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Label:Eaux
Cat-No:eaux1491
Release-Date:26.06.2020
Genre:Techno
Configuration:12"
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1
Function - No Title
2
Function - No Title
Seven years after its inception, Eaux is proud to announce the first solo release by an artist other than Rrose. As a member of the Sandwell District collective, David Sumner aka Function was instrumental in cultivating the Rrose project. After releasing the first three EPs and album by Rrose between 2012 and 2013, Sandwell District terminated their mission abruptly, prompting Rrose to start a new label (Eaux) for solo projects and collaborations. This EP brings history full circle.
Following closely on the heels of Function's mammoth 3LP/17 track album "Existenz" for Tresor Records, this EP takes similar themes as a departure point, but moves into more mysterious, yet also heavily dancefloor-focused terrain. "Binaural" encapsulates the timeless essence of the Function sound with menacing bleeps, cavernous stabs, and a sense that it could go on forever without losing its grip on the listener. "Desire and Memory" is a broken beat track drenched in modulated drones that feels like an infinite spiral, moving simultaneously forward and backward in time. Function's early Sandwell District records defined the "hypnotic" techno sound that has influenced countless artists (including Rrose), and this release plants those roots in new, fertile ground.
Recorded at Inanimate Objects, Berlin
Mixed by Tobias Freund at Non-Standard Studios
Mastered by Beau at Ten Eight Seven More
Following closely on the heels of Function's mammoth 3LP/17 track album "Existenz" for Tresor Records, this EP takes similar themes as a departure point, but moves into more mysterious, yet also heavily dancefloor-focused terrain. "Binaural" encapsulates the timeless essence of the Function sound with menacing bleeps, cavernous stabs, and a sense that it could go on forever without losing its grip on the listener. "Desire and Memory" is a broken beat track drenched in modulated drones that feels like an infinite spiral, moving simultaneously forward and backward in time. Function's early Sandwell District records defined the "hypnotic" techno sound that has influenced countless artists (including Rrose), and this release plants those roots in new, fertile ground.
Recorded at Inanimate Objects, Berlin
Mixed by Tobias Freund at Non-Standard Studios
Mastered by Beau at Ten Eight Seven More
More records from Function
Label:Infrastructure New York
Cat-No:INF025
Release-Date:12.05.2023
Genre:Techno
Configuration:12"
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Label:Infrastructure New York
Cat-No:INF025
Release-Date:12.05.2023
Genre:Techno
Configuration:12"
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1
Function - Initiation
2
Function - New Designation
3
Function - Aeternum Meridian
4
Function - Desire And Memory Live Extraction
Known for its groundbreaking techno releases, Infrastructure New York, is relaunched! Celebrating 27 years of Function releases this year and the label's 25th anniversary, the label will serve as an outlet for his new material, reissues of out-of-print classics from Synewave, Sandwell District and Ostgut Ton (and of course, Infrastructure), as well as developing new artists. As a member of the Sandwell District collective, David Sumner aka Function, from 2007 onward was instrumental in cultivating and ushering in a new sound of dark, cerebral hypnotica - forcing the hand of change in global techno. Green EP serves as a testament to this, further exploring these depths. The EP pays homage to the day when David arrived in Berlin with his green suitcase where his record "Isolation" on Sandwell District was released, hitting the ground running and springboarding into an incredibly successful career, becoming a stalwart DJ/producer, after years as a struggling artist. Green EP encapsulates the same raw power and hypnotic energy of his genre-defining Sandwell District releases Isolation, Anticipation and Variance, updated with a modern flair. Subject f (Function) has clearly transcended, as expressed through the opening track "Initiation" arriving at his "New Designation". On the b-side Function communicates his divine alignment through the broken beat, etheric "Aeternum (Meridian)". Finally, Function closes Green EP with a live extraction of "Desire and Memory", a brooding club stormer in contrast to the more experimental leanings of the original version, which appeared on Rrose's label Eaux. One thing is clear: Function is back on track and more on form than ever!
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12" Excl
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Label:Tresor Records
Cat-No:tresor320
Release-Date:18.11.2022
Genre:Techno
Configuration:12" Excl
Barcode:5051142007933
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Label:Tresor Records
Cat-No:tresor320
Release-Date:18.11.2022
Genre:Techno
Configuration:12" Excl
Barcode:5051142007933
1
Function - Misinterpetations Of Reality
2
Function - An Optical Illusion Of Consciousness
3
Function - Spiritually Unconscious (Dissolve)
4
Function - Compulsive Thinking - Repetive and Pointless
Repress
180g 12" Vinyl /Full Neon Sleeve + Download Code.
