2 LP
Nada! is the third studio album by English neofolk band Death in June. It was released on 12 October 1985 through record label New European Recordings.
Tracklist
A1 The Honour Of Silence
A2 The Calling (Mk II)
A3 Leper Lord
A4 Rain Of Despair
A5 Foretold
B1 Behind The Rose (Fields Of Rape)
B2 She Said Destroy
B3 Carousel
B4 C'est Un Rêve
B5 Crush My Love
C1 Last Farewell
C2 The Torture Garden
C3 Doubt To Nothing
C4 The Calling
D1 Born Again
D2 Carousel (Bolt Mix)
More
Nada! is the third studio album by English neofolk band Death in June. It was released on 12 October 1985 through record label New European Recordings.
Tracklist
A1 The Honour Of Silence
A2 The Calling (Mk II)
A3 Leper Lord
A4 Rain Of Despair
A5 Foretold
B1 Behind The Rose (Fields Of Rape)
B2 She Said Destroy
B3 Carousel
B4 C'est Un Rêve
B5 Crush My Love
C1 Last Farewell
C2 The Torture Garden
C3 Doubt To Nothing
C4 The Calling
D1 Born Again
D2 Carousel (Bolt Mix)
More
More records from Pylon Records
US Import
Tracklist:
Before You Win
Become
Loving The Alien
Days Become Dark
Seven Deadly Sins (Part Three)
Aurora
Your Skin Is My Sin
Clubscene
Star City
Never
PYLON releases the fifth and final studio album by VISAGE.STEVE STRANGE was working on the album prior to his untimely death this year. Ten tracks featuring collaborations with DIDIER MAROUANI of SPACE, ex-SIMPLE MINDS' MICK MACNEIL, plus album cover designed by BOY GEORGE. More
Tracklist:
Before You Win
Become
Loving The Alien
Days Become Dark
Seven Deadly Sins (Part Three)
Aurora
Your Skin Is My Sin
Clubscene
Star City
Never
PYLON releases the fifth and final studio album by VISAGE.STEVE STRANGE was working on the album prior to his untimely death this year. Ten tracks featuring collaborations with DIDIER MAROUANI of SPACE, ex-SIMPLE MINDS' MICK MACNEIL, plus album cover designed by BOY GEORGE. More
This career spanning retrospective box set features
10 black Vinyl LPs, complete with newly remastered
versions of all five of their Mute/Geffen albums, That
Total Age, Belief, Showtime, Ebbhead, and Big
Hit, plus 5 LPs of 29 bonus tracks, featuring
B-sides, and rare 12” mixes. The original artwork for
each album has been expanded into gatefold
sleeves, with embossing and spot UV finish. It also
contains a large size 28-page booklet with linear
notes by Douglas McCarthy and Bon Harris and
unseen photos, flyers and artwork. The box also has
accommodated their first self released album Basic
Pain Procedure, from 1983 and their last release
Industrial Complex from 2010, by leaving adequate
space inside, to complete the collection by the fans,
as these titles have been in print in recent years.
Basic Pain Procedure Double Red/Clear/White Splatter Vinyl LP (2012 Master)
Side 1
1. Faded Smiles
2. Tradition
3. The Home
4. Star
Side 2
1. The Passage
2. The Book
3. Crane
4. Trust Ran In Colours
That Total Age Double Red Translucent Vinyl LP (2018 Remaster)
Side 1
1.Fitness To Purpose
2.Warsaw Ghetto
3.Violent Playground
4.Murderous
Side 2
1. Smear Body
2. Join In The Chant
3. Alarm
4. Let Your Body Learn
Side 3
1. Let Beauty Loose
2. Into The Large Air
3. Murderous (Instrumental) - Bonus
4. Fitness to Purpose (Mix Two) - Bonus
Side 4
1. Join In The Chant (Burn! 12” Mix) - Bonus
2. Let Your Body Learn (12” Mix) - Bonus
3. Join In The Chant (Metal Mix) - Bonus
Belief Double Clear Vinyl LP (2018 Remaster)
Side 1
1. Hearts and Minds
2. For Fun
3. Control I’m Here
4. Captivate
5. T.W.A
Side 2
1. Blood Money
2. Shame
3. Drive
4. Without Belief
Side 3
1. Control I’m Here (Command Control Confront Mix) – Bonus
2. Shame (Mix no 2 William Orbit) – Bonus
3. K.I.A. (PK Mix) – Bonus
Side 4
1.Captivate (William Orbit Mix) – Bonus
2.Hearts & Minds (Mix Subsonic) – Bonus
3.Backlash (William Orbit Mix) – Bonus
Showtime Double Opaque Orange Vinyl LP (2018 Remaster)
Side 1
1. Getting Closer
2. Nobody Knows
3. One Mans Burden
4. All Over
5. My Heart
Side 2
1. Lightning Man
2. Rope
3. Hold On
4. Fun To Be Had
Side 3
1. Lightning Man (The Industry Vs. The Ebb Remix) – Bonus
2. Fun To Be Had (Long Mix George Clinton) – Bonus
3. Getting Closer (The Kitchen Mix) – Bonus
Side 4
1. Fun To Be Had (Dust Brothers Master Mix) – Bonus
2. Lightning Man (RSW Mix) – Bonus
3. Getting Closer (The Trance Mix) – Bonus
Ebbhead Double Vinyl Translucent Green & Red LP (2018 Remaster)
Side 1
1. Reasons
2. Lakeside Drive
3. I Give To You
4. Sugar Sweet
5. DJVD
Side 2
1. Time
2. Ascend
3. Godhead
4. Trigger Happy
Side 3
1. Family Man (Jaz Coleman Mix) - Bonus
2. Come Alive (Alan Wilder Mix) - Bonus
3. Lovesick (Flood Mix) - Bonus
4. Higher (Barry Adamson Mix) - Bonus
Side 4
1. Ascend (Vince Clarke Anonymous Mix) - Bonus
2. I Give To You (Pestilence Mix) - Bonus
3. Godhead (Remix) - Bonus
Big Hit Double Translucent Yellow Vinyl LP (2018 Remaster)
Side 1
1. Cherry Blossom
2. Hear Me Say
3. Kick It
4. I Thought
Side 2
1. Flood Water
2. Border Talk
3. In Decline
4. Living Out Of A Bag
Side 3
1.Boy
2.Our Own World
3.Friend (Brittle Mix) - Bonus
4.Beats Me - Bonus
Side 4
1. Kick It (Adrian Sherwood Compulsion Edit) - Bonus
2. Kick It (Popular Music Mix) - Bonus
3. I Thought (Final Sin) - Bonus
. More
10 black Vinyl LPs, complete with newly remastered
versions of all five of their Mute/Geffen albums, That
Total Age, Belief, Showtime, Ebbhead, and Big
Hit, plus 5 LPs of 29 bonus tracks, featuring
B-sides, and rare 12” mixes. The original artwork for
each album has been expanded into gatefold
sleeves, with embossing and spot UV finish. It also
contains a large size 28-page booklet with linear
notes by Douglas McCarthy and Bon Harris and
unseen photos, flyers and artwork. The box also has
accommodated their first self released album Basic
Pain Procedure, from 1983 and their last release
Industrial Complex from 2010, by leaving adequate
space inside, to complete the collection by the fans,
as these titles have been in print in recent years.
