Tracklist 12":
A1: Alma Negra - Kabaré (Bambounou Remix)
B1: Alma Negra - Haleto lale lalô (Glenn Astro Remix)
B2: Alma Negra - Tany Be (Michal Turtle Remix)

Release Info:
Switzerland's Alma Negra are known for their deft, tasteful explorations of world roots, anchored in digging, sampling and sharing. On this brand new remix collection, Alma Negra invite a trio of equally curious producers to remix some three of their best-received musical endeavours. French producer and DJ Bambounou capitalises on the quick tempo and raw-energy at the heart of
the Maloya sound as the basis for his raw and hypnotic reimagining of ‘Kabare’, originally sourced from Christine Cabare, one of the most notable stars of the contemporary Maloya scene.
Glenn Astro, meanwhile takes on another release, ‘Haleto lale lalô’. Originally influenced by the Saho sound, the origins of which lie in the musical history and landscape of Eritrea, the Money $ex Records owner fashions two distinctive reworks out of the already adapted original material. After applying the soft pressure of his weightless, smooth funk for an initial, blissed-out remix, he switches up to a warm, percussive jack session on his ‘Rhythm Trax’ remix, available here as a digital bonus. Finally, cult producer and musician Michal Turtle, best known for his sensational LPs and compilations
on Music From Memory, delivers only his second ever remix in a forty year career, conjuring a magical slice of dreamy, percussive pop from ‘Tany Be’, awash in signature brass. More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list :
A1 Conversation
A2 This is the place
B1 From the heart
B2 Conversation (Awanto 3 remix)

Release Info:

Alma Negra are back on Heist! After their much applauded 2017 release with that great Soulphiction remix, they’ve been rather busy taking over the scene. They started their new label “Alma Negra records” where they released 3 ep’s in quick succession, with new as well as older material that showcases their tropical roots and keen ear for clubby reworks. They launched their live show, doing gigs across Europe with a highlight at one of London’s more intimate live venues: the Jazz Café. Their latest outing -making their release count a total of 4 in only 8 months - was on Marcel Vogel’s Lumberjacks in Hell and explored the more live / rework side of their project. Now they’re back on Heist with 3 new tracks, supported by an Awanto 3 remix.

“Conversation” is a track we wanted to put out on Heist badly, simply because it’s a beast of a track. It sits somewhere between a live African drum track, percussive techno and moody Midwest electronics, with pads and strings coming in and out of play while a relentless kick drum keeps the energy on a haunting level. This track is Alma Negra at their filthiest, and it feels like they’ve taken a next step from last year’s dark and heavy Luanda dub, bringing it from an intimate dreamy stage straight into the main room.

“This is the place” shows a different side of the house spectrum with the Alma’s love for dreamy deep house. The track flows up and down, with soothing Rhodes chords, arpeggio’s and mumbling vocals setting a summery mood that’s perfect for your warm up or daytime party. Meanwhile, their third original track “From the heart’ goes even deeper and navigates around a smart vocal loop topped with strings, bleeps, claps and rimshots that just keeps going. This is probably their most meditative and funky track so far and we’re very happy to release it on Heist.

We invited Awanto 3 to play with us on our Amsterdam night during the Prince Charles residency and that’s where the idea for his remix came about. Both ourselves and the Alma’s are big fans of his unique work. He always seems to find such a cool hook in the smallest of licks and really has his own sonic universe. His remix of “Conversation” is exactly what you might expect from his signature combination of weird electronics, unexpected sampling, stretched arrangements and gritty vibes.

This EP has been in the making for a long time and we’re super excited to finally share it with you.

Yours Sincerely,

Maarten & Lars. More

Strong Alma Negra Reworks EP !

Vinyl 12 Inch (Full Cover)
TTrack list:
A1 Lindigo · Tany Be (Alma Negra Rework)
B1 Salem Tradition · Kabaré (Alma Negra Rework)
B2 Lindigo · Tany Be (Alma Negra Dub Mix)
Release Info:
The second of Alma Negra’s 12 Rhythms Series is dedicated to the Maloya sound from La Réunion, a tiny island where a
melting pot of cultures is reflected strongly in its music. Maloya’s roots go back to the time of slavery, its quick tempo and raw
energy making it not only a popular dance music but also a powerful protest through movement.
On their Maloya EP, the Basel collective pay tribute to the hypnotic rhythms that were feared both by the Catholic Church and
the French government for the musical form’s subversive part in the rebellion against colonialism.
The release revolves around two contrasting Alma Negra re-workings of Lindigo’s Tany Be. The first takes a classic call &
response structure in 12/8 and 6/8 rhythms, adding a driving bass line and guitar licks. A solid 909-kick locks things in step,
along with a sax flourish and FM synths. Their re-imagining of African and Tamil influences for modern dancers is a triumphant
manifestation of the music’s origins.
With the main reworking focusing on a rolling dance floor groove, the Dub Mix concentrates on trance-inducing aspect of
Maloya. Using a modular set up to pick apart layers of percussion, it is a dense and heady trip into the spirit world.
The B side focuses on Christine Salem, one of today's stars of the Maloya scene. Without wanting to squeeze the soul from her
deep tones, Kabaré is slowed down a notch, with drums added sparingly. This sensitive treatment gives the track just enough
weight and tension to punch in on todays dance floors without losing the intent of the original.
The source material for this EP has been road tested from the very beginning of Alma Negra’s journey. The collective have gone
to great lengths to ensure the original creators are on board with their treatment of their music and are honoured to be given the
chance to distil their own ethos into a record that is bubbling with today’s dance floor drive. Their reverent treatment aims to
preserve the power and beauty of the source material, to bring uncovered gems to a new audience. More

Vinyl 12 Inch (Full Cover)
Track list:
A1 - Vision , B1 - Capoeira , B2 - Berimbau

Release Info:
12 Rhythms as the name already suggests, is a Collection Series on Alma Negra Records. Each Issue is dedicated to a specific rhythm based on its groove stemming from its cultural origins. In a world surrounded by a plethora of grooves and rhythms, we have selected those which influenced us or just simply liked the most.
The first Issue and first release on Alma Negra Records is dedicated to the unmistakable rhythms of Brazil. Growing up surrounded by the rich sounds from traditional to totally experimental; Brazilian Music has heavily influenced our own sound and direction.

Vision
This issue aims to distinguish itself from other compilations and demonstrates important atypical Grooves of Brazilian Culture. Instruments like the Berimbau used in the "Capoeira" or "Berimbau" itself or the carnival strong Batucada Beat has been combined with the mysteries of brazil experimental music heard in the track "Vision".
Hypnotic Experimental Vocals, dub chords combined with an own interpretation of a Batucada Rhythm recorded live in our Studio in Basel, "Vision" is clearly a one of those tracks heard in the heart of the night which is sure to keep those feet moving
to its pulsating beats.

Capoeira
Capoeira is a Dance (Fight) originating from Angola and was developed by Brazilian Slaves to better defend them against violence inflicted by their Masters. As they crafted this martial art, the perfect cover was to create a "dance to music." Every dancer is singer and musician so no one is restricted to any set role. The creation of the unique sound is normally through three Berimbau's and two Pandeiro drums. This demonstrates a classic Capoeira Groove, with this Alma Negra Edit setting out to strike every dancefloor.