Dave Sumner returns with a new Function record, entitled Awakening From The Illusory Self. Released as a 12" EP on Tresor Records, it follows on from Existenz, his last full-length album released in November 2019.
Packed in a beautiful sleeve printed with 3 x special Neon colors, Tresor.320 kicks off with the fast techno of Misinterpretations Of Reality', it features a minimal acid-infected crescendo and throbbing pulse. As ever with Function, this idiosyncratic rhythmic work finds a place out on a limb from contemporaries, shapeshifting impulses that infer and guide this raw drum sound.
The second track 'An Optical Illusion Of Consciousness', Function moves towards a different direction, bringing more elements to the mix. It recalls the Dutch 90s techno sound with its melodic blurred synth leanings stretching and morphing across saturated, playful drums and hefty low-end movement. Its bind is perfectly weighted, a phenomenal track that nurtures its inner dancefloor soul as melodies fade away and tighter patterns take precedence.
'Spiritually Unconscious' points to all the trademarks of Function's celebrated sound. A smooth 909 groove underpins bubbling atmospheres and hallucinatory effects, and a nod to the Motor City vision with its fleeting synth strings.
At the core is potent, repetitive simplicity, its beat playing with weight and dynamics but never at risk of being lost. Closing track 'Compulsive Thinking - Repetitive and Pointless' kicks a juddering swagger, finding public addressed system emissions drenched in reverb resonating above bleak analogic synth drones. It haunts and creeps towards a thunderous apex, finding its depth in sparse drum movements.
An enduring fixture in the techno and electronic music landscape, Sumner continues to step through new terrains, reinforcing his spike and vision. Awakening From The Illusory Self finds him as ever delivering the goods in elating moments of pure club heft.
Tresor.320 releases April 16th on 12" and digital.
TRACKLIST:
A1. Misinterpretations Of Reality 6.19
A2. An Optical Illusion Of Consciousness 6.35
B1. Spiritually Unconscious (Dissolve) 9.21
B2. Compulsive Thinking: Repetitive and Pointless 6.46
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180g 12" Vinyl /Full Neon Sleeve + Download Code.
Dave Sumner returns with a new Function record, entitled Awakening From The Illusory Self. Released as a 12" EP on Tresor Records, it follows on from Existenz, his last full-length album released in November 2019.
Packed in a beautiful sleeve printed with 3 x special Neon colors, Tresor.320 kicks off with the fast techno of Misinterpretations Of Reality', it features a minimal acid-infected crescendo and throbbing pulse. As ever with Function, this idiosyncratic rhythmic work finds a place out on a limb from contemporaries, shapeshifting impulses that infer and guide this raw drum sound.
The second track 'An Optical Illusion Of Consciousness', Function moves towards a different direction, bringing more elements to the mix. It recalls the Dutch 90s techno sound with its melodic blurred synth leanings stretching and morphing across saturated, playful drums and hefty low-end movement. Its bind is perfectly weighted, a phenomenal track that nurtures its inner dancefloor soul as melodies fade away and tighter patterns take precedence.
'Spiritually Unconscious' points to all the trademarks of Function's celebrated sound. A smooth 909 groove underpins bubbling atmospheres and hallucinatory effects, and a nod to the Motor City vision with its fleeting synth strings.
At the core is potent, repetitive simplicity, its beat playing with weight and dynamics but never at risk of being lost. Closing track 'Compulsive Thinking - Repetitive and Pointless' kicks a juddering swagger, finding public addressed system emissions drenched in reverb resonating above bleak analogic synth drones. It haunts and creeps towards a thunderous apex, finding its depth in sparse drum movements.
An enduring fixture in the techno and electronic music landscape, Sumner continues to step through new terrains, reinforcing his spike and vision. Awakening From The Illusory Self finds him as ever delivering the goods in elating moments of pure club heft.
Tresor.320 releases April 16th on 12" and digital.
