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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
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Gigi Masin - No Title
Apollo Records present a masterpiece of ambience and beyond – ‘Calypso’ – the stunning new album by Venetian maestro Gigi Masin.
The LP is inspired by the mythical Greek island of Ogygia and its alleged real life counterpart Gavdos – also known unofficially as Calypso – a place of extreme beauty, which upon visiting had a profound effect on the musician. More
The LP is inspired by the mythical Greek island of Ogygia and its alleged real life counterpart Gavdos – also known unofficially as Calypso – a place of extreme beauty, which upon visiting had a profound effect on the musician. More
More records from Gigi Masin
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Gigi Masin - Marilene (Somewhere In Texas)
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Gigi Masin - Barumini
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Gigi Masin - Shadye
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Gigi Masin - Malvina
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Gigi Masin - Valerie Crossing
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Gigi Masin - Vahinè
Widely-loved electronic maestro Gigi Masin returns with ‘Vahinè' – a mini album of beautiful and distinct music that is unmistakably his, sounding better than ever.
Masin always pours his heart into composing, but here it takes on a potent new level of heavy emotion – as it’s a tribute to his late wife, who sadly passed away last year.
“There is a Tahitian dance called ‘Aparima’. It consists of graceful, sinuous and fascinating movements, which tell you stories and legends about love or tradition. The ‘Vahinè' are now dancing, the Tahitian females, with smiles and gestures that could be symbolic or descriptive but are always gentle, harmonious, charming. I was watching this documentary, it was almost 4 in the morning, but I couldn't sleep; I was in front of the television for hours, my wife had passed away the day before, and I was watching hands and arms swaying.
I told myself that maybe it’s so, at the end of the road it’s possible to realize dreams, and I’m sure that she is finally able to dance like never before, and is able to move without any impediment, with no suffering, free to make all the movements that she couldn't make for so long, turning to me with a smile and a wink. So, in the clouds, you will discover and see an extraordinary 'Vahinè', because she will move and dance and smile until the end of time.”
Gigi Masin
A future-retro dreamscape where stripes of early evening sun pour through partially closed venetian blinds; kalimba, piano and steel pans meet on the incredibly evocative ‘Marilene (Somewhere in Texas)’.
The Balearic/Italo house heart of ‘Barumini’ throbs throughout a celestial epiphany, whilst ‘Shadye’ is a sun blinded ambient mirage where angelic voices and electric guitar intertwine, before more heavenly music ensues on the trance-like ‘Malvina’.
A heart-wrenchingly beautiful evocation of transitioning to the other side, ‘Valerie Crossing’ is Gigi’s compelling and inspirational take on death, with a vivid evocation of something spiritual, existential and metaphysical. His exemplary approach shows decease not as a cause for despair, but a philosophical and poetic exploration of where souls go, when they leave their earthly bodies.
Masin closes with ‘Vahinè' – a twitchy, levitational piece of sublime deep techno, which transmits high strength vibrations of powerful emotions. On both this track, and the album of the same name, there’ s no pseudo intellectual ambient posturing with cod academic angles tagged on; This is music of real substance, coming from a real place. It’s saturated with feelings, but turns mourning into affecting art, and even a beacon of hope. More
Masin always pours his heart into composing, but here it takes on a potent new level of heavy emotion – as it’s a tribute to his late wife, who sadly passed away last year.
“There is a Tahitian dance called ‘Aparima’. It consists of graceful, sinuous and fascinating movements, which tell you stories and legends about love or tradition. The ‘Vahinè' are now dancing, the Tahitian females, with smiles and gestures that could be symbolic or descriptive but are always gentle, harmonious, charming. I was watching this documentary, it was almost 4 in the morning, but I couldn't sleep; I was in front of the television for hours, my wife had passed away the day before, and I was watching hands and arms swaying.
I told myself that maybe it’s so, at the end of the road it’s possible to realize dreams, and I’m sure that she is finally able to dance like never before, and is able to move without any impediment, with no suffering, free to make all the movements that she couldn't make for so long, turning to me with a smile and a wink. So, in the clouds, you will discover and see an extraordinary 'Vahinè', because she will move and dance and smile until the end of time.”
Gigi Masin
A future-retro dreamscape where stripes of early evening sun pour through partially closed venetian blinds; kalimba, piano and steel pans meet on the incredibly evocative ‘Marilene (Somewhere in Texas)’.
The Balearic/Italo house heart of ‘Barumini’ throbs throughout a celestial epiphany, whilst ‘Shadye’ is a sun blinded ambient mirage where angelic voices and electric guitar intertwine, before more heavenly music ensues on the trance-like ‘Malvina’.
A heart-wrenchingly beautiful evocation of transitioning to the other side, ‘Valerie Crossing’ is Gigi’s compelling and inspirational take on death, with a vivid evocation of something spiritual, existential and metaphysical. His exemplary approach shows decease not as a cause for despair, but a philosophical and poetic exploration of where souls go, when they leave their earthly bodies.
Masin closes with ‘Vahinè' – a twitchy, levitational piece of sublime deep techno, which transmits high strength vibrations of powerful emotions. On both this track, and the album of the same name, there’ s no pseudo intellectual ambient posturing with cod academic angles tagged on; This is music of real substance, coming from a real place. It’s saturated with feelings, but turns mourning into affecting art, and even a beacon of hope. More
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Gigi Masin - Snake Theor
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Gigi Masin - The World Love
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Gigi Masin - Still
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Gigi Masin - Fata Morgana
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Gigi Masin - Redanzen
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Gigi Masin - Talk To The Sea
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Gigi Masin - Music For Chameleons
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Gigi Masin - Little Faith
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Gigi Masin - First Time Ruth Saw The Sea
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Gigi Masin - The Nylon Dollar
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Gigi Masin - The Kasparian Circle
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Gigi Masin - Nadir
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Gigi Masin - Stella Maris
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Gigi Masin - Call Me
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Gigi Masin - The City Lights
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Gigi Masin - She Wears Shades
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Gigi Masin - Almanac
*2022 repress*
Part of only a small and very much underground music scene in his hometown of Venice, Gigi Masin self released two modestly pressed LP's 'Wind' (1986) and 'Wind Collector' (1991) and appeared along side Charles Hayward for the Sub Rosa compilation LP "Les Nouvelles Musiques De Chambre Volume 2" (1988). Having met with little commercial success in Italy at the time, Gigi Masin's solo albums remained for the most part totally unknown. His music has though in recentyears, and seemingly by pure word of mouth, developed almost something of a cult following. Gigi Masin's uniquely intricate and at times deeply emotive compositions take the listener into a realm of contemplation, a spellbound mind state where time and space appear to dissolve. His sparse and hypnotic often loop-based compositions seem to draw parallels with Detroit Techno's earliest beginnings, all at once conjuring those same feelings of both melancholic longing and ecstatic joy. With access to Masin's large body of work, far greater than that of the handful of released recordings, Music From Memory's new compilation covers a period of over 30 years, from the mid 1980's up until recent works . Including seventeen compositions, most of which have remained unreleased or unavailable until now, 'Talk To The Sea' aims to shine a light on Gigi Masin's unique and heartfelt talent. This is electronic music from the soul." More
Part of only a small and very much underground music scene in his hometown of Venice, Gigi Masin self released two modestly pressed LP's 'Wind' (1986) and 'Wind Collector' (1991) and appeared along side Charles Hayward for the Sub Rosa compilation LP "Les Nouvelles Musiques De Chambre Volume 2" (1988). Having met with little commercial success in Italy at the time, Gigi Masin's solo albums remained for the most part totally unknown. His music has though in recentyears, and seemingly by pure word of mouth, developed almost something of a cult following. Gigi Masin's uniquely intricate and at times deeply emotive compositions take the listener into a realm of contemplation, a spellbound mind state where time and space appear to dissolve. His sparse and hypnotic often loop-based compositions seem to draw parallels with Detroit Techno's earliest beginnings, all at once conjuring those same feelings of both melancholic longing and ecstatic joy. With access to Masin's large body of work, far greater than that of the handful of released recordings, Music From Memory's new compilation covers a period of over 30 years, from the mid 1980's up until recent works . Including seventeen compositions, most of which have remained unreleased or unavailable until now, 'Talk To The Sea' aims to shine a light on Gigi Masin's unique and heartfelt talent. This is electronic music from the soul." More
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Gigi Masin - Call Me
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Gigi Masin - Tears Of A Clown
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Gigi Masin - Swallows Tempest
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Gigi Masin - Tharros
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Gigi Masin - Consequences Of Goodbyes
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Gigi Masin - Underwater Current
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Gigi Masin - The Wind Song
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Gigi Masin - Conversations
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Gigi Masin - Celebration Of Eleven
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Gigi Masin - The Sea Of Sands
*2022 repress*
Restored and re-mastered from the original tapes comes Gigi Masin's much sought after first album 'Wind' Never commercially released the LP was in fact only given away at a number of small concerts, with many of the remaining copies destroyed during floods in the Venice based musician's house.