Berimbau
A smooth sailing track with variations of Berimbau, that create a trance like vibe when combined with harmonic flutes. This creates the perfect accompaniment as your musical ship illuminates with the sunrise. Underneath, a strong percussion beat brings everything together; a perfect late night track.
More

Vinyl 12” (180 gr., Full Cover), Ltd 500

Track list :
A1. Afrorleans
A2. Luanda dub
B1. Endless summer
B2. Endless summer (Soulphiction remix)
Release Info:
It’s safe to say this release marks Heist’s most international endeavor so far: next up we’ve got Alma Negra, 4 guys with roots in Portugal, Cabo Verde, Italy and Spain, hailing from Switzerland. They’re putting out an African influenced EP with German Detroit afficionado Soulphiction involved for a remix. Afro lovers will probably know Alma Negra because of their great work on Highlife, Sofrito or Basic Fingers and we’ve been in touch with them for a long time to make this release happen. Their 3 originals are a great showcase of their skills; blending traditional African music
with contemporary house and techno.
‘Afrorleans’ is a track with Fela’s footprint all over it. They serve a lovely Rhodes jam over a classic Nigerian afrobeat, subtly supported by sparse electronic percussion giving room for the keys and afro drums to really shine. Meanwhile ‘Luanda dub’ is another beast altogether. As a modern reinterpretation of the traditional Lamento style from Luanda, this track is a gloomy techno workout with some killer bottom end, getting nice and trippy with dubbed out guitars, spacey vocals and tribal percussion.
On the flip, we’ve got both versions of ‘Endless summer’, closing the EP on a light and mellow note. Alma’s original leans heavy on indeed “endless summer-y” Rhodes keys, filtered wahwah’s and African chants. Soulphiction does well in keeping the cheery vibe alive, but adds some serious grunts with his percussion and a killer bassline.
With these fantastic guys as our second release of this year, and knowing what is still to come, I’m sure all of you will keep on listening to anything we send your way. Thanks for doing so.
Your Sincerely,
Maarten & Lars. More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 I Can Tell You What You Want
A2 A Taste of the 90s
B1 Dirty Jazz
B2 You Know What I Mean?

Release Info:

DJ Sneak returns to his roots on his Synesthesia EP on Heist Recordings.

Last year, when DJ Sneak visited our studio during ADE, we spoke for a long time about his newly found joy in house music, producing music in the current landscape, and letting go of all the things that made him uneasy with the scene for a long time. At one point, he grabbed a bunch of his hard drives, fired up our Dave Smith & Pioneer Toraiz sampler (the one we used for our live shows and the workstation he swears by for producing and arranging all his music), and showed us what must be one of the most impressive collections of demos we’ve ever seen. He talked us through his ideas for a new record on Heist with the enthusiasm of a producer who had just bought his first MPC60 back in the 80s. His ‘Back to love’ EP was still due to release and we already knew the follow-up would be equally amazing.

Fast forward about a year and after amazing feedback on his Heist debut from platforms like XLR8R, DJ Mag, Faith fanzine and plenty of radio coverage, along with DJ support from the likes of Joy Anonymous, Louie Vega, Jamie Jones, Honey Dijon, TSHA, Dj Seinfeld, Jennifer Cardini, Carista, he drops a new record on Heist recordings; The Synesthesia EP is another showcase of the raw talent of DJ Sneak, skillfully working his gear and churning out massive tunes full of classic Chicago house references, 90’s euphoria, and chunky synths.

The EP kicks off with ‘I can tell what you want’, a deep and bubbly groover where DJ Sneak takes some naughty chopped up R’n’B vocals and adds a pinch of the ghetto sound that he adopted in his formative years in Chicago. Sneak manages to take that influence and deliver something altogether contemporary with this track, ticking all the right boxes of catchy vocals, moody chords, a nasty bassline, and clever sampling.

If the first track embodies his Chicago spirit, then ‘A taste of the 90s’ embodies DJ Sneak’s New York spirit. With funky guitar and key licks, loopy horns, shuffling percussion and plenty of changeovers in the arrangement, he masterfully shows us the joy of classic house music. There’s always another element that gets added or taken away to build anticipation or release the energy with its chunky low end. It’s a true party starter with the energy of a young DJ Sneak spinning his first records way back when.

On the flip, we’ve got ‘Dirty jazz’. This delicious piece of Deep House is built around off-kilter drums with a syncopated bass line and quirky sample cuts. It’s got enough beef to keep the energy going, and the right amount of weirdness to grab your attention whenever this is played.

The closing track ‘You know what I mean’ adds another layer of weird-sounding vocals that will stick with you until long after the song is over. This track – and the whole EP for that matter – oozes the playful energy of a producer who’s completely comfortable with his musicality. It’s fun and playful, delivered with the class that only a hero of the underground like Sneak can do.

On the Synesthesia EP, DJ Sneak takes you deep on a trip through his musical roots and keeps you on the edge of your seat with 4 tracks bursting with personality.

Grab this record while you can and share the love,
Heist Recordings. More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Touch Me Again
A2 Hang On
B1 The Joy of Melancholy
B2 Forever and Ever

Release Info:

Dam Swindle return to Heist in excellent form with a 4-track EP in their signature style.

The iconic Amsterdam duo returned to the studio after their much-lauded ‘Minor Fools’ EP, where the lead track ‘That’s Right’ became one of the most heartwarming tracks 2023. Their recent contribution to the Phonica 20-year compilation -‘Allright (just a tribute)’- is turning into one of the biggest hits of this year with big plays on pretty much every festival around, whether it’s Glastonbury or Dekmantel. The guys are known for their ability to bend different styles into something very much their own and their newest addition to the Heist catalog is no different. The ‘Touch Me Again’ EP sees them go from sample-heavy house to classic 90’s piano-driven tracks with a touch of acid and it’s one you don’t want to miss.

The record starts with ‘Touch Me Again’, a house jam with chopped vocals, energetic synth stabs and a big breakdown. Add to that a touch of acid and you’ve got a follow-up to their Phonica hit of 2023.

‘Hang On’ takes you back into classic Swindle territory, with their signature sampling style and knack for finding those lush vocals. The synth chops and bassline give the track its upbeat energy and the distant filtered pads move in an ever so subtle way, that there’s always something new happening while keeping the attention on that catchy main hook.

On the flip, we see the guys take things a bit deeper with emotive vocals and introverted keys layered over a steady groove on their track ‘The Joy of Melancholy’. Fast-forward to the drop and all that energy comes free with a huge piano break, which propels the track into a blissful ‘hands-in-the-air’ dancefloor moment.

The EP closes with ‘Forever and Ever’, a gospel-inspired Deep house tune full of organ hits and off-kilter sample chops. This 4-track EP gives you jam upon jam upon jam and sees Dam Swindle solidify their position as the go-to artist in the house scene and keeps them at the forefront of electronic music.

Grab this record while you can and share the love,

Heist Recordings. More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Mirage
A2 Coffee
B1 Tapioca
B2 Mirage (Elisa Bee Remix)
B3 Abalone

Release Info:

Label mainstays Fouk just dropped the perfect dancefloor Bomb with ‘Mirage’ paired with a high-octane Elisa Bee remix

We all know Dutch duo Fouk from their soulful, bouncy take on house music. They’re also responsible for some of Heist’s biggest tracks like Kill Frenzy or their Lil Louis inspired 2021 release ‘Blue Steel’. On their new EP, the talented duo shows us a fresh side of their sound: the main-room hands-in-the-air-going-wild side. To top things off, Italian producer Elisa Bee made time in her busy schedule of DJ’ing and releasing for artists like Ben Sims on his Hardgroove imprint and Unknown to the Unknown to deliver a killer remix of the title track.

Fouk’s return to Heist after 3 years is a welcome one and with ‘Mirage’, they might just have given us their biggest house track in their decade spanning career. The track is built around a stuttering synth loop and a seductive female vocal chanting ‘What made you wanna…” The real star here is the bassline, which propels the track into a seriously infectious groove. Add some lush strings and moody changeovers and you’ve got yourself a full-blown dancefloor weapon. Mirage has been a staple in Dam Swindle’s sets for the past months and has been one of their set highlights ever since.

“Coffee” is one for the classic Fouk fans. It’s got lovely Rhodes, a joyous combination of whoo’s, snare-rolls and synth hits grooving on top of an infectious orchestral background loop. “Tapioca” is a hybrid latin-electronic groove that builds on punchy synths, live percussion and drunk keys to balance the energy of the track.

