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RT Factor (Ron Trent) - No Title
Electric Blue presents another outstanding and timeless release by Ron Trent aka RT Factor!
E.B.S. 1 is a 15 minutes musical journey by the Chicago Master. Available on black vinyl and on a limited blue vinyl edition!
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E.B.S. 1 is a 15 minutes musical journey by the Chicago Master. Available on black vinyl and on a limited blue vinyl edition!
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More records from RT Factor (Ron Trent)
1
RT Factor (Ron Trent) - E.B.S. 1
Repress!
Electric Blue presents another outstanding and timeless release by Ron Trent aka RT Factor!
E.B.S. 1 is a 15 minutes musical journey by the Chicago Master. Available on black vinyl and on a limited blue vinyl edition!
More
Electric Blue presents another outstanding and timeless release by Ron Trent aka RT Factor!
E.B.S. 1 is a 15 minutes musical journey by the Chicago Master. Available on black vinyl and on a limited blue vinyl edition!
More
More records from electric blue
1
ron trent - No Title
2
ron trent - No Title
The 3rd part of the Humans Drums & Machines - Trilogy by House Master Ron Trent! The last part of the series seems to be the strongest. Ron's unique sound spectrum in full beauty is shown here on "Dimentions & Beyond".
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Ron Trent - 7th Heaven
Repress on Grey / Silver Vinyl!
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Ron Trent - Blood And Fire
2
Ron Trent - Atmosphere
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Ron Trent - Pressure Zone
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Ron Trent - Space Dance
Repress!
The tone always makes the music. But only those who actually make the sound? An ancient-house-avantgarde dream has always been there since the legendary -Warehouse- days of Ron Hardy, to bring more sounds and tones constantly to an independent, repetitive development. And thus beyond the limits of an executive creative artist on the otherwise purely commercial sense what we call in common -beyond imagination-.
-Raw Footage-, the latest album concoction of Chicago house legend Ron Trent (Prescription) on his new imprint -Electric Blue- works in the best sense of Stanislav Lem heroes Trurl & Klapauciusals, cruising like those two metal brains frantically invented by the universe of 4/4-Sounds to get insane tracks out of the new material matter located there, and put them together to brand new ones. This trackwerk varies as well as of course between classical Chi-Town to the context of contemporary, epic house dubs and lives in a perfidious manner from the interaction of various computer modules that constantly spits out new and exciting interactions. In the end, the software sings only as digital output of great analog sounds, which may well be understood as a mocking voice to the majority of contemporary Homeboy wackiness formats.-Unpredictable- and less -cryptic- might fit here as a keyword excellent, where you kick out of the rough house plant a significant entertainment value must, without the need to posess necessarily the same nerves of steel. Anyone who has ever really wondered what House sound could be appropriate for a journey through the vastness of the universe is, gets there now at this point completely to his fullest expense. Trent 2012 and its tracks on this album reflect a lot about the revolutionary founder of -Spirit of music- from the mid-80s, who is recorded then as now but with inadequate slogans such as -light years ahead of its time-. For as Trents body of work -Raw Footage- is also particularly scary genius material, although still of totally solid stress field and background from the musical spectrum between the Windy City and the Motor City engine bridled her.-But heres to the Future- – For Sir Trent more than twenty years after -Altered States- and the relevant follow-ups, thats not really a problem!
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The tone always makes the music. But only those who actually make the sound? An ancient-house-avantgarde dream has always been there since the legendary -Warehouse- days of Ron Hardy, to bring more sounds and tones constantly to an independent, repetitive development. And thus beyond the limits of an executive creative artist on the otherwise purely commercial sense what we call in common -beyond imagination-.
-Raw Footage-, the latest album concoction of Chicago house legend Ron Trent (Prescription) on his new imprint -Electric Blue- works in the best sense of Stanislav Lem heroes Trurl & Klapauciusals, cruising like those two metal brains frantically invented by the universe of 4/4-Sounds to get insane tracks out of the new material matter located there, and put them together to brand new ones. This trackwerk varies as well as of course between classical Chi-Town to the context of contemporary, epic house dubs and lives in a perfidious manner from the interaction of various computer modules that constantly spits out new and exciting interactions. In the end, the software sings only as digital output of great analog sounds, which may well be understood as a mocking voice to the majority of contemporary Homeboy wackiness formats.-Unpredictable- and less -cryptic- might fit here as a keyword excellent, where you kick out of the rough house plant a significant entertainment value must, without the need to posess necessarily the same nerves of steel. Anyone who has ever really wondered what House sound could be appropriate for a journey through the vastness of the universe is, gets there now at this point completely to his fullest expense. Trent 2012 and its tracks on this album reflect a lot about the revolutionary founder of -Spirit of music- from the mid-80s, who is recorded then as now but with inadequate slogans such as -light years ahead of its time-. For as Trents body of work -Raw Footage- is also particularly scary genius material, although still of totally solid stress field and background from the musical spectrum between the Windy City and the Motor City engine bridled her.-But heres to the Future- – For Sir Trent more than twenty years after -Altered States- and the relevant follow-ups, thats not really a problem!