Quickly becoming seen as something of a landmark ambient album in recent years, 'Wind' is now lovingly presented again in it's entirety. True to it's original private issue it is once again being made available through Gigi Masin's very own 'The Bear On The Moon Records'. More
Restored and re-mastered from the original tapes comes Gigi Masin's much sought after first album 'Wind' Never commercially released the LP was in fact only given away at a number of small concerts, with many of the remaining copies destroyed during floods in the Venice based musician's house.
Quickly becoming seen as something of a landmark ambient album in recent years, 'Wind' is now lovingly presented again in it's entirety. True to it's original private issue it is once again being made available through Gigi Masin's very own 'The Bear On The Moon Records'. More
More records from Apollo
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Ada Kaleh - Future: Avenoir
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Ada Kaleh - Past: Cassiopeiae
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Ada Kaleh - Present: Synergy
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Ada Kaleh - Entropy: Legamant
Romanian composer and DJ, Ada Kaleh, reveals a more intricate and textured side to his compositional dexterity, releasing a new album ‘Nodus Tollens’ on the legendary ambient label, Apollo Records. Composed and recorded between 2010 and 2020, ‘Nodus Tollens’ finds Ada Kaleh departing from the confines of minimal house and techno, and instead exploring the many facets of ambient electronica and minimalism. Drawing inspiration from minimalist artists such as Steve Reich and Terry Riley, four expansive compositions are offered up, each one transcending the boundaries of dance music dogma, and focusing on natural free-form rhythms; meditative and healing frequencies intertwine with special textures, resulting in soothing psychedelia. Questioning the linear nature of time, each production guides the listener though whirling soundscapes, DMT realms and time loops, creating an aural safe space in which to explore. Propelled by a passion for 60’s & 70’s spiritual jazz, afro-beats and other psychedelic inducing textures, Ada Kaleh describes these musical endeavours as Quantum Techno. Across two slabs of 12” vinyl, and four distinct passages and states of time (Future, Past, Present and Entropy), ‘Nodus Tollens’ is a seamless listening experience that heralds the development of the composer’s musical journey, which has to date afforded magnetic releases for labels like Dialogue, Rawax, R&S Records and his very own Ada Kaleh Romania imprint. Sleeve artwork on thew album comes courtesy of the super talented artist Anca Popa, now based in Cape Town after a move from her native Romania.
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The Primitive Painter - No Title
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The Primitive Painter - No Title
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The Primitive Painter - No Title
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The Primitive Painter - No Title
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The Primitive Painter - No Title
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The Primitive Painter - No Title
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The Primitive Painter - No Title
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The Primitive Painter - No Title
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The Primitive Painter - No Title
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The Primitive Painter - No Title
Apollo / R&S are delighted to welcome back The Primitive Painter, aka the duo of Roman Flügel and Jörn Elling Wuttke for a timely reissue of their 1994 lost classic self-titled album of sonorous IDM
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Steve Legget & Mark Hand feat Greg Black - If You Cannot Try
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Steve Legget & Mark Hand feat Greg Black - If You Cannot Try (Mark Hand Rework)
Apollo are delighted to welcome Steve Legget & Mark Hand to the fold with their lush new single ‘If You Cannot Try’ featuring the dulcet vocals of Greg Blackman. Originally released as an uplifting bumping house track on Ramrock Records Blackman sent the stems of the release to longtime collaborator Steve Legget for a rework. Legget tore the original to pieces, deconstructing it into a much more ambiguous form. ”I’ve never been a fan of a chorus in a song,” Legget muses. "I like songs that are not direct that leave room for your imagination - Mark and I ended up building a new song around the texture of the original.” Hand and Legget met in the early 90s at the Northern College of Art in Middlesbrough, and have collaborated at various times in the intervening years, through a shared love of Detroit techno, experimental electronic music, jazz and funk. Their creative process involves sending audio files back and forth - “The release was written in collaboration over the internet Greg in Colchester, Mark in Hartlepool, and me in St Albans." Hand added spaced out textures and riffs from his collection of vintage Fender Rhodes and classic synths - taking the track into sunny space funk realms that comes on like a lost release from joe Claussell’s Spiritual Life label or Basic Channel jamming with Herbie Hancock. Using their new version as the seed - Hand decided to try his own ’Teesside Techno’ version - "I wanted to give the track more of a 'machine funk' vibe with my rework” he explains. “I generally like to work by jamming with hardware - the bass line is generated by triggering the arp on my Juno 6..using triggers from a TR606 kick drum and hats replaced by a TR909.. the result being more of a jackin' electronic funk mutation!" This continuing game of musical pass the parcel has indeed born some juicy fruit - as Legget summarises "Our version started as a rework, but then Mark's is a rework of the rework, its all very meta!"
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Synkro - Fields (Claro Intelecto Remix)
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Synkro - Images (Sieren Remix)
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Synkro - Realize (Sad City Remix)
Synkro handpicks three great producers to remix tracks from his ‘Images’ album. Claro Intelecto has been releasing consistently on point deep techno and electro since 2003. His remix is perfectly equipped for dancefloors in 2020. Sad City represents R&S offshoot Meda Fury with a trademark hypnotic beatdown workout and Apollo label mate and collaborator Sieren ramps up the emotions for his remix of the title track.