Elisa Bee’s remix of ‘Mirage’ is an intense percussive workout that builds on a breakbeat loop and a rave-bassline. The tempo is turned up a notch or 2 and that stutter synth and vocal of the original make this remix a wild warehouse affair.

Closing track of the EP is ‘Abalone’; A lovely bleep-house affair that still has a bit of that warehouse vibe. It’s got the perfect amount of distortion the drums while keeping things dreamy with some face-melting pads throughout the track.

As always, enjoy the music and play it loud!

Lars & Maarten More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 Closer (feat. AVA LAVÁ)
A2 Running from the Noise (feat. Life on Planets)
A3 Midnight Time (feat. AVA LAVÁ & Joey Hotwax)
B1 The Answer
B2 Gratitude

Release Info:

Makèz deliver the perfect follow up to their hit ‘Downstream’ with L.A. artist Life on Planets.

Dutch Duo Makèz had their big break when we released their first record on Heist in 2019, but it’s safe to say that ‘Downstream’ (on No Art records) has taken things to the next level for the talented Amsterdam duo. With support from pretty much the whole of Radio 1 (Pete Tong, Jaguar, Sarah Story, Danny Howard and more), and club DJ’s across the board ranging from ANOTR to Louie Vega, their fall 2023 release has really been a dream collab with vocalist and producer Life on Planets. It’s only fitting that the duo comes home to Heist with their follow up EP: ‘Midnight time’.

This new EP is a perfect blend of the intricate, soulful songs and punchy club tracks we’ve come to love from Makèz, On the A-side, we’ve got the jazz cut ‘Closer’ with AVA LAVÁ, who fans will remember from their Holy Sun EP on Heist. ‘Closer’ is equally laidback, full of textures and rich musical elements and a perfect mood-setter for the EP.

Next is ‘Running from the noise’ with Life on Planets on vocals. This is the follow up to Downstream that simply had to happen. It’s just as breezy and effortless as the duo’s biggest hit to date, but goes even deeper and minimalistic, taking you on a vibe that resembles the sound of that classic 100% Galcher mixtape/album from 2013. There’s definitely something in the air when these artists get together in the studio; The music is warm, fuzzy, and inviting, but most importantly, just about as sexy as can be.

‘Midnight time’ is another collaboration with AVA LAVÁ, and takes the EP into the club realm, while still keeping things jazzy. Lush Rhodes chords and a rolling live bass form the basis, while the young vocalist seems to freestyle her way through the track, much in a way an MC would do to get the crowd going. Everything about this track is infectious and you can just feel this go off in a club.

That club is exactly where we end up on the B-side, with ‘The Answer’ and ‘Gratitude’. Both have their own direction; ‘The Answer’ is a Chicago-inspired jam with acid licks, a powerful male vocal and clean 909 drums, where ‘Gratitude’ goes deeper with its haunting strings, clever vocal chops and loops and synths that somehow resemble static noise from an old radio. With their ‘Midnight Time’ EP, Makèz treat us to a gorgeous journey through their sonic world, a place we’re happy to hang out for a long, long time.

As always, enjoy the music and play it loud!

Lars & Maarten
More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A1 Love Can Make It Happen
A2 Going Back to It
B1 Full Cycle
B2 Pockets

Release Info:

House music legend DJ Sneak shows us why he’s a master of the groove on his ‘Back to love’ EP for Heist Recordings.

There’s only a handful of people that can really say they’ve seen House music since its earliest days. Puerto Rica-born, Chicago-bred, and LA-based artist DJ Sneak is definitely one of them. He has been the king of the groove ever since his big break back in ’94 through Cajmere’s label Cajual and was key in the development of that mid-nineties house sound with appearances on labels such as Strictly Rhythm, Henry St Music and 83 West. Sneak has worked with some of the biggest artists in the game including Daft Punk, (delivering lyrics for their track ‘Digital Love’), Armand Van Helden and many more.

After a break in the past few years where Sneak re-evaluated his relationship with the scene and his music, he’s now back doing the thing he loves most: Making killer tracks and slamming it on a record. We’ve always considered each other friends and Sneak has been a true supporter of our music and the label since day 1, so it’s humbling to realize that we’re now in a place where we can let his music shine on Heist. With that, we’re proud to present this future classic from the master himself.

The aptly titled “Back to love” EP starts off with one of Sneak’s most intimate productions to date: “Love can make it happen”. Built around an ever-evolving vocal loop, and dreamy strings this track is deeper than deep with the percussion matching that meditative energy, with the grunt only Sneak can bring.

“Going back to it” is Chicago house music in its core. Moody chords, some vocal chops, a badass bass line, and solid percussion is all you need. With ‘Full Cycle’ on the flip, we see Sneak take back his rightful place as the king of the groove. It’s a track that has us reminiscing the days of ‘Paperclip People’ where the bluntness of a live recorded ‘on/off’ arrangement really adds something special to a track.

The EP ends with “Pockets”, a house jam with classic 90s vocals and energetic snare drums to add that classic New York touch to this already amazing record and shows us that DJ Sneak has a great feel for bringing modern day house music with a vintage feel.

As always, enjoy the music and play it loud!

Maarten & Lars
More

Format: Vinyl 12” (Limited 180 gr. Blue Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)

Track list:

A1 Crackazat - Alfa
A2 Andy Hart - Epsilon Girls
A3 Makèz - Different Planets
B1 Kassian - 8th Movement
B2 Nachtbraker - Hamdi

Release Info:

The Dam Swindle curated compilation Heist Classics Vol. 02 delivers even more of the label’s biggest hits in a beautiful limited-edition package.

It’s safe to say that in it’s 10 years of existence, Heist Recordings has given us plenty of amazing music and has cemented itself as one of the key labels in today’s house scene. The first 3 compilations of this year have had an amazing response with radio and club tastemakers (re)discovering some of the best music that has come out on Heist. With support from Paul Woolford, Luke Slater, Antal, James Zabiela, Nightmares on Wax, a 10/10 in Faze Mag and various radio plays on BBC R1 with Pete Tong, Annie Mac and more, it’s safe to say that everyone has been loving these releases. Now, Dam Swindle conclude their 10-year anniversary releases with Classics vol. 2: a limited-edition collection with hits from Crackazat, Andy Hart, Kassian, Makèz and Nachtbraker.

The release kicks off with ‘Alfa’: Crackazat’s biggest hit to date (and that’s saying something, coming from a producer that has delivered jam upon jam in his career). It’s a signature Crackazat song with an off-kilter live key loop, shuffling percussion and pumping low end.
Andy Hart’s ‘Epsilon Girls’ was originally released in 2014 and has helped cement the artist and label’s position in the house music landscape. A vintage Barbara St. Clair loop gives the track a lovely human touch, which is countered by layers upon layers of glimmering electronics.

Different Planets is the track that really kickstarted the career of the talented duo Makèz. Released in 2019, the track has everything we’ve come to love from their recognizable sound: lively drums, catchy hooks and warm & jazzy chords. UK duo Kassian are represented on this package with their track ‘8th Movement’. Their sound has progressed towards techno in recent years which has given them support from artists across the board such as Ben UFO, Special Request and many more. Their Heist classic ‘8th Movement’ - still housey in its core - already has hints of their newfound style in its sound design and rolling energy.

We end the record with what might be Nachtbraker’s biggest track of his career: ‘Hamdi’. You’ll find him currently at work with artists such as Shanti Celeste where he recently released his Capichone EP, but the sound he developed in the early part of his career had Heist written all over it. ‘Hamdi’ is a proper anthem, with African drums, an ecstatic vocal sample and a killer groove.

The vinyl release of Heist Classics Vol. 02 is printed on colored 180grams heavyweight vinyl and is limited to 1000 records with a special design by our Art Director Bas Koopmans (Wellness.)

Enjoy the music and play it loud!

