Bringing stark dread bass vibes like no one before or since, Mars89 makes a welcome return to Sneaker Social Club with another four-track script flipper.

Since he first surged onto the radar with some incisive moves on Bokeh Versions back in 2017, Masayoshi Anotani has deployed a raw, non-conformist kind of bass music that's minimal in spirit but packing incredible weight where it counts. It draws parallels with weightless grime, but swap the woozy square wave synths out for fierce industrial textures and dystopian bleeps, and maybe you're halfway there.

Following on from 2022's Night Call and a collab LP with Seekersinternational on his own Nocturnal Technology, Mars89 is back with an EP which takes on new sonic dimensions without losing the persistent moodiness that makes his shadowy sonics so compelling.

'No Control' feels the most in line with the earlier Mars89 work, creating a back and forth between an upfront grime-y synth lick and blown out bass notes. The space around the notes is as vital as everything being played, creating a tension that doesn't let up no matter how much the brittle percussion rattles.

'Sonar Breaks' feels distinct as it drags a sticky drum loop through the dirt until it comes out positively caked. That leaves plenty of room for the bleeps up top to cut through the mix with devastating clarity, and Mars89 needs nothing else to make a taut piece of soundsystem Semtex.

'Hydra' continues to draw influence from jungle while taking a sideways approach to breakbeat edits, finding a curious groove in angular drum science before a stark arpeggio locks the track down. It's another hint at the different tools being reached for on this EP, brought into the Mars89 methodology and bent to his particular will.

'Still Dreaming' closes the EP out with an evocative sample from a sci-fi blockbuster and a spiralling sound bed of synth lines and break shards. While the track lands softer than its predecessors, the dense mix whips up a claustrophobic allure comfortably aligned with the overall intensity of the record — an intensity which is wholly unique to Mars89 and his maverick manoeuvres in the field of contemporary bass music.

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The cascading hollowness of Japanese producer Mars89's latest album 'Visions' for Bedouin Records evokes a hypnotising atmosphere that takes the listener on a cinematic journey through what is best described as a post-apocalyptic daydream. In its entirety, this album is a political act against capitalism and urban infrastructure as a whole, paying homage to those who endure the various ways in which capitalists and authoritarian governments attempt to infiltrate and control their lives, and all that surrounds them.Breaking musical boundaries in the creation of what is considered to be a new genre of Japanese street music, Mars89 draws on a wide range of influences –such as sci-fi films– to conjure an eerie dystopian scene, inviting the listener to imagine a world on the brink of collapse as a tyrannical authority stands by idly. Embedded in the back cover of the album, Mars89 pays tribute to the working-class resistance; 'This album is dedicated to the city dwellers who live with the rats and crows in the gaps of the city where the giant capital tries to control everything'.Opening the album with 'They made me do it', Mars89 manages to convey an uneasy welcoming party that tempts you to stay longer with flickering distorted explosions of sounds, then further captivates us with 'Tete Apotre' by using a series of vivid, and energising hushed tones that are somewhat opaque and abstract, making it difficult to identify the echoes as human or not. Accompanied by hollering alarms overhead and hurried echoes, the standout track 'Dick Laurent is dead' emits a dark, pulsating soundscape through the repetition of a distant voice stating; 'Listen up, told you once told you twice; You know I'm in this'. Signalling what could be perceived as the brink of frustration, or a looming warning.Through a combination of incessant bells and rhythmic distorted drums across the ten tracks, a building sense of urgency before a life-altering decision must be done begins to form in the listener. With its shuddering rhythms, abrasive whirring, and ominous chimes contributing to the ways in which the sounds break down into hisses and stark fluctuations between texture and volume; the surreal nature of this experimental album will enthral you.?With every riveting listen, we are offered a glimpse into something inconceivable through a plethora of celestial sounds. 'Visions' concludes with 'LA1937', a chilling 5 minutes track that suggests the end of a chase has been reached, bringing everything to a breath-taking closure.

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Recorded on the edge of Berlin in a semi-deserted building complex formerly used by the East German Sociality party, Andre´ Uhl's debut on the label taps into the spectral frequencies of the space and the ritual practices of recording.

Created in isolation amongst this decaying structure and surrounded by lakes, dense forestry and the sounds of boars and unknown wildlife outside, Every Step Causes a Crack is a title that reflects Andre´s connection to the environment around him and the death or glory stance of the artist, with field recordings, electric doom synthesis and lurching drum tracks temporarily fracturing the darkness before being pulled back through the void.