TRACKLIST:
A1. Misinterpretations Of Reality 6.19
A2. An Optical Illusion Of Consciousness 6.35
B1. Spiritually Unconscious (Dissolve) 9.21
B2. Compulsive Thinking: Repetitive and Pointless 6.46
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Label:Tresor Records
Cat-No:tresor315cd
Release-Date:29.11.2019
Genre:Techno
Configuration:2CD Excl
Barcode:666017339726
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Cat-No:tresor315cd
Release-Date:29.11.2019
Genre:Techno
Configuration:2CD Excl
Barcode:666017339726
Tresor Records is delighted to welcome Rod Modell to its catalogue, with the release of his new album Captagon.
Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex, radiating ambience that etches a natural ebb and flow.
Transformative sounds alight from the outset, "Triangulation" recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in "Reiki", the disorienting clangs suggesting a step away from his recent ambient excursions. "Ito" crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, "Jade" is trademark Tresor business - the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. "Scrawler" is upfront and direct, a slamming groove and swaying chords di using ethereality. Enter vast chambers of smeared minimalism.
Where Modell's recent releases had indicated a priority for ambient sounds, this new album extends Modell's essential vision within techno. Closing track "Air-Port" shows Modell at his most crucial best - an ethereal colossus of sub-bass weight and morphing geometry.
TRACKLIST: A1. Triangulation 02:58 A2. Reiki 05:18 B1. ITO 05:55 B2. Riga 05:38 B3. Jade 06:12 C1. Tracer 06:19 C2. Scrawler 05:32 D1. Qurra 05:44 D2. Air-Port 07:41
CD BONUS TRACKS 10 - Jade (DAL Remix) 06.43 11 - Sukra 04.37 12 - Kuu 05:06
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Rod Modell needs no introduction, his various projects render him a master of techno. In repetition and barely noticeable change, Modell resculptures perceptions. His sound-design echoes cinematic ethereality, where ferric artefacts slam against percussion, rusty delays filter observation - the resulting web is a complex, radiating ambience that etches a natural ebb and flow.
Transformative sounds alight from the outset, "Triangulation" recalls flickering harmonies and grains, a tectonic swipe. Fast-paced dub techno emerges in "Reiki", the disorienting clangs suggesting a step away from his recent ambient excursions. "Ito" crunches the pulse further with insistent noise, into soaring epiphanies of darkened transmissions.
Modell singularly uproots standard sonic hierarchies of techno production, crisp static as forceful as his beats, a provocation of rhythm and noise. Unceasing in its fast tempo, "Jade" is trademark Tresor business - the seismic sub-sonics underpin a momentous drive, with reverberated vocal inflections disfiguring warped, dancing materials. "Scrawler" is upfront and direct, a slamming groove and swaying chords di using ethereality. Enter vast chambers of smeared minimalism.
Where Modell's recent releases had indicated a priority for ambient sounds, this new album extends Modell's essential vision within techno. Closing track "Air-Port" shows Modell at his most crucial best - an ethereal colossus of sub-bass weight and morphing geometry.
TRACKLIST: A1. Triangulation 02:58 A2. Reiki 05:18 B1. ITO 05:55 B2. Riga 05:38 B3. Jade 06:12 C1. Tracer 06:19 C2. Scrawler 05:32 D1. Qurra 05:44 D2. Air-Port 07:41
CD BONUS TRACKS 10 - Jade (DAL Remix) 06.43 11 - Sukra 04.37 12 - Kuu 05:06
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Label:Tresor Records
Cat-No:tresor315
Release-Date:29.11.2019
Genre:Techno
Configuration:4LP Excl
Barcode:666017339719
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4LP with gatefold sleeve , 6 page insert, an engraved side and download card. 2CD in a pocket pack with a 12 page booklet.
The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions.
Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee's shapeshifting to the late Judy Russell and Frank and Karen Mendez's Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker's The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function's long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.
For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function's life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in 'Pleasure Discipline' through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. 'Zahlensender' reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, e ecting a dissolution of boundaries. 'The Approach' recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. 'Golden Dawn', featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.
With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma. Leading up until the release date, Function will undertake an album promo tour with select dates - A/V shows at Berlin Atonal and Rural festival in Japan, and three dates as part of his Bassiani residency.
