1
Substance - A. Gannets
2
Substance - B. Grey Feather
Tracklist 7":
A Gannets 4:00
B Grey Feather 3:40
Short Info:
7" vinyl single release of Berlin club Paloma's label imprint, founded to support the venue during
the Corona Virus crisis in 2020. All tracks previously unreleased.
Written & produced by Peter Kuschnereit in Berlin 2020.
Mastered By Matthew Styles @Horizontal Studios
Artwork by Alex Solman
"I've made a few tracks who have never found a home and it is my pleasure to give these tracks
to Paloma supporting their mission." (Substance) More
A Gannets 4:00
B Grey Feather 3:40
Short Info:
7" vinyl single release of Berlin club Paloma's label imprint, founded to support the venue during
the Corona Virus crisis in 2020. All tracks previously unreleased.
Written & produced by Peter Kuschnereit in Berlin 2020.
Mastered By Matthew Styles @Horizontal Studios
Artwork by Alex Solman
"I've made a few tracks who have never found a home and it is my pleasure to give these tracks
to Paloma supporting their mission." (Substance) More
More records from Substance
1
substance - Rise And Shine
2
substance - Countdown
3
substance - Bird Cave
4
substance - Distance
5
substance - Cruising
Peter Kuschnereit, also known as Substance or DJ Pete, has long been known to heads as an essential figure in Berlin dance music, though he has comfortably flown under the international radar. Born and raised in the central district of Kreuzberg (where he still lives in the same high-rise he grew up in), this year marks the 30th anniversary of his DJ career – and a fitting moment to announce his first solo EP on Ostgut Ton following contributions to previous compilations Fu¨nf and Zehn and his longstanding relationship to Berghain. Locally, his influence has been multifaceted: an employee at the famed Hard Wax record store for some 27 years, Kuschnereit is also one of the core DJs in the legendary Wax Treament party series, helping to unite diverse strains of global dance music – from dubstep, grime, house and techno to Senegalese polyrhythms – all pumping through the KILLASAN sound system. Indeed, eclecticism has become a kind of trademark for Kuschnereit as evidenced on various mid- 90s and 2000s deep techno classics with Vainqueur on Chain Reaction and Scion Versions, a funky Latin techno 12” as DJ Pete on Surgeon’s Counterbalance, recent live collaborations with Sleeparchive as TR-101 and dozens of his online Wax Treatment podcasts. Rise And Shine sees Kuschnereit fusing his deep, industrial aesthetic as Substance with the resonant bass-heavy leanings of DJ Pete, as evidenced on the title track’s off-kilter metallic riddims and multiple, interlaced SH-101 and Prophet 5 melodies. From there, potential set-closer “Countdown” blasts off with relentlessly rattling, scraping breaks, hissing German vox and big chords. The compact explorations of “Bird Cave” and “Distance” offer a more atmospheric take on bass and rhythm, while EP closer “Cruising” re-explores the uncanny, Berlin deep techno cosmos Kuschnereit has helped define, this time in denser form.
More
More records from Paloma
1
Daniel Wang - DSDN (vocal mix)
2
Daniel Wang - DSDN (303 city dub)
3
Daniel Wang - DSDN (instrumental mix)
4
Daniel Wang - DSDN (303 instrumental dub)
repress, blue marbled limited version
GENRE/S: House, Acid House, Disco
TRACKLIST:
A1 DSDN (vocal mix)
A2 DSDN (303 city dub)
B1 DSDN (instrumental mix)
B2 DSDN (303 instrumental dub)
SHORT INFO:
The label imprint of the beloved Berlin based club Paloma delivers its eighth release, and it was created by none other than a vogueing encyclopedia of musical and club culture knowledge (plus a cherished Paloma resident DJ). The disco professor: Daniel Wang.
It is his first original production under his own name in many years, and you can easily tell that this is not a tool to join in with dancefloor conformity (after all, his first album was called Idealism for a reason). Daniel Wang had already evolved from innocently enthusiastic sampling to synth wizardry during the heyday of his legendary Balihu label, and while studying the masters, he became one himself.