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Apollo are delighted to welcome the return of Australia duo Albrecht La’Brooy AKA Sean La'Brooy and Alex Albrecht with their blissful new album 'Healesville' recorded in a mud-brick hut on a strawberry crop in the Melbourne countryside.
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om unit x kid drama - No Title
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om unit x kid drama - No Title
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om unit x kid drama - No Title
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om unit x kid drama - No Title
Apollo welcome Metalheadz veterans Om Unit AKA Jim Coles and Kid Drama / Jon Convex AKA Damon Kirkham for a 4 track EP of blissed out autonomic dnb. the duo originally met on the DJ circuit, Coles had been a longtime fan of instra:mental, Kirkham's pioneering project with Alex Green AKA Boddika
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bvdub - No Title
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bvdub - No Title
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bvdub - No Title
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bvdub - No Title
Apollo welcomes ambient legend bvdub AKA San Franciscan Brock Van Wey for a new album 'Drowning in Daylight'.
Van Wey debuts on Apollo with his stunning new album' Drowning in Daylight , exploring cavernous soundscapes on a grand canvas that throb with a delicate intimacy. A stalwart DJ and promoter of the halcyon 90s San Francisco rave scene, Van Wey fled to China in the early 2000s to escape the curdling of his musical dreams as the scene became more commercial.
Since his return he's been incredibly prolific in his creation, etching out peerless ambient works that have captivated listeners with their delicate melody and fascinating textures through releases for the likes of echospace, Kompakt and Styrax - 2018's A Different Definition of Love marks his 30th bvdub album to date.
Classically trained in piano and violin as a child, Van Wey's symphonic approach to ambience is truly remarkable,
Epic in it's scale with each of it's 4 tracks clocking in around the 20 minute mark, Drowning In Daylight envelops the listener in swathes of nostalgic pads and nested layers of distortion, strings and haunted voices.
'Drowning In Daylight' could well be Van Wey's crowning achievement to date and a testament to the power of instrumental abstract music to emotionally engulf the listener.
More
Van Wey debuts on Apollo with his stunning new album' Drowning in Daylight , exploring cavernous soundscapes on a grand canvas that throb with a delicate intimacy. A stalwart DJ and promoter of the halcyon 90s San Francisco rave scene, Van Wey fled to China in the early 2000s to escape the curdling of his musical dreams as the scene became more commercial.
Since his return he's been incredibly prolific in his creation, etching out peerless ambient works that have captivated listeners with their delicate melody and fascinating textures through releases for the likes of echospace, Kompakt and Styrax - 2018's A Different Definition of Love marks his 30th bvdub album to date.
Classically trained in piano and violin as a child, Van Wey's symphonic approach to ambience is truly remarkable,
Epic in it's scale with each of it's 4 tracks clocking in around the 20 minute mark, Drowning In Daylight envelops the listener in swathes of nostalgic pads and nested layers of distortion, strings and haunted voices.
'Drowning In Daylight' could well be Van Wey's crowning achievement to date and a testament to the power of instrumental abstract music to emotionally engulf the listener.
More
Apollo is proud to welcome Paul Frick to the fold. Frick is a Berlin-born music composer primarily known as one part of the group Brandt Brauer Frick. Stunningly despite a 20+ year history of making music 'Second Yard Botanicals' is his debut album. With BBF keeping Frick inspired and busy since 2009, other ideas had piled up until a temporary break allowed him to fully dive into them. Exploring a vast number of instruments, field recording and deconstructed breakbeats woven with undulating filters and gossamer melodies, the album sees Frick drawing on the world around him in a free associative style . 'Second Yard Botanicals' at its core is based on sonic collage, from a genre point of view it's highly eclectic, remotely echoing Frick's classical composition background as well as his hip hop / trip hop past. Recorded in the band's shared studio space in Neukölln and mixed by bandmate Jan Brauer the whole project was kept in house. "We are surrounded by a bunch of other musicians and artists in the second backyard, who share their ideas, parts of their lives and often their equipment." These musicians and others feature heavily on the record, incorporating a laundry list of sumptuous sounds
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sw:svn - 10-10- nomix
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sw:svn - dx n-lip
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sw:svn - 11-10-17.1
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sw:svn - la-400x
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sw:svn - tx 77 hinten
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sw:svn - tr.rd.
Apollo proudly presents the return of SW, joined by partner SVN for a sublime 6 track EP. SW's lush sound design and hypnotic arrangements of 2017’s ’The Album’ had hearts and minds swooning following it’s license from SUED to Apollo. It’s balmy glory won over Pitchfork ('deeply expressive debut album’ 8/10), Rolling Stone (best electronic albums 2017) and XLR8R (Best releases 2017) amongst many others. One year later, SW and SVN have gone into the studio, together; “to make some original music specifically for Apollo. The results are the 6 tracks on this EP,” they share in a typically taciturn statement. Taking inspiration from the iconic house and techno of the mid / late 90s - SW and SVN combine dreamy melodies and mesmeric grooves with unfussy, focussed minimalism, their beguiling, modern take on classic sounds and rhythms remains thrillingly unique and elusive. While SW and SVN are more comfortable out of the limelight, this 6 track EP for Apollo once again proves that they are rightly worthy of the hype that swirls around them.
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Next up on Apollo is a stunning double header LP between crate-digger, DJ and producer Glenn Astro and Cologne DJ and Producer Hodini aka Hulk Hodn.
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robert leiner - Aqua Viva (Original Mix)
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robert leiner - Aqua Viva (Edward Edit)
An all time classic originally released on the Visions Of The Past album (Apollo 1994). Released on 12” single for the first time. Re-mastered by Matt Colton. Includes a superb new remix/edit from Edward.
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synkro - Vanishing Point
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synkro - Hand In Hand
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synkro - Automatic Response
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synkro - Red Sky
Following the release of Synkro AKA Joe McBride collection of his formative early works earlier this year, Apollo Recordings is proud to present a brand new EP that draws on the rich heritage of library music. Despite having come up during the dubstep era McBride’s music has always resisted easy classification - ‘Hand In Hand’ sees him shift his musical focus in a yet more cinematic direction. McBride explains : "The record was inspired and influenced by my love of electronic 80's UK library records like the Chappell AV series, Bruton, Soundstage & De Wolfe Music library. There’s a lot of synth work that carries on from my album using my trusted Juno-6 / SH101 / JX8P combo with the addition of drum samples via an old akai S2800 I purchased recently. Most sounds I've made from scratch on hardware based on sounds used in the library records I mentioned above along with a few cheeky samples." Synkro's signature expansive atmospherics are still very much present, but now they have been burnished by soaring synth pads and pulsing drum tracks that call to mind the haunted melancholy of John Carpenter or contemporary such as Legowelt or Andy Stott. Rhythmically ‘Hand In Hand’ sees McBride moving somewhat away from his usual off kilter programming inspired by 2-step and garage, embracing the steady pulse of 4:4 which turns out to be an effortless fit.