Lars & Maarten More

Format : Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A That’s Right
B1 Minor Fools
B2 Soul’s Lament

Release Info:

“Pumping, vibrant, and packed with energy”: Iconic duo Dam Swindle deliver once again with their ‘Minor fools’ EP.

Last year, Dam Swindle celebrated their 10 year anniversary with the ‘Keep on Swindling’ series. The hard-hitters ‘All I want’, ‘Good woman’, and ‘You’ showed various sides of that much loved Swindle sound as well as some steps into a more leftfield electronic area. Now, they’re back on Heist with a 3-track club EP full of that recognizable upbeat energy.

‘That’s Right’ has Dam Swindle in full live mode, not unlike their timeless classic “Call of the Wild feat. Jungle by Night”. Live keys, bass, percussion, and horns (the latter by the Jungle by Night’s trumpet guru Bo Floor) give you the feeling like you’re on stage with a full band, hearing them give their all to record this heartwarming piece of music. Over the course of its 7 minutes, the duo takes you on an electrifying feel-good trip through the Swindle sonic universe.

On The EP title track ‘Minor fools’, Dam Swindle go into classic US house mode. Shuffling hats, a bouncy bass and male vocal chops lay the foundation for some crunchy jazz chords (think Underground Resistance with a Swindle touch). The track builds tension with haunting organs, looped vocals and smart modulation in the keys. Add to that the bouncy synth section at the heart of the track and you’ve got a jam that slaps hard in the best way imaginable.

The EP ends with the dreamy & contemplative ‘Soul’s lament’; A slow burner that builds and builds on a relentless rhythm of bells and skipping hi-hats. Slowly, a massive string section takes control of the track, after which, an acid line takes over that gives the track its driving electronic touch. It’s a welcome deep note to an EP that shows you exactly why Dam Swindle are such well respected and versatile producers.

Grab this record while you can and dance, dance, dance!

Heist Recordings.
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Format : Vinyl 12” (180 gr., Limited Full Cover)


Track list:
A1. Everything alright feat. Aika Mal
A2. Everything alright feat. Aika Mal (Dam Swindle remix)
A3. Eleven eleven twenty two
B1. Crush
B2. Only breaks can love your heart

Release Info:
Amy Dabbs puts her heart and soul in the breaks anthem ‘Everything Alright feat. Aika Mal’ on her Heist debut EP.
Bonus: A tantalizing 140BPM Dam Swindle remix

Amy Dabbs might be one of the hardest working artists in the game right now. Making it in the current electronic music landscape is not an easy thing, which might be why this talented artist is so heavily invested in her musical output. With releases on Aus Music, Shall not Fade and her own Dabbs traxx, a monthly residency on Rinse FM and a tour schedule that seems to get busier by the minute, we’re happy to see her hard work is paying off. Add to that some support by artists such as Special Request, The Blessed Madonna, Jaguar and Cinthie and you know this Berlin-based artist is right where she belongs: in the spotlight.

With a love for all things high energy – including, but not limited to house music and breaks – Amy knows how to set fire to a dancefloor (or record for that matter). Her music has been described by Resident Advisor as “Elegant and soulful drum & bass, that’ll still catch the ears of house heads.” So here you go, house heads: Amy Dabbs on Heist. The ‘Only breaks can love your heart’ EP is packed with feelgood energy and comes with a Dam Swindle remix that has the duo laying down some pleasantly unexpected breakbeats on an altogether rush-inducing record.

Right from the start, you know you’ve got an anthem on your hands with ‘Everything alright’. The gorgeous vocals by Aika Mal give you that right amount of emotive, ravey energy and come wrapped in a package of solid breaks and mesmerizing chords. With a hint of acid and a couple of meticulously crafted breakdowns you’ll be singing along with this track before you know it.

The Dam Swindle remix drops the tempo a little bit, but with its 140 bpm, warm broken beat and UK bass, the duo delivers a curveball of a track with a lot of crossover appeal. They went for a more stripped back approach that combines introverted percussion with bouncy keys that complement the vocals perfectly for an altogether irresistible remix.

‘Crush’ is a signature Amy Dabbs tracks, with driving 909 percussion, female vocal chops, ethereal pads and classic strings. It’s a warmhearted affair laced with Amy’s feelgood DNA. On the flip you’ll find ‘Eleven eleven twenty two’; a classic deep house track with subtle hints of UKG in its sampling and bass. The pads and leads are moody and the skippy percussion gives this track the kind of energy you’d welcome when pulling an all-nighter.

Rounding off the EP, we’ve got the ep title track ‘Only breaks can love your heart’; another showcase of Amy’s knack to make house aficionados dance to drum and bass. There’s a certain contrast in pace – raging drums versus dreamy chords that makes you feel at ease listening to a fast-paced track like this. The vocals are equally hazy with a subtle 90’s and 00’s RnB feel. Bassface guaranteed on this one!

We’re extremely happy we get to call Amy our friend and proud to share her music through Heist. As always, play it loud and dance, dance, dance!

Yours Sincerely,
Maarten & Lars More

Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:
A1. I need to know
A2. Do you think about me
A3. Freddie’s groove
B1. Phantom feat. The Potash Twins
B2. Endless life
B3. When we last met

Release Info:
Crackazat & Heist present: “Senses”. A stunning mini album that sees the artist deliver a heartwarming perspective on contemporary electronic
music
On “Senses”, we see the pure talent of Crackazat come to life like never before. We’ve all danced to “Alfa” or his most recent hit on Heist “Demucha” and
have heard his venture into the more poppy side of things with his 2022 album ‘Evergreen’ on Freerange. “Senses” however, is on another level. Crackazat
takes you on a sonic journey exploring his musical personality with live keys, vocals, bass and production all coming from his studio in Uppsala, Sweden. The
jazzy horns that are featured throughout are recorded by Adeev and Ezra Potash, better known as the Potash twins. The duo took a sidestep from their
recordings with John Legend, Robert Glasper and even Diplo to dive into this project with Crackazat and help him deliver arguably his best work to date.
The 6-track album starts off with the low-slung groove of ‘I need to know’. The whole atmosphere is warm, dreamy and seems to be written to lift your spirits,
no matter where you are in life. Plucked strings, arpeggios and long horn notes give this song its energy, which is subtly supported by lo-fi drums and sparse
bass licks.
“Do you think about me”, keeps the energy tight with a lovely drum groove and a sparse bass section. From the first note of the track, you get the feeling like
the energy could change any moment. Halfway through this is exactly what happens, when uplifting keys and a buzzing lead take control of the track. The
string arrangement is subtle enough to never overshadow the other instrumentation, but simply adds a beautiful layer to a track that’s already filled with
emotion. It’s all smiles when the energy of this track is set loose!
If “Do you think about me” is Crackazat in pop mode, “Freddie’s Groove” is Crackazat in full-on jazz mode. The nod to Freddie Hubbard is clear, and
Crackazat cleverly takes ideas from both the jazz legend and his legendary French sampler, Pepe Bradock for this track. The horns are deep and moody, the
groove is jazz-house at its best and Crackazat’s soft vocals have the perfect amount of fragility to fit the groove. The changeover into a stabby synth section
halfway through the track is a subtle reminder from the skilled producer that – even with all these musical elements – he can direct you to the front of the
dancefloor with the twist of a note.
“Phantom” sees Crackazat move into a shuffling Latin-dance vibe. Here, the song reaches its full potential through the horn section, so it’s only fitting that this
is the feature track for the Potash Twins. The Latin rhythms are lush, the key progression is on point and the energy on this track just keeps on going with
layers and layers of horns, powerful vocal chops, and subtle but effective percussion changeovers.
“Endless life” is a track that feels like it’s building up momentum with every repetition. Whether it’s the broken beat groove, the offbeat keys or the sparse
horn hits, chord hits or leads, there’s a certain energy in this track that takes a hold of you and simply doesn’t let go.
The outro “When we last met” is built around vibey drunk keys and a downtempo hip-hop groove. There’s a hint of old school D’angelo in this track and you
can clearly hear the artist feels at ease with the path he’s taking the listener on. It’s a perfect ending to a record that showcases the beautiful world that
Crackazat has crafted through his compositions and one thing is for sure: This is an album we will all keep coming back to for a long time to come.
Yours Sincerely,
Maarten & Lars More

Format: Vinyl 12” (180 gr., Limited Full Cover)

Track list:

A1 – Won’t u take me
A2 – Piano heaven
B1 – Masterplan
B2 – Piano heaven (St. David remix)

Release Info:

Cinthie joins the Heist fam with an EP full of lush, epic house music with 3 originals and a St. David remix.

