Veteran producer Nick Höppner and Alex Kassian join Music From Memory's off - shoot, Second Circle for a new collaboration, H.A.N.K.

Born out of the unprecedented circumstances of the global pandemic, 'The Big Melt' represents a departure from the duo's typical club-oriented productions, instead exploring their shared passion for Krautrock, ambient, and guitar-driven music. The album showcases a more introspective and experimental side of both artists, blending elements of Fourth World, New Age, and leftfield electronic music.

Höppner and Kassian's creative partnership began in 2018 when Höppner released music from Kassian's project Opal Sunn on his label, Touch From A Distance. Their friendship quickly evolved into musical collaboration, initially focusing on dance music. However, as the pandemic unfolded, their studio sessions took an organic, freeform approach, embracing spontaneity and intuition.

'The Big Melt' features contributions from a diverse array of guest musicians, adding depth and texture to the album with instruments including guitar, clarinet, and the tar, an ancient Persian string instrument. Höppner's newly acquired drumming skills, developed during lockdown, also play a significant role in shaping the album's sound.

The creation of 'The Big Melt' spans several years, with initial jam sessions evolving into carefully crafted compositions through remote collaboration. This extended gestation period has allowed the music to mature, resulting in what Höppner describes as his proudest release to date.

'The Big Melt' stands as a testament to artistic resilience and creativity in the face of global challenges, offering listeners a rich, immersive journey into new sonic territories crafted by these two respected talents.

SC021 will be released on LP as well as digitally on November 8th 2024. Sleeve art and design by Michael Willis. More

Repress!

Second Circle are delighted to announce a five track EP from Kaifeng born, Vancouver based musician Yu Su, titled ‘?????? / Roll With The Punches'
Recorded on the Coast Salish territory in Vancouver, three tracks on the EP grew out of a live set Yu Su began developing in 2018 for a series of performances. The record also features two collaborations; on the opening track “Little Birds, Moonbath” Michelle Helene Mackenzie appears on modular synth, with Vancouver locals Pender Street Steppers joining Yu Su for an improvised jam, appearing on guitar and synth across “Tipu’s Tiger”.
The title ‘?????? / Roll With The Punches' as Yu Su herself explains, “Is a metaphor translated from an old Chinese proverb, that roughly translates as ‘The Spring flows over plains and The Valley is born’. The proverb explains the origin of ‘The Valley’ and also speaks of a very Daoist abstraction in which the ‘Thousand Things’ are born and will eventually co-exist in the metaphysical system of ‘The Valley’.” More

Repress!

ISOR29 with a six track mini-album titled ‘Moon Phase Gardening’. ISOR29 is a new project from Columbian musician Tomas Garcia Station and follows on from his highly regarded 2020 debut release under the ‘Irie Nation’ moniker.

The title ‘Moon Phase Gardening’ (also referred to as Gardening by the Moon or Planting by the Moon) draws upon the idea that the lunar cycle affects plant growth. Just as the Moon’s gravitational pull creates the tides of the oceans, it also creates more moisture in the soil, which encourages growth.

Evolving out of forced time off, individual confrontation and the love for someone close, ‘Moon Phase Gardening’ was recorded in the living room of an old flat in Lisbon during the first lockdown. Using only a microphone, computer, Korg MS20, hang drum and a field recorder, ISOR29 channels Tomas’ musical vocabulary via electronics to reflect an immersive and self-reflective story bound to a uniquely powerful time and space. More

Second Circle return with a special one-off album of music by Belgian producer soFa, German musician Houschyar and the legendary Turkish drummer and percussionist Okay Temiz.

SC019 – Selale (LP) is the result of a string of sessions that began in Istanbul during 2018, when soFa spontaneously teamed up with friend Houschyar for a series of smoky jams in the young producer's 5th floor apartment. They would meet again a few months later, with a plan to finish the EP, and whilst having lunch, the two decided to pay a spontaneous visit to Okay Temiz, with whom soFa had worked previously.

Welcoming the pair in the percussion workshop (Atölye) where he spends most of his days, Temiz was excited by their demos and the three of them began to jam around the tracks, with Temiz utilizing a number of his own homebuilt instruments. The duo had now become a trio, it seems, and back in their home studio the jams would be edited and reworked; with Okay adding further overdubbing and contributions to the tracks.

Probably best known as a member of The Don Cherry Trio, for his own band Oriental Wind and for numerous collaborations with some of the best Jazz musicians in the world, Okay Temiz is considered to be one of the most innovative and outstanding musical figures in Turkey and beyond. A professional musician since 1955, Temiz's career began in Jazz and traditional Turkish music, but he became increasingly fascinated with the possibilities of electronic and self-built instruments, which he would experiment within different forms. During the late 70ties Temiz also developed a special love for Brazilian instruments such as the Berimbau and Cuica, both of which are omnipresent on this album.

