Tone B. Nimble hit us with a seemingly endless list of possible songs to license, and to that end we’re blessed to be able to offer a ‘bonus’ chapter of two in-demand University gospel choir cuts - Side One from Oral Roberts University (Tulsa, OK) and Side Two from Rutgers University (New Jersey). Original LPs are hard to come across, here Tone B. Nimble selects the best two tracks, re-mastered in DJ friendly 7" 45RPM format!

"Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dancefloors around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings" - Tone B. Nimble

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“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.

The final chapter sees two cuts of pure gospel greatness, taking your soul to salvation via firstly the Bibleway Church Of God In Christ – Since Jesus Came Into My Life followed up by Eliezer Mass Choir - Where He Leads Me.

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A1 - Spiritual Souls - We Came To Show You The Way
B1 - Heaven’s Sound – Fire

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.

Chapter 7 sees two prized cuts bursting with that unbridled gospel energy, Spiritual Souls 1982 number - ‘We Came To Show You The Way’ and Heaven’s Sound’s 1984 gem – ‘Fire’.

Played by: Tone B. Nimble, Greg Belson, Skymark, Darryn Jones, Sadar Bahar.




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A1 - The Gospel Miracles - Building Up Myself
B1 - Serenity - Don’t You Worry


“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.

One side contains a boogie-infused cut from The Gospel Miracles, ‘Building Up Myself’ housed on their hard-to-find 1985 LP ‘The Lord Has Been Good To Me’. The other shines a light on the funk-heavy, gospel joy of Serenity - Don’t You Worry from another rare and pricey gospel LP, Serenity - ‘Like It Is!’

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A1 - Fay Hill - I Know Who You Should See
B1 - Peaches Mann - Get In Rhythm With God’s Love

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.

Chapter 5 includes an essential cut from Fay Hill’s tough to find ‘This Is A Blessing’ LP, officially licensed from the WFL record label’s family trust. Backed with Peaches Mann (RIP)’s under the radar ‘Get In Rhythm With God’s Love’. Groovy.

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Originally put on the map by Brian From Wheaton, a passionate collector from IL - This record has been fetching upwards of £1000 from those crazy Northern Soul DJs.

Officially licensed and re-mastered. Essential modern soul dancer, now available for the world to enjoy.


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A1 - Cash Money – Seeking
B1 - Ricky Womack And The New Age Christian Ensemble - New Day New Time

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. See the full eight record assembled design here.

A true collectors item.

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A1 - The Gospel Truth - He Can Do It
B1 - McKinley Sanifer - I Am The Vine (Instrumental)

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.

Chapter 3 features The Gospel Truth - He Can Do It, a rare cut that barely has a trace online, on the flip you’ll find the instrumental version of McKinley Sandifer’s I Am The Vine, another tough and under the radar tune.

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A1 - Moments of Faith Singers - Look Up (Al-Tone Extended Mix)
B1 - Lamont Butler - Ungodly War
“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 2 features a DJ friendly Al-Tone extended mix of the gospel boogie cut ‘Look Up’ by Moments Of Faith Singers, along with Lamont Butlers’ Ungodly

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“Soul Is My Salvation" is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.
Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.
Chapter 1 includes the brilliant but incredibly tough pull, Rev L. Weaver’s rendition of a Sister Sledge classic. Side two is an Al-Tone extended version of The Pink Family’s Don’t Give Your Life Away.
A1 - Rev. Ray L.Weaver - We Are Family
B1 - Pink Family - Don't Give Your Life Away (Al-Tone Extended Mix)


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21-year-old New Zealand musician Arjuna Oakes's debut EP, The Watcher, is a showcase of his ability as a singer-songwriter, instrumentalist and producer, and a testament to his depth of engagement with music.
The first two tracks on the EP fit neatly within the jazz-infused soul music landscape he is quickly becoming part of, but the latter half of the EP is far harder to categorise. Featuring instrumentation from some of New Zealand’s most exciting young jazz musicians, The Watcher explores a wide variety of themes and musical ideas, with Arjuna’s charismatic soul vocals and robust sonic palette serving as a connective thread. From big social issues to personal relationships and internal self-discoveries, across The Watcher, Arjuna takes his cue from the title track and exploration of mass surveillance, and it’s relevance within our everyday lives.

This watcher theme continues throughout the rest of the EP, with the stories told rendered as if being observed by an outside force. Decorated by cinematic soundscapes, hypnotic grooves, creative improvisation and catchy melodies, Arjuna's debut is a test palette for his future projects, one that makes his enthusiasm to develop and explore themes and style in song abundantly clear.


