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Wata Igarashi - No Title
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Wata Igarashi - No Title
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Wata Igarashi - No Title
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Wata Igarashi - No Title
Fresh from dropping a suitably forthright EP on Mistress Recordings, Anthony Rother returns to Danny Daze's OMNIDISC imprint for the first time since 2017. The long-serving German producer is in fine form from the word go, with opener "Machine" offering a particularly mind-altering blend of broken techno rhythms, wayward electronic motifs, electro sassiness, deep space sounds and robotic, Kraftwerk style vocal snippets. You'll find more vocal nods towards the Dusseldorf legends on "Compute Me", a dark, throbbing and mind-mangling techno stomper, while "Rubber Skirt" is an angular but funky romp through distorted electro territory. Like the rest of the cuts on the EP, it's deliciously weighty and peak-time ready.
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More records from Wata Igarashi
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Wata Igarashi - Abyss
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Wata Igarashi - Searching
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Wata Igarashi - Subterranean Life
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Wata Igarashi - Ceremony Of The Dead
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Wata Igarashi - Floating Against Time
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Wata Igarashi - Abyss II
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Wata Igarashi - Burning
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Wata Igarashi - Agartha
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Wata Igarashi - Darkness
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Wata Igarashi - Eternally
‘Where is Agartha? What is the specific region in which it lies? Along what road, through what civilizations, must one walk in order to reach it?.’ Saint-Yves d’Alveydre in 1886
Agartha, the debut full-length album by Japanese producer Wata Igarashi, is a mysterious, divine thing. Named for the mythical secret kingdom, understood as a complex maze of underground tunnels, perhaps designed by Martians who colonised the Earth tens of thousands of years ago, it’s a similarly mystical, perhaps even cosmic trip – but this time, exploring an inner, deeply personal cosmos. Beautifully detailed and bustling with rich incident, it takes Igarashi’s music to new places, which still retaining his unique sonic imprimatur; in this respect, it’s perfectly at home with Kompakt, a label that’s always encouraged artists to make the visionary music they need to create, to take risks and make sideways steps into uncharted territory.
An eloquent producer and DJ, Igarashi has been releasing techno for eleven years now, appearing on such imprints as The Bunker NY, Delsin, Midgar, and Time To Express; he has also self-released his productions via his WIP net label. Throughout, Igarashi has consistently explored his unique approach to techno and electronic music, one that’s eloquent and poised, even when it shifts into more psychedelic terrain; he’s a master at balancing the sensual and the functional, and he has an unerring ear for the right texture, the right tone, at the right time. He brings all of this into Agartha, his most thorough-going expression of self to date.
For Agartha, Igarashi had a strong concept he wanted to explore. Visualising specific scenes from an imaginary film based on the titular secret kingdom, he created soundtracks for those scenes, spending time during the pandemic in his studio, working away carefully at the ten tracks here. Given his background in creating music for television and advertisements, Igarashi is well-placed to explore the marriage of the sonic and the visual in such intimate ways, but freed from commercial concerns, he let his imagination run riot. He also drew on a rich palette of musical influences – techno is in there, of course, but you can also hear the smoky, improvised jazz of the likes of Miles Davis (to whom the album’s title is an indirect nod), and the minimalism and systems music of Steve Reich.
The latter is particularly pronounced on the gorgeous, beatless drift of “Floating Against Time”, where an arpeggiated sequence lingers, lovingly, around your ears for nine blissful minutes, coasting across swooning drones and waves of ambient noise. “Ceremony Of The Dead”, originally composed as part of a Sony 360 Reality Audio spatial sound concert, is a deep pass into systems composition, with various patterns overlaid and interlocking, before a wordless vocal rises from the depths, a gorgeous counterpoint to the swarming textures that gather across the track. On the other hand, tracks like “Burning” and “Subterranean Life” nudge toward Fourth World territory, painting deluxe dreamscapes of uncertain provenance; the title cut is an abstract drift-world, Igarashi painting an alien tableau dotted by shape-shifting creatures.