Basic Pain Procedure Double Red/Clear/White Splatter Vinyl LP (2012 Master)
Side 1
1. Faded Smiles
2. Tradition
3. The Home
4. Star
Side 2
1. The Passage
2. The Book
3. Crane
4. Trust Ran In Colours
That Total Age Double Red Translucent Vinyl LP (2018 Remaster)
Side 1
1.Fitness To Purpose
2.Warsaw Ghetto
3.Violent Playground
4.Murderous
Side 2
1. Smear Body
2. Join In The Chant
3. Alarm
4. Let Your Body Learn
Side 3
1. Let Beauty Loose
2. Into The Large Air
3. Murderous (Instrumental) - Bonus
4. Fitness to Purpose (Mix Two) - Bonus
Side 4
1. Join In The Chant (Burn! 12” Mix) - Bonus
2. Let Your Body Learn (12” Mix) - Bonus
3. Join In The Chant (Metal Mix) - Bonus
Belief Double Clear Vinyl LP (2018 Remaster)
Side 1
1. Hearts and Minds
2. For Fun
3. Control I’m Here
4. Captivate
5. T.W.A
Side 2
1. Blood Money
2. Shame
3. Drive
4. Without Belief
Side 3
1. Control I’m Here (Command Control Confront Mix) – Bonus
2. Shame (Mix no 2 William Orbit) – Bonus
3. K.I.A. (PK Mix) – Bonus
Side 4
1.Captivate (William Orbit Mix) – Bonus
2.Hearts & Minds (Mix Subsonic) – Bonus
3.Backlash (William Orbit Mix) – Bonus
Showtime Double Opaque Orange Vinyl LP (2018 Remaster)
Side 1
1. Getting Closer
2. Nobody Knows
3. One Mans Burden
4. All Over
5. My Heart
Side 2
1. Lightning Man
2. Rope
3. Hold On
4. Fun To Be Had
Side 3
1. Lightning Man (The Industry Vs. The Ebb Remix) – Bonus
2. Fun To Be Had (Long Mix George Clinton) – Bonus
3. Getting Closer (The Kitchen Mix) – Bonus
Side 4
1. Fun To Be Had (Dust Brothers Master Mix) – Bonus
2. Lightning Man (RSW Mix) – Bonus
3. Getting Closer (The Trance Mix) – Bonus
Ebbhead Double Vinyl Translucent Green & Red LP (2018 Remaster)
Side 1
1. Reasons
2. Lakeside Drive
3. I Give To You
4. Sugar Sweet
5. DJVD
Side 2
1. Time
2. Ascend
3. Godhead
4. Trigger Happy
Side 3
1. Family Man (Jaz Coleman Mix) - Bonus
2. Come Alive (Alan Wilder Mix) - Bonus
3. Lovesick (Flood Mix) - Bonus
4. Higher (Barry Adamson Mix) - Bonus
Side 4
1. Ascend (Vince Clarke Anonymous Mix) - Bonus
2. I Give To You (Pestilence Mix) - Bonus
3. Godhead (Remix) - Bonus
Big Hit Double Translucent Yellow Vinyl LP (2018 Remaster)
Side 1
1. Cherry Blossom
2. Hear Me Say
3. Kick It
4. I Thought
Side 2
1. Flood Water
2. Border Talk
3. In Decline
4. Living Out Of A Bag
Side 3
1.Boy
2.Our Own World
3.Friend (Brittle Mix) - Bonus
4.Beats Me - Bonus
Side 4
1. Kick It (Adrian Sherwood Compulsion Edit) - Bonus
2. Kick It (Popular Music Mix) - Bonus
3. I Thought (Final Sin) - Bonus
. More
LP color vinyl
A1 Faded Smiles 3:26
A2 Tradition 3:43
A3 The Home 2:22
A4 Star 2:24
B1 The Passage 3:50
B2 The Book 3:30
B3 Crane 2:22
B4 Trust Ran In Colours 2:21
This recording comprises some of the earliest Nitzer Ebb material ever, Basic Pain Procedure was a cassette-only release, until 2012 when Pylon Records released it on vinyl. This recording was primarily a tool to attract attention from record labels, but was also available for purchase at the time. It was recorded in Essex countryside in 1983, a year after the band played their first ever show at the Chelmsford, YMCA and was virtually the extent of their then live set.
More
A1 Faded Smiles 3:26
A2 Tradition 3:43
A3 The Home 2:22
A4 Star 2:24
B1 The Passage 3:50
B2 The Book 3:30
B3 Crane 2:22
B4 Trust Ran In Colours 2:21
This recording comprises some of the earliest Nitzer Ebb material ever, Basic Pain Procedure was a cassette-only release, until 2012 when Pylon Records released it on vinyl. This recording was primarily a tool to attract attention from record labels, but was also available for purchase at the time. It was recorded in Essex countryside in 1983, a year after the band played their first ever show at the Chelmsford, YMCA and was virtually the extent of their then live set.
More
CD+Bonus Tracks
This recording comprises some of the earliest Nitzer Ebb material ever, Basic Pain Procedure was a cassette-only release, until 2012 when Pylon Records released it on vinyl. This recording was primarily a tool to attract attention from record labels, but was also available for purchase at the time. It was recorded in Essex countryside in 1983, a year after the band played their first ever show at the Chelmsford, YMCA and was virtually the extent of their then live set.
The live recording isfrom December 9, 1983 at the Chelmer Institute of Higher Education. What is featured here are two live songs which have not been released before, A Whiter Shade of Pale, and Smear Body.
Tracklist
1 Faded Smiles 3:29
2 Tradition 3:47
3 The Home 2:24
4 Star 2:26
5 The Passage 3:51
6 The Book 3:33
7 Crane 2:25
8 Trust Ran In Colours 2:20
Live At CIHE, Chelmsford December 9, 1983
9 Tradition 3:44
10 The Home 2:44
11 Star 1:24
12 The Book 2:42
13 Crane 2:23
14 Violent Playground 2:44
15 A Whiter Shade Of Pale 2:08
16 Smear Body 5:04
More
This recording comprises some of the earliest Nitzer Ebb material ever, Basic Pain Procedure was a cassette-only release, until 2012 when Pylon Records released it on vinyl. This recording was primarily a tool to attract attention from record labels, but was also available for purchase at the time. It was recorded in Essex countryside in 1983, a year after the band played their first ever show at the Chelmsford, YMCA and was virtually the extent of their then live set.
The live recording isfrom December 9, 1983 at the Chelmer Institute of Higher Education. What is featured here are two live songs which have not been released before, A Whiter Shade of Pale, and Smear Body.
Tracklist
1 Faded Smiles 3:29
2 Tradition 3:47
3 The Home 2:24
4 Star 2:26
5 The Passage 3:51
6 The Book 3:33
7 Crane 2:25
8 Trust Ran In Colours 2:20
Live At CIHE, Chelmsford December 9, 1983
9 Tradition 3:44
10 The Home 2:44
11 Star 1:24
12 The Book 2:42
13 Crane 2:23
14 Violent Playground 2:44
15 A Whiter Shade Of Pale 2:08
16 Smear Body 5:04
More
Orange Color Vinyl
Showtime Double Vinyl LP (2018 Remaster)
Side 1
1. Getting Closer
2. Nobody Knows
3. One Mans Burden
4. All Over
5. My Heart
Side 2
1. Lightning Man
2. Rope
3. Hold On
4. Fun To Be Had
Side 3
1. Lightning Man (The Industry Vs. The Ebb Remix) - Bonus
2. Fun To Be Had (Long Mix George Clinton) - Bonus
3. Getting Closer (The Kitchen Mix) - Bonus
Side 4
1. Fun To Be Had (Dust Brothers Master Mix) - Bonus
2. Lightning Man (RSW Mix) - Bonus
3. Getting Closer (The Trance Mix) - Bonus
More
Showtime Double Vinyl LP (2018 Remaster)
Side 1
1. Getting Closer
2. Nobody Knows
3. One Mans Burden
4. All Over
5. My Heart
Side 2
1. Lightning Man
2. Rope
3. Hold On
4. Fun To Be Had
Side 3
1. Lightning Man (The Industry Vs. The Ebb Remix) - Bonus
2. Fun To Be Had (Long Mix George Clinton) - Bonus
3. Getting Closer (The Kitchen Mix) - Bonus
Side 4
1. Fun To Be Had (Dust Brothers Master Mix) - Bonus
2. Lightning Man (RSW Mix) - Bonus
3. Getting Closer (The Trance Mix) - Bonus
More
Color of the vinyl is RED and Green Translucent
Ebbhead Double Vinyl LP (2018 Remaster)
Side 1
1. Reasons
2. Lakeside Drive
3. I Give To You
4. Sugar Sweet
5. DJVD
Side 2
1. Time
2. Ascend
3. Godhead
4. Trigger Happy
Side 3
1. Family Man (Jaz Coleman Mix) -Bonus
2. Come Alive (Alan Wilder Mix) - Bonus
3. Lovesick (Flood Mix) - Bonus
4. Higher (Barry Adamson Mix) - Bonus
Side 4
1. Ascend (Vince Clarke Anonymous Mix) - Bonus
2. I Give To You (Pestilence Mix) - Bonus
3. Godhead (Remix) - Bonus
More
Ebbhead Double Vinyl LP (2018 Remaster)
Side 1
1. Reasons
2. Lakeside Drive
3. I Give To You
4. Sugar Sweet
5. DJVD
Side 2
1. Time
2. Ascend
3. Godhead
4. Trigger Happy
Side 3
1. Family Man (Jaz Coleman Mix) -Bonus
2. Come Alive (Alan Wilder Mix) - Bonus
3. Lovesick (Flood Mix) - Bonus
4. Higher (Barry Adamson Mix) - Bonus
Side 4
1. Ascend (Vince Clarke Anonymous Mix) - Bonus
2. I Give To You (Pestilence Mix) - Bonus
3. Godhead (Remix) - Bonus
More
Color of the vinyl is Yellow.
Big Hit Double Vinyl LP (2018 Remaster)
Side 1
1. Cherry Blossom
2. Hear Me Say
3. Kick It
4. I Thought
Side 2
1. Flood Water
2. Border Talk
3. In Decline
4. Living Out Of A Bag
Side 3
1. Boy
2. Our Own World
3. Friend (Brittle Mix) - Bonus
4. Beats Me - Bonus
Side 4
1. Kick It (Adrian Sherwood Compulsion Edit) - Bonus
2. Kick It (Popular Music Mix) - Bonus
3. I Thought (Final Sin) - Bonus
More
Big Hit Double Vinyl LP (2018 Remaster)
Side 1
1. Cherry Blossom
2. Hear Me Say
3. Kick It
4. I Thought
Side 2
1. Flood Water
2. Border Talk
3. In Decline
4. Living Out Of A Bag
Side 3
1. Boy
2. Our Own World
3. Friend (Brittle Mix) - Bonus
4. Beats Me - Bonus
Side 4
1. Kick It (Adrian Sherwood Compulsion Edit) - Bonus
2. Kick It (Popular Music Mix) - Bonus
3. I Thought (Final Sin) - Bonus
More
Stark, which is side project of Nitzer Ebb's founding members David Gooday and Simon Granger are set to release a charity record 12" of Iggy Pop's Fall In Love With Me.