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Recorded in a basement studio in Deer Park, New York - 1980. Mixed Company’s ‘Let’s Go Disco’ is a relatively under the radar record, originally released on New York radio station WNBC 66’s compilation showcasing local talent. Thanks to meticulous archiving, Gene Lastorino was able to locate the original multi-track master tapes for the session which included a number of unreleased tracks. Gene also found lots of old photos and flyers, which you see grace the cover design courtesy of Charlotte McCrae.
Here, Rain&Shine present a 12” with the best unreleased tracks, edited for the dancefloor by Andrea Passenger. The original ‘Let’s Go Disco’ is of course included, along with a Waxist multi-track edit and a groovin’ Frank Booker instrumental mix.


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Originally released on a styrene 7” only, a format that was cheaper than vinyl but suffers from cue burn and a limited number of plays. Rain&Shine present a re-mastered and officially licensed vinyl 45, sure to appeal to even deep collectors who need to re-up on a high quality version for DJ play.
New Horizon was the youngest band signed to Creative Funk Enterprises, a subsidiary label of Adelia Records. The group was from Laurelton, Queens, NY.
The majority of New Horizon were barely 20 years of age, and when lead vocalist Sheila Petty heard the track, she felt a flow that inspired the lyric of a hot summer day of "True Love" . The melody and Sheila's lyric flowed so smoothly with the track, made it effortless to record. Producer Gary DeBerry Sr. says “The session was full of creativity. There was a lot a magic that was spontaneous in part II of "True Love". The groove was hot and the band stayed in the moment during the recording. As a Producer you have to know when to let the musicians play on when they are in the "ZONE."
The label took a chance on this first recording on New Horizon. That's why it was on styrene instead of vinyl, to see how well it would do. Unfortunately the band disbanded a year later.

New Horizon:
Sheila Petty: female lead vocal
Kenneth Washington: male lead vocal
Derrick DeBerry: Bass guitar
Dale Robinson: Drums
Elizabeth Taylor: Keyboard
Barbara DeBerry: Keyboard/vocal


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Recorded in 1980, four years after the seminal ‘Open Your Heart’, Ishola Muhammad recorded what he describes as “The funkiest, most exciting session I had done, and the drummer, a white guy whose name I don’t recall either, was “the best””.
The idea that, "responsibility is what freedom means", came from a speech given by, the late, Imam W.D. Mohammed, leader of the, then, American Muslim Mission. “Subsequently, I chose to use the pseudonym, A.M. Muhammad, which was a play on the American Muslim Mission acronym, AMM. Since the speech was heralded and echoed throughout the community and around the country, I hoped the song would catch on, but it didn't.
40 years later, and “What Freedom Means” is now hot in demand with spins by top DJs across the globe.
Support from Tone B. Nimble.
7 inch vinyl with a large dinked centre hole.


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1977, East Hartford, Connecticut. Rahni Harris — a 21 year old reverend and multi-instrumentalist — and his band, ‘Family Love’, were not afraid to embrace their love of R&B and Gospel. They laid down ‘A Different Drummer’ LP - One of the most forward thinking LPs recorded during this period and arguably of all time.
‘Syncopated Love’, 'He’s My Friend’ and ‘Make It Easy’ have been supported by DJs and collectors in the know for many years. Now, Rain&Shine give Rahni’s’ seminal record another lease of life for discerned collectors, DJs and music lovers worldwide!
Remastered with full original artwork.

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Rain&Shine proudly present Steve Elliott’s first album -True Image (1981). After failing to find musicians with the same direction and devotion to music he had acquired, Steve taught himself to play eleven different instruments and move from hometown of Pasadena, California to Denver Colorado.

Eager to express his musical ability, Steve became a DJ on KDKO radio, and would then go on to compose, arrange and perform True Image on September 20th 1981 with a collection of drum machines, synthesizers, and contributing musicians on rhodes, flute, guitar and vocals.

Mr. Elliott’s philosophy is “You hold in your hand a dream, a dream come true by a man whose only objective was to express the love he contains, the love we all contain within through music.”

On many collectors want lists, passing for a median price of $450 online.


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Rain&Shine present in 45 format ‘Pray Again’ and ‘Give Your Best To The Master’ two certified dancefloor cuts from Shirley Finney’s 1979 LP.
Officially licensed and re-mastered from Savoy reel-to-reel tapes.
Shirley Finney is personally involved in this project, and is overjoyed to see her music hot in demand almost 40 years after the original recording. Limited.


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Rain & Shine are proud to present, the first official reissue of this sacred slice of funk since it’s 1976 release. And with a median price of £228 on Discogs it’s about time us mere mortals had the chance of owning it.
Remastered and reissued with the original band members blessing, ‘Ain’t No Need’ has long been a favourite of some of the most well-respected DJs across the scene from Floating Points and Sadar Bahar, to Mr Scruff and Theo Parrish - with Theo even releasing a live cover version performed alongside his band on their 2014 tour.
Strictly limited to 1000, never to be repressed - hand numbered, 7 Inch picture sleeve with a dinked centre hole.




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