DSDN is an ode to nocturnal Berlin and its party community, a city that never left the centre of international attention for its vital and influential scene. Daniel Wang is a part of it since twenty years, and he was influenced by what he experienced as much as he left his mark on many nights, both as a DJ, and as a producer.
Of course, this release follows the traditional structure of a Disco EP by using a main tune DSDN with complementing dubs and instrumentals. Four to be exact, because four is the magic number with this format. DSDN reflects the internationality of the clubs across town in English and German words and pays homage to all the districts, and it effortlessly manages to unite sounds of both 80s NYC and Italo disco, 90s NYC and Italo house, synthpop and rap before it became too successful, balearic vibes before they became a mere excuse, and then it just majestically unfolds into both a charming summer hit and a complex opus magnum, but all an aural sunbeam that blows a kiss to those who emerge from recent sensations in clubs, bars, parks, and streets. Alone or together, happy or sad, resolute or irresolute, tired or energized, or all at once.
More
GENRE/S: House, Acid House, Disco
TRACKLIST:
A1 DSDN (vocal mix)
A2 DSDN (303 city dub)
B1 DSDN (instrumental mix)
B2 DSDN (303 instrumental dub)
SHORT INFO:
The label imprint of the beloved Berlin based club Paloma delivers its eighth release, and it was created by none other than a vogueing encyclopedia of musical and club culture knowledge (plus a cherished Paloma resident DJ). The disco professor: Daniel Wang.
It is his first original production under his own name in many years, and you can easily tell that this is not a tool to join in with dancefloor conformity (after all, his first album was called Idealism for a reason). Daniel Wang had already evolved from innocently enthusiastic sampling to synth wizardry during the heyday of his legendary Balihu label, and while studying the masters, he became one himself.
DSDN is an ode to nocturnal Berlin and its party community, a city that never left the centre of international attention for its vital and influential scene. Daniel Wang is a part of it since twenty years, and he was influenced by what he experienced as much as he left his mark on many nights, both as a DJ, and as a producer.
Of course, this release follows the traditional structure of a Disco EP by using a main tune DSDN with complementing dubs and instrumentals. Four to be exact, because four is the magic number with this format. DSDN reflects the internationality of the clubs across town in English and German words and pays homage to all the districts, and it effortlessly manages to unite sounds of both 80s NYC and Italo disco, 90s NYC and Italo house, synthpop and rap before it became too successful, balearic vibes before they became a mere excuse, and then it just majestically unfolds into both a charming summer hit and a complex opus magnum, but all an aural sunbeam that blows a kiss to those who emerge from recent sensations in clubs, bars, parks, and streets. Alone or together, happy or sad, resolute or irresolute, tired or energized, or all at once.
More
Second EP from Paloma Resident DJ Tom
Releases on Paloma and Temperamental Club Sound
GENRE/S: House, Acid House, UKG,
TRACKLISTS:
A1 How Wrong feat. Rose
A2 How Wrong (Eluize Remix)
B1 Lose Yourself feat. Rose
B2 Lose Yourself (Massimiliano Pagliara Remix)
B3 Lose Yourself (Tom’s No Hope Dub)
SHORT INFO:
We would like to present Paloma's seventh release: Tom feat. Rose - Lose Yourself EP
Throughout club music history, the combination of vocals and groove remains a vital element. Countless anthems
have prompted singing on the floor, and have raised arms in the air. There might have been times where vocals
mattered less, but right now they are probably more needed than ever.
Tom & Rose are well aware of all that, and they were willing to place themselves and their music in a tradition of
dancefloor euphoria, universal messages and also a bit of bittersweetness.
Tom is a DJ, producer and mix engineer, and also a booker and resident at Paloma. Rose is an Irish singer and
producer. Together they created these tunes, a testament to better times gone and ahead."How Wrong" is the sound of heartbreak, albeit locked in a UKG tinged sureshot that swings back and forth with
ease between jubilant piano bliss and monolithic bass weight, and it kicks like a mule. "Lose Yourself" is both an
ageless acid slam and a joyful paean dedicated to all nights that should never end. There is a pumping dub too,
equally designed to be the soundtrack to blowing a nocturnal kiss to everyday sorrows.