Agartha’s conceptual framework means that everything on the album sits perfectly together; listening to it in one sitting is a dizzying, lush experience. Its imaginings of inner landscapes recall, in some respects, the nautical, aqueous mythologies of the Drexciyan universe, though from different perspectives. But the result is Igarashi’s own creation, a deluxe, enchanting trip through the visionary Agartha of this unique producer’s cinematic mind’s-eye. More
Agartha, the debut full-length album by Japanese producer Wata Igarashi, is a mysterious, divine thing. Named for the mythical secret kingdom, understood as a complex maze of underground tunnels, perhaps designed by Martians who colonised the Earth tens of thousands of years ago, it’s a similarly mystical, perhaps even cosmic trip – but this time, exploring an inner, deeply personal cosmos. Beautifully detailed and bustling with rich incident, it takes Igarashi’s music to new places, which still retaining his unique sonic imprimatur; in this respect, it’s perfectly at home with Kompakt, a label that’s always encouraged artists to make the visionary music they need to create, to take risks and make sideways steps into uncharted territory.
An eloquent producer and DJ, Igarashi has been releasing techno for eleven years now, appearing on such imprints as The Bunker NY, Delsin, Midgar, and Time To Express; he has also self-released his productions via his WIP net label. Throughout, Igarashi has consistently explored his unique approach to techno and electronic music, one that’s eloquent and poised, even when it shifts into more psychedelic terrain; he’s a master at balancing the sensual and the functional, and he has an unerring ear for the right texture, the right tone, at the right time. He brings all of this into Agartha, his most thorough-going expression of self to date.
For Agartha, Igarashi had a strong concept he wanted to explore. Visualising specific scenes from an imaginary film based on the titular secret kingdom, he created soundtracks for those scenes, spending time during the pandemic in his studio, working away carefully at the ten tracks here. Given his background in creating music for television and advertisements, Igarashi is well-placed to explore the marriage of the sonic and the visual in such intimate ways, but freed from commercial concerns, he let his imagination run riot. He also drew on a rich palette of musical influences – techno is in there, of course, but you can also hear the smoky, improvised jazz of the likes of Miles Davis (to whom the album’s title is an indirect nod), and the minimalism and systems music of Steve Reich.
The latter is particularly pronounced on the gorgeous, beatless drift of “Floating Against Time”, where an arpeggiated sequence lingers, lovingly, around your ears for nine blissful minutes, coasting across swooning drones and waves of ambient noise. “Ceremony Of The Dead”, originally composed as part of a Sony 360 Reality Audio spatial sound concert, is a deep pass into systems composition, with various patterns overlaid and interlocking, before a wordless vocal rises from the depths, a gorgeous counterpoint to the swarming textures that gather across the track. On the other hand, tracks like “Burning” and “Subterranean Life” nudge toward Fourth World territory, painting deluxe dreamscapes of uncertain provenance; the title cut is an abstract drift-world, Igarashi painting an alien tableau dotted by shape-shifting creatures.
Agartha’s conceptual framework means that everything on the album sits perfectly together; listening to it in one sitting is a dizzying, lush experience. Its imaginings of inner landscapes recall, in some respects, the nautical, aqueous mythologies of the Drexciyan universe, though from different perspectives. But the result is Igarashi’s own creation, a deluxe, enchanting trip through the visionary Agartha of this unique producer’s cinematic mind’s-eye. More
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Wata Igarashi - A1 Balance
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Wata Igarashi - A2 Cylinder
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Wata Igarashi - B1 New Dawn
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Wata Igarashi - B2 Ray
12” vinyl with full cover print
TRACKLIST:
A1 Balance
A2 Cylinder
B1 New Dawn
B2 Ray
INFO:
What better way to start the new year than with New Dawn, the Figure premiere of Japanese techno exporter and groove connaisseur Wata Igarashi.
His psychedelic grooves are currently some of the most sought after material out there, shimmering with life, richly laden with crystalline arps and swirling synth lines.