TRACKLIST: 1. Sagittarius A (Right Ascension) 2. Pleasure Discipline 3. Ertrinken 4. Growth Cycle (feat. Robert Owens) 5. Zahlensender 6. The Approach 7. Nylon Mood 8. Alphabet City 9. Don't Ask, Don't Tell 10. No Entiendes 11. Kurzstrecke 12. Golden Dawn (feat. Stefanie Parnow) 13. Interdimensional Interferenc 14. Distant Paradise 15. Be (feat. Robert Owens) 16. Vampir 17. Downtown 161
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The American cable-television industry exploded in the 1980s, pushing broadcasts of diverse programming and emissions of low-laying cultures into homes. Community stations piggybacked on the digital developments of the time, extending their existence through telephony and broadcast a iliates. For those growing up in this time, in locations such as New York City, the localized communications beamed into their homes exposed them to an impressionable array of disparate sounds and visions.
Move into the 1990s and New York was filled to the brim of emergent cultures drawing from this ebullition of communication. From Rammellzee's shapeshifting to the late Judy Russell and Frank and Karen Mendez's Nu Groove imprint fusing reggae, poetry and house, nascent ideas emanated from the city walls, from within stores such as Sonic Groove store and on VHS releases such as Stakker's The Evil Acid Baron Show, a legendary technicolor psychedelic trip along the wildest frontiers of acid house. As scenes expanded and identities developed, such individuals weather the events of the visceral now, expressing themselves right into an unpredictable future.
Function's long career has seen him uncover a vast range of sonic identities, a mainstay through house, techno and industrial with collaborations with the likes of Regis, Damon Wild alongside his highly influential Infrastructure imprint. With influences deeply tied to pop art, rave and gay scenes, and early memories of block-parties emitting Kraftwerk and Strafe, he found himself seeking out the undercover illegal nights of the 90s on a quest of sexual unearthing, mixing the ever-yearning escapology mission of disco with the influential DJ sets of Jeff Mills.
For his new album Existenz, he marks a clear step away from the corporeal techno of his recent releases. Pivoting around themes of religion, sexuality, trauma and healing, it is a work expansive and celebratory, a clear liberation from a deeply internalized past. Formed from a collection of recordings made in a period from late 2016 to mid 2019, Existenz takes the form of a creative outburst in reaction to a number of traumas - recent, childhood and throughout Function's life. Life partner Stefanie Parnow assisted the production process in its entirety, providing inspiration, spiritual healing and featuring vocal contributions.
Cosmic synths soar and swoop in 'Pleasure Discipline' through towering stacks of rhythm that stutter and creak to a halt before rebooting, a firm robotic response to human intervention. 'Zahlensender' reflects a spatial tetris of urban life, as digitalization set within an XYZ matrix confronts the sprawling city. Constant arpeggiated meditations echo synaptic transmissions, e ecting a dissolution of boundaries. 'The Approach' recalls the unification of the self, a state of delirium non-subjective and smooth, as all connections and functions give way to simple intensities of feeling, crossing the threshold into spirituality. 'Golden Dawn', featuring Stefanie Parnow, marks a further elevation of dubbed-out euphoria, as once more positive rays emerge. His ode to the effortless short-trip urban navigation 'Kurzstrecke' finds Function in motion, upfront and bold, snapshots of conversation and flickers of light. 'Ertrinken' finds metallic bass jabs swamping snipped synthetic voices, with hidden stores of emotion set as a nod to the history of vocoders as a tool for encrypted military communication. House icon Robert Owens features on 'Growth Cycle' and 'Be', entrenching a celebratory atmosphere over Function's clubwise leanings. Closing track 'Downtown 161' reflects the unmistakeable filtered and squashed interjections of television, and sampled dance vocals - a sound for the curious, dreamers and dancers.
With Existenz, Function reveals an essential body of work, spread over 4LP/2CD - thought experiments on the role of identity and spirituality after a lifetime of upheaval and trauma. Leading up until the release date, Function will undertake an album promo tour with select dates - A/V shows at Berlin Atonal and Rural festival in Japan, and three dates as part of his Bassiani residency.