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sieren - Tailored Mistakes
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sieren - Slinger
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sieren - U8
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sieren - Lost You (ft. Synkro)
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sieren - Ascension
A software engineer at Ableton by day, Sieren’s love for UK influenced bass music and field recording and experimental soundscaping resulted in his Apollo debut ‘Static Polymorphism’ a masterly EP of spaced out street-rave soul. Now returning with the five track Ascension EP, Frick has tightened and toughened up his sound somewhat (see the caustic bass glower of ‘Slinger’), augmenting his starry eyed wonder with a firmer percussive underpinning and more driving tempos. However still present are his preternatural grasp of emotion and atmosphere that marked him out as one to watch - perfectly underscored by the heartbreaking beauty of the title track.Fellow Apollo cohort Synkro AKA Joe McBride was instrumental in the curation of Sieren’s debut Static Polymorphism EP on Apollo, hand picking the tracks, as well as road testing them in his DJ sets. This time McBride goes one further, collaborating with Frick on the track ‘Lost You’ to memorable effect - the beautiful pads and ghostly piano are a perfect synergy of their complimentary skill sets. This is richly textured and intricately programmed post-bass music that is sure to satisfy fans of Burial, dBridge, Akkord with its soulful sincerity and warmth.
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Apollo proudly presents a full release of the stunning debut album released by SW.
SW's lush sound design and hypnotic arrangements nestles snugly alongside the classic 90’s Apollo releases of Biosphere and Robert Leiner in all their balmy glory.
Originally issued on vinyl only via SW’s own SUED imprint, this Apollo re-release represents something of a coup in that it’s the first of the label’s music to ever be presented digitally.
As a label, SUED has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both SW and SVN, as well as collaborations and comradeship with other analogue obsessed auteurs such as Dynamo Dreesen (who teams up with SVN as Dresvn), DJ Sotofett, DJ Fett Burger, PG Sounds and Club No-No, AKA Snorre Magnar Solberg.
Ensconced in his studio in South West Germany, SW creates in isolation, exploring textures, dreamy melodies and mesmeric grooves within laid back 4/4 structures. ‘The Album’ was the first time anyone had experienced his music over a long player format and allowed SW to delve deeper into his influences.
In addition to the aforementioned sublime electronica 'The Album’ also takes its cues from the iconic house and techno of the mid / late 90s - SW manages to fuse these influences together to create a beguiling, modern take on classic sounds and rhythms that remains thrillingly unique and elusive. Resident Advisor bestowed a rare 4.5 out of 5 on the record, describing it as ‘a lesson in how to put together a dance music album'
Despite his comfort residing in the shadows, SW’s stunning debut album richly deserves the exposure that this broader release on Apollo should rightfully bestow. More
SW's lush sound design and hypnotic arrangements nestles snugly alongside the classic 90’s Apollo releases of Biosphere and Robert Leiner in all their balmy glory.
Originally issued on vinyl only via SW’s own SUED imprint, this Apollo re-release represents something of a coup in that it’s the first of the label’s music to ever be presented digitally.
As a label, SUED has formed a reputation for releasing some of the most vital and sought after contemporary dance-floor vinyl, from both SW and SVN, as well as collaborations and comradeship with other analogue obsessed auteurs such as Dynamo Dreesen (who teams up with SVN as Dresvn), DJ Sotofett, DJ Fett Burger, PG Sounds and Club No-No, AKA Snorre Magnar Solberg.
Ensconced in his studio in South West Germany, SW creates in isolation, exploring textures, dreamy melodies and mesmeric grooves within laid back 4/4 structures. ‘The Album’ was the first time anyone had experienced his music over a long player format and allowed SW to delve deeper into his influences.
In addition to the aforementioned sublime electronica 'The Album’ also takes its cues from the iconic house and techno of the mid / late 90s - SW manages to fuse these influences together to create a beguiling, modern take on classic sounds and rhythms that remains thrillingly unique and elusive. Resident Advisor bestowed a rare 4.5 out of 5 on the record, describing it as ‘a lesson in how to put together a dance music album'
Despite his comfort residing in the shadows, SW’s stunning debut album richly deserves the exposure that this broader release on Apollo should rightfully bestow. More
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gacha bakradze - Gather
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gacha bakradze - Knowledge
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gacha bakradze - Head Piano
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gacha bakradze - Sun Watch
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gacha bakradze - Voice Image
Apollo proudly welcomes the return of Gacha Bakradze (now recording under his full given name) to the fold with the ‘We Must Be Woods' EP, five stunning tracks which represent his finest work since his debut Apollo LP ‘Send Two Sunsets’ in 2015. This has already been a great 2017 for Bakradze, with stellar releases on Fort Romeau’s Cin Cin label and his own Transfigured Time imprint.
Georgia born Bakradze’s music is a cinematic combination of beguiling melodies, exotic instrumentation and oceanic drones. Crafted in the autumn of 2016 ‘We Must Be Woods' sees a maturation and deepening of his sound - deftly programmed rhythms on vintage drum machines, eastern percussion and breakbeats underpin aching synth pads and gooey sub bass. Bakradze explores a range of tempos and moods, playing and recording kalimba, guitar and piano, weaving them into a captivating aural narrative which manages to both soothe and stimulate the imagination.
Gacha’s ability to effortlessly fuse the the warm chords of Detroit techno and UK bass sounds with the dense atmospherics of shoe gaze, and the crumbling, analogue euphoria of krautrock is only growing with each release and should set expectations sky high for his forthcoming LP on Apollo later in 2017.= More
Georgia born Bakradze’s music is a cinematic combination of beguiling melodies, exotic instrumentation and oceanic drones. Crafted in the autumn of 2016 ‘We Must Be Woods' sees a maturation and deepening of his sound - deftly programmed rhythms on vintage drum machines, eastern percussion and breakbeats underpin aching synth pads and gooey sub bass. Bakradze explores a range of tempos and moods, playing and recording kalimba, guitar and piano, weaving them into a captivating aural narrative which manages to both soothe and stimulate the imagination.
Gacha’s ability to effortlessly fuse the the warm chords of Detroit techno and UK bass sounds with the dense atmospherics of shoe gaze, and the crumbling, analogue euphoria of krautrock is only growing with each release and should set expectations sky high for his forthcoming LP on Apollo later in 2017.= More
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sebastian mullaert - Every Moment, I am
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sebastian mullaert - Earth Blossom
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sebastian mullaert - Visitor's Path
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sebastian mullaert - Wings of Rememberance
Apollo proudly presents the ‘All The Keys Are Here’ EP, Sebastian Mullaert’s beguiling debut on the label following collaborations with Mathew Jonson, Eitan Reiter, Aril Brikha and Ulf Eriksson, as well as releases for Hypercolour, Drumcode, Mule Musiq and Kontra Musik. While most well-known historically for his widescreen melodic techno as one half of Minilogue, Mullaert’s compositions for ‘All The Keys Are Here’ draw on a lusher, more organic palette of sounds, thrumming with intimate inner vibrations. Originating from piano based improvisations, these four musical excursions embrace simplicity through repetition and sparse arrangements that make for an ecstatic, enveloping listening experience.and French horn). Indeed two of the tracks featured on ‘All The Keys Are Here’; “Every Moment I Am” and “Earth Blossom” were part of the concert repertoire. ‘All The Keys Are Here's shimmering sonic panoramas perfectly summarise this exciting new chapter in Sebastian Mullaert’s ongoing musical journey and partnership with Apollo.