This record is for donald rodie. he was a good friend to all the people involved in these recordings and to a great many other people too. it may be that you knew him as well. if you didn't then that is ok. he was one of us. you would have liked him. a meticulous collector of music, always listened first, and then he would speak. he was around before and during all the nitzer ebb years. not only that he really loved iggy and saw him over fifty-five times. his enthusiasm became ours and this song became his. he knew we were planning a cover version but we never got to tell him which song as it was going to be a surprise. the surprise was donald left all of us in april 2018. these versions were recorded over a few days in the late summer of that year. this is for donald, his wife sharon and his children marianne and jimmy. pylon49. pylon records 2019. all proceeds from this recording will be going to cancer reseach uk
A1 Stark feat. David Arscott - Fall In Love With Me
B1 Stark feat. Nitzer Ebb - Fall In Love With Me More
Limited Edition Deluxe 2 CD Set
18 Bonus Tracks Limited Edition Deluxe Tri-fol, spot UV finish Digipak sleeve containing 18 Bonus tracks, including all the major hard to find club mixes all together on one CD for the first time. Included also are several B-sides that were previously available only on the album singles. All of this bonus material is not available for download in North America.
Track Listing:
CD 1
Getting Closer
Nobody Knows
One Mans Burden
All Over
My Heart
Lightning Man
Rope
Hold On
Fun To Be Had
Who We Are - Bonus
Out Of Mind - Bonus
Taken From Me (Servant Mix) - Bonus
CD 2
Lightning Man (The Industry Vs The Ebb Remix) - Bonus
Who We Are (Holger Hiller Mix) - Bonus
Fun To Be Had (George Clinton Edit) - Bonus
Getting Closer (The Pool Mix) - Bonus
Out of Mind (Maitresse Mix) - Bonus
Lightning Man (Barry Adamson Mix) - Bonus
Fun To Be Had (Dust Brothers Master Mix) - Bonus
Getting Closer (The Trance Mix) - Bonus
Lightning Man (RSW Mix) - Bonus
Fun To Be Had (Rave Mix) - Bonus
Getting Closer (The Kitchen Mix) - Bonus
Fun To Be Had (Sneeze Mix) - Bonus
Out Of Mind (Spoken) - Bonus
Fun To Be Had (Allergic Mix) - Bonus
Fun To Be Had (Rave On Mix) - Bonus
More
18 Bonus Tracks Limited Edition Deluxe Tri-fol, spot UV finish Digipak sleeve containing 18 Bonus tracks, including all the major hard to find club mixes all together on one CD for the first time. Included also are several B-sides that were previously available only on the album singles. All of this bonus material is not available for download in North America.
Track Listing:
CD 1
Getting Closer
Nobody Knows
One Mans Burden
All Over
My Heart
Lightning Man
Rope
Hold On
Fun To Be Had
Who We Are - Bonus
Out Of Mind - Bonus
Taken From Me (Servant Mix) - Bonus
CD 2
Lightning Man (The Industry Vs The Ebb Remix) - Bonus
Who We Are (Holger Hiller Mix) - Bonus
Fun To Be Had (George Clinton Edit) - Bonus
Getting Closer (The Pool Mix) - Bonus
Out of Mind (Maitresse Mix) - Bonus
Lightning Man (Barry Adamson Mix) - Bonus
Fun To Be Had (Dust Brothers Master Mix) - Bonus
Getting Closer (The Trance Mix) - Bonus
Lightning Man (RSW Mix) - Bonus
Fun To Be Had (Rave Mix) - Bonus
Getting Closer (The Kitchen Mix) - Bonus
Fun To Be Had (Sneeze Mix) - Bonus
Out Of Mind (Spoken) - Bonus
Fun To Be Had (Allergic Mix) - Bonus
Fun To Be Had (Rave On Mix) - Bonus
More
(Expanded Collectors Edition)
Limited Edition Deluxe 2 CD SET
16 Bonus Tracks
Limited Edition Deluxe Tri-fold, Spot UV finish Digipak sleeve containing 16 Bonus tracks, including the highly acclaimed "AS IS" EP, along with some hard to find remixes on CD for the first time. All of this bonus material is not available for download in North America.
Track Listing:
CD 1
Reasons
Lakeside Drive
I Give To You
Sugar Sweet
DJVD
Time
Ascend
Godhead
Trigger Happy
Family Man (Jaz Coleman Mix) - Bonus
Lovesick (Flood Mix) - Bonus
Come Alive (Alan Wilder Mix) - Bonus
Higher (Barry Adamson Mix) - Bonus
Stray Cat Blues-Bonus
CD 2
I Give To You (Elemental-Bonus
Ascend (Vince Clarke Anonymous Mix) - Bonus
Godhead (Purified Version) - Bonus
I Give To You (Alan Wilder Full Version) - Bonus
Ascend (Pro-gress Three Vocal Mix) - Bonus
Lakeside Drive (Remix) - Bonus
I Give To You (Pestilence Mix) - Bonus
Godhead (Alternate Purified Version) - Bonus
Ascend (Remix) - Bonus
Trigger Happy (Sparse Mx) - Bonus
Godhead (Remix By Flood) - Bonus
More
Limited Edition Deluxe 2 CD SET
16 Bonus Tracks
Limited Edition Deluxe Tri-fold, Spot UV finish Digipak sleeve containing 16 Bonus tracks, including the highly acclaimed "AS IS" EP, along with some hard to find remixes on CD for the first time. All of this bonus material is not available for download in North America.
Track Listing:
CD 1
Reasons
Lakeside Drive
I Give To You
Sugar Sweet
DJVD
Time
Ascend
Godhead
Trigger Happy
Family Man (Jaz Coleman Mix) - Bonus
Lovesick (Flood Mix) - Bonus
Come Alive (Alan Wilder Mix) - Bonus
Higher (Barry Adamson Mix) - Bonus
Stray Cat Blues-Bonus
CD 2
I Give To You (Elemental-Bonus
Ascend (Vince Clarke Anonymous Mix) - Bonus
Godhead (Purified Version) - Bonus
I Give To You (Alan Wilder Full Version) - Bonus
Ascend (Pro-gress Three Vocal Mix) - Bonus
Lakeside Drive (Remix) - Bonus
I Give To You (Pestilence Mix) - Bonus
Godhead (Alternate Purified Version) - Bonus
Ascend (Remix) - Bonus
Trigger Happy (Sparse Mx) - Bonus
Godhead (Remix By Flood) - Bonus
More
Limited Edition Deluxe Tri-fold, UV Foiled Digipak sleeve containing 16 Bonus tracks, including all the hard to find club mixes all together on one CD for the first time. Included also are several B-sides and 2 unreleased songs from the same albums sessions. All of this bonus material is not available for download in North America.
Tracklisting CD1:
Nr. Track Zeit
1 Cherry Blossom --
2 Hear Me Say --
3 Kick It --
4 I Thought --
5 Flood Water --
6 Border Talk --
7 In Decline --
8 Living Out Of A Bag --
9 Boy --
10 Our Own World --
11 Bonus: Friend (Brittle Mix) --
12 Bonus: Beats Me --
13 Bonus: Skintight (Previously Unreleased) --
14 Bonus: Dead Gone (Previously Unreleased) --
Tracklisting CD2: Bonus
Nr. Track Zeit
1 Kick It (Popular Music Mix) Remixed By Bon Harris And Randy Wilson --
2 I Thought (Final Sin) --
3 Kick It (Adrian Sherwood Compulsion Edit) --
4 I Thought (Sucked In Sucked Out) --
5 Kick It (The Secret Knowledge Velvet Dm’s Mix) --
6 Kick It (Banjo Sin Remixed By PK) --
7 Kick It (Short Dub) Remixed By Adrian Sherwood --
8 Kick It (Logical Edit) Remixed By PK --
9 Kick It- (Adrian Sherwood Main Mix) --
10 Kick It (Hippy Grip) Remixed By Randy Wilson --
11 Kick It (Sherwood Dub) --
12 Kick It (Addiction Edit)
More
Tracklisting CD1:
Nr. Track Zeit
1 Cherry Blossom --
2 Hear Me Say --
3 Kick It --
4 I Thought --
5 Flood Water --
6 Border Talk --
7 In Decline --
8 Living Out Of A Bag --
9 Boy --
10 Our Own World --
11 Bonus: Friend (Brittle Mix) --
12 Bonus: Beats Me --
13 Bonus: Skintight (Previously Unreleased) --
14 Bonus: Dead Gone (Previously Unreleased) --
Tracklisting CD2: Bonus
Nr. Track Zeit
1 Kick It (Popular Music Mix) Remixed By Bon Harris And Randy Wilson --
2 I Thought (Final Sin) --
3 Kick It (Adrian Sherwood Compulsion Edit) --
4 I Thought (Sucked In Sucked Out) --
5 Kick It (The Secret Knowledge Velvet Dm’s Mix) --
6 Kick It (Banjo Sin Remixed By PK) --
7 Kick It (Short Dub) Remixed By Adrian Sherwood --
8 Kick It (Logical Edit) Remixed By PK --
9 Kick It- (Adrian Sherwood Main Mix) --
10 Kick It (Hippy Grip) Remixed By Randy Wilson --
11 Kick It (Sherwood Dub) --
12 Kick It (Addiction Edit)
More
(Expanded Collectors Edition)
Limited Edition Double CD Set
13 Bonus Tracks
Limited Edition Deluxe Tri-fold Embossed, UV Varnish Digipak sleeve containing 13 Bonus tracks, including all the major hard to find club mixes all together on one CD for the first time . All these bonus material is not available for download in North America.