Limited vinyl release of 150 copies.

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Out of the Krishna-core punk scene of Buenos Aires and into the rave underground, Candido's debut LP on Natural Sciences Recs "La Muerte de Occidente" (death to the western world) has club culture in it's cross-hairs, with eight tracks of crushing jakbeat, industrial and freestyle stabs around an Eastern spiritual mindset. The first Krishna house LP? You be the judge

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Entombed between the approaching war machine, Berlin's squat metal underground and the corrosive electronics broadcast from the Hague's bunker network, Chaosy's "Bad Magic" marks his first on the label, with tracks pulled together from equipment left behind in Ukraine and resurrected in makeshift studios while on the road.

Across the LP's eight tracks, the record dials into this modern day horror and occult activity from throughout the ages, flipping between cave dwelling techno, breakbeat, gnarled Ukrainian rap and wails found between the gaps in the machine. A full blown sonic assault into the belly of the beast.

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Natural Sciences Recs marks its 60th release with a split 12" from Beau Wanzer and Hieroglyphic Being: two cult names from Chicago's underground releasing on record for the first time, with Wanzer's hybrid industrial rap alongside Jamal's wired space ritual.

4 Dysfunctional Psychotic Release & Sonic Reprogramming Purposes Only !!

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German Army is a two-piece from the San Gabriel Valley and one of the loudest voices in the underground tape scene. Raised on Sydney Possuelo and Paulo Freore, their catalogue seeks to critique U.S imperialism and nationalism while bringing attention to endangered culture and ecology around the globe.

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Boris Barksdale's first full length on the label is the final joyride of the human mind. Over two sides of screwed proto-beat, street electronics and twisted metal ambiance, Mind Over Matter picks apart the medias domination of the world we live in, drawing on internet advertising campaigns and social commentary to show you how messed up things have really become.

The record builds on from Boris' inclusion in Natural Sciences' Future Works & Age in Decline compilation series.

Recommended if you're into the earlier Sansibar records, Jensen Intercepter and 80's electro.
250 copies, full sleeve

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Alleged Witches debut album breaks down centuries of human labour into an eight-part instruction manual for company best practice, stock control and tips for the optimum commute. The final break from nature, it's Pagan funeral marches, insect rhythms and doomed ambience for one last trip up the river. Artwork from Bill Connors.

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Tracklisting:

A1. T5UMUT5UMU - ???????????????
A2. Xiao Quan - Bazoyenza
A3. Pvssyheaven - Ring My Phone
A4. Alleged Witches - It Must Have Been an Animal
A5. Challenger of the Unknown - Unity
B1. DJ Frankie - Cadenas de Sangre
B2. Apoc Krysis - Target Spotted (prod. DeejayRust)
B3.Aztytekk x Levadian Hater - Bich Contest
B4. Mutant Joe - Ice Show (ft. TrippJones & Dirtbagmarley)
B5. Odete - Growl
B6. DJ Warzone - Feathers
C1. Boris Barksdale - Soft Ride
C2. Chrome Corpse - With Your Head
C3. Nastytekk - God Got Gun
C4. Ayln - Witch Rave
C5. Prequel Tapes - Trippy Isolation
D1. DJ Torture - Mason
D2. Ole Mic Odd - Chromed Out 1100
D3. Sansibar - Can't See
D4. Galaxian - Depth Dimension


Age in Decline marks the 50th release and 5th year in operation from Manchester based label, Natural Sciences: a v/a comp of new tracks from the contemporary underground alongside choice cuts pulled from the labels annual Future Works series available on vinyl for the first time. Get ready for the beat down.


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Tracklisting:
A1. DJ Armok - Don't Let this Be Your Death Wish
A2. DJ Armok - Murder ft. Devilish Trio
B1. DJ Bishop - Riding Heavy
B2. Pillbox - Chronic Pain

Various Artists: Introduction to Dungeon Rap ushers in a new movement in underground hip-hop. With a sound pulled from war time machinery, rituals and ancient runes, this 7" sampler pulls together cuts from the long sold-out tape release, with tracks coming from DJ Armok, Pillbox and DJ Bishop.

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From behind a wall of public discourse, focus groups and corporate memos, Strahinja Arbutina moves out onto the streets, with four cuts of Croatian electronics pulled from man hunt techno, hood funk and industrial waves.