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Ron Trent - 01
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Ron Trent - 02
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Ron Trent - 03
4
Ron Trent - 04
The tone always makes the music. But only those who actually make the sound? An ancient-house-avantgarde dream has always been there since the legendary "Warehouse" days of Ron Hardy, to bring more sounds and tones constantly to an independent, repetitive development. And thus beyond the limits of an executive creative artist on the otherwise purely commercial sense what we call in common „beyond imagination“.
"Raw Footage", the latest album concoction of Chicago house legend Ron Trent (Prescription) on his new imprint "Electric Blue" works in the best sense of Stanislav Lem heroes Trurl & Klapauciusals, cruising like those two metal brains frantically invented by the universe of 4/4-Sounds to get insane tracks out of the new material matter located there, and put them together to brand new ones. This trackwerk varies as well as of course between classical Chi-Town to the context of contemporary, epic house dubs and lives in a perfidious manner from the interaction of various computer modules that constantly spits out new and exciting interactions. In the end, the software sings only as digital output of great analog sounds, which may well be understood as a mocking voice to the majority of contemporary Homeboy wackiness formats."Unpredictable" and less "cryptic" might fit here as a keyword excellent, where you kick out of the rough house plant a significant entertainment value must, without the need to posess necessarily the same nerves of steel. Anyone who has ever really wondered what House sound could be appropriate for a journey through the vastness of the universe is, gets there now at this point completely to his fullest expense. Trent 2012 and its tracks on this album reflect a lot about the revolutionary founder of „Spirit of music“ from the mid-80s, who is recorded then as now but with inadequate slogans such as "light years ahead of its time". For as Trents body of work "Raw Footage" is also particularly scary genius material, although still of totally solid stress field and background from the musical spectrum between the Windy City and the Motor City engine bridled her."But heres to the Future" – For Sir Trent more than twenty years after "Altered States" and the relevant follow-ups, thats not really a problem! More
"Raw Footage", the latest album concoction of Chicago house legend Ron Trent (Prescription) on his new imprint "Electric Blue" works in the best sense of Stanislav Lem heroes Trurl & Klapauciusals, cruising like those two metal brains frantically invented by the universe of 4/4-Sounds to get insane tracks out of the new material matter located there, and put them together to brand new ones. This trackwerk varies as well as of course between classical Chi-Town to the context of contemporary, epic house dubs and lives in a perfidious manner from the interaction of various computer modules that constantly spits out new and exciting interactions. In the end, the software sings only as digital output of great analog sounds, which may well be understood as a mocking voice to the majority of contemporary Homeboy wackiness formats."Unpredictable" and less "cryptic" might fit here as a keyword excellent, where you kick out of the rough house plant a significant entertainment value must, without the need to posess necessarily the same nerves of steel. Anyone who has ever really wondered what House sound could be appropriate for a journey through the vastness of the universe is, gets there now at this point completely to his fullest expense. Trent 2012 and its tracks on this album reflect a lot about the revolutionary founder of „Spirit of music“ from the mid-80s, who is recorded then as now but with inadequate slogans such as "light years ahead of its time". For as Trents body of work "Raw Footage" is also particularly scary genius material, although still of totally solid stress field and background from the musical spectrum between the Windy City and the Motor City engine bridled her."But heres to the Future" – For Sir Trent more than twenty years after "Altered States" and the relevant follow-ups, thats not really a problem! More
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ron trent - No Title
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ron trent - Omi tutu
1
Ron Trent - Elements
2
Ron Trent - Blazzin
Repress!
Ron Trent presents Humans Drums & Machines. Ron shows again his unique talent of creating timeless music. This release is dedicated to the Humans. Two more records about Drums & Machines will follow.