Track Listing:
CD 1
Hearts and Minds
For Fun
Control I'm Here
Captivate
T.W.A
Blood Money
Shame
Drive
Without Belief
K.I.A. (PK Mix) - Bonus
Time Slips By (PK Mix) - Bonus
CD 2
Control I'm Here (Hardcore Mix) - Bonus
Control I'm Here (Command Control Confront Mix) - Bonus
Control I'm Here (Strategic Dance Floor initiative Mix) - Bonus
Hearts & Minds (Mix Hypersonic) - Bonus
Hearts & Minds (Mix Subsonic) - Bonus
Captivate (William Orbit Mix) - Bonus
Shame (Mix No 2 William Orbit) - Bonus
Backlash (Mix No 2) - Bonus
Shame (Mix no 3-Painful Emotion by Daniel Miller) - Bonus
Backlash (William Orbit Mix) - Bonus
Without Belief (instrumental) - Bonus More
Limited Edition Double CD Set
13 Bonus Tracks
Limited Edition Deluxe Tri-fold Embossed, UV Varnish Digipak sleeve containing 13 Bonus tracks, including all the major hard to find club mixes all together on one CD for the first time . All these bonus material is not available for download in North America.
Track Listing:
CD 1
Hearts and Minds
For Fun
Control I'm Here
Captivate
T.W.A
Blood Money
Shame
Drive
Without Belief
K.I.A. (PK Mix) - Bonus
Time Slips By (PK Mix) - Bonus
CD 2
Control I'm Here (Hardcore Mix) - Bonus
Control I'm Here (Command Control Confront Mix) - Bonus
Control I'm Here (Strategic Dance Floor initiative Mix) - Bonus
Hearts & Minds (Mix Hypersonic) - Bonus
Hearts & Minds (Mix Subsonic) - Bonus
Captivate (William Orbit Mix) - Bonus
Shame (Mix No 2 William Orbit) - Bonus
Backlash (Mix No 2) - Bonus
Shame (Mix no 3-Painful Emotion by Daniel Miller) - Bonus
Backlash (William Orbit Mix) - Bonus
Without Belief (instrumental) - Bonus More
(Expanded Collectors Edition)
Limited Edition Single CD
4 Bonus Tracks
Street Date: October 19, 2018
Limited Edition Embossed Tri-fold CD containing 4 Bonus tracks, including the 12" mixes of "Join In The Chant", " Let Your Body Learn", " Warsaw Ghetto" and rare instrumental version of "Murderous". The original US release did not contain these 12" mixes.This is the first time all these bonus tracks have been collected together on one release.
Track Listing:
Fitness To Purpose
Warsaw Ghetto
Violent Playground
Murderous
Smear Body
Join In The Chant
Alarm
Let Your Body Learn
Let Beauty Loose
Into The Large Air
Murderous (Instrumental)
Fitness to Purpose (Mix Two)
Join In The Chant (Burn! 12" Mix) Bonus
Let Your Body Learn (12" Mix) Bonus
Join In The Chant (Metal Mix) Bonus
Warsaw Ghetto (Original 12" Mix) Bonus
More
Limited Edition Single CD
4 Bonus Tracks
Street Date: October 19, 2018
Limited Edition Embossed Tri-fold CD containing 4 Bonus tracks, including the 12" mixes of "Join In The Chant", " Let Your Body Learn", " Warsaw Ghetto" and rare instrumental version of "Murderous". The original US release did not contain these 12" mixes.This is the first time all these bonus tracks have been collected together on one release.
Track Listing:
Fitness To Purpose
Warsaw Ghetto
Violent Playground
Murderous
Smear Body
Join In The Chant
Alarm
Let Your Body Learn
Let Beauty Loose
Into The Large Air
Murderous (Instrumental)
Fitness to Purpose (Mix Two)
Join In The Chant (Burn! 12" Mix) Bonus
Let Your Body Learn (12" Mix) Bonus
Join In The Chant (Metal Mix) Bonus
Warsaw Ghetto (Original 12" Mix) Bonus
More
2 LP GATEFOLD,
first time ever on vinyl in a special coated texture paper sleeve with incredible artwork! This is a must have purchase for fans of the minimal wave & retro 80's
includes among others The Singles Terror Story / Anorexia (7", 1983), Like A Family / Telephone (7", 1985), Shadow / The Burning (12", 1987), the excellent Tarantula Scream E.P. (12", 1984)....
01 THE CONDOS
02 FIRST PUNK WARS
03 LOVE CAN NEVER DIE
04 TARANTULA SCREAM
05 SHADOW
06 TERROR STORY
07 THE BURNING
08 LIKE A FAMILY
09 TELEPHONE
10 LEGALIZE HEROIN
11 ANOREXIA
More
first time ever on vinyl in a special coated texture paper sleeve with incredible artwork! This is a must have purchase for fans of the minimal wave & retro 80's
includes among others The Singles Terror Story / Anorexia (7", 1983), Like A Family / Telephone (7", 1985), Shadow / The Burning (12", 1987), the excellent Tarantula Scream E.P. (12", 1984)....
01 THE CONDOS
02 FIRST PUNK WARS
03 LOVE CAN NEVER DIE
04 TARANTULA SCREAM
05 SHADOW
06 TERROR STORY
07 THE BURNING
08 LIKE A FAMILY
09 TELEPHONE
10 LEGALIZE HEROIN
11 ANOREXIA
More
LP
Essential 5 track LP from New York via Detroit minimal wave producer, who takes the kraut of Kraftwerk, the sublime groove of early New Order, and the funk of Liquid Liquid to create vintage electronic masterpieces. Sleeve has a classic Factory chic to it. Listen and get transported back in time.
1 CHANTICLEER TEARS
2 22-00 HOURS
3 TRABERT
4 CADMUS
5 COERCIONS More
Essential 5 track LP from New York via Detroit minimal wave producer, who takes the kraut of Kraftwerk, the sublime groove of early New Order, and the funk of Liquid Liquid to create vintage electronic masterpieces. Sleeve has a classic Factory chic to it. Listen and get transported back in time.
1 CHANTICLEER TEARS
2 22-00 HOURS
3 TRABERT
4 CADMUS
5 COERCIONS More
Tracklist:
A1 Quiet Mind
A2 Television Saved My Life
A3 Black Gloves
A4 Acting Out
B1 One December Day
B2 First Punk Wars
B3 Condos More
A1 Quiet Mind
A2 Television Saved My Life
A3 Black Gloves
A4 Acting Out
B1 One December Day
B2 First Punk Wars
B3 Condos More
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Conrad Schnitzler - Auf dem schwarzen Kanal
2
Conrad Schnitzler - Fabrik
3
Conrad Schnitzler - Der Wagen rollt
4
Conrad Schnitzler - Elektroklang
"Auf dem schwarzen Kanal" is one of the most outstanding, most sought-after releases in Conrad Schnitzler’s
extensive catalogue. It was the only Schnitzler record to appear on a major label and saw him flirting with the
experimental new wave sound that was emerging in 1980, particularly on the title track. Nevertheless, it still managed
to sound idiosyncratically unlike any other music around at the time.
Recorded with Wolfgang Seidel at Peter Baumann’s Paragon Studio in Berlin, the four tracks take us on a caustic,
dissonant mutant disco trip which has lost none of its fascination in the years since.
It gives us at Bureau B great pleasure to reissue this long lost work!
Tracklisting
A1. Auf dem schwarzen Kanal
A2. Fabrik
B1. Der Wagen rollt
B2. Elektroklang More
extensive catalogue. It was the only Schnitzler record to appear on a major label and saw him flirting with the
experimental new wave sound that was emerging in 1980, particularly on the title track. Nevertheless, it still managed
to sound idiosyncratically unlike any other music around at the time.