Also included: complementary remixes by Eluize and Massimiliano Pagliara that come up with a different take,
but a similar vision.
Enjoy the music, and stay safe!
More
Releases on Paloma and Temperamental Club Sound
GENRE/S: House, Acid House, UKG,
TRACKLISTS:
A1 How Wrong feat. Rose
A2 How Wrong (Eluize Remix)
B1 Lose Yourself feat. Rose
B2 Lose Yourself (Massimiliano Pagliara Remix)
B3 Lose Yourself (Tom’s No Hope Dub)
SHORT INFO:
We would like to present Paloma's seventh release: Tom feat. Rose - Lose Yourself EP
Throughout club music history, the combination of vocals and groove remains a vital element. Countless anthems
have prompted singing on the floor, and have raised arms in the air. There might have been times where vocals
mattered less, but right now they are probably more needed than ever.
Tom & Rose are well aware of all that, and they were willing to place themselves and their music in a tradition of
dancefloor euphoria, universal messages and also a bit of bittersweetness.
Tom is a DJ, producer and mix engineer, and also a booker and resident at Paloma. Rose is an Irish singer and
producer. Together they created these tunes, a testament to better times gone and ahead."How Wrong" is the sound of heartbreak, albeit locked in a UKG tinged sureshot that swings back and forth with
ease between jubilant piano bliss and monolithic bass weight, and it kicks like a mule. "Lose Yourself" is both an
ageless acid slam and a joyful paean dedicated to all nights that should never end. There is a pumping dub too,
equally designed to be the soundtrack to blowing a nocturnal kiss to everyday sorrows.
Also included: complementary remixes by Eluize and Massimiliano Pagliara that come up with a different take,
but a similar vision.
Enjoy the music, and stay safe!
More
1
Daniel Wang - DSDN (vocal mix)
2
Daniel Wang - DSDN (303 city dub)
3
Daniel Wang - DSDN (instrumental mix)
4
Daniel Wang - DSDN (303 instrumental dub)
GENRE/S: House, Acid House, Disco
TRACKLIST:
A1 DSDN (vocal mix)
A2 DSDN (303 city dub)
B1 DSDN (instrumental mix)
B2 DSDN (303 instrumental dub)
SHORT INFO:
The label imprint of the beloved Berlin based club Paloma delivers its eighth release, and it was created by none other than a vogueing encyclopedia of musical and club culture knowledge (plus a cherished Paloma resident DJ). The disco professor: Daniel Wang.
It is his first original production under his own name in many years, and you can easily tell that this is not a tool to join in with dancefloor conformity (after all, his first album was called Idealism for a reason). Daniel Wang had already evolved from innocently enthusiastic sampling to synth wizardry during the heyday of his legendary Balihu label, and while studying the masters, he became one himself.
DSDN is an ode to nocturnal Berlin and its party community, a city that never left the centre of international attention for its vital and influential scene. Daniel Wang is a part of it since twenty years, and he was influenced by what he experienced as much as he left his mark on many nights, both as a DJ, and as a producer.
Of course, this release follows the traditional structure of a Disco EP by using a main tune DSDN with complementing dubs and instrumentals. Four to be exact, because four is the magic number with this format. DSDN reflects the internationality of the clubs across town in English and German words and pays homage to all the districts, and it effortlessly manages to unite sounds of both 80s NYC and Italo disco, 90s NYC and Italo house, synthpop and rap before it became too successful, balearic vibes before they became a mere excuse, and then it just majestically unfolds into both a charming summer hit and a complex opus magnum, but all an aural sunbeam that blows a kiss to those who emerge from recent sensations in clubs, bars, parks, and streets. Alone or together, happy or sad, resolute or irresolute, tired or energized, or all at once.