TRACKLIST: 1. Sagittarius A (Right Ascension) 2. Pleasure Discipline 3. Ertrinken 4. Growth Cycle (feat. Robert Owens) 5. Zahlensender 6. The Approach 7. Nylon Mood 8. Alphabet City 9. Don't Ask, Don't Tell 10. No Entiendes 11. Kurzstrecke 12. Golden Dawn (feat. Stefanie Parnow) 13. Interdimensional Interferenc 14. Distant Paradise 15. Be (feat. Robert Owens) 16. Vampir 17. Downtown 161
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12"
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Label:infrastructure new york
Cat-No:inf016
Release-Date:24.10.2014
Configuration:12"
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Cat-No:inf016
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1
function - F3
2
function - F4
3
function - Shift F1 (Inland Edit)
Inspired by his DJ residency at Limelight, beginning in 1993 at the famed the New York venue, the wheels behind David Sumner's Function project began turning. In 1996 the first wave of productions emerged, with his now classic debut on Damon Wild's Synewave label. Amidst a booming New York House scene, Sumner watched many producers take the big studio, big budget route towards major labels and pop aspirations. Inspired by his residency at Limelight, and fiercely independent activists like Jeff Mills or the Underground Resistance, Sumner chose techno as a purer artform, an alternate path, and Synewave numbers 24 and 30 were some of the first records to bear the name Function. Now, some 18 years later, Infrastructure continues its reissue series of classic Function productions, leading towards a double CD package entitled 'Function | Recompiled: Various Works & Pseudonyms, 1995-2012', due for release early November. Both 'F3' and 'F4' are lifted from the F(Q): Function of Bandwidth EP, while 'Shift F1', originally a shorter live session included on the 'F(C): Function Of A Constant' EP, has been edited and extended by label co-partner Ed
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Label:ostgut ton
Cat-No:ostgutton73
Release-Date:15.11.2013
Configuration:2x12"
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After Function's epic debut album "Incubation" had several months to breathe, Ostgut Ton issues four remixes by Function contemporaries Rrose, Vatican Shadow, Recondite and NSI. Spread over 4 sides of vinyl they paint a picture rich in texture and atmospheres fitting it's origin. Like the album, the remixes transcend club concepts of electronic music and techno as they unravel in surrounding territories. After initial releases on Sandwell District the darkly mysterious Rrose seems a natural choice for this EP and Rrose reveals a deep and instinctive understanding of Function's sound world. The remix of "Against The Wall" picks up the hypnotic acid of the original and spins it into manic depths, relentless and powerful. Vatican Shadow hones in on the fragile beauty present in the original "Psychic Warfare". Like a different side of the same coin, the track portrays a far away view of the original, where memory enhances the warmth and the contrast between tension and ease in Function's original. German producer Recondite has been going from strength to strength in recent months and his remix of "Incubation (Ritual)" confirms this status, seemingly understated, his remix achieves a stunning grip with minimal texture, killer synth line and bass, effortlessly solid. The last remix comes from artist pairing NSI. Max Loderbauer and Tobias Freund share between them the huge experience of half a life time in music and sound engineering and Freund also mixed the "Incubation" album. For their remix they tap into Function's early music influences and layer elements of pioneering German electronic experimentation with ambient and psychedelic sensitivity, creating a dark, brooding version of "Inter", that seems to close the circle between the then and now in living electronic music.
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Label:ostgut ton
Cat-No:ostgutcd24
Release-Date:28.02.2013
Configuration:CD
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1
Function, - Voiceprint
2
Function, - Against The Wall
3
Function, - Counterpoint
4
Function, - Modifier
5
Function, - Incubation (Ritual)
6
Function, - Inter
7
Function, - Voiceprint (Reprise)
8
Function, - Psychic Warfare
9
Function, - Gradient I
An original electronic disciple hailing from New York, Sandwell District's David Sumner a.k.a Function presents his debut album 'Incubation' on Ostgut Ton. Like the soundtrack to a suspenseful Techno-thriller, or retro-futurist Sci-Fi tale, it's a modern sound journey heavy on imagery. Over nine tracks we are guided through the varying moods and scenes of Function's musical temperament. Be it through writhing layered club tracks, soaring string-led atmospheres, or melodic pieces founded on classic electronic traditions, 'Incubation' marks a new level of maturity for the Berlin-based producer
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Label:ostgut ton
Cat-No:ostgutlp12
Release-Date:28.02.2013
Configuration:2LP
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An original electronic disciple hailing from New York, Sandwell District's David Sumner a.k.a Function presents his debut album 'Incubation' on Ostgut Ton. Like the soundtrack to a suspenseful Techno-thriller, or retro-futurist Sci-Fi tale, it's a modern sound journey heavy on imagery. Over nine tracks we are guided through the varying moods and scenes of Function's musical temperament. Be it through writhing layered club tracks, soaring string-led atmospheres, or melodic pieces founded on classic electronic traditions, 'Incubation' marks a new level of maturity for the Berlin-based producer
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Label:ostgut ton
Cat-No:ostgutton63
Release-Date:24.01.2013
Configuration:12"
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The infectious, hypnotic and psychedelic work of Function/Sandwell District is now on Ostgut for the 1st time.