Recorded with Wolfgang Seidel at Peter Baumann’s Paragon Studio in Berlin, the four tracks take us on a caustic,
dissonant mutant disco trip which has lost none of its fascination in the years since.
It gives us at Bureau B great pleasure to reissue this long lost work!
Tracklisting
A1. Auf dem schwarzen Kanal
A2. Fabrik
B1. Der Wagen rollt
B2. Elektroklang More
1
Various Artists - Can't Cheat Karma
2
Various Artists - Girl on the Run
3
Various Artists - Bloody Revolutions
4
Various Artists - Hello Horror
5
Various Artists - Tube Disasters
6
Various Artists - Death is Big Business
7
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8
Various Artists - Anti-Christ
9
Various Artists - Rub Me Out
10
Various Artists - Mob Violence (unreleased studio version)
11
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12
Various Artists - Here's What You Find in Any Prison
13
Various Artists - Idolisation
14
Various Artists - The Force is Blind
15
Various Artists - Revolution
16
Various Artists - Aye Carmela
17
Various Artists - Conscious (Pilot)
18
Various Artists - No Doves Fly Here (unreleased studio version)
Anarcho Punk was the one sub-genre of Punk that emerged in isolation from the rock & roll establishment. During its pioneering days of the early 1980s it thrived in opposition to the music industry, existing as a fiercely underground alternative to the bands, labels and venues of the commercialised mainstream Punk scene. It continues to do so. Anarcho Punk represented one of the last truly underground and autonomous music movements ever witnessed and remains a movement that has never sold out and has never gone away.
The major differentiation between the Anarcho Punk acts and the more traditional Punk outfits was that for the former, albeit often more due to musical limitation than intent, the message was more important than the music. Standard song structures were often dispersed with in favour of a relentless lyrical polemic accompanied by a similarly uncompromising aural assault. As the scene grew, so did the diversity of records that emerged under the Anarcho Punk umbrella: from D & V (drums & vocals) to the proto-EBM synth-pop of Belfast’s one-man Hit Parade and the Dadaist Beefheart hybrid of The Cravats. In later days the two biggest acts of the scene, Flux of Pink Indians and Crass themselves, both released LPs which had more in common with improv Jazz than hardcore punk.
The resounding victory of Anarcho Punk is that it is now a the unifying soundtrack to a culture of resistance that spans Scotland to Indonesia and remains without compromise. It is still as removed from mainstream music and oppositional to conventional culture as it was over forty years ago and shows no sign of changing. Quite the opposite: the more popular Anarcho Punk becomes the less it has to engage with the music establishment and the more control it can enjoy. In 2023, that message remains as uncompromising as ever.
This is a double vinyl retrospective compilation of some of the most radical music ever made, a musical force that changed lives. Covering the years 1979 - 86 and including classic tracks from Crass, Poison Girls, Flux Of Pink Indians, The Mob, Zounds, Annie Anxiety, The Ex, ATV plus 10 more, all newly remastered by iconic Punk mastering engineer Daniel Husayn. It has been lovingly compiled by JD Twitch and Anarcho legend Chris Low and was ten years in the making. There are also a couple of previously unreleased mixes included. It comes as a high quality double vinyl pressing, and has a full colour sleeve with back and front images designed by the legendary Gee Vaucher. It also comes with a 6 page fold out poster on one side with detailed sleeve notes, recollections and essays on the other side.
The compilation is a fundraiser for Faslane Peace Camp. Not so far from Glasgow Faslane Naval Base is home to Britain's abhorrent Trident nuclear missiles. The camp has been there, protesting since 1982 and is still active to this day. We hope in our lifetime we will see those missiles leave Scottish soil. We have so much respect for those who have dedicated their lives to protesting these weapons and it seemed an obvious choice that the proceeds from this release should go to help them, and the Scottish Campaign for Nuclear Disarmament. More
The major differentiation between the Anarcho Punk acts and the more traditional Punk outfits was that for the former, albeit often more due to musical limitation than intent, the message was more important than the music. Standard song structures were often dispersed with in favour of a relentless lyrical polemic accompanied by a similarly uncompromising aural assault. As the scene grew, so did the diversity of records that emerged under the Anarcho Punk umbrella: from D & V (drums & vocals) to the proto-EBM synth-pop of Belfast’s one-man Hit Parade and the Dadaist Beefheart hybrid of The Cravats. In later days the two biggest acts of the scene, Flux of Pink Indians and Crass themselves, both released LPs which had more in common with improv Jazz than hardcore punk.
The resounding victory of Anarcho Punk is that it is now a the unifying soundtrack to a culture of resistance that spans Scotland to Indonesia and remains without compromise. It is still as removed from mainstream music and oppositional to conventional culture as it was over forty years ago and shows no sign of changing. Quite the opposite: the more popular Anarcho Punk becomes the less it has to engage with the music establishment and the more control it can enjoy. In 2023, that message remains as uncompromising as ever.
This is a double vinyl retrospective compilation of some of the most radical music ever made, a musical force that changed lives. Covering the years 1979 - 86 and including classic tracks from Crass, Poison Girls, Flux Of Pink Indians, The Mob, Zounds, Annie Anxiety, The Ex, ATV plus 10 more, all newly remastered by iconic Punk mastering engineer Daniel Husayn. It has been lovingly compiled by JD Twitch and Anarcho legend Chris Low and was ten years in the making. There are also a couple of previously unreleased mixes included. It comes as a high quality double vinyl pressing, and has a full colour sleeve with back and front images designed by the legendary Gee Vaucher. It also comes with a 6 page fold out poster on one side with detailed sleeve notes, recollections and essays on the other side.
The compilation is a fundraiser for Faslane Peace Camp. Not so far from Glasgow Faslane Naval Base is home to Britain's abhorrent Trident nuclear missiles. The camp has been there, protesting since 1982 and is still active to this day. We hope in our lifetime we will see those missiles leave Scottish soil. We have so much respect for those who have dedicated their lives to protesting these weapons and it seemed an obvious choice that the proceeds from this release should go to help them, and the Scottish Campaign for Nuclear Disarmament. More
1
NO MORE - Suicide Commando
2
NO MORE - In A White Room
Format: 7" / 1000 copies, purple vinyl, additional stamp on label
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
Tracklist
A1: Suicide Commando
B1: In A White Room
File under: PostPunk / Wave
Release Info:
The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO MORE releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world.
What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained
in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right.
Now the year is 2021. Four decades have passed and NO MORE's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format.
Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981.
And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO MORE's „123456789 *baze.djunkiii
& Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019.
More
1
Läuten Der Seele - Molch, Pfütze, Schilf & Stein
2
Läuten Der Seele - Knochen, Mond, Buchstabe & Tropfen
Somewhere in the Lower-Franconian vineyards lies a hidden and mostly unknown canyon, a place that often returns to the thoughts and dreams of Läuten der Seele’s Christian Schoppik. Though a much rarer occurrence now as a consequence of environmental change, chance encounters upon the area in the past would sometimes reveal small ponds amongst the reeds, teeming with life and populated by colonies of newts and the now endangered yellow bellied toad. The transience of the water and the wildlife it hosts, dependent on season or climate, lends the area an almost fantastical, dream-like quality. Was it ever even there at all? A secret place that may or may not be present holds vast appeal to some enquiring minds… Ertrunken Im Seichtesten Gewässer, the third Läuten der Seele album in two years, is inspired directly by these experiences. Translating as ‘drowned in the shallowest stretch of water’, a title as pregnant with dread as it is wonder, the themes present speak both to personal memories and a wider understanding of place and time, and how we might interpret our own position within an ever-changing, sometimes disappearing world.
The record is presented as two long-form pieces divided into four separate movements, each titled so as to reflect this natural environment and its intersection with imagination, relying on processes of collage that draw from myriad indeterminable samples, field recordings and various recorded instruments. Those familiar with Schoppik’s work, both as Läuten der Seele and with Brannten Schnüre, will find present many of his signature tropes - the way deeply layered collages render abstracted visions of the past alive in the present - though what is always significant about his approach is not so much aesthetic as the wider concepts it attempts to express and emote. Indeed, emotional response is key to the Läuten der Seele sound, how overlapping notions of nostalgia, memory and identity calibrate experience and understanding of who we are and the world around us, whether it’s a world that’s gone or another imagined into being. If you observe the artwork closely enough, you may find a clue as to the canyon’s location, though such specifics are besides the point. The music itself infers a wider sense of the impermanence that characterises hidden worlds, wherever they might be or whoever they might belong to. More
The record is presented as two long-form pieces divided into four separate movements, each titled so as to reflect this natural environment and its intersection with imagination, relying on processes of collage that draw from myriad indeterminable samples, field recordings and various recorded instruments. Those familiar with Schoppik’s work, both as Läuten der Seele and with Brannten Schnüre, will find present many of his signature tropes - the way deeply layered collages render abstracted visions of the past alive in the present - though what is always significant about his approach is not so much aesthetic as the wider concepts it attempts to express and emote. Indeed, emotional response is key to the Läuten der Seele sound, how overlapping notions of nostalgia, memory and identity calibrate experience and understanding of who we are and the world around us, whether it’s a world that’s gone or another imagined into being. If you observe the artwork closely enough, you may find a clue as to the canyon’s location, though such specifics are besides the point. The music itself infers a wider sense of the impermanence that characterises hidden worlds, wherever they might be or whoever they might belong to. More
1
Mutabor! - No Title
2
Mutabor! - No Title
East London record shop World of Echo debuts on the other side of the counter with a reissue of Two Wishes, the solitary 12" by Anglo-German collective, Mutabor!.