More
TRACKLIST:
A1 DSDN (vocal mix)
A2 DSDN (303 city dub)
B1 DSDN (instrumental mix)
B2 DSDN (303 instrumental dub)
SHORT INFO:
The label imprint of the beloved Berlin based club Paloma delivers its eighth release, and it was created by none other than a vogueing encyclopedia of musical and club culture knowledge (plus a cherished Paloma resident DJ). The disco professor: Daniel Wang.
It is his first original production under his own name in many years, and you can easily tell that this is not a tool to join in with dancefloor conformity (after all, his first album was called Idealism for a reason). Daniel Wang had already evolved from innocently enthusiastic sampling to synth wizardry during the heyday of his legendary Balihu label, and while studying the masters, he became one himself.
DSDN is an ode to nocturnal Berlin and its party community, a city that never left the centre of international attention for its vital and influential scene. Daniel Wang is a part of it since twenty years, and he was influenced by what he experienced as much as he left his mark on many nights, both as a DJ, and as a producer.
Of course, this release follows the traditional structure of a Disco EP by using a main tune DSDN with complementing dubs and instrumentals. Four to be exact, because four is the magic number with this format. DSDN reflects the internationality of the clubs across town in English and German words and pays homage to all the districts, and it effortlessly manages to unite sounds of both 80s NYC and Italo disco, 90s NYC and Italo house, synthpop and rap before it became too successful, balearic vibes before they became a mere excuse, and then it just majestically unfolds into both a charming summer hit and a complex opus magnum, but all an aural sunbeam that blows a kiss to those who emerge from recent sensations in clubs, bars, parks, and streets. Alone or together, happy or sad, resolute or irresolute, tired or energized, or all at once.
More
1
V.a(Lowtec,Marvin Dash,Hans Nieswandt,Er - A1. Lowtec - Museum Of Natural History Of Life
2
V.a(Lowtec,Marvin Dash,Hans Nieswandt,Er - A2. Marvin Dash - Lost In The Woods
3
V.a(Lowtec,Marvin Dash,Hans Nieswandt,Er - B1. Hans Nieswandt - Groove Y'All
4
V.a(Lowtec,Marvin Dash,Hans Nieswandt,Er - B2. Eric D. Clark - From E'vry Mountain Top
12" vinyl single release of Berlin club Paloma's label imprint, founded to support the
venue during the Corona Virus crisis in 2020. All tracks previously unreleased.
Genre: House
Tracklist 12":
A1 Lowtec Museum Of Natural History Of Life 5:08
A2 Marvin Dash Lost In The Woods 6:07
B1 Hans Nieswandt Groove Y'All 6:32
B2 Eric D. Clark From E'vry Mountain Top 4:22
All Tracks:
Mastered By Matthew Styles @Horizontal Studios
Artwork by Alex Solman
Eric D. Clark
"Written in approximately 1996 or shortly thereafter & born of a night out on the town naturally!
...having been to hear Ranga Tikki (Ms. Codi from New Zealand) drop knowledge in Berlin's SO36: she'd
played the "I have a dream" speech orated by Martin Luther King;
...the mind stopped at "From every Mountain Top"! I walked back through the streets shouting that to myself
until entering the flat then started immediately on the song!
Written and produced: ERiC D. ClARk
publisher: SUBCURRENT Music lTd.
Hans Nieswandt:
Between 1996 and 2000 (and in some cases beyond), Cologne project Whirlpool Productions produced a lot
of music, both as a group and as solo artists, at the legendary Can Studio in Weilerswist, a small town about
20 kilometres south of Cologne. Much of this music has been released, most notable the international
classic „From: Disco To:Disco“; but some of the music never saw the light of day. These two tracks I
produced myself at some point shortly after my first solo album „Lazer Muzik“ and I’m super glad to get a
chance to finally release them - because there is the important cause of helping to save the Paloma Bar, a
place where I played times and always loved it - an experience I dearly hope to repeat many times more.