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Ron Trent presents Humans Drums & Machines. Ron shows again his unique talent of creating timeless music. This release is dedicated to the Humans. Two more records about Drums & Machines will follow.
More
1
RT Factor (Ron Trent) - E.B.S. 1
Repress!
Electric Blue presents another outstanding and timeless release by Ron Trent aka RT Factor!
E.B.S. 1 is a 15 minutes musical journey by the Chicago Master. Available on black vinyl and on a limited blue vinyl edition!
More
Electric Blue presents another outstanding and timeless release by Ron Trent aka RT Factor!
E.B.S. 1 is a 15 minutes musical journey by the Chicago Master. Available on black vinyl and on a limited blue vinyl edition!
More
1
R.T. Factor (Aka Ron Trent) - What Does IT Mean
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R.T. Factor (Aka Ron Trent) - Who Are We?
Great follow up on Electric Blue by Robert Owens after Ron's Tribute to Frankie Knuckles. Love / Release comes around with 3 versions produced by Ron Trent and Jerome Sydenham
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1
ron trent - Hi Life Jump
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1
Ron Trent - Sub Culture
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Ron Trent - Movement 7
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THE SECOND PRE-SAMPLER FROM THE UPCOMING ALBUM BY RON TRENT CALLED "HUMANS, DRUMS & MACHINES". LIMITED RELEASE ON WHITE VINYL!
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THE SECOND PRE-SAMPLER FROM THE UPCOMING ALBUM BY RON TRENT CALLED "HUMANS, DRUMS & MACHINES". LIMITED RELEASE ON WHITE VINYL!
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Ron Trent is back with new music! After his outstanding Album "Raw Footage", we are happy to prestent you this limited pre-release on blue vinyl. New album "Drums & Machines" will follow - stay tuned!
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1
Ron Trent - Kids at Play
Repress!
"Kids At Play" is convincing for "Altered States" again as another lesson in an extremely elegant design of exciting electronic aspects from life "on the cutting edge behalf House and Techno." Like with his legendary warehouse classic from 1990 Trent moves again at this point in 2011 off a harmonically dominated terrain on Prescription sound philosophy, to which many of his die-hard fans may focus him otherwise only. Anyone who has seen Trent since its KMS interlude with Chez Damier and his collaboration with Berlin's Maurizio duo [Mark Ernestus & Moritz von Oswald] as a real producer and not only as incarnate 4-Four-house machinery recognizes and loves the other side of his genius and his techno-affinity immediately. This is oriented so on the rawness of the early Chicago House with the initial spark of Farley Jackmaster Funk or Adonis, as well as the fusion potential of Herbie Hancock and performs as an educational base for the forthcoming album "Raw Footage" to an expression of open creative style that extends beyond the normal limits of the genre far beyond otherwise binding. "Kids At Play" touches in a whole both morning wee-wee-hours as well as ecstatic, night club moments, before Trent defines the trackwerk as unusual blueprint for new stringent forms of the House, where this vinyl will also demand his most impressive moment experiences. In Trent's body of work, the track comes ahead of many recordings in recent years on the highest level, mainly because it the dimension of predictability with that of unpredictability in the sense of "more energy and power" exchanges and at the end of an exhibit defines what probably most of today's house conaisseures with an open mind demand as their own. We therefore recommend simply seat reservation on the dancefloor!
„Kids At Play“ überzeugt dabei nach „Altered States“ erneut als weitere Lehrstunde eines extrem eleganten Entwurfs zu aufregenden elektronischen Lebensaspekten “on the cutting edge behalf House and Techno“. Wie bei seinem legendären Warehouse Klassiker aus 1990 bewegt sich Trent dabei erneut an dieser Stelle in 2011 (12 ?) abseits eines harmonisch geprägten Terrains an Prescription-Soundphilosophie, auf das ihn viele eingefleischte Fans sonst nur allzu gern allein fokussieren mögen.
Wer Trent seit seinem KMS-Intermezzo zusammen mit Chez Damier sowie seiner Zusammenarbeit mit Berlins Maurizio-Duo [Mark Ernestus & Moritz von Oswald] als realen Produzenten und nicht nur als fleischgewordene 4-Four-House-Maschinerie erlebt hat, erkennt und liebt die andere Seite seiner Techno affinen Genialität ebenso sofort. Diese orientiert sich so an der Rohheit des frühen Chicago House mit dem initialen Funk eines Farley Jackmaster Funk oder Adonis sowie dem Fusions-Potential eines Herbie Hancock und führt als Erziehungsgrundlage für das in Kürze erscheinende Album „Raw Footage“ zu einer Expression des Stil offenen Schaffens, die über die normalen Grenzen des sonst verbindlichen Genres weit hinaus reicht. „Kids At Play“ berührt dabei in einem Ganzen sowohl morgendliche wee-wee-hours wie auch ekstatische, nächtliche Club-Momente, wie auch bisher an Trent weitestgehende ungewohnte Blaupausen für neue stringente Formen des House, durch den dieses Vinyl dann auch seine beeindruckendsten Momente erfährt.