In this latest collaboration, Okay Temiz weaves his percussive magic through six diverse psychedelic synthesizer and drum computer jams, alongside two exciting young producers. Selale is mixed by Dusseldorf studio wizard Gordon Pohl. More

The eighteenth release on Second Circle is the label's second exploration into an artists archival works; this time presenting a selection of four early tracks by theatre, film and music producer Can Oral under his Khan alias.

Can moved to Williamsburg, New York in the early 90's along with good friend and fellow musician Jimi Tenor. Born in Germany of Turkish-Finnish parents, he would frantically start buying equipment (such as a TR808, TB303 and Korg Polysix) from junk shops across New York, becoming greatly prolific in his recordings which he would work on throughout the night. During the daytime though, Can set up and ran the now defunct Temple Records, a seminal Soho record store, and later label, largely importing Techno and Acid from Europe. Though a small store, Temple Records would count musicians and DJs such as Björk, Tricky, Dee-Lite, Josh Wink and Joey Beltram among its regular customers. Also he would host many such guests to play live or DJ at his weekly Techno party “Killer” which was held at Save The Robots in New York’s East Village.

Can Oral's nightly studio sessions eventually led to an almost inexhaustible discography with over a dozen monikers each representing a different aspect of his productions. SC018 focuses then on his early electronic works as Khan.

Named after the color painted studio where the EP was produced between 1993-1996, 'Blue Box Sessions' is a collection of four analogue machine driven cuts, covering different tempos and ethos within electronic music. Initially live recorded to an old DAT recorder, and without any overdubs, SC018 is a lost and found artefact to Khan's unquestioned raw talent and timeless relevance. More

Second Circle returns with the follow up to Giuseppe Leonardi’s 2018 debut record ‘TBC’, with another singular EP from the young Austrian musician, titled ’MenteMente’. Recorded this year in Vienna, during the lockdown of the city, the title ‘MenteMente’ was derived from the Spanish word ‘Mente’ (meaning ‘Mind’) and refers to a meditative state developed during times of crisis, and the evolution this has brought to Giuseppe’s own musical process over the past months.

Reflecting an evolution in his musical output, the six tracks on ‘MenteMente’ incorporate a diverse mix of sounds and influences. The EP also includes collaborations with vocalist Fresh Princess, a young experimental dancer and vocalist from Ghana now based in Vienna. As well as spoken word from Georgian Art Theorist Lana Girkelidze who reads her favourite passages from Georgian poet Galaktion Tabidze’s poem ‘Qari qris’ - ????????? ??????-???? ????.

‘MenteMente’ will be accompanied by a series of digital visuals made by Carolina Rivera Arboleda, artist and student at the Vienna University of Applied Arts and a stop motion video installation by renowned Viennese street artist Olivier Hölzl. More

The fifteenth release on Second Circle sees the label’s first exploration into an artists archival works; this time bringing together a selection of four early tracks by the seminal English musician Richard H. Kirk under his Sandoz moniker.
As founding member and driving force of pioneering Industrial band Cabaret Voltaire, Richard H. Kirk began his solo project Sandoz in 1992, evolving out of and running in parallel to Cabaret Voltaire’s evolution in sound from innovators of Industrial and post punk electronics towards pioneering works within Techno and House.
Taking the name from Sandoz Laboraties, a pharmaceutical company best known for inventing LSD in 1938, Kirk’s somewhat lesser known solo project evolved out of Cabs’ fascination and own development of Acid House and Rave culture, whilst leaning more heavily on Jamaican Reggae and Dub influences.
Presenting a selection of four mind-bending tracks, originally released between 1992-1993 on his very own Sheffield-based Intone label, SC015 further reveals Richard H. Kirk’s unique and visionary voice within electronic music. More

Second Circle are thrilled to announce the latest release on the label comes from the Indonesian outfit Zatua with their debut release ‘Sin Existencia’. First formed by Dea Barandana, the seven track album was recorded in Jakarta and Bali over two years and grew out of improvised live shows with a band Dea put together.
Zatua first performed together in 2017 at the Goethe Institute in Jakarta as a last minute addition to the bill, having only a week to prepare and rehearse. The live show would consist of material based on simple melodic ideas and extended sections growing into live jams. Taking material from Dea Barandana’s solo compositions the ideas were then further developed and re-structured by Dea and band members Harsya Wahono, Adra Karim and Rafi Muhammad into finished pieces. Inviting further guest musicians to join on various tracks, the vocals were in fact largely improvised by Carmen Caballero Fernández and Sasha Sabrina - in French, Spanish and Asturian.
Using predominantly analogue equipment, ’Sin Extistencia’ is the final outcome of an extensive exploration into the unique sonic ranges and musical fascinations of the various members of the band. Taking influence from Indonesian psychedelic music from the 1970’s and 80’s the album presents a fascinating glimpse into contemporary Indonesian electronic music with a nod to it’s little known but rich past. More

Music From Memoryâ??s sister label Second Circle returns with their first release of 2018, this time with a 4 tracker EP from French producer and Antinote via Melody As Truth affiliate D.K. aka Dang Khoa Chau. More