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Label:echocord colour
Cat-No:echocordcolor20
Release-Date:01.06.2012
Configuration:12"
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We are very proud and honered to release this ep by Function aka Dave Sumner from Sandwell District. One of techno's true underground heroes, Function (Dave Sumner) has been DJing and making music for over 15 years. Hailing from New York, he was seduced by techno music when Jeff Mills held a residency (as well as his own first) at the Limelight in the early 90s. Dave started to produce music and from the mid-90s onwards, put out music on Damon Wild's Synewave and his own Infrastructure imprint. Together with Regis (Karl O'Connor) he worked as Portion Reform, putting out uncompromising music on Downwards and becoming the only non-Birmingham producer to release on the label. In 2008 Dave moved to Berlin, still working with Regis, and now Silent Servant (John Mendez), put his focus on the acclaimed Sandwell District imprint. Obsessed is a supper powerfull floating track for the dancefloor, a typical Function production. This ep also contains remixes from Substance and SCB aka Scuba, both peak-time tracks.
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Last in:04.10.2024
Label:Eaux
Cat-No:EAUX1791
Release-Date:20.09.2024
Genre:Techno
Configuration:LP
Barcode:5050580825956
1
Rrose & Polygonia - Ellipses
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Rrose & Polygonia - Stretcher
3
Rrose & Polygonia - Inhaler
4
Rrose & Polygonia - Haima
5
Rrose & Polygonia - Diastole
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Rrose & Polygonia - Vena Cava
Eaux proudly announces a new collaborative mini-album from label boss Rrose and Polygonia. Containing six tracks and over 40 minutes of music housed in a fully printed sleeve with artwork by Jon-Paul Villegas, the record focuses squarely on the dancefloor while infusing it with the kinds of psychoactive drones, intricate polyrhythms, and relentless modulations that have come to identify both of their approaches to sound. Featured heavily are their shared interests in sonic shapes that resemble natural forms and conjure tactile feelings, in this case related to themes of skin-like surfaces and circulatory systems experienced simultaneously on a micro and macro level. While several of the tracks hover in a flexible tempo range between 125 and 130 bpm, "Stretcher" reaches up to 142, and the closing track "Vena Cava" trades the kick drums for spectrally processed percussion and endlessly diverging high-frequency pulses. The story behind the release starts in 2022, when Rrose reached out to Polygonia after noticing that her tracks were appearing in their sets more frequently than any other artist. Never before had Rrose proposed a collaboration with someone they hadn't met before, but there was such an obvious connection in their approach to sound that it felt necessary. As it turns out, Polygonia had only become interested in techno after hearing Rrose perform at a festival in 2018. It all made sense, and they began sharing sketches and unfinished ideas with each other, trading them back and forth until they reached completion. Without any announcement of their collaboration, the two artists have since been asked to share the stage together several times. It seems there are other people out there sensing a connection...