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haramia tapes - I Am You
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haramia tapes - Harper
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haramia tapes - Pfunk
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haramia tapes - Hail
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haramia tapes - Patria
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haramia tapes - Farewell Four
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haramia tapes - EF
Apollo proudly presents the debut from Haramia Tapes, a new mysterious side project from renowned Hungarian electronic music producer Laurine Frost. More usually known for his refined techno sensibilities, Frost has packed 'Pfunk’ with deftly programmed rhythmic structures and infused it with low slung bass and jazzy textures that make for a sumptuous, enveloping listening experience, ideal for fans of Nonkeen, Jazzanova or Leftfield. Pfunk' contains seven unique beat sessions - smooth funk, crossed with unique broken rhythms, live drums, bass and found sounds - shot through with cinematic melancholy. From the elegiac piano of opener ‘I Am You’ to the twisted drunken breaks of ‘Pfunk’ to the cooled out percussion and spaced atmospheres of ‘Hail’, or the moody spy-movie atmospherics of Farewell Four - this is an album that traverses a variety of moods and textures, effortlessly fusing traditional instrumentation with modern electronics and a perfect addition to Apollo’s beguiling canon of mellowed out grooves.
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1
synkro - Everybody Knows
2
synkro - Look At Yourself
3
synkro - Presence
4
synkro - Frontline
5
synkro - 4U
6
synkro - Synthetic
Following Synkro AKA Joe McBride 2015’s stellar debut album ‘Changes’, Apollo Recordings is proud to present a collection of his formative early works. This 12” sampler follows the 17 track album which was released on CD and digital formats only. The A-side contains three tracks from the 2CD set and the B-side has three tracks from this period that are previously unreleased but that are in high demand amongst Synkro fans.
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Shravanam - Sada Bala (Slokam)
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Shravanam - Bhajeham Bhajeham
3
Shravanam - Kalimaheshwari
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Shravanam - Keshvaya Namaha
5
Shravanam - Raghavam
2024 new vinyl repress release on 28th June
Dive into the spiritual depths of Carnatic Music(Southern Indian classical music) - An enchanting journey of devotion and transcendence pulsates with raw sincerity and profound spirituality, casting a spell that transcends boundaries of belief.
Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi.
Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music. Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms – her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Keshvaya Namaha is an invocation to Lord Vishnu, the protector of creation and one of the other major deities of the Hindu tradition, while Raghavam recites the names and attributes of two of his most popular avatars: the heroic Rama and the playful, loving Krishna.
One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”
As professor of cultural and political theory in Universicty of East London, Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.
Originally released on CD in 2000 from South Indian Carnatic music label and reissued on vinyl and digital first time in 2019 by Time Capsule. New 2024 repress vinyl has different tracks on the B side and it still remains as the reverse cut as the 2019 version.
Reverse Cut Vinyl!
This record plays from the inner groove to the outer groove. You don’t need to change any settings on your turntable; Just place the needle where the record usually finishes and play normally.
A long-playing record like this (over 20 minutes long) tends to have lesser dynamics and sound quality when it’s closer to the center of the record due to the progressive reduction of linear resolution as the record progresses to smaller diameters. Since this music starts quietly at the beginning and then has greater dynamics and volume towards the end, this way of cutting vinyl yields superior results. More
Dive into the spiritual depths of Carnatic Music(Southern Indian classical music) - An enchanting journey of devotion and transcendence pulsates with raw sincerity and profound spirituality, casting a spell that transcends boundaries of belief.
Born into a musician family steeped in the south Indian tradition of vocal music, the Mumbai-raised singer took advantage of the city’s cosmopolitism to study northern Hindustani disciplines, one of the few vocalists to train in both. Now revered as one of the greatest living exponents of Carnatic music, she received an Oscar nomination for her work on Ang Lee’s Life of Pi.
Within the first minute of opener Sada Bada (Slokam), Jayashri’s intensely spiritual vocals give a clear indication of why she has been increasingly embraced by a new generation of western listeners who’ve made the natural leap from ambient soundscapes to new age and devotional music. Accompanied on the following Bhajeham Bhajeham by a hypnotic rhythmic backing of mridangam drums, bells and the drone of a tambura, over its epic twenty-minute length she stretches her voice into a variety of spellbinding forms – her softly enunciated dedications to Shiva enveloping you with their immersive warmth and cosmic beauty. Keshvaya Namaha is an invocation to Lord Vishnu, the protector of creation and one of the other major deities of the Hindu tradition, while Raghavam recites the names and attributes of two of his most popular avatars: the heroic Rama and the playful, loving Krishna.
One of the album’s new-found devotees is label boss Kay Suzuki: “every time I listen I’m amazed at how such a small ensemble can create such a deep musical landscape. The incredible production plays a big part. That intricate percussion sounds so clear and sits in all the right pockets rhythmically and sonically. Just by following this groove I’m put into a timeless zone, but when her voice hits on top of that gorgeous drone sound and I focus on the details of her small melodies within melodies, my heart centres and I find myself in a blissful place.”
As professor of cultural and political theory in Universicty of East London, Jeremy Gilbert states in the album’s liner notes, the mesmerising sincerity and deep spirituality of these songs present an intense and spiritual charge that will appeal to an audience well beyond believers and devotees of Hinduism.
Originally released on CD in 2000 from South Indian Carnatic music label and reissued on vinyl and digital first time in 2019 by Time Capsule. New 2024 repress vinyl has different tracks on the B side and it still remains as the reverse cut as the 2019 version.
Reverse Cut Vinyl!
This record plays from the inner groove to the outer groove. You don’t need to change any settings on your turntable; Just place the needle where the record usually finishes and play normally.