This is essential stuff, reminding us here at Rubadub of New York No-Wave and early A Certain Ratio and Section 25 More
This is essential stuff, reminding us here at Rubadub of New York No-Wave and early A Certain Ratio and Section 25 More
1
Tara Clerkin Trio - Brigstow
2
Tara Clerkin Trio - World in Delay
3
Tara Clerkin Trio - Marble Walls
4
Tara Clerkin Trio - The Turning Ground
5
Tara Clerkin Trio - Once Around
Repress!
Not far off two years from the day, Bristol's Tara Clerkin Trio return to World of Echo and the EP format for a five song collection of quixotic, emotional redolence. But do not mistake their absence for inertia. If their musical output has been a little sparse during those in-between years, limited to a few solo ventures and an astonishing ten minute long piece as a trio, their time has otherwise been richly spent: continuous writing and recording, extensive live performances across Europe and Japan, a cultivation of local and more far-flung artistic connections (musical and otherwise), and a monthly NTS show that, through the voice of others, speaks most obviously to their own unorthodox interests. It's the conflux of that winding activity that leads indirectly to On The Turning Ground, 26 minutes of probing, thoughtful composition that draws from no one specific source.
Their inspirations might be centreless, but the trio still possess a very obvious anchor in the form of their hometown. Bristol stands as a city of multitudes, heterogenous and vibrant in such a way as to allow it to renew and remake time and again. Tara Clerkin Trio drink from that same well, duly reflecting a rich musical heritage built on fwd-facing electronic subcultures and experimental urges. As such, On The Turning Ground finds them subject to their own subtle internal evolution, the pervasive sense that you've caught them mid-bloom, on their way to becoming but never anything but themselves.
The two instrumental pieces that bookend the EP stand as a perfect case in point, displaying an increasing mastery of compositional space. Pensive and restrained, 'Brigstow' and 'Once Around' both emanate an interstitial quality that's not so much after- as in-between-hours, miniature dub-folk symphonies held together by the kind of tacit understanding that remains the preserve of only the closest of family units. If those two tracks are shaped by a sense of shifting temporality, then the three vocal-led pieces that comprise the record's core feel like a gentle ossifying of aesthetic into something approaching their own unique form of avant-pop. 'Pop' is, of course, a broadly subjective concept, but there's no avoiding the overt sparkling melodicism of songs like 'Marble Walls' and 'The Turning Ground', undeniable re-directions of that late 90s impulse to bend pop sensibilities into off-centre terrain, to render the familiar new again. This is what Tara Clerkin Trio do, gently pulling the ground from under your feet, turning you to face something you'd not quite seen before. To view the world as they do: sideways, sometimes, all of the time. More
Not far off two years from the day, Bristol's Tara Clerkin Trio return to World of Echo and the EP format for a five song collection of quixotic, emotional redolence. But do not mistake their absence for inertia. If their musical output has been a little sparse during those in-between years, limited to a few solo ventures and an astonishing ten minute long piece as a trio, their time has otherwise been richly spent: continuous writing and recording, extensive live performances across Europe and Japan, a cultivation of local and more far-flung artistic connections (musical and otherwise), and a monthly NTS show that, through the voice of others, speaks most obviously to their own unorthodox interests. It's the conflux of that winding activity that leads indirectly to On The Turning Ground, 26 minutes of probing, thoughtful composition that draws from no one specific source.
Their inspirations might be centreless, but the trio still possess a very obvious anchor in the form of their hometown. Bristol stands as a city of multitudes, heterogenous and vibrant in such a way as to allow it to renew and remake time and again. Tara Clerkin Trio drink from that same well, duly reflecting a rich musical heritage built on fwd-facing electronic subcultures and experimental urges. As such, On The Turning Ground finds them subject to their own subtle internal evolution, the pervasive sense that you've caught them mid-bloom, on their way to becoming but never anything but themselves.
The two instrumental pieces that bookend the EP stand as a perfect case in point, displaying an increasing mastery of compositional space. Pensive and restrained, 'Brigstow' and 'Once Around' both emanate an interstitial quality that's not so much after- as in-between-hours, miniature dub-folk symphonies held together by the kind of tacit understanding that remains the preserve of only the closest of family units. If those two tracks are shaped by a sense of shifting temporality, then the three vocal-led pieces that comprise the record's core feel like a gentle ossifying of aesthetic into something approaching their own unique form of avant-pop. 'Pop' is, of course, a broadly subjective concept, but there's no avoiding the overt sparkling melodicism of songs like 'Marble Walls' and 'The Turning Ground', undeniable re-directions of that late 90s impulse to bend pop sensibilities into off-centre terrain, to render the familiar new again. This is what Tara Clerkin Trio do, gently pulling the ground from under your feet, turning you to face something you'd not quite seen before. To view the world as they do: sideways, sometimes, all of the time. More
1
Blueboy - A1. Clearer
2
Blueboy - A2. Alison
3
Blueboy - A3. Popkiss
4
Blueboy - A4. Chelsea Guitar
5
Blueboy - A5. Fearon
6
Blueboy - B1. Meet Johnny Rave
7
Blueboy - B2. Elle/Air France
8
Blueboy - B3. Try Happiness
9
Blueboy - B4. A Gentle Sigh
10
Blueboy - B5. Stephanie
11
Blueboy - C1. River
12
Blueboy - C2. Nimbus
13
Blueboy - C3. Hit
14
Blueboy - C4. Dirty Mags
15
Blueboy - C5. Loony Tunes
16
Blueboy - D1. Toulouse
17
Blueboy - D2. Love Yourself
18
Blueboy - D3. Melancholia
19
Blueboy - D4. Marco Polo
20
Blueboy - D5. What Do People Do All Day?
2LP Gatefold sleeve, Artwork Insert, Postcard
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
Tracklist
A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?
Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."
A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.
More
1
Liaisons Dangereuses - Mystère Dans Le Brouillard
2
Liaisons Dangereuses - Los Niños Del Parque
3
Liaisons Dangereuses - Etre Assis Ou Danser
4
Liaisons Dangereuses - Aperitif De La Mort
5
Liaisons Dangereuses - Kess Kill Fé Show
6
Liaisons Dangereuses - Peut Être ... Pas
7
Liaisons Dangereuses - Avant-Après Mars
8
Liaisons Dangereuses - El Macho Y La Nena
9
Liaisons Dangereuses - Dupont
10
Liaisons Dangereuses - Liaisons Dangereuses
A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (DAF) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.
More
1
Molly Nilsson - No Title
2
Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
Non Exclsuive LP
1. Absolute Power
2. Earth Girls
3. Fearless Like A Child
4. Kids Today
5. Intermezzo X – Wheel Of Fortune
6. Sweet Smell Of Success
7. Obnoxiously Talented
8. Avoid Heaven
9. Take Me To Your Leader
10. They Will Pay
11. Pompeii
“The letter X marks the spot, crosses over, literally with a cross. It’s the former, the ex-. The ex-lover known simply as “an ex”. Ex- is the latin
prefix meaning “out”. Exterior, an exit. Extraordinary. Excellent. It’s exciting. Generation X. X-files. X is the unknown. X is Extreme“
Extreme is Molly Nilsson’s tenth studio album. Recorded in 2019 and throughout the 2020 global pandemic at home in Berlin, Extreme
is a departure for Nilsson, an explosion of angry love. It’s an album of anthems for the jilted generation, soaked with joy and offering
solace, bristling with distorted, Metal guitars and planet-sized choruses that bring light to the dark centre of the galaxy. It’s an album of
the times, by the times and for the people. It’s a record about power. About how to fight it, how to take it and how to share it.
Absolute Power explodes with massive guitars, double kick beats and the instantly iconic line “It’s me versus the black hole at the
centre of the galaxy.” Nilsson’s performance itself portrays absolute power in its confidence but the song is a call-to-arms, an entreaty to
grasp the here and now, to take the power back. It’s Nilsson pacing the ring and we’re instantly in her corner. Earth Girls takes familiar
Molly Nilsson themes - female empowerment and subverting the patriarchy - but casually throws in one of the choruses of her career.