On his first outing for Figure hi finely detailed compositions merge into a sound that is equally dense as it becomes wildly mesmerizing. Loops stacked on top of each other for maximum effect, building a sense of depth and connection, and developing their captivatingness over each track’s full runtime.
Igarashi uses strict linear progression and a set of vibrant ideas in order to create four hypnotic pieces that range from rumbling low-end bass to propulsive and driving acid to rattling percussion and finally round out the package with some trippy off-kilter rhythms.
More
TRACKLIST:
A1 Balance
A2 Cylinder
B1 New Dawn
B2 Ray
INFO:
What better way to start the new year than with New Dawn, the Figure premiere of Japanese techno exporter and groove connaisseur Wata Igarashi.
His psychedelic grooves are currently some of the most sought after material out there, shimmering with life, richly laden with crystalline arps and swirling synth lines.
On his first outing for Figure hi finely detailed compositions merge into a sound that is equally dense as it becomes wildly mesmerizing. Loops stacked on top of each other for maximum effect, building a sense of depth and connection, and developing their captivatingness over each track’s full runtime.
Igarashi uses strict linear progression and a set of vibrant ideas in order to create four hypnotic pieces that range from rumbling low-end bass to propulsive and driving acid to rattling percussion and finally round out the package with some trippy off-kilter rhythms.
More
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Wata Igarashi - Body
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Wata Igarashi - DNA
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Wata Igarashi - Gravity
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Wata Igarashi - Kioku
The Kioku EP is Wata Igarashi’s third release on The Bunker New York, showcasing considerable emotional range that speaks to his long career as a sound designer. All four tracks feature a cinematic, expansive quality that make it easy to imagine how each could fit specific moments across the arc of a party. Different aspects of the music are carefully balanced and combined: seemingly simple patterns in the foreground are animated by precise intensities at play in the background.
We encourage you to give this one a listen on a proper sound system or headphones to fully dive into the intricacies of Igarashi’s sound design. “Reflecting on his feelings about these tracks, Igarashi tells us that, “there are many times when you’re listening to powerful music and you are not really able to think but your body still remembers how to move and breathe”. Kioku means “memory” in Japanese and Igarashi goes on to explain that “all the fast and complex melody combinations (of the title track) make me imagine how our memory functions: connecting via synapse and nerves, going all over the place...the music comes from my experience and memory.” The complexity and beauty of our thoughts and bodies are mirrored in these fine productions that make up the Kioku EP. More
We encourage you to give this one a listen on a proper sound system or headphones to fully dive into the intricacies of Igarashi’s sound design. “Reflecting on his feelings about these tracks, Igarashi tells us that, “there are many times when you’re listening to powerful music and you are not really able to think but your body still remembers how to move and breathe”. Kioku means “memory” in Japanese and Igarashi goes on to explain that “all the fast and complex melody combinations (of the title track) make me imagine how our memory functions: connecting via synapse and nerves, going all over the place...the music comes from my experience and memory.” The complexity and beauty of our thoughts and bodies are mirrored in these fine productions that make up the Kioku EP. More
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wata igarashi - "Haziest Just Before The Dawn"
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wata igarashi - "Ritual"
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wata igarashi - "Haziest Just Before The Dawn" (Svreca remix 1)
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wata igarashi - "Haziest Just Before The Dawn" (Svreca remix 2)
The 3rd release from Japanese Label 'Bitta' owned by Japanese charisma, 'Future Terror' boss 'DJ NOBU'. The release is by 'Wata Igarashi' who was recently featured in 'RA breaking through'. A side, 'Haziest just before the down' deep minimalistic techno which has acid, industrial and spacey running groove and 'The Ritual', minimalistic rhythm with distinctive breaks, looping acid bass, spacey pads which take you another world. B side, 'Haziest just before the down' 2 version remixes by 'Semantica's core artist 'Sverca', deeper electric groove with more experimental approach.