A long-playing record like this (over 20 minutes long) tends to have lesser dynamics and sound quality when it’s closer to the center of the record due to the progressive reduction of linear resolution as the record progresses to smaller diameters. Since this music starts quietly at the beginning and then has greater dynamics and volume towards the end, this way of cutting vinyl yields superior results. More
1
Gigi Masin - Snake Theor
2
Gigi Masin - The World Love
3
Gigi Masin - Still
4
Gigi Masin - Fata Morgana
5
Gigi Masin - Redanzen
6
Gigi Masin - Talk To The Sea
7
Gigi Masin - Music For Chameleons
8
Gigi Masin - Little Faith
9
Gigi Masin - First Time Ruth Saw The Sea
10
Gigi Masin - The Nylon Dollar
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Gigi Masin - The Kasparian Circle
12
Gigi Masin - Nadir
13
Gigi Masin - Stella Maris
14
Gigi Masin - Call Me
15
Gigi Masin - The City Lights
16
Gigi Masin - She Wears Shades
17
Gigi Masin - Almanac
*2022 repress*
Part of only a small and very much underground music scene in his hometown of Venice, Gigi Masin self released two modestly pressed LP's 'Wind' (1986) and 'Wind Collector' (1991) and appeared along side Charles Hayward for the Sub Rosa compilation LP "Les Nouvelles Musiques De Chambre Volume 2" (1988). Having met with little commercial success in Italy at the time, Gigi Masin's solo albums remained for the most part totally unknown. His music has though in recentyears, and seemingly by pure word of mouth, developed almost something of a cult following. Gigi Masin's uniquely intricate and at times deeply emotive compositions take the listener into a realm of contemplation, a spellbound mind state where time and space appear to dissolve. His sparse and hypnotic often loop-based compositions seem to draw parallels with Detroit Techno's earliest beginnings, all at once conjuring those same feelings of both melancholic longing and ecstatic joy. With access to Masin's large body of work, far greater than that of the handful of released recordings, Music From Memory's new compilation covers a period of over 30 years, from the mid 1980's up until recent works . Including seventeen compositions, most of which have remained unreleased or unavailable until now, 'Talk To The Sea' aims to shine a light on Gigi Masin's unique and heartfelt talent. This is electronic music from the soul." More
Part of only a small and very much underground music scene in his hometown of Venice, Gigi Masin self released two modestly pressed LP's 'Wind' (1986) and 'Wind Collector' (1991) and appeared along side Charles Hayward for the Sub Rosa compilation LP "Les Nouvelles Musiques De Chambre Volume 2" (1988). Having met with little commercial success in Italy at the time, Gigi Masin's solo albums remained for the most part totally unknown. His music has though in recentyears, and seemingly by pure word of mouth, developed almost something of a cult following. Gigi Masin's uniquely intricate and at times deeply emotive compositions take the listener into a realm of contemplation, a spellbound mind state where time and space appear to dissolve. His sparse and hypnotic often loop-based compositions seem to draw parallels with Detroit Techno's earliest beginnings, all at once conjuring those same feelings of both melancholic longing and ecstatic joy. With access to Masin's large body of work, far greater than that of the handful of released recordings, Music From Memory's new compilation covers a period of over 30 years, from the mid 1980's up until recent works . Including seventeen compositions, most of which have remained unreleased or unavailable until now, 'Talk To The Sea' aims to shine a light on Gigi Masin's unique and heartfelt talent. This is electronic music from the soul." More
1
Gigi Masin - Call Me
2
Gigi Masin - Tears Of A Clown
3
Gigi Masin - Swallows Tempest
4
Gigi Masin - Tharros
5
Gigi Masin - Consequences Of Goodbyes
6
Gigi Masin - Underwater Current
7
Gigi Masin - The Wind Song
8
Gigi Masin - Conversations
9
Gigi Masin - Celebration Of Eleven
10
Gigi Masin - The Sea Of Sands
*2022 repress*
Restored and re-mastered from the original tapes comes Gigi Masin's much sought after first album 'Wind' Never commercially released the LP was in fact only given away at a number of small concerts, with many of the remaining copies destroyed during floods in the Venice based musician's house.
Quickly becoming seen as something of a landmark ambient album in recent years, 'Wind' is now lovingly presented again in it's entirety. True to it's original private issue it is once again being made available through Gigi Masin's very own 'The Bear On The Moon Records'. More
Restored and re-mastered from the original tapes comes Gigi Masin's much sought after first album 'Wind' Never commercially released the LP was in fact only given away at a number of small concerts, with many of the remaining copies destroyed during floods in the Venice based musician's house.
Quickly becoming seen as something of a landmark ambient album in recent years, 'Wind' is now lovingly presented again in it's entirety. True to it's original private issue it is once again being made available through Gigi Masin's very own 'The Bear On The Moon Records'. More
1
CJ Bolland - Camargue
2
CJ Bolland - Tokyo
1992 was a wild year. For planet earth. For humanity. People desired for escapism, and some producers just had the jive they yearned for. Endless kick drum excitement under a roof of strings. Up there in clap heaven, the chords fly candid, and all that hi-hat suspense fashions bliss. These dancers met an angel, circulating eternally towards the strobe. Oh, how they wished all that trance never ends in 1993, when CJ Bolland, one of the most influential and successful producers Belgium created in the nineties, dropped “Camargue”. An instant trance techno classic. Atemporal, abnormal, amoral. Raved together with British producer Cisco Ferreira for Belgium’s finest R&S records. Both worked on many sensual club music artworks together. Like “Tokyo”, the B-Site with an A-Note. Tripping fast, more hi-hat ecstasy, techno kicks, somewhere Goa is in there. Those where the 1990ees. Those days in fast pace. Blissed with trance of techno glam.
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Recorded remotely during 2021-2022 the album took shape in the form of mutual compositions, gradually developed and embellished online. Final recording sessions took place at the majestic Chale Abbey Studios on the Isle Of Wight with Moses Boyd (drums), Tom Herbert (bass) and Siobhan Cosgrove (flute, clarinet) adding elements to several pieces. Tracks include the reflective, wistful single "Viento Calido" and drifting ambient piece "Sabena", a beautiful tribute to Gigi"s wife who sadly passed away during 2022. Greg Foat has recorded prolifically in recent years including acclaimed albums Symphonie Pacifique (2020) and The Mage (2019). Best known for his 1986 ambient masterpiece Wind and as a member of Gaussian Curve, Gigi Masin has enjoyed a revival in recent years through his Calypso album on R&S"s Apollo label and renewed touring. Dolphin represents Greg and Gigi"s first landmark recording collaboration together. "I first heard Gigi"s album Wind in 2016," remembers Greg. "I was living in Miami and I heard it playing one Summer evening. Since then, it has always been in my mind to be able to record together."
Tracklist
1.1Lee
1.2London Nights
1.3Love Theme
1.4Dolphin
1.5Sabena
1.6Leo Theo
1.7Viento Calido More
Tracklist
1.1Lee
1.2London Nights
1.3Love Theme
1.4Dolphin
1.5Sabena
1.6Leo Theo
1.7Viento Calido More
1
Gigi Masin & Rod Modell - Red Hair Girl At The Bus Stop
2
Gigi Masin & Rod Modell - Summer Morning At Lighthouse Beach
Repress!
Vinyl LP presented in a deluxe edition with printed innersleeve and a special transparent obi strip; the cover is also printed internally. Hand numbered.
Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building electronic bridges in semi-darkness to allow us to cross too.
No words would be needed to explain this work... It is the meeting of two people, an exchange of different points of view. A way to meet and then break up. Rod has reworked a piece of Gigi making it his own... and so did Gigi with a piece of Rod. A magnificent intersection of sounds and thoughts... remaining suspended to watch the passing of time, to listen to the noises and silences of life that passes inexorably around us.
Track 1: RED HAIR GIRL AT THE BUS STOP 19'31"
Track 2: SUMMER MORNING AT LIGHTHOUSE BEACH 15'43" More
Vinyl LP presented in a deluxe edition with printed innersleeve and a special transparent obi strip; the cover is also printed internally. Hand numbered.
Making music is trying to start over again every time. It’s a matter of questioning and approaching. It’s never settling for the sound that fills the world around. It’s looking for a door in the sky. And maybe find it, open it, go beyond it. Rod Modell and Gigi Masin, this time together, are offering each other vibrations and insights. The former lives between two lakes, the latter between the Venetian lagoon and the sea. Everyone on their own shore, building electronic bridges in semi-darkness to allow us to cross too.