“Women have no place in this world” she sings, but it’s the world that isn’t good enough. Stadium-sized but still warmly hazy, Earth Girls
has its fists in the air, glorifying in harmony, almost ecstatic in its feeling good. Nilsson’s Springsteen-level conviction and righteousness
bleeds through the speaker cones, the cognitive dissonance between the song’s cadences and angry lyrics redolent of Bruce in his
prime. Female empowerment isn’t always an angry energy on Extreme, however. On Fearless Like A Child, Nilsson’s anthem to the
female body and women’s sovereignty of it, she croons over a mid-80s blue-eyed Soul groove. It sets a nocturnal scene as the narrator
surveys her past and her surroundings. Before we’re fully submerged in a dreamlike, Steve McQueen-era Prefab Sprout poem to
learning from your mistakes the song erupts into one of those lines only Molly Nilsson can get away with: “I love my womb, come inside I
feel so alive” she fervently sings. Against the backdrop of ever-encroaching, conservative rulings on women’s reproductive rights in
places like Texas, it’s simultaneously angry and full of love.
Every song on Extreme is a gleaming gem in a pouch of jewels. On Kids Today, Nilsson is the voice of wisdom, archly commenting on the
eternal struggle between youth and authority. Wisdom infuses Sweet Smell Of Success with a transcendent love that forgives the narrator’s
shortcomings and celebrates the moment, it’s a letter to the author from the author that asks “what is success” and concludes that this is it,
this song, this moment. It’s a rare moment of simple reflection that is generous in its insight to Nilsson’s inner life. “Success” is a tool of power
and we don’t need it… We need power tools and there are moments on Extreme where it feels like Nilsson is showing us how to find them. It's
an open conversation through out Extreme. She’s a warm, comforting presence through out the album and specially on these songs of
encouragement, songs perhaps sang to a younger Molly Nilsson or, really, to whomever needs to hear them. “They’ll praise your efforts, they’ll
call you slurs a rebel, a master, an amateur / Merely with your own existence, you already offer your resistance.” On Avoid Heaven she’s
even more direct, pleading with us to avoid concepts of purity and to embrace the glorious, ebullient, emotional mess we’re often in as a
method of upending the power structures who need things to be perfect.
They Will Pay brings back the big, distorted power chords in the form of a agit-punk, pop slammer. Of course, when Molly Nilsson does punk
pop we get the catchiest chorus this side of The Bangles or The Nerves. It’s rendered in an off the cuff, throwaway manner that is just perfect
in its roughness. However, it’s on Pompeii that Nilsson delivers the album’s epic, emotional heartbreaker. Like 1995 on Nilsson’s album Zenith,
or Days Of Dust on Twenty Twenty, the lyrics of Pompeii are heavy with a transcendent sadness, an aching poetry that cuts to the truth of the
heart like the best Leonard Cohen lines, though here delivered with an uplifting, life-affirming love. It contains the most personal moments of
Extreme, a song lit by the dying embers of romance. Yet it’s here where the alchemy at the base of all Nilsson’s best work is found. Turning
small nuggets of personal truth into big, generous universal moments that invite everyone to cry, to love and to fight the power. In an album of
jewels, it might be the shining star.
Molly Nilsson’s biggest, boldest and most vital album to date, Extreme is about power. Against the love of power and for the power of love More
1. Absolute Power
2. Earth Girls
3. Fearless Like A Child
4. Kids Today
5. Intermezzo X – Wheel Of Fortune
6. Sweet Smell Of Success
7. Obnoxiously Talented
8. Avoid Heaven
9. Take Me To Your Leader
10. They Will Pay
11. Pompeii
“The letter X marks the spot, crosses over, literally with a cross. It’s the former, the ex-. The ex-lover known simply as “an ex”. Ex- is the latin
prefix meaning “out”. Exterior, an exit. Extraordinary. Excellent. It’s exciting. Generation X. X-files. X is the unknown. X is Extreme“
Extreme is Molly Nilsson’s tenth studio album. Recorded in 2019 and throughout the 2020 global pandemic at home in Berlin, Extreme
is a departure for Nilsson, an explosion of angry love. It’s an album of anthems for the jilted generation, soaked with joy and offering
solace, bristling with distorted, Metal guitars and planet-sized choruses that bring light to the dark centre of the galaxy. It’s an album of
the times, by the times and for the people. It’s a record about power. About how to fight it, how to take it and how to share it.
Absolute Power explodes with massive guitars, double kick beats and the instantly iconic line “It’s me versus the black hole at the
centre of the galaxy.” Nilsson’s performance itself portrays absolute power in its confidence but the song is a call-to-arms, an entreaty to
grasp the here and now, to take the power back. It’s Nilsson pacing the ring and we’re instantly in her corner. Earth Girls takes familiar
Molly Nilsson themes - female empowerment and subverting the patriarchy - but casually throws in one of the choruses of her career.
“Women have no place in this world” she sings, but it’s the world that isn’t good enough. Stadium-sized but still warmly hazy, Earth Girls
has its fists in the air, glorifying in harmony, almost ecstatic in its feeling good. Nilsson’s Springsteen-level conviction and righteousness
bleeds through the speaker cones, the cognitive dissonance between the song’s cadences and angry lyrics redolent of Bruce in his
prime. Female empowerment isn’t always an angry energy on Extreme, however. On Fearless Like A Child, Nilsson’s anthem to the
female body and women’s sovereignty of it, she croons over a mid-80s blue-eyed Soul groove. It sets a nocturnal scene as the narrator
surveys her past and her surroundings. Before we’re fully submerged in a dreamlike, Steve McQueen-era Prefab Sprout poem to
learning from your mistakes the song erupts into one of those lines only Molly Nilsson can get away with: “I love my womb, come inside I
feel so alive” she fervently sings. Against the backdrop of ever-encroaching, conservative rulings on women’s reproductive rights in
places like Texas, it’s simultaneously angry and full of love.
Every song on Extreme is a gleaming gem in a pouch of jewels. On Kids Today, Nilsson is the voice of wisdom, archly commenting on the
eternal struggle between youth and authority. Wisdom infuses Sweet Smell Of Success with a transcendent love that forgives the narrator’s
shortcomings and celebrates the moment, it’s a letter to the author from the author that asks “what is success” and concludes that this is it,
this song, this moment. It’s a rare moment of simple reflection that is generous in its insight to Nilsson’s inner life. “Success” is a tool of power
and we don’t need it… We need power tools and there are moments on Extreme where it feels like Nilsson is showing us how to find them. It's
an open conversation through out Extreme. She’s a warm, comforting presence through out the album and specially on these songs of
encouragement, songs perhaps sang to a younger Molly Nilsson or, really, to whomever needs to hear them. “They’ll praise your efforts, they’ll
call you slurs a rebel, a master, an amateur / Merely with your own existence, you already offer your resistance.” On Avoid Heaven she’s
even more direct, pleading with us to avoid concepts of purity and to embrace the glorious, ebullient, emotional mess we’re often in as a
method of upending the power structures who need things to be perfect.
They Will Pay brings back the big, distorted power chords in the form of a agit-punk, pop slammer. Of course, when Molly Nilsson does punk
pop we get the catchiest chorus this side of The Bangles or The Nerves. It’s rendered in an off the cuff, throwaway manner that is just perfect
in its roughness. However, it’s on Pompeii that Nilsson delivers the album’s epic, emotional heartbreaker. Like 1995 on Nilsson’s album Zenith,
or Days Of Dust on Twenty Twenty, the lyrics of Pompeii are heavy with a transcendent sadness, an aching poetry that cuts to the truth of the
heart like the best Leonard Cohen lines, though here delivered with an uplifting, life-affirming love. It contains the most personal moments of
Extreme, a song lit by the dying embers of romance. Yet it’s here where the alchemy at the base of all Nilsson’s best work is found. Turning
small nuggets of personal truth into big, generous universal moments that invite everyone to cry, to love and to fight the power. In an album of
jewels, it might be the shining star.
Molly Nilsson’s biggest, boldest and most vital album to date, Extreme is about power. Against the love of power and for the power of love More
1
Tara Clerkin Trio - Done Before
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Tara Clerkin Trio - Night Steps
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Tara Clerkin Trio - Memory
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Tara Clerkin Trio - In Spring
Repress!
In spring,
Again.
But it's true this time.
In Spring is the second record by Tara Clerkin Trio, a Bristol-based group who appeared to emerge from below the radar of near-all in early 2020 and in the presence of one of the most captivating records of that year. This latest 23 minute, four song collection, recorded in various stages and locations over the last twelve months, does nothing to detract from those first impressions, refining the woozy and shimmering oddness of their debut into an avant-pop sensibility that is increasingly their own.
If the group did arrive fully formed, what that form was did feel supple and hard to grasp. They were, in a sense, essentially new sounding, or at least ghosts between the established lines, and with this new record have doubled-down on their inherently Delphian instinct. At its heart, In Spring is a record of subtle contrasts, experimental yet familiar in its intimacy, obviously modern though tied to certain lineages, and driven by a pop logic which is also free-form and seemingly improvised. Their approach to sound is perhaps the guiding principle here, less concerned with genre as it is texture and feeling, drawing from jazz, folk, modern composition, trip hop and downtempo electronica, yet evading all of those categorisations. Tara Clerkin Trio are too generous of heart to be ripping up any rulebook, they simply seem oblivious to its need.
