Rebar continue their geography-infused musical journey with the second EP, Lost in New York City. While the first release unveiled the majestic anthropophony of the Japanese capital, this release is centered around the city of New York. As in the previous offering, the three tracks all pertain to different styles, exploring different facets of techno, while carrying the common soundprint of the American metropolis. The first cut unveils a mesmerizing techno construction, while the second makes for a groovy interlude, rounded up by rolling techno in the third track. A mysterious and compelling affair, released on vinyl and digital at exactly one year from the inaugural opener. More

Rebar, the duo behind the “made of CONCRETE” label kick off their self titled label. “Rebar” is meant as a space for the artists’ own sound explorations, aimed at putting forth releases which combines their usual style with cross-boundary composition. “Rebar #1” sees a versatile three piece assortment with a seemingly common theme. Field recordings make ample appearances in Rebar’s work and this release makes no exception: a large part of the elements were recorded in and around train stations of a famous metropolis. More

made of CONCRETE“ founders Andreas Pionty & fumée grise celebrate the label’s second anniversary with a special release, that aligns their soundscape to palpable, material coordinates in a near- synesthetic output. Joining forces as Rebar, a moniker nodding to the label’s name itself, their debut EP consists of two original tracks and two remixes centered around geo-relevant, field recorded elements. Named after a district in Dresdener Andreas Pionty’s hometown, opening track „Prohlis“ is a straightforward exploration of industrial elements with an impersonal, functional atmosphere. „Kaputt“ labelhead Coeter jumps in on the rework, adding more groove to the track through rhythmic distortion. Breaking off from the homogenous structure of the first side, „Hansaviertel“ unfolds as a more traditional composition. Using live recordings from the eponymous district in Berliner fumée grise's home base, an area well known for its modern architecture, the track evokes the same minimalist and cavernous ambiance as the area itself. Known for his upright techno antics, „Credo“ main man Alex Bau puts forth an atypical dub tech remix. Retaining the initial groove and spacious attire, we’re enveloped in a more laidback, minimalist interpretation of the original.
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Rebar continue their geography-infused musical journey with the second EP, Lost in New York City. While the first release unveiled the majestic anthropophony of the Japanese capital, this release is centered around the city of New York. As in the previous offering, the three tracks all pertain to different styles, exploring different facets of techno, while carrying the common soundprint of the American metropolis. The first cut unveils a mesmerizing techno construction, while the second makes for a groovy interlude, rounded up by rolling techno in the third track. A mysterious and compelling affair, released on vinyl and digital at exactly one year from the inaugural opener. More

Rebar, the duo behind the “made of CONCRETE” label kick off their self titled label. “Rebar” is meant as a space for the artists’ own sound explorations, aimed at putting forth releases which combines their usual style with cross-boundary composition. “Rebar #1” sees a versatile three piece assortment with a seemingly common theme. Field recordings make ample appearances in Rebar’s work and this release makes no exception: a large part of the elements were recorded in and around train stations of a famous metropolis. More