And because I always liked those two tracks a lot, they just never found their proper platform, for whatever
reasons. As I think they are quite fitting to the sound of the Paloma, I’m more than happy to support this
unique place with this humble contribution. Written and produced by Hans Nieswandt around 20 years ago
at Can Studio, Weilerswist. Original date unknown.
Lowtec & Marvin Dash:
"Es gibt ein paar Lieblingsclubs in Deutschland, kleine Clubs wie z.B. Paloma in Berlin oder Pudel in HH -
wo es nur um die pure Liebe zur Musik geht - wo keine Kompromisse eingegangen werden müssen in
Bezug auf Trackauswahl oder zu deepen Sets, weil das Publikum einfach versteht worum es geht.
Sozusagen das verlängerte Wohnzimmer... Bei gefühlt jeder 2. Platte fragt jemand nach einer Track ID, alle
paar Minuten bringt jemand etwas zu trinken...das wollen wir unterstützen." (Lowtec & Marvin Dash)
Marvin Dash – Lost in the Woods: Written and produced by Ronald Reuter in around 2010. Previously
unreleased.
Lowtec – Museum Of Natural History Of Life: Written & produced by Jens Kuhn, 2000. Previously
unreleased. More
venue during the Corona Virus crisis in 2020. All tracks previously unreleased.
Genre: House
Tracklist 12":
A1 Lowtec Museum Of Natural History Of Life 5:08
A2 Marvin Dash Lost In The Woods 6:07
B1 Hans Nieswandt Groove Y'All 6:32
B2 Eric D. Clark From E'vry Mountain Top 4:22
All Tracks:
Mastered By Matthew Styles @Horizontal Studios
Artwork by Alex Solman
Eric D. Clark
"Written in approximately 1996 or shortly thereafter & born of a night out on the town naturally!
...having been to hear Ranga Tikki (Ms. Codi from New Zealand) drop knowledge in Berlin's SO36: she'd
played the "I have a dream" speech orated by Martin Luther King;
...the mind stopped at "From every Mountain Top"! I walked back through the streets shouting that to myself
until entering the flat then started immediately on the song!
Written and produced: ERiC D. ClARk
publisher: SUBCURRENT Music lTd.
Hans Nieswandt:
Between 1996 and 2000 (and in some cases beyond), Cologne project Whirlpool Productions produced a lot
of music, both as a group and as solo artists, at the legendary Can Studio in Weilerswist, a small town about
20 kilometres south of Cologne. Much of this music has been released, most notable the international
classic „From: Disco To:Disco“; but some of the music never saw the light of day. These two tracks I
produced myself at some point shortly after my first solo album „Lazer Muzik“ and I’m super glad to get a
chance to finally release them - because there is the important cause of helping to save the Paloma Bar, a
place where I played times and always loved it - an experience I dearly hope to repeat many times more.
And because I always liked those two tracks a lot, they just never found their proper platform, for whatever
reasons. As I think they are quite fitting to the sound of the Paloma, I’m more than happy to support this
unique place with this humble contribution. Written and produced by Hans Nieswandt around 20 years ago
at Can Studio, Weilerswist. Original date unknown.
Lowtec & Marvin Dash:
"Es gibt ein paar Lieblingsclubs in Deutschland, kleine Clubs wie z.B. Paloma in Berlin oder Pudel in HH -
wo es nur um die pure Liebe zur Musik geht - wo keine Kompromisse eingegangen werden müssen in
Bezug auf Trackauswahl oder zu deepen Sets, weil das Publikum einfach versteht worum es geht.
Sozusagen das verlängerte Wohnzimmer... Bei gefühlt jeder 2. Platte fragt jemand nach einer Track ID, alle
paar Minuten bringt jemand etwas zu trinken...das wollen wir unterstützen." (Lowtec & Marvin Dash)
Marvin Dash – Lost in the Woods: Written and produced by Ronald Reuter in around 2010. Previously
unreleased.
Lowtec – Museum Of Natural History Of Life: Written & produced by Jens Kuhn, 2000. Previously
unreleased. More