In Trents Gesamtwerk dürfte der Track damit weit vor vielen Einspielungen der letzten Jahre auf allerhöchstem Niveau rangieren, vor allem weil er die Dimension der Kalkulierbarkeit mit derjenigen der Unberechenbarkeit im Sinne von „more energy and power“ austauscht und am Ende ein Exponat definiert, dass wahrscheinlich die meisten House-Conaisseure mit offenem Geist ihr Eigentum nennen wollen. Wir empfehlen daher schlicht Platzreservierung auf dem Dancefloor!
More
"Kids At Play" is convincing for "Altered States" again as another lesson in an extremely elegant design of exciting electronic aspects from life "on the cutting edge behalf House and Techno." Like with his legendary warehouse classic from 1990 Trent moves again at this point in 2011 off a harmonically dominated terrain on Prescription sound philosophy, to which many of his die-hard fans may focus him otherwise only. Anyone who has seen Trent since its KMS interlude with Chez Damier and his collaboration with Berlin's Maurizio duo [Mark Ernestus & Moritz von Oswald] as a real producer and not only as incarnate 4-Four-house machinery recognizes and loves the other side of his genius and his techno-affinity immediately. This is oriented so on the rawness of the early Chicago House with the initial spark of Farley Jackmaster Funk or Adonis, as well as the fusion potential of Herbie Hancock and performs as an educational base for the forthcoming album "Raw Footage" to an expression of open creative style that extends beyond the normal limits of the genre far beyond otherwise binding. "Kids At Play" touches in a whole both morning wee-wee-hours as well as ecstatic, night club moments, before Trent defines the trackwerk as unusual blueprint for new stringent forms of the House, where this vinyl will also demand his most impressive moment experiences. In Trent's body of work, the track comes ahead of many recordings in recent years on the highest level, mainly because it the dimension of predictability with that of unpredictability in the sense of "more energy and power" exchanges and at the end of an exhibit defines what probably most of today's house conaisseures with an open mind demand as their own. We therefore recommend simply seat reservation on the dancefloor!
„Kids At Play“ überzeugt dabei nach „Altered States“ erneut als weitere Lehrstunde eines extrem eleganten Entwurfs zu aufregenden elektronischen Lebensaspekten “on the cutting edge behalf House and Techno“. Wie bei seinem legendären Warehouse Klassiker aus 1990 bewegt sich Trent dabei erneut an dieser Stelle in 2011 (12 ?) abseits eines harmonisch geprägten Terrains an Prescription-Soundphilosophie, auf das ihn viele eingefleischte Fans sonst nur allzu gern allein fokussieren mögen.
Wer Trent seit seinem KMS-Intermezzo zusammen mit Chez Damier sowie seiner Zusammenarbeit mit Berlins Maurizio-Duo [Mark Ernestus & Moritz von Oswald] als realen Produzenten und nicht nur als fleischgewordene 4-Four-House-Maschinerie erlebt hat, erkennt und liebt die andere Seite seiner Techno affinen Genialität ebenso sofort. Diese orientiert sich so an der Rohheit des frühen Chicago House mit dem initialen Funk eines Farley Jackmaster Funk oder Adonis sowie dem Fusions-Potential eines Herbie Hancock und führt als Erziehungsgrundlage für das in Kürze erscheinende Album „Raw Footage“ zu einer Expression des Stil offenen Schaffens, die über die normalen Grenzen des sonst verbindlichen Genres weit hinaus reicht. „Kids At Play“ berührt dabei in einem Ganzen sowohl morgendliche wee-wee-hours wie auch ekstatische, nächtliche Club-Momente, wie auch bisher an Trent weitestgehende ungewohnte Blaupausen für neue stringente Formen des House, durch den dieses Vinyl dann auch seine beeindruckendsten Momente erfährt.