No words would be needed to explain this work... It is the meeting of two people, an exchange of different points of view. A way to meet and then break up. Rod has reworked a piece of Gigi making it his own... and so did Gigi with a piece of Rod. A magnificent intersection of sounds and thoughts... remaining suspended to watch the passing of time, to listen to the noises and silences of life that passes inexorably around us.
Track 1: RED HAIR GIRL AT THE BUS STOP 19'31"
Track 2: SUMMER MORNING AT LIGHTHOUSE BEACH 15'43" More
1
Gigi Masin - Marilene (Somewhere In Texas)
2
Gigi Masin - Barumini
3
Gigi Masin - Shadye
4
Gigi Masin - Malvina
5
Gigi Masin - Valerie Crossing
6
Gigi Masin - Vahinè
Widely-loved electronic maestro Gigi Masin returns with ‘Vahinè' – a mini album of beautiful and distinct music that is unmistakably his, sounding better than ever.
Masin always pours his heart into composing, but here it takes on a potent new level of heavy emotion – as it’s a tribute to his late wife, who sadly passed away last year.
“There is a Tahitian dance called ‘Aparima’. It consists of graceful, sinuous and fascinating movements, which tell you stories and legends about love or tradition. The ‘Vahinè' are now dancing, the Tahitian females, with smiles and gestures that could be symbolic or descriptive but are always gentle, harmonious, charming. I was watching this documentary, it was almost 4 in the morning, but I couldn't sleep; I was in front of the television for hours, my wife had passed away the day before, and I was watching hands and arms swaying.
I told myself that maybe it’s so, at the end of the road it’s possible to realize dreams, and I’m sure that she is finally able to dance like never before, and is able to move without any impediment, with no suffering, free to make all the movements that she couldn't make for so long, turning to me with a smile and a wink. So, in the clouds, you will discover and see an extraordinary 'Vahinè', because she will move and dance and smile until the end of time.”
Gigi Masin
A future-retro dreamscape where stripes of early evening sun pour through partially closed venetian blinds; kalimba, piano and steel pans meet on the incredibly evocative ‘Marilene (Somewhere in Texas)’.
The Balearic/Italo house heart of ‘Barumini’ throbs throughout a celestial epiphany, whilst ‘Shadye’ is a sun blinded ambient mirage where angelic voices and electric guitar intertwine, before more heavenly music ensues on the trance-like ‘Malvina’.
A heart-wrenchingly beautiful evocation of transitioning to the other side, ‘Valerie Crossing’ is Gigi’s compelling and inspirational take on death, with a vivid evocation of something spiritual, existential and metaphysical. His exemplary approach shows decease not as a cause for despair, but a philosophical and poetic exploration of where souls go, when they leave their earthly bodies.
Masin closes with ‘Vahinè' – a twitchy, levitational piece of sublime deep techno, which transmits high strength vibrations of powerful emotions. On both this track, and the album of the same name, there’ s no pseudo intellectual ambient posturing with cod academic angles tagged on; This is music of real substance, coming from a real place. It’s saturated with feelings, but turns mourning into affecting art, and even a beacon of hope. More
Masin always pours his heart into composing, but here it takes on a potent new level of heavy emotion – as it’s a tribute to his late wife, who sadly passed away last year.
“There is a Tahitian dance called ‘Aparima’. It consists of graceful, sinuous and fascinating movements, which tell you stories and legends about love or tradition. The ‘Vahinè' are now dancing, the Tahitian females, with smiles and gestures that could be symbolic or descriptive but are always gentle, harmonious, charming. I was watching this documentary, it was almost 4 in the morning, but I couldn't sleep; I was in front of the television for hours, my wife had passed away the day before, and I was watching hands and arms swaying.
I told myself that maybe it’s so, at the end of the road it’s possible to realize dreams, and I’m sure that she is finally able to dance like never before, and is able to move without any impediment, with no suffering, free to make all the movements that she couldn't make for so long, turning to me with a smile and a wink. So, in the clouds, you will discover and see an extraordinary 'Vahinè', because she will move and dance and smile until the end of time.”
Gigi Masin
A future-retro dreamscape where stripes of early evening sun pour through partially closed venetian blinds; kalimba, piano and steel pans meet on the incredibly evocative ‘Marilene (Somewhere in Texas)’.
The Balearic/Italo house heart of ‘Barumini’ throbs throughout a celestial epiphany, whilst ‘Shadye’ is a sun blinded ambient mirage where angelic voices and electric guitar intertwine, before more heavenly music ensues on the trance-like ‘Malvina’.
A heart-wrenchingly beautiful evocation of transitioning to the other side, ‘Valerie Crossing’ is Gigi’s compelling and inspirational take on death, with a vivid evocation of something spiritual, existential and metaphysical. His exemplary approach shows decease not as a cause for despair, but a philosophical and poetic exploration of where souls go, when they leave their earthly bodies.
Masin closes with ‘Vahinè' – a twitchy, levitational piece of sublime deep techno, which transmits high strength vibrations of powerful emotions. On both this track, and the album of the same name, there’ s no pseudo intellectual ambient posturing with cod academic angles tagged on; This is music of real substance, coming from a real place. It’s saturated with feelings, but turns mourning into affecting art, and even a beacon of hope. More
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Jazz / Nu Jazz
Configuration:LP Excl
Label:We Release Jazz
Cat-No:WRJ010LTD
Release-Date:16.07.2021
Genre:Jazz / Nu Jazz
Configuration:LP Excl
1
Hiroshi Suzuki - A1. Shrimp Dance
2
Hiroshi Suzuki - A2. Kuro To Shiro
3
Hiroshi Suzuki - B1. Walk Tall
4
Hiroshi Suzuki - B2. Cat
5
Hiroshi Suzuki - B3. Romance
No sales to Japan!
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More
LP: 180g vinyl, half speed mastered, heavy sleeve, obi, gold ink
Genre: Jazz, Fusion, Funk
Tracklisting LP
A1. Shrimp Dance
A2. Kuro To Shiro
B1. Walk Tall
B2. Cat
B3. Romance
Info
We Release Jazz is ecstatic (purrrr!) to announce the official reissue of Hiroshi Suzuki's glorious jazz-fusion-funk Holy Grail Cat (originally released in 1976), sourced from the original masters and available on limited edition 180 gram vinyl mastered at half speed for full audiophile sound, as well as on digipack CD. Both versions come with liner notes by Teruo Isono.
Cat was recorded in October 1975 at at Nippon Columbia Studio, while Hiroshi Suzuki was visiting his home country of Japan after moving to Las Vegas in 1971 to play with Buddy Rich and perfect his craft. Back on his old stomping grounds, the man known as Neko (Cat) immediately reunited with his dear friends for an epic two day session of groove magic. The chemistry was still intact. The skills and style had grown.
The result, Cat, is a smooth masterpiece, a deep and soulful affair where stunning trombone solos by Hiroshi Suzuki flirt with Takeru Muraoka's heavenly saxophone and the sensual rhythm section of Hiromasa Suzuki (keyboards), Kunimitsu Inaba (bass), and Akira Ishikawa (drums).
