s yet to go will become apparent in the label’s next release from Daze Maxim, with a remix from another of the scene’s grandmasters, Peter Ford.
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Claus Voigtmann makes his vinyl debut on Lisbon’s Assemble Music, applying the same high standards to his productions as he does to the Toi Toi parties he co-organises in London. In fact, you can imagine ‘Spin’ greeting you on arrival in a moodily-lit Shoreditch basement, its growling interplay of bass and kick drum instantly familiar and pleasurable. The plunging bass and pinpoint kicks of ‘Junago’ bring to mind the refined soundspaces of Peter Ford or ‘The Au Harem’-era Villalobos. It’s the kind of track that comes into its own the later the night gets, and just as the elements interlock then writhe apart from each other you can imagine the dance floor doing the same. On remix duties, Ion Ludwig applies the attention to detail we’ve long learned to expect from him, though here he’s manufactured a leaner, meaner beast than his recent releases on UGold and Trelik – four to the floor, with skittering high hats over round, menacing bass. The stripped-down elements swirl in and out of phrase to create a very modern style of techno that you can easily imagine catching the eye of DJs from all over the spectrum. With Voigtmann’s debut, Assemble Music’s roster of new and established artists continues to grow in depth and quality.
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The Veric EP is the highly-anticipated fruit of an extended collaboration between Vera Heindel and another member of the extended Robert Johnson family, Ricardo Villalobos, who has frequently shared the decks with her back at her home club in Frankfurt, as well as further afield in Berlin, Ibiza and beyond. Their paths have also crossed via Perlon Records, on which Vera has released under her Mara Trax name with Maayan Nidam, another Assemble Music luminary. On ?Rambutan?, Vera and Ricardo?s combined sense of precision, clockwork rhythmic sensibilities and devotion to the spaces between sounds are present in every detail, and will be met with rapture by fans of early 00s organic minimal house music (think Ben Nevile for reference). It?s been five years in the making, and worth every minute. With ?Take Me? Vera takes full charge and turns up the funk: it?s one big come on, spinning you round and giving you a squeeze. The pitch-bent bassline drives forwards while insistent vocal samples give way to sirens and minor synths. It?s a futuristic turn for Assemble Music and displays to the full the label?s open-minded and forward-looking approach. Don?t miss.
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Assemble Music returns with a three-track EP from Cologne’s David Joseph aka St. Joseph, exploring further the refined, tripping path forged on the label’s previous release from Daze Maxim. The pianos, vocal snatches and ambient hiss of Joseph’s releases on Platzhirsch are present and correct, but here the jazz flourishes are reduced down into something far slicker. These tracks have been prepared using a keen blade, and none sharper than ‘Personal Dancefloor’. Heavy drum programming and a rumbling bottom end bring to mind Theo Parrish in his moodier moments, but the deal is sweetened by light piano, garage-like vocal samples and a deep, Burning 4 Love bassline. ‘Indigo’ spins the Duke Ellington classic into a spiralling, shuffling chugger that will bring a 30s Harlem spirit to enterprising dancefloors. Move the needle to the B2, though, for the EP’s party
hit. Written in 2009 and reflecting that year’s raw arrangements and joyous samples, ‘Wave/Table/Muscle’ finally gets a vinyl release, proving this sound endures to this day. Expect more of the same from Assemble Music with their next release featuring Vera and Ricardo Villalobos More
hit. Written in 2009 and reflecting that year’s raw arrangements and joyous samples, ‘Wave/Table/Muscle’ finally gets a vinyl release, proving this sound endures to this day. Expect more of the same from Assemble Music with their next release featuring Vera and Ricardo Villalobos More