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Label:Eaux
Cat-No:EAUX1691
Release-Date:23.06.2023
Configuration:2LP
Barcode:5050580807501
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Last in:11.10.2023
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Last in:11.10.2023
Label:Eaux
Cat-No:EAUX1691
Release-Date:23.06.2023
Configuration:2LP
Barcode:5050580807501
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Rrose - Joy of the Worm
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Rrose - Rib Cage
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Rrose - Pleasure Vessels
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Rrose - Spore
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Rrose - Feeding Time
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Rrose - Spines
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Rrose - Disappeared
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Rrose - The Illuminating Glass
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Rrose - Turning Blue
Rrose's compositional process, rooted in their studies with West Coast avant garde trailblazers at Mills College, centers on "seed" sounds being fed through elaborate webs of interrelated audio processing. The result is a world where changes in any one element have downstream implications for some or all the others. It's a rich interdependence that lets the tracks breathe, grow and mutate with uncanny organicism. Please Touch addresses in equal measure the perceptual and the corporeal: these are sounds that sink into the body, exhibiting a tactility that pushes, pulls, bends and yields with fearsome vibrancy. The album splits its time between radical techno iterations and pieces which pare back the percussion, letting the synth textures uncurl in their own time and space. The quivering drone and rolling sub-bass of "Joy of the Worm'' set the tone for the record, while "Rib Cage," Spore" and "Spines " swing with stepping rhythmic underpinnings. Building with finely calibrated tension, they use their few elements to startling, snarling effect. "Pleasure Vessels" is a rare moment of becalmed introspection in Rrose's oeuvre, hinting at a melodic ambiance that is practically unseen in previous works. It glows with a soft, dawn-like light before dissolving into a tidal fizz. "The Illuminating Glass'' brings the tempo down to a languorous chug, nodding its way through a field of glistening chirps and leaden gasps. "Feeding Time," "Disappear" and album closer "Turning Blue'' meanwhile nod to the cerebral psychedelia of Rrose's forebears, with mesmeric, looping textures and long, magisterial tones not dissimilar to the spectral works of James Tenney (whose work Rrose regularly performs) and the deep listening pieces of Pauline Oliveros. The title of the album refers playfully to the tactile quality of the music while hinting at a forbidden sensuality that is only permitted within the confines of this microcosm. The phrase is also another nod to Marcel Duchamp, who gave this title to a 1947 exhibition of Surrealist art. Across the nine tracks, Rrose follows the lead of the sound(s) rather than trying to impose on the flow of the sonic material. Each move changes the parameters of a track's evolution. Thus, a non-hierarchical, symbiotic relationship forms between the so-called "music-maker" and the music itself. Please Touch acts as a collection of limbs, organs, parasites, and growths which both devour each other and keep each other alive.
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Label:Eaux
Cat-No:eaux1291
Release-Date:25.04.2019
Genre:Electronic
Configuration:LP
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Last in:27.01.2020
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Charlemagne Palestine's majestic 1976 work The Golden Mean, originally performed by Palestine on two pianos, is revisited here as The Goldennn Meeenn + Sheeenn, a new collaboration between Palestine and enigmatic musician Rrose.
March 2018: the Festival Variations in Nantes commissions Charlemagne Palestine to reinvent The Golden Mean for two pianists. Palestine chose Rrose to join him in this new rendition of the work. Together, they performed The Goldennn Meeenn + Sheeenn onstage at the main opera house in Nantes -- the sumptuous Théâtre Graslin – with extraordinary results.
The concept of the 'golden mean' goes back to the roots of mathematics, and ancient Greek philosophy. It is an important work in the Palestine mythos, embodying his total immersion in the power of the interval. "It's probably his most systematic work . . . a step-by-step journey through the intervals of the octave," says Rrose. "When we rehearsed it, we were noticing how each interval is like a universe of its own -- with its own history, emotions, and sonic qualities all mixed up together. Every time you move from one interval to the next, it feels like moving into another world."
"I love the interval," Palestine told me in a recent interview. "I love when it plays with itself. That's what I learned from organ musics too. You can just do an interval, and if they're just slightly out of tune with each other, then they shimmer . . . they play themselves. And it sounds like somebody's playing lots of notes. In your ear, it's like an aural phenomenon . . . that's my whole concept. I make something that then does itself somehow. It continues by itself. So I don't have to always be there. And that makes my music a little less egocentric. So there's more space. Also for the listener — the ear plays with these things, and you're not always being given orders. Your ear isn't given orders all the time of what to listen for."
Beautifully recorded, with mastering by Rashad Becker of Dubplates and Mastering, The Golden Mean + Sheeenn feels expansive, radiant and hypnotic, opening new ears to its enduring mystery.
Rrose adds this note to listeners: "Do not focus your attention on the notes being played, but on the ocean of overtones swimming, suspended, overhead, brushing against one another, kissing one another, melting into one another." More
March 2018: the Festival Variations in Nantes commissions Charlemagne Palestine to reinvent The Golden Mean for two pianists. Palestine chose Rrose to join him in this new rendition of the work. Together, they performed The Goldennn Meeenn + Sheeenn onstage at the main opera house in Nantes -- the sumptuous Théâtre Graslin – with extraordinary results.