Cinthie is the kind of artist who seems to be everywhere all at once. In the past years, we’ve seen her compile a lush DJ Kicks compilation, release numerous EP’s on labels such as Aus music, run one of Berlin’s finest record stores (Elevate Records), tour the world fiercely, and create an all-new live show. Her EP for Heist has been in the works for a long, long time and it’s an absolute pleasure to finally present the ‘Music for Discotheques’ EP. Spoiler alert: It’s a no holds-back, ‘all killers, no fillers’ record. Just the way we like it.

In classic Cinthie fashion, this EP has the Berlin-based artist explore various sides of house music, starting with the vocal cut ‘Won’t u take me’. Lush pads, shuffling snares and a dreamy female vocal work together to bring a warm and classy house track with a clear nod to 90’s US house, but with its feet firmly rooted in the present.

Piano heaven takes you on an Italo-meets-deephouse excursion straight into…Drum roll…: Piano heaven. A driving 909 groove and a deceptively simple bass form the foundation of the track, but it’s the keys (and strings) that bring this track to its full peak-time potential. The energy in this track is of the ‘hands-in-the-air / screaming-out-loud’ type and it has already become one of the biggest tracks in Cinthie’s live-show.

On the flip, Cinthie explores the pacier electronic side of the dance spectrum, with the footwork inspired jam ‘Masterplan’. Think classic 808’s, loopy synths and a cheeky spoken word piece that lifts the song to a level where it’s extremely danceable and quite simply put; really fun.

The final track of the EP is the expertly crafted remix by Italian house maestro St. David; an artist Cinthie has always been a big fan of. He’s made a dazzling rework of ‘Piano Heaven’: A deep and driving deephouse version that’s layered in sweeps, fx and bleeps for an altogether mesmerizing effect.

We’re thrilled that we can share Cinthie’s music on the label and have her join the family after having played so many shows together and having spoken about doing something together for such a long time. As always, play it loud and dance, dance, dance!

Yours Sincerely,
Maarten & Lars More

Format: Vinyl 12” (Limited 180 gr. Cristal Clear Vinyl - Special Cut Out Sleeve - Printed Inner sleeve)

Track list:
A1 Dam Swindle – The break up
A2 Scan 7 – The best is yet to come
B1 Fouk – Kill Frenzy
B2 Demuir – Werq. feel. gruv. vogue.
B3 Adryiano – Me and you and her

Release Info:
Label bosses Dam Swindle dive into the label back catalog and compile 2 special edition releases of classics to celebrate 10 years of
Heist Recordings.
Founded in 2013, Heist Recordings has quickly become a go-to house label, giving rise to a vibrant scene of groove aficionados and all things
deep house. Now in the label’s 10th year, Dam Swindle take a moment to reflect on the great tracks that have come out over the years with 2
limited edition compilations of classics.
On this first compilation, the duo starts with the track that helped the label burst onto the scene: Their instant classic ‘The break up’. With its
vintage vocals, Rhodes chops and instantly recognizable bell loop, it’s easy to understand why so many people are still in love with this track. It’s
only fitting that this anniversary release for Heist goes back to where it all started.
The second track on the compilation is from the legendary Detroit outfit Scan 7: Their 2020 track ‘The Best is yet come’ from Heist’s 50th release.
The appearance of Scan 7 on the label turned quite some heads at the time, but in fact, it made total sense. The mutual love for house, key
grooves and that classic Detroit vibe brought Scan 7 and Dam Swindle together and the result was an amazing release full of Midwest electronic
funk.
On the flip, we’ve got Dutch duo Fouk with their first hit on the label ‘Kill Frenzy’, which kickstarted the rise of their signature sound back in 2014.
The release ends with 2 extremely catchy and strong house releases by Demuir and Adryiano. Demuir’s vocal cut ‘Werq. Feel. Gruv. Vogue’. is
one of the highlights in Demuir’s catalog and a showcase of the producer’s knack for sampling and writing a house groove. Adryiano’s piano
house track ‘Me and you and her’ is a perfect ending to this first compilation, showing us that great house music can be as simple as repeating
something over and over and over, until that groove is all you hear.
The vinyl release of Heist Classics vol. 01 is printed on clear 180 grams heavyweight vinyl and is limited to 1000 records with a special design by
our Art Director Bas Koopmans (Wellness.)
Yours Sincerely,
Maarten & Lars More

Format: (180 gr., Limited Full Cover)

Track list:

A1 – Orchid’s Wish
A2 – Make Me Feel Feat. Marina Trench
B1 – Blu Thang
B2 – Free Feat. Tour-Maubourg
B3 – Purple Corner Fig

Release Info:

Heist welcomes Belgian house maestro UC Beatz to the label with a 5 track EP featuring Marina Trench and Tour-Maubourg.

UC Beatz is a man who likes to do things his own way. You can hear it in his distinctive sound, but it also goes back to when he started producing and putting out records. If he would have asked us for advice back then, we would have definitely tried to talk him out of starting a record label without a good distribution deal. The hours of work to get the records made, printed and stamped is one thing, but going from shop to shop to sell your work, just because you believe in it? That’s just mad.

Thankfully, Belgian producer, DJ -and yes, label owner- UC Beatz didn’t ask our opinion when he started Entrepot Records in 2014 and we’re glad for it. It’s been a total success story for him and an inspiration for independent artists all around. His releases quickly gained momentum, all sold out in weeks and with that, helped him establish his name as stylish deep house producer with his own sound.

Fast forward to 2023, and we find UC Beatz on labels such as Classic Music Company, Razor ‘n Tape and now we’ve his debut on Heist for you. There’s no need for him to go from shop to shop this time, because we’re sure people will jump on this record the minute it hits the shelves.

UC Beatz delivers a stunning 5 track EP with guest appearances from Marina Trench and Tour-Maubourg. The EP sees the artist go from euphoric sample house (Orchid’s Wish) to his classic pad-driven sound on tracks like Purple Corner Fig and Blu Thang. The EP would be good without the collabs, but UC Beatz found a perfect match in style with fellow Heist artist Marina Trench on ‘Make me feel’. His co-production with Tour-Maubourg sees the duo dive deep into a classic Chicago deephouse vibe and deliver the most ethereal track of the EP.

Yours Sincerely,
Maarten & Lars More

Format: (180 gr., Limited Full Cover)

Track list:

A1 - Soundsystem
A2 - High
B1 - Day by Day
B2 - 909 feat. Emil & Boo Williams (OV remix)

Release Info:

Orlando Voorn is back on Heist after his 2022 ‘Heist mastercuts’ EP and comes in with a heavy dose of soulful machine funk. ‘Heist mastercuts part 2’ has the techno & house veteran showing his eclectic style with the vocal cut ‘Soundsystem’, Midwest inspired sample jam ‘High’ and his Boo Williams collaborative drum workout ‘909’.

On the first Heist mastercuts, Orlando dove deep into his archives and presented a collection of old and new tracks, showing us that his music has aged well and reminding us that he’s a producer still on the top of his game. He kept busy in 2022 with releases on our own label Transient Nature, Kompakt, a handful of Bandcamp only tracks, and a self-released album. Somehow, he found the time to work on his follow up ep on Heist and managed to completely blow us away with the music.