Their geography does provide some context. Bristol's progressive sonic heritage inescapably bleeds into these four tracks, the enclave of open-minded artists around Planet Records in the mid 90s perhaps the closest point of comparison. There's that same magpie spirit which is both futuregazing and aware of its past, though is mostly set on finding its own path. This is in essence what defines Tara Clerkin Trio, feeling their way through freedom of instinct and curiosity, forging their own desire lines. Not so much taking the road less trodden, just walked at their own winding pace.
"Done before,
And I'll do it again"
Ringing in my head
While I try
To feel More
In spring,
Again.
But it's true this time.
In Spring is the second record by Tara Clerkin Trio, a Bristol-based group who appeared to emerge from below the radar of near-all in early 2020 and in the presence of one of the most captivating records of that year. This latest 23 minute, four song collection, recorded in various stages and locations over the last twelve months, does nothing to detract from those first impressions, refining the woozy and shimmering oddness of their debut into an avant-pop sensibility that is increasingly their own.
If the group did arrive fully formed, what that form was did feel supple and hard to grasp. They were, in a sense, essentially new sounding, or at least ghosts between the established lines, and with this new record have doubled-down on their inherently Delphian instinct. At its heart, In Spring is a record of subtle contrasts, experimental yet familiar in its intimacy, obviously modern though tied to certain lineages, and driven by a pop logic which is also free-form and seemingly improvised. Their approach to sound is perhaps the guiding principle here, less concerned with genre as it is texture and feeling, drawing from jazz, folk, modern composition, trip hop and downtempo electronica, yet evading all of those categorisations. Tara Clerkin Trio are too generous of heart to be ripping up any rulebook, they simply seem oblivious to its need.
Their geography does provide some context. Bristol's progressive sonic heritage inescapably bleeds into these four tracks, the enclave of open-minded artists around Planet Records in the mid 90s perhaps the closest point of comparison. There's that same magpie spirit which is both futuregazing and aware of its past, though is mostly set on finding its own path. This is in essence what defines Tara Clerkin Trio, feeling their way through freedom of instinct and curiosity, forging their own desire lines. Not so much taking the road less trodden, just walked at their own winding pace.
"Done before,
And I'll do it again"
Ringing in my head
While I try
To feel More
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
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Molly Nilsson - No Title
Non Exclsuive LP (Yelllow Vinyl)
DBL Gatefold LP w/ MP3, Galaxy Vinyl (Clear with Black smoke detail) &
Edition of 1000
2021 Vinyl aRepress, to co-incide with Molly Nilsson's new studio album and reissues of The Travels and Europa. First time this edition has been on CD
It would be easy to say that Molly Nilsson needs no introduction, but These Things Take Time is an introduction. Originally self-released in 2008 on a limited CDR run with hand-folded sleeve, Nilsson's debut album has slowly taken over the hearts of many. In 2014 this modern classic of autonomous, DIY pop and punk-as-you-like attitude is presented on vinyl for the first time in a beautiful edition featuring unreleased bonus tracks across two discs, an exclusive screen printed A2 poster and new sleeve notes from the artist.
Molly Nilsson's first recordings under her own name have grown in stature to occupy a prominent positioning in the global pop underground despite initially only being available on CDr. Though Nilsson's songwriting prowess and commandeering of other genres has grown since 2008, her unique voice is seen in raw form on These Things Take Time. Many of the themes she would develop later were inked first here: the romance of loneliness on "The Lonely," "Whisky Sour," "Hey Moon!", the folly and intoxication of youth seen in "Joyride," "Poisoned Candy" and dogged self-reliance as on "The Diamond Song" or "Wounds Itch When They Heal." Also included here are unreleased recordings from the same period that were left off the original release, a further window into a turbulent, exciting time for an artist just discovering her power to touch and communicate with the listener.
These Things Take Time tracklist:
A1 The Lonely
A2 The Diamond Song
A3 8000 Days
A4 Wounds Itch When They Heal
B1 Whiskey Sour
B2 Poisoned Candy
B3 (Won't Somebody) Take Me Out Tonight
B4 Hey Moon!
C1 The Home Song
C2 Joyride
C3 We're Never Coming Home
C4 Dinosaur Tears
C5 My Dream From Last Night
D1 Zur Tränen Bar
D2 Lend Me Your Love
D3 Some Need Powder
D4 Nightlife
More
DBL Gatefold LP w/ MP3, Galaxy Vinyl (Clear with Black smoke detail) &
Edition of 1000
2021 Vinyl aRepress, to co-incide with Molly Nilsson's new studio album and reissues of The Travels and Europa. First time this edition has been on CD
It would be easy to say that Molly Nilsson needs no introduction, but These Things Take Time is an introduction. Originally self-released in 2008 on a limited CDR run with hand-folded sleeve, Nilsson's debut album has slowly taken over the hearts of many. In 2014 this modern classic of autonomous, DIY pop and punk-as-you-like attitude is presented on vinyl for the first time in a beautiful edition featuring unreleased bonus tracks across two discs, an exclusive screen printed A2 poster and new sleeve notes from the artist.
Molly Nilsson's first recordings under her own name have grown in stature to occupy a prominent positioning in the global pop underground despite initially only being available on CDr. Though Nilsson's songwriting prowess and commandeering of other genres has grown since 2008, her unique voice is seen in raw form on These Things Take Time. Many of the themes she would develop later were inked first here: the romance of loneliness on "The Lonely," "Whisky Sour," "Hey Moon!", the folly and intoxication of youth seen in "Joyride," "Poisoned Candy" and dogged self-reliance as on "The Diamond Song" or "Wounds Itch When They Heal." Also included here are unreleased recordings from the same period that were left off the original release, a further window into a turbulent, exciting time for an artist just discovering her power to touch and communicate with the listener.
These Things Take Time tracklist:
A1 The Lonely
A2 The Diamond Song
A3 8000 Days
A4 Wounds Itch When They Heal
B1 Whiskey Sour
B2 Poisoned Candy
B3 (Won't Somebody) Take Me Out Tonight
B4 Hey Moon!
C1 The Home Song
C2 Joyride
C3 We're Never Coming Home
C4 Dinosaur Tears
C5 My Dream From Last Night
D1 Zur Tränen Bar
D2 Lend Me Your Love
D3 Some Need Powder
D4 Nightlife
More
"Mannequin Records and Platform 23 come together to start a series of stand-alone reissues of the music of post-punk / industrialists Bourbonese Qualk, starting with their 1983 album Laughing Afternoon.
Formed in Southport during the late-70s, the band came to prominence out of South London's squat scene via their own Recloose Organisation. Early releases including the band's first experiments put to tape and the now highly sought after Sudden Departure compilation featuring luminaries Colin Potter, Eg Oblique Graph (Bryan Jones) and Lol Coxhill, laid the foundations of their burgeoning sound.
Recorded and produced at the Recloose Studios in Camberwell in 1983, Simon Crab, Julian Gilbert and Steven Tanza infused their music with politically charged atmospherics, instrumental exploration, heavily laden reverb and dub, all projected by drum machine rhythms to assemble a musical collage which encapsulated strands beyond contemporary music.
Track titles decipher little, as with the music, a discourse not belonging to a set style or movement, but crossing boundaries of supposition, pushing distortion and outernational leanings towards something else, a primordial discant.
While tape loops warp the ears and spoken vocals propel songs like Blood Orange Bargain Day and To Hell With The Consequences and contrasting guitar acoustics pierce the mood on Qualk Street and Spanner In The Works, the overall embrace is claustrophobic, embedding a foreboding for the times. This unique, indulgent, cross genre melting pot where pounding rhythms, wailing trumpets, mournful melodica and electronic pulses all spiral in a contagious dissonance that heralded Bourbonese Qualk to the wider world. More
Formed in Southport during the late-70s, the band came to prominence out of South London's squat scene via their own Recloose Organisation. Early releases including the band's first experiments put to tape and the now highly sought after Sudden Departure compilation featuring luminaries Colin Potter, Eg Oblique Graph (Bryan Jones) and Lol Coxhill, laid the foundations of their burgeoning sound.
Recorded and produced at the Recloose Studios in Camberwell in 1983, Simon Crab, Julian Gilbert and Steven Tanza infused their music with politically charged atmospherics, instrumental exploration, heavily laden reverb and dub, all projected by drum machine rhythms to assemble a musical collage which encapsulated strands beyond contemporary music.
Track titles decipher little, as with the music, a discourse not belonging to a set style or movement, but crossing boundaries of supposition, pushing distortion and outernational leanings towards something else, a primordial discant.
While tape loops warp the ears and spoken vocals propel songs like Blood Orange Bargain Day and To Hell With The Consequences and contrasting guitar acoustics pierce the mood on Qualk Street and Spanner In The Works, the overall embrace is claustrophobic, embedding a foreboding for the times. This unique, indulgent, cross genre melting pot where pounding rhythms, wailing trumpets, mournful melodica and electronic pulses all spiral in a contagious dissonance that heralded Bourbonese Qualk to the wider world. More