The concept of the 'golden mean' goes back to the roots of mathematics, and ancient Greek philosophy. It is an important work in the Palestine mythos, embodying his total immersion in the power of the interval. "It's probably his most systematic work . . . a step-by-step journey through the intervals of the octave," says Rrose. "When we rehearsed it, we were noticing how each interval is like a universe of its own -- with its own history, emotions, and sonic qualities all mixed up together. Every time you move from one interval to the next, it feels like moving into another world."
"I love the interval," Palestine told me in a recent interview. "I love when it plays with itself. That's what I learned from organ musics too. You can just do an interval, and if they're just slightly out of tune with each other, then they shimmer . . . they play themselves. And it sounds like somebody's playing lots of notes. In your ear, it's like an aural phenomenon . . . that's my whole concept. I make something that then does itself somehow. It continues by itself. So I don't have to always be there. And that makes my music a little less egocentric. So there's more space. Also for the listener — the ear plays with these things, and you're not always being given orders. Your ear isn't given orders all the time of what to listen for."
Beautifully recorded, with mastering by Rashad Becker of Dubplates and Mastering, The Golden Mean + Sheeenn feels expansive, radiant and hypnotic, opening new ears to its enduring mystery.
Rrose adds this note to listeners: "Do not focus your attention on the notes being played, but on the ocean of overtones swimming, suspended, overhead, brushing against one another, kissing one another, melting into one another." More
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Last in:27.01.2020
Label:Eaux
Cat-No:eaux1191
Release-Date:28.11.2018
Genre:Techno
Configuration:12"
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rrose - Beware Of Shells
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rrose - Incisors
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rrose - The Swelling
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rrose - Sister (Remix)
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rrose - Pecking Order
The California-born, London-based producer Rrose is well known for taking dancefloor techno into the uncharted depths of experimentalism and psychedelia while also paying homage to artists of the 20th century avant-garde such as Marcel Duchamp, James Tenney, and Eliane Radigue.
Beware of Shells" (the first solo Rrose release of 2018) is a diverse five track EP that goes to extremes of both aggression and tranquility while remaining strangely cohesive. The EP opens with machine gun bass drums that slowly disintegrate into a swirl of undulating tones and ghostly resonances. Next comes "Incisors" - the most solidly dancefloor track of the EP - which establishes a primal, skeletal rhythmic base upon which snake-like analog synth lines interweave in unpredictable ways. "The Swelling" follows with a short, sparse study in feedback, bent into uneasy melodic patterns. Side B opens with a previously unreleased 2013 remix of the Los Angeles band Deathday, and is perhaps Rrose's most overtly "industrial" track to date, with buzzing, dissonant synth tones that sound somewhere between a foghorn and a distorted guitar. The EP finishes on a contemplative note with "Pecking Order," a microtonal, ritualistic affair conjuring the spirit of Wendy Carlos's little-known masterpiece "Beauty in the Beast." More
Beware of Shells" (the first solo Rrose release of 2018) is a diverse five track EP that goes to extremes of both aggression and tranquility while remaining strangely cohesive. The EP opens with machine gun bass drums that slowly disintegrate into a swirl of undulating tones and ghostly resonances. Next comes "Incisors" - the most solidly dancefloor track of the EP - which establishes a primal, skeletal rhythmic base upon which snake-like analog synth lines interweave in unpredictable ways. "The Swelling" follows with a short, sparse study in feedback, bent into uneasy melodic patterns. Side B opens with a previously unreleased 2013 remix of the Los Angeles band Deathday, and is perhaps Rrose's most overtly "industrial" track to date, with buzzing, dissonant synth tones that sound somewhere between a foghorn and a distorted guitar. The EP finishes on a contemplative note with "Pecking Order," a microtonal, ritualistic affair conjuring the spirit of Wendy Carlos's little-known masterpiece "Beauty in the Beast." More
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Last in:31.08.2018
Label:Eaux
Cat-No:eaux991
Release-Date:01.12.2017
Genre:Techno
Configuration:12"
Barcode:
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rrose - No Title
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rrose - No Title
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rrose - No Title
2016 and 2017 have seen Rrose release several split and collaborative EPs, but this solo EP is their first since 2015. The EP opens with two experimental pieces, anticipating an apocalyptic storm with bending tones, spectral washes, and subliminal percussion. On the B side, Rrose brings the energy up for the dancefloor with a skeletal rhythmic workout reminiscent of early Plastikman but with the added structural detail and multi-layered morphing that have become a signature of Rrose productions.
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