The EP kicks off with Soundsystem: a masterclass in simplicity. A steady and minimalistic groove guides you through the track, where silky vocals and woozy chords take you on a trip through Orlando’s sonic universe. Orlando moves into freak mode with a trippy lead and dubbed-out keys to add some playfulness to an already outstanding track.

‘High’ is Orlando’s take on what could easily be an old Andrés track. Here, he samples a female vocal (I get high, I get high, I get high), and cleverly adds his own vocals to add depth and originality to the track. The percussion on high grooves in an effortless way and underlines the feel of this track: It’s fun, cool and incredibly funky. There’s a bit of Dam Swindle sauce on the mix to make sure this track hits the right spot on any dancefloor.

On the flip, there’s ‘Day by day’: A classic Orlando Voorn cut with a live bassline, plenty of chopped samples and a Rhodes loop that could have come straight from a B-roll of a ‘First Choice’ recording session. The b-side ends with a collab with Orlando’s close friend Emil and legendary Chicago producer Boo Williams. The producers take a monologue from Boo Williams about working the 909 and deliver a drum workout -yes with the 909- that keeps on building energy, showing exactly what Boo is talking about.

The digital package also includes an instrumental mix of Soundsytem and an alternative mix to 909, just for good measure. This is the first artist release in our 10 years of Heist anniversary year and this EP perfectly encapsulates the Heist Sound: varied, deep, soulful, and banging.

Yours sincerely,
Maarten & Lars More

Format: (180 gr., Limited Full Cover)

Track list:

A1 - Dam Swindle - You
A2 - Dam Swindle - More love
B1 - Dam Swindle - The wrap around (2022 mix)
B2 - Dam Swindle - 64 Ways feat. Mayer Hawthorne (Nightmares On Wax remix)
B3 - Dam Swindle - The wrap around (DJ Bone’s doc ciroc remix)

Release Info:

We’ve come to the third and final installment of Dam Swindle’s ‘Keep on Swindling’ series and are proud to see them finishing off their 10-year anniversary with a bang. This final ep holds 2 new originals, remixes by Nightmares on Wax and DJ Bone and the long-awaited re-release of their seminal track from 2013: ‘The Wrap Around’.

‘Keep on Swindling part 3’ kicks off with ‘You’; a fast-paced slice of electronic funk that sees the boys dive into heady club territory. With this track, they show a new direction in their sound that combines their vintage sampled-based soulfulness with modern percussive and melodic elements. Whether it’s the moody arpeggio, the techno-ish stabs or the bell-driven percussion in ‘You’; it’s all coming together in a way that is both heartwarming and rush-inducing.

The A side also holds ‘More Love’; a track that takes you back to what has been the center of the Dam Swindle sound in the past 10 years. Conga loops, vocal chops, synth stabs and a simple string to keep the tension; it’s all in there. Add to that a simple funk bass loop and you’ve got yourself a modern-day Swindle classic.

On the flip, you’ll find a special song from the Dam Swindle catalog: ‘The wrap around’. When released on Huxley’s now defunct ‘Saints & Sonnets’ label back in 2013, the release made its way into many record bags and sold out quickly, never to be repressed again. Discogs prices went through the roof, while the title track became one of the biggest tracks for Dam Swindle in their early years. Now, it will be available on vinyl and digital again through Heist. It's had a few touch-ups in arrangement and mixing for the 2022 mix, but the boys worked hard to maintain the rough edges that made the original loved by so many fans.

The B2 is a collaboration with none other than Nightmares on Wax, who delivers a brilliantly creative version of ‘64 ways feat. Mayer Hawthorne’. N.O.W. completely flips the original, opting to use the spoken word intro in a mangled and chopped way on top of a nasty groove and soaring bassline. The main vocal comes in during the second part of the song and adds to the buildup with new Rhodes chords, cowbells, and electronic chops. It was already special when we got together and agreed on the remix, but the result really blew our mind and cemented the position of N.O.W. as a legendary producer even more.

The EP closes off with another special track: DJ Bone’s Doc Ciroc remix of ‘The Wrap Around’. DJ Bone has been living in the Netherlands for a long time already and it was only a matter of time before the legendary Detroit producer and DJ would meet Dam Swindle. It was on one if his ‘Further’ events that we laid the foundation for this collab and it’s an honor to have DJ Bone add his raw soulful techno style to the Swindle’s original track. DJ Bone goes for pacey percussion with a classic Detroit Techno feel. His version is minimalistic and raw, chopping up the vocal and using the original Prophet pad as a base layer of warmth. The track gets even beefier when the bassline comes in: A dirty modded 101 lick with so much electronic funk that makes it impossible not that dance.

On ‘Keep on Swindling part 3’, Dam Swindle showcase a more electronic side of their sound and sees them connect with likeminded artists who have delivered amazing interpretations of some of the most loved DS tracks of the past years. With that, we’ve come to a banging conclusion to 10 years of Dam Swindle. There’s only thing that keeps us up right now: What will their next step be…?

Yours Sincerely,
Heist Recordings. More

2022 Repress

180g VINYL.Release: 24.06.2013 - UPC: 827170508361- Tracklist: A1. The break up B1. The make up
Vital sales points:
- First EP of the label by the label-bosses themselves; Dam Swindle
- Releases on Freerange, Dirt Crew, Saints & Sonnets and more
- Just back from their first US tour in May 2013
- Pressing on 180 grs black vinyl
Info: It's not often that silly, boyish dreams come true. But, if you take a closer look at our past 12 months, dreams seem to come true every other day. We've had a great year with releases on such great labels and had the opportunity to play our music all over the world and we've enjoyed every minute of this musical rollercoaster. And today, we've got another dream that's turning into reality: We're starting our own label. This is Heist Recordings, and you're looking at our very first release. We're extremely proud to share this two track EP of our own music with you and we hope you'll like it as much as we do. The break up is a track that checks all the boxes of the signature DS sound. An infectious set of airy chords, a bumpy bass-line and a lush female vocal give the track that feeling that bridges everything we love about the house from back in the days with the things that get everyone excited today. The make up is a deeper track, but still a genuine house tune, with some repetitive almost hypnotic vocals and stabs and of course, a pumping groove. You'll lose track of everything halfway through the break, but as soon as the beat kicks in, you know its business time. This is just the first step. Enjoy it, and be sure to keep an eye out for more of Heist in the near future.
Sincerely yours, Dam Swindle

More

Format: (180 gr., Limited Full Cover)

Track list:

A1 - Byron the Aquarius - I love yo
A2 - Byron the Aquarius - Get up
B1 - Byron the Aquarius - Love
B2 - Byron the Aquarius - Success
B3 - Byron the Aquarius - I love yo (Kush Jones remix)

Release Info:

Heist Recordings has been pushing the envelope for house music since day one and we’re always on the lookout for artists that represent our vision on electronic music. Our next guest on the label fits that profile and more. He is the embodiment of modern-day electronic funk and a true wizard on the keys: Atlanta raised cool guy Byron the Aquarius.

Byron has a solid history on the label: He remixed Parker Madicine back in 2017 and did a mad solo on the 2019 released Dam Swindle track ‘The life behind things’. We’ve done some shows together and stayed in touch while Byron was working together with Jeff Mills on his 2020 jazz crossover record ‘Ambrosia’ on Axis. Now, after a solid string of releases on labels like Shall not Fade and Purveyor Underground, Byron is making his solo appearance on Heist. His ‘Akira’ EP goes from dark basement grooves to dreamy broken beats and features a remix by New York dance music wizard Kush Jones.

The Akira EP kicks off with ‘I love yo’. In this track, Byron decides to leave his keys at home and goes in deep with a moody club workout. ‘I love yo’ is a track that juxtaposes dreamy samples with rough percussion and vocal chops with a clear nod to the work of Mr. G. The melody is mellow, but don’t be deceived; clever drum programming and plenty of sub take this track into the club vibe just the way Byron likes it: warm, hazy and sexy AF.