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More records from Omnidisc
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Dean Grenier - No Title
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Dean Grenier - No Title
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Dean Grenier - No Title
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Dean Grenier - No Title
Versatile 4 track ep by Dean Grenier delivering some tingling tracks somewhere between Detroit rooted techno and industrial house. Two emotionally driven tracks in "Sweet Dreams" & "Nowhere Man" ... backed with the mechanically touched Radiant Damage. The EP rounds out with Quantum Entanglement, a tempo shifting, mind altering piece of recorded music. Vibrant energies on this 3rd release from Deam Grenier for Omnidisc!
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Anthony Rother - Machine
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Anthony Rother - Compute Me
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Anthony Rother - Rubber Skirt
Fresh from dropping a suitably forthright EP on Mistress Recordings, Anthony Rother returns to Danny Daze's OMNIDISC imprint for the first time since 2017. The long-serving German producer is in fine form from the word go, with opener "Machine" offering a particularly mind-altering blend of broken techno rhythms, wayward electronic motifs, electro sassiness, deep space sounds and robotic, Kraftwerk style vocal snippets. You'll find more vocal nods towards the Dusseldorf legends on "Compute Me", a dark, throbbing and mind-mangling techno stomper, while "Rubber Skirt" is an angular but funky romp through distorted electro territory. Like the rest of the cuts on the EP, it's deliciously weighty and peak-time ready.
More
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dean grenier - Individuate
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dean grenier - Immortal
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dean grenier - Flowers
Diving into FM Synthesis, Dean Grenier brings his sophomore release to Omnidisc. Delivering a 3 track EP intended for mental gymnastics at 3 different periods of the night. Enjoy responsibly
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david vunk - Do You Need A Fix
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david vunk - Las Grimas De La Novia
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david vunk - David V & Danny Daze - No Headroom
David Vunk, head of the Moustache empire returns to Omnidisc with pure power on this 3 tracker. Dont sleep
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drvg culture - You Wear A Human Mask But You Have No Human Soul
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drvg culture - Slave Your Image
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drvg culture - Something Happening Somewhere
Vincent returns to Omnidisc with his second installment. You Wear A Human Mask But You Have No Human Soul is a dark house inspired driver paired with a Slave to your image which Drvg's more experimental side. Then he closes out the EP with his classic sound in Something Happening Somewhere.
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We welcome Gabo Barranco to the Omnidisc Family. Gabo has a recklessly curious ear for distortion. An enthusiast and creator of electronic music ranging from classic acid house to crackling ambient to Venetian Snares-style glitch bass assaults. On Jazz D, AAAA channels his admittedly shy personality into an identity-hopping slate of ideas that's undeniably intense.
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shokh - Vernication Seven
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shokh - The Man
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shokh - Farrowtarrow
Hot on the heels of great Black Merlin and David Vunk releases Omnidisc drops another hot one by Shokh. A rocking 3 tracker of somed raw distorted electro along with bit crushed techno. Thats how you make your debut!
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dimitri veimar - Acid Jogging
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dimitri veimar - 6 Days
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dimitri veimar - No Floss
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dimitri veimar - Time
Dimitri Veimar has arrived with the second installment to the Omnidisc Swim Series. The release includes 4 raw cuts from the producer. Ranging from the acid soaked “acid jogging” to the driving cut “6 days”.
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danny daze - 1 DANNY DAZE & 214 - LAS CADERAS
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danny daze - 2 DANNY DAZE & DEROBOTER - DROWNING
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danny daze - 3 DANNY DAZE & DRVG CVLTVRE - HEX
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danny daze - DANNY DAZE & PHILIPP GORBACHEV - CHAIN BREAKER
Miami in the house! A unique combinations of 808 Miami Bass overload, the Freestyle electro anthems, the Murk legends, the electronic freaks from the Schematic crew, and some external influences together fertilized the new Omnidisc label! It head starts with a 4 track collaboration EP between Danny Daze, 214, Deroboter, Drvg Cvltvre & Philipp Gorbachev. Miami is keeping it real!
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