Three timeless tracks from the esteemed D.C. LaRue back catalogue, get brand new remixes from three equally exciting producers to give a modern spin to these ‘70s classics.

LaRue joined the music industry by recording two top 40 pop records influenced by the teen-idol era. In his early adulthood, he began writing songs about the fast-growing club and bar subculture he frequented where the most outcast of society’s young and marginalized could safely congregate after being ostracized in work, church, school, and often family. In this relatively brief selection of LaRue classics, contemporary remixes paradoxically bring out the timelessness of his songs, in tone, message and musicality.

First up, ‘Do You Want the Real Thing’ gets a fresh update from re-edit royalty Opolopo in the style of the lush yet sharp Motown and Philadelphia production pieces that inspired the arrangement originally, still resonates as a nightly inner dialogue or negotiation, another of LaRue’s literary signatures.

‘Let Them Dance’ greeted in its time as a one of the breakthrough moments of new music technology, is reinterpreted by Dr Packer mainly with its live acoustic tracks, also retaining bright, rhythmic synthesizer hooks with results that are still true to his intentionally oblique lyric, a novelistic portrayal of the drug dealers, the LGBTQ+ underground community, and the powerful upper class elite that made up the multi-racial, socially integrated crowds on the dance floors at the height of disco.

Last up, ‘Indiscreet’ from LaRue’s 1976 concept album, ‘The Tea Dance,’ tells much of the story about how disco had already birthed its own far more popular and influential successor form, Hip-Hop, by the time it was declared dead by the superannuated establishments of the radio, media, and record businesses. Released in a highly limited, personally inscribed 12-inch 45 rpm edition for a select list of top disco DJs, its complex, elastic polyrhythm made it as irresistible to younger black DJs and breakdancing teens as any of the year’s other big street breakouts. Only Good Vibes Music head honchos and Scotland’s finest The Knutsens give it the magic touch for the modern dancefloor.

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New York City 1976 and D.C. LaRue is dancing at David Mancuso's 'The Loft' party with friends, as they get higher and the atmosphere more intense DC loudly proclaims 'These places are the new cathedrals'. This epiphany sent him straight back to his Manhattan studio where he wrote the seminal Disco anthem that is 'Cathedrals'. A classic that has lasted because of the quality of the song writing and the stunning musicianship.

These mixes (apart from Greg Wilsons Edit) are taken from the original multi tracks that DC and his crew created that hot summer of '76. Maurice Fulton takes a beautifully eccentric leftfield view that drips drama. Chicago's Jamie 3:26 jacks it up chi-style but without ever losing the soulful essence of the track.

Faith's Farley & Jarvis take a different approach choosing to loop the big hooks under some fresh 909 House beats creating what we hope will be a terrace summer anthem. Greg Wilsons edit has been a heads fave for some time but now its remastered on quality vinyl.

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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
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Part One of a picture sleeve special release featuring new and exclusive remixes from Joey Negro, Idjut Boys, Ron Basejam and Dr Packer, all produced from original studio master tapes

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More

Part Two of a picture sleeve special release for RSD featuring new and exclusive remixes from Idjut Boys, Folamour, Ron Basejam and JKriv, all produced from original studio master tapes.


Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More