Byron is not known for delivering straightforward house tunes, but when he does deliver them, he does it in style. Enter ‘Get up’; the A2 of the EP. There’s everything we love about house music: smart vocal chops, driving percussion, classic house keys and a booming sub to get you bumping to this beat.

The B-side sees Byron up the tempo and take a deep dive into bass territory with ‘Love’. In this track, there’s lush pads running over a percussive broken beat and chopped R ’n B vocals to add some serious sex appeal. It’s deceptively simple and clean but ever so catchy, which clearly shows Byron’s prowess as an electronic music producer.

Going back to classic house mode, we’ve got ‘Success’: A spoken word house track that fits right in with the classics. Byron sets the mood with some bumpy key-and synth work while brainstorming about originality and blackness throughout the track. Even though the message underneath might be a serious one, Byron succeeds in delivering this in a fun, uplifting way that never gets pretentious or divisive.

The EP finishes with a remix by New Yorker Kush Jones. This is an artist who understands how to build a groove. He could take you anywhere from house to juke, footwork and techno, which is exactly why he’s been getting so much love for his music recently. Kush is an artist who sees no boundaries in his music and still manages to create his own sonic universe. His remix of ‘I love yo’ takes a dreamy approach with soft chords running over an electronic groove with a pure and improvised feel. All elements fit together perfectly and it’s the clever ad-hoc programming and arrangement that suck you into his unbounded world from the first beat.

As always, enjoy the music and play it loud.

Yours sincerely,
Maarten & Lars More

Format: (180 gr., Limited Full Cover)

Track list:

A1 - Dam Swindle - Good woman
A2 - Gaoulé Mizik - A ka titine (Dam Swindle remix)
B1 - Dam Swindle - High Life feat. Lorenz Rhode (Ash Lauryn remix)
B2 - Dam Swindle - Yes, no, maybe feat. Tom Misch & Lorenz Rhode (Arp Frique remix)
B3 - Dam Swindle - Call of the wild feat. Jungle by night

Release Info:

After the chart-topping Keep on Swindling part 1, that included summer anthem ‘All I want’ and the live jazz rework of ‘The break up’ by Emma-Jean Thackray, Dam Swindle are now back with part 2 of their 10-year anniversary series. If you thought the first edition had the goods, you’re in for a treat with this one. Keep on Swindling part 2 includes a new afro-tinged DS original, alongside a never-released remix of an obscure Guadeloupean record and remixes by rising star of the Detroit music scene Ash Lauryn and Rush Hour favorite Arp Frique. To top things off, the boys release their afro-brass dancefloor burner ‘Call of the Wild’ feat. Jungle by Night for the first time on a single.

The EP kicks off with a new original production by DS: ‘Good woman.’ This track has Dam Swindle on their best dancefloor behavior: Powerful live drums with an electronic edge and a big smudge of soul through smart sampling. The track has the feel of a soulful drum workout, taking its warmth from the lovely organ hits played by the talented Tim Jules and lush vocals. It also has plenty of low end with its offbeat sub and heavy kick, which give this track all the beef it needs to make any dancefloor -big or small- move in ecstasy.

The next track is somewhat of a special project. Tipped in 2019 by close friend Vincent ‘Venz’ Reinders who now runs one of Amsterdam’s finest venues Radioradio, Lars and Maarten started working on a rework of the song ‘ A ka titine’ by Guadeloupean band ‘Gaoulé Mizik’. The original release was only distributed from private press in small amounts, and therefore did not reach that many people. Versions of this record are rare on Discogs and unfortunately change hands for large sums of money, which keeps the music in obscurity.

The Dam Swindle rework was first put out as a free download, but was taken offline quite soon after, when we started our path to locate the original rightsholders and get their approval. Fast forward 3 years and we’re here with an official remix of this amazing piece of music where the guys add an electronic twist to the original to bring that classic Gwo Ka music towards today’s clubs.

On the flip, we’ve got the amazing Ash Lauryn remixing the title track of Dam Swindle’s 2018 album: ‘High life’ co-written by Lorenz Rhode. Ash Lauryn has been moving from strength to strength and is proudly representing the city of Detroit and all its musical heritage with her DJ sets, productions, and the content she makes. We recently got the opportunity to meet in person and this woman is about as real as it gets. Her aura simply vibrates when she plays, and she oozes class behind the decks. This remix – co-produced with Stefan Ringer- takes a deep and grooving approach to the original, with new heady percussion to add that original Detroit flavor.

The next track is a remix by of our favorite and colorful Dutch artists: Arp Frique. Arp Frique is known for his multicultural take on music, combining Caribbean and Cabo Verdean styles with classic disco and funk. He decided to write a whole new song around the vocals of the Swindle, Rhode & Tom Misch hit ‘Yes, no, maybe.’ He takes a loose-limbed, tropical disco direction where the live, analog recording lays a perfect foundation for this breezy track. The vinyl release contains the vocal mix, while we also have the instrumental available for download.

The Ep closes with a Dam Swindle original for the 2018 album High Life that really needs no introduction: ‘Call of the wild feat. Jungle by Night.’ It’s a track that seems to keep the dancers happy wherever we play it and hasn’t lost any of its appeal in the past four years. Originally only released in album format, this track now makes its way on a single 12” to round off an exciting new release by the Swindles. Enjoy the music, play it loud and remember…

Keep on Swindling!

Yours sincerely,
Maarten & Lars
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Two certified club bangers finally available on wax, super lmtd. Edition!
Finally two highly acclaimed Session Victim Remixes for high profile artists Bellaire and Sweatson Klank are being released on vinyl for the first and only time.

A1 - Bellaire - Daytime (Session Victim Remix)
B1 - Sweatson Klank - The Road To Love (Session Victim Remix)

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12" - VINYL ONLY

Tracklist:

A-Side
A1) Can U Feel It (05:16 min)
A2) On The Spectrum (05:48 min)
A3) Lucky (04:33 min)

B-Side
B1) Shower Scene (Extra Steam) (07:08 min)
B2) Time Slips Away (05:54 min)

Short info:
Like phoenix rising from the ashes. Buero Hahn is back. Laying off on the edits for 6 years Bell
Towers, who currently scrambles eggs in the kitchen of his wine bar, has still got. Exquisite selection,
soft touch, strong finish. Hey D.J. you will need these songs. More

non-exclusive
2LP R&S and Apollo Records present an official vinyl repress of this most classicand timeless album The vinyl uses the 2013 re-masters made from original DAT tapes cut by Matt Colton and presented in original artwork.

All time favourite Aphex Twin Album. Nice and accesible experimental techno. Originally released in 1992. What else could be said here, we finally are stocking copies on arguably the most important and influential electronic album of album time, Aphex Twin's Selected Ambient Works 85–92. You will always need this!!!

Tracks: A1 Xtal
A2 Tha
A3 Pulsewidth
B1 Ageispolis
B2 i
B3 Green Calx
B4 Heliosphan
C1 We Are The Music Makers
C2 Schottkey 7th Path
C3 Ptolemy
D1 Hedphelym
D2 Delphium
D3 Actium

More

Tracklisting:
A: Typerope
B: Magic Through Music

ReleaseInfo:
2019 Reedition based on the 2013 re-master by Stefan Betke (Pole) using
Tube-Tech compressors and Weiss EQ's. Which was an improvement from the 2003 Original!
Carefully Re-Cut 1:1 and Edited in 140g Vinyl housed in thick Brown Carton Bags. More

Tracklist

A1 - KiNK - Wake Up
A2 - KiNK - Beep Beep

B1 - KiNK feat. Redeye - Room To Jack
B2 - Raredub & KiNK - Scrambler

KiNK's first release on Sofia Records this year lives up to its title and its creator's reputation. The relentless energy, love of musical adventure and undamped enthusiasm of a KiNK live set can be found here in all its glory.