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Enjoyment through suffering. Beauty in chaos. African Ghost Valley apply these principles to create their heavy doomsday electronics pulled in from the Black Bunker; a D.I.Y space under a multi-story car-park.

Separated from any scene on the surface, the record was put together by European / Canadian duo Childle Grangier and Gabriel Ghebrezghi;a partnership formed in the heat of heavily improvised recording sessions, where the pair would thrash out their versions of power electronics, industrial waste drops and rhythmic dub rumble to the cities homeless.

Keeping these raw fnal cuts away from any studio trickery, the microphone would be left on to archive feld recordings and wayward audio drops, capturing the hum and lifeblood of the 'Bunker and the wheezing lungs of the dense concrete that surrounded them.

Titling this work 'Colony', the album is a open-ended and multi-edged tool for AGV to explore, allowing the listener to interpret the work as they see ft, bringing to mind images of corroded space settlements and the darkest recess of human history. You decide.

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Plugged into the mainframe of the power station, Antonio returns to the label with a barrage of loner panzer funk and mechanised thrash metal from the shadows of Frankfurt's industrial district. It's a record fed and nurtured among copper coils, rusted voltage boxes, plasma and ionised sweat coming out to breathe among power surges and industrial smog. Four tracks from the heat of the machine. A total submission to your new electrical system.


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White Punks on E’ is the taste of bike chains rubbing against black leather. Heavy cast iron forged across studs and hot-wired organs. The howls from blazed skull hordes jacked up to distortion engines broadcasting into neglected cellar units. It's shrill echoes from the parking lot carried along the financial district, overturning lobotomised business lunches, attache cases and $50 slick-backs. Nasty club rock fed through biohazard cassettes, doom arcades, sabres and scorpion tattoos - new blood to rock the neighbourhood and a pleasure to welcome Stratton into the fold.


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Still reeking from the filth of the TV studio, tabloid mongering and howls of blasphemy from the old guard, DJ Seinfeld is proving to be a hardened veteran of the circuit. A new anti-hero for a humourless and devoid internet age kicking against the Hollywood reptiles. ‘Ruff Hysteria’ is the sounds from the cutting room floor deemed too unsavoury for public consumption. It’s the grind of acid in the hotel lobby and the incessant pulse of a walkman tucked into a tuxedo pocket oozing it’s way into the central nervous system. It’s four tracks abandoned by the mainstream studios picked up by the grotty b-movie generation. The losers, the freaks, gore heads. Bare bones tackle for the floor and analogue anthems for the disenchanted.



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For the second instalment, ???Deepspace takes us down from the neon skyline to the hum of surface drones and tesla waves seeping through the circuit boards of the megacity. It’s the slogan for our new robot overlords as we punch into cellular devices. The gradual seeping of billboard acid frequencies into the bloodstream as mutants whistle out from ventilation shafts. A hazy bygone recollection of biological matter as we sink into concrete, junk and mechanical S&M.

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Still reeking from the filth of the TV studio, tabloid mongering and howls of blasphemy from the old guard, DJ Seinfeld is proving to be a hardened veteran of the circuit. A new anti-hero for a humourless and devoid internet age kicking against the Hollywood reptiles. ‘Ruff Hysteria’ is the sounds from the cutting room floor deemed too unsavoury for public consumption. It’s the grind of acid in the hotel lobby and the incessant pulse of a walkman tucked into a tuxedo pocket oozing it’s way into the central nervous system. It’s four tracks abandoned by the mainstream studios picked up by the grotty b-movie generation. The losers, the freaks, gore heads. Bare bones tackle for the floor and analogue anthems for the disenchanted.



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Mono-Enzyme 307 debuts on the main Natural Sciences label with 'Adventures in Cryosleep'; a record of corrosive space sludge dipping between deep acid trajectories, twisted cyber funk, narco new beat, android warehouse movements, Detroit machine tyranny and musicalities often referred to as "techno". We present the first phase in the mutation.


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Antonio debuts on NS with an E.P of muscular dungeon boogie straight from Italy's golden coast via the dank basements of Frankfurt. Drawing on the metallic throbs of his adopted German hometown, Antonio pushes the machines to breaking point, allowing primitive techno flourishes, crushing breakdowns and dopamine-draining house excursions to be fed straight into the back of a tape deck


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