In Trents Gesamtwerk dürfte der Track damit weit vor vielen Einspielungen der letzten Jahre auf allerhöchstem Niveau rangieren, vor allem weil er die Dimension der Kalkulierbarkeit mit derjenigen der Unberechenbarkeit im Sinne von „more energy and power“ austauscht und am Ende ein Exponat definiert, dass wahrscheinlich die meisten House-Conaisseure mit offenem Geist ihr Eigentum nennen wollen. Wir empfehlen daher schlicht Platzreservierung auf dem Dancefloor!
More
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Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
Label:Smallville Records
Cat-No:smallville63
Release-Date:21.06.2024
Genre:Deephouse
Configuration:2x12" Excl
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Lea Lisa - Poem For The Lost Souls (Original Mix)
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Lea Lisa - Poem For The Lost Souls (Broken Mix)
3
Lea Lisa - Poem For The Lost Souls (Kuniyuki Version)
4
Lea Lisa - Poem For The Lost Souls (Session Victim Version)
Gatefold Cover, Double-12”
Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
More
Tracklist:
A Original Mix (08:55 min)
B Broken Mix (08:39 min)
C Kuniyuki Version (09:26 min)
D Session Victim Version (06:51 min)
Following well-regarded outings on Phonica Records and Wolf Music, and a superb "Many Shades Of House" compilation released this year, Lausanne-based Lea Lisa joins Smallville Records this June with ‘Poem For The Lost Souls’, accompanied by remixes from Kuniyuki and Session Victim as a special Double-12“ package with Gatefold Cover.
For these tracks, Lea Lisa has worked with several musicians in the studio to transform the warmth and organic feel of real instruments into her musical universe. The original mix of ‘Poem For The Lost Souls’ leads, a jazzy house journey that ebbs and flows through fluttering flute melodies, ethereal chords, wandering piano and funk-infused bass grooves running atop organic percussion and disco tinged drums. On the B Side, the ‘Broken Mix’ follows, as the name would suggest, rhythmically shifting focus towards off-kilter drum breaks alongside the other melodies and again - all the ingredients that make a classic house track.
Opening the C-side on record 2, acclaimed Japanese artist and Mule Musiq regular Kuniyuki steps up to rework ‘Poem For The Lost Souls’, in typical fashion the Sapporo born producer extracts the core grooves from the original and shapes it into something uniquely his own, laden with warmth, soul and dynamics. The duo Session Victim then round out the release on Side D with their interpretation, fusing together the original synth melodies with their own amalgamation of intricately intertwined keys and atmospherics, underpinned by a shuffled rhythm section and bouncy low-end drive.
It’s coming with a gatefold cover-artwork by Stefan Marx for a cherry-blossom glimpse of Yoyogi Park in Tokyo.
Tracks written & produced by Lea Lisa
Flute by Thibaut Martinez - recorded at Magneto Studio / Lausanne, Additional Synth By Bayron, Piano by Joseph Miller
Additional production and remix on Side C by Kuniyuki Takahashi
Additional production and remix on Side D by Hauke Freer & Matthias Reiling
Mastering by Kuniyuki Takahashi, side A Mixed & mastered by Benoit @ Perception Mastering
Vinyl cut by Helmut Erler @ Lathesville
Cover Artwork by Stefan Marx
Distributed by Wordandsound
More
1
Delfonic - Turn Me Loose (feat. CC)
2
Delfonic - Get Ready (Delfonic Rework)
3
Delfonic - Funny Bones (Delfonic Rework)
4
Delfonic - Cycles (Delfonic Edit)
Vinyl Only ! NO RETURN!
Berlin's king of disco and soulful vibes is back with a solo EP on the Berlin vinyl only underground label Disco Disco Records. Four uplifting disco-house tracks for the dance floor.
500 limited copies, hand numbered, vinyl only, mastered by DJ Steaw, Made in Europe
A1: Turn Me Loose (feat. CC)
A2: Get Ready (Delfonic Rework)
B1: Funny Bones (Delfonic Rework)
B2: Cycles (Delfonic Edit)
More
Berlin's king of disco and soulful vibes is back with a solo EP on the Berlin vinyl only underground label Disco Disco Records. Four uplifting disco-house tracks for the dance floor.
500 limited copies, hand numbered, vinyl only, mastered by DJ Steaw, Made in Europe
A1: Turn Me Loose (feat. CC)
A2: Get Ready (Delfonic Rework)
B1: Funny Bones (Delfonic Rework)
B2: Cycles (Delfonic Edit)
More