Wake Up is not only an instruction and a hidden compliment to Laurent Garnier, it's also evidence of the Bulgarians uncanny ability to deliver steamrollers with various twists and turns, while hitting the peak effortlessly.
Beep Beep adds a certain element of mania to the menu. For the lack of a better description, please imagine Mr. Oizo and Steve Poindexter making a record together. Not for the faint at heart.
That can be said for the rest of the EP as well. Featuring Redeye, Room To Jack is on the same level of Beep Beep. Traditional topics of Chicago House get a bench test on a speed farm.
Dancing to Scrambler one would probably need the same room to jack. Swapping the Windy City with British raving fields, KiNK and Raredub deliver a take on the early sound of UK that might miss breakbeats, but manage to re-use all the other ingredients to a hair: fine-tuned and updated. Quotation without modern misinterpretation. Hyper and epic at the same time. And always remember the future!



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12” vinyl with full cover print

TRACKLIST:

A1 Doppler Shift
A2 Branches
B1 Salt and Iron
B2 Robust Version Nine

INFO:
Ever effervescent producer Kangding Ray continues to connect experimentalism and dancefloor, hitting home hard on his newest EP on Figure.

Storming out of the gate, Doppler Shift packs the momentum to take off, its dry-thumping arp-ride raising the levels from zero to hero. Meditating on murky sounds, Branches displays the producer’s extraordinary skills at splicing together seemingly disparate DNA of sounds to create otherworldly but compelling tapestries of rhythm.

Turning things for the flip, from colourful dub chords emerges Salt and Iron, a driving tune reminiscent of the 90’s spacey chill-out-rooms. Taking it a notch deeper, Robust Version Nine builds its lively groove around modular experimentations, the machines ultimately becoming an extension of the artist himself.








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2023 REPRESS EDITION

Tracklist
A1.Get Closer (Tiger & Woods Remix)
B1.Get Closer (Gerd Janson Coy Club Edit)
B2.Get Closer (DJ Oyster Tool Time)
Shortinfo:
Here we are again! Courtesy of Valerie Dore. Numero due in the Super Sound Singles series on Running Back continues on the re-issue/update tip of inexpensive records.
Big in the charts in 1985, the Italian queen of "romantic dance" made her second single "Get Closer" a clairvoyant poem about… errr… life and love: "when the world is running down - get closer"!
Think stonewashed jeans, endless summers on Italian beaches, boats coming back to the shore.
Remixed by fellow country men Tiger & Woods, "Get Closer" gets sandblasted into our modern times and the necessary treatment to be the peak- and night time hug fest, it's always supposed to be. Add a run out tool by DJ Oyster and a gentle DJ-friendly edit by Gerd Janson of the original to the billboard. And always remember: changing your spell can save you.
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FORMAT 12” 180g vinyl, full printed sleeve, incl Download Card

TRACKLIST
01/A1 Human Error Processor 06:53
02/A2 Perforated 05:09
03/B1 Metro City Bay Area 06:03
04/B2 Three Deities 06:18
05 United By Fate (Digital Bonus) 05:45

RELEASE INFO:
Yazzus follows up her appearance on the Tresor 30
compilation with a new EP named BLACK METROPOLIS.
Within its, at times, rough-hewn textures lies a core
that explores joy and energy within the roots of black
techno. In her words: “I want this release to be black
and beautiful, to be queer, and playful, a nostalgic nod
to the 90s but also reimagining it in the current times.”
The Ghana-born, London-bred, now Berlin-based
producer’s research into afro-futurism, envisaging
a path forward for science, technology and culture
through the black experience, has impressed a deep
vision on this EP. Yazzus sets like a cartographer, using
her tracks to explore a technologically advanced world,
each representing dierent regions and environments.
Human Error Processor introduces an ear-worming
percussion pattern nearly swamped by distorted bass
drums and a vocal sample screwed just beyond
recognition. Perforated leads with a 150bpm four to the
floor stomp, infectious and supercharged. Gluey synth
motions soak in an otherworldliness, where industrious,
mechanical rhythms map out futurist structures in all
directions.
Metro City Bay Area exhibits a ghettotech soul, lean and
bouncy - this part of the galaxy is an infinite source of
fun, with the heart of groove at it’s core. Three Deities
brings adventurers of its region towards higher powers,
its ravey synths and an engulfing bass provoke
a complete NRG release, ascending into a spiritual
trance where dense melodies bubble and fizz.
Digital-only track United By Fate meddles busy vocal
samples with searching melodies, a fitting end to the
kaleidoscopic that is BLACK METROPOLIS.

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Rights: Europe (excluding France & UK) + Middle East (including Turkey)

LP+CD edition with black vinyl in sleeve with 3mm spine. CD included.

Tracklist:

A1. Shlon / A2. Shi Tridin / A3. Mawwal
B1. Abou Zilif / B2. 3tini 7obba / B3. Layle

CD features the same tracks in the same order.

Short info:

After the acclaimed "Wenu Wenu" & "Bahdeni Nami" released in 2015 and the success of "To Syria With Love" (2017) followed by collaborations with Björk and Four Tet, Omar Souleyman presents his fourth and new studio album “Shlon”. The album's romantic poetry is the work of Moussa Al Mardood - a long-time collaborator of Omar's who currently lives in Turkey - who wrote the songs in the studio during the recording sessions. 6 tracks are offered to us with Love as the one and only theme. All the tracks are based on techno with an avant-garde sound in the genre and on high-speed Kurdish and Arabic dabkes and styles, except for the track ‘Mawwal’, whose rhythm is traditionally slower.

TOUR DATES
06/12/2019 – The Netherlands – Groningen
01/02/2020 – Portugal - Lisbon
06/02/2020 – UK – London
07/02/2020 – UK – Cambridge
06/03/2020 – Denmark – Aarhus
20/03/2020 – Germany – Berlin
+ more dates announced soon
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Tracklist 12":
A1) Orlando Magic, A2) Cabrio Mango
B1) 1981, B2) She Keeps It Good

The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version.

This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible!
This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.
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UPC: 5060281619082 - pale green vinyl, CD included + 4 Pages Poster Release: 19.01.2015
Features the CD.Original Lp artwork. Remastered from original tapes .Also includes a 4 pages 30 cm x30 cm poster-booklet with photos, biographic notes (in english) & reminder of all vinyl references available

“SUPERNATURE“ (Cerrone III) 1. Supernature 2. Sweet drums 3. In the smoke 4. Give me love 5. Love is here 6. Love is the answer





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Tracklist
A1. Basics (Gerd Janson Re-Edit)
A2. Drivers License (Gerd Janson Re-Edit)
B1. Vibes (Gerd Janson Re-Edit)*
B2. Lost (Gerd Janson Re-Edit)*

The onus of proof regarding deepness is a rather peculiar one. Even if one presses all the right buttons, quotes the correct sources and applies the textbook techniques, often something seems to be amiss. The elusive producer Mute never had that problem. Blessed with a a sound of his own, that seems to stem from within and can be called deep house without the genre’s strait-laced demeanor, his aesthetic includes a distinct feel for boogie and disco tropes. Case in point: Lost. Placed as a B2 it is the secret start of Direct Cuts II and more
prominent on this new edition of a classic Running Back record. Molded into an extended disco version by Gerd Janson with unused parts of the original recording session, it something like a curveball deep house disco song, according to the motto: you and me, we can be like a whole universe! Hard to resist and even harder not to like if you have the slightest interest in Prelude records, Diana Ross songs or Tee Scott mix techniques. Basics, Vibes and Driver’s License push further into the world and musical mindset of Mute.
Originally released in 2006 as the the fourth outing of the label and the second (and his last one to date) of the elusive artist, it is still as remarkable as on its first release. Carefully rescued from the original DAT tapes, all re-edited by Gerd Janson and remastered by Lopazz, it’s available again in a clear and present portraiture of its original intent. Early adopters like Danny Krivit and the Idjut Boys can’t be wrong.



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