Celebrated in jazz collectors circles, in the lofi beat scene, and among music diggers around the world, Cat has become one of the most sought-after Japanese jazz albums of all time and, much like Ryo Fukui's Scenery, has fascinated old and young generations alike.
Points of interests
- For fans of jazz, fusion, funk, trombone, Japanese jazz, smooth rides, cats, allure.
- Official reissue of the glorious jazz-fusion album by Japanese trombonist extraordinaire Hiroshi "Neko" Suzuki.
- 10th release from We Release Jazz, following Ryo Fukui's Scenery, Mellow Dream, A Letter from Slowboat, and Ryo Fukui in New York, the soundtrack of Le Cercle Rouge by Eric Demarsan, Stuff Combe 5 + Percussion, Marc Moulin's Placebo Live 1971 and Boillat Thérace Quintet albums. We Release Jazz is the sister-label of Geneva-based WRWTFWW Records (Midori Takada's Through The Looking Glass and Lunar Cruise with Masahiko Sato, Pierre Barouh's Le Pollen, Jun Fuka-machi's Nicole, Grauzone's discography, …)
More
1
Tosca - Suzuki
2
Tosca - Annanas
3
Tosca - Orozco
4
Tosca - Busenfreund
5
Tosca - Honey
6
Tosca - Boss On The Boat
7
Tosca - John Tomes
8
Tosca - The Key
9
Tosca - Doris Dub
REpress!
Tracklist
1.1Suzuki
1.2Annanas
1.3Orozco
1.4Busenfreund
2.1Honey
2.2Boss On The Boat
2.3John Tomes
2.4The Key
2.5Doris Dub More
Tracklist
1.1Suzuki
1.2Annanas
1.3Orozco
1.4Busenfreund
2.1Honey
2.2Boss On The Boat
2.3John Tomes
2.4The Key
2.5Doris Dub More
1
Duval Timothy - Plunge
2
Duval Timothy - Wood ft. Yu Su
3
Duval Timothy - Mutate
4
Duval Timothy - Up
5
Duval Timothy - Thunder ft. Fauzia
6
Duval Timothy - Drift ft. Lamin Fofana
Primarily recorded at my home studio in South London, Carrying Colour studio in Freetown, my old studio in Rotherhithe Old Police Station, and Casa Mahler in Spoleto. Recorded on different pianos, including an upright in Freetown that had lost the felt of its hammers due to the humidity creating a harpsichord-like sound as the raw wood struck the strings. Other prominent instruments featured are Moog Grandmother, double bass, electric guitar and Juno-G. Part of the piano recordings on 'Up' and 'Drift' were composed and recorded through April 2021, whilst I was an artist in residence at the Mahler & LeWitt Studios, Spoleto, for the 'Mahler, The Song of the Earth' project in partnership with Mahler Foundation. During the residency, I was studying and creating work in response to the life and work of Gustav Mahler, in particular 'Das Lied Von Der Erde' (The Song of the Earth) — a vast song cycle engaging with nature, forgiveness, friendship, and mortality themes. While making this record, I wanted to explore what the natural environment means personally. I went on many trips into nature to engage with plant life and natural materials. These included everyday strolls around South London, walks with my mum in the hills surrounding Bath (Up), hikes through Freetown, the hills of Spoleto, up line in Ghana and nature sanctuaries in Sierra Leone (Wood). I found incredible examples of nature in all of these contexts, which I felt personally close to. I made field recordings with my phone or Zoom recorder, documenting various birds, insects, monkeys, bats, plants, trees, stones and so on, which are all on the record.
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1
Roisin Murphy - Overpowered
2
Roisin Murphy - You Know Me Better
3
Roisin Murphy - Checkin' On Me
4
Roisin Murphy - Let Me Know
5
Roisin Murphy - Movie Star
6
Roisin Murphy - Primitive
7
Roisin Murphy - Footprints
8
Roisin Murphy - Dear Miami
9
Roisin Murphy - Cry Baby
10
Roisin Murphy - Tell Everybody
11
Roisin Murphy - Scarlet Ribbons
12
Roisin Murphy - Body Language
13
Roisin Murphy - Parallel Lives
Territory: Europe only 2018 REISSUE - REMASTERED 2LP COLOURED VINYL (1 ORANGE / 1 PINK) W/BONUS TRACK "PARALLEL LIVES" (FIRST TIME VINYL APPEARANCE)
A singular presence in 21st Century pop, Róisín Murphy is a genuine maverick. Her seminal 2007 album Overpowered received widespread acclaim from music critics yet, arriving at a time of waning major label interest in vinyl, it was released only as a hyper-limited double LP. Accordingly, in the decade since, it has been obscenely difficult to find. It is a true honour to finally reissue this thoroughly modern dance-pop classic on Be With. Whilst remaining true to the loud pink and orange wax of the original release, this remastered edition enjoys the bonus inclusion of fan-favourite "Parallel Lives", finally making an appearance on vinyl.
A sumptuous, all-killer electro-disco gem, every song could've been a smash. With its heavy disco influence - deep beats, lush synths and subtle horns and strings - Overpowered was focused solely on the dancefloor. Inspired by the Eighties proto-house of D Train, Mantronix and Gwen Guthrie, but also recalling the intelligent pop of Yazoo and early Eurythmics, Overpowered presented sensual electronic soul for the heads and the hips.
Her collaborators, including Timbaland mentor Jimmy Douglass, Bugz In The Attic and Richard X, constructed a gleaming shrine to the spirit of Bobby O and Giorgio Moroder by stitching together crisp synthesised beats with the slicker tics of early house. The lead single and title track lifted the bassline squelch from the dawn of cosmic disco -- La Bionda's "I Wanna Be Your Lover" -- and the follow-up, "Let Me Know", effortlessly incorporated the chorus of Tracy Weber's 1981 boogie bomb "Sure Shot".
The wonderfully dank, sticky R&B of "Primitive" is Murphy's favourite track from the album: "I mean, who gets to put primordial soup in the first line of a song? That idea of not always being in control of the primitive parts of yourself, the bits that fall in love or the bits that dance or lose the plot or drink too much, and putting that across … that's pop for me. It's playing with all the different colours of the rainbow of life."
Murphy's blistering vocals are versatile enough to elevate the icy textures of "Dear Miami", the sexed up kaleidoscopic funk of "Footprints" and the grace of "You Know Me Better". Sharp, witty and heartbreaking, here Murphy laid claim to being the kind of strident disco singer "Dusty Springfield never quite had the abandon to become", as Pitchfork noted in their original, glowing "8.0" review.
Overpowered was considered an instant classic and, sounding deeply prescient, it has aged gloriously. There has long been an acknowledgement of Murphy's influence on other artists' gonzo fashion, and many musicians have spent the last decade crafting dancefloor tracks that embrace piano house and disco, even if they'd pale when held next to "Let Me Know". Shifting from the glam pop of "Movie Star" to the buzzing acid of "Cry Baby", when the dubby ballad for her dad, "Scarlet Ribbons", wends its way to the sweetest of endings, you realise you've been immersed in the best grown-up dance-pop album since Madonna's Ray of Light.
TRACKLISTING
SIDE A
Overpowered
You Know Me Better
Checkin' On Me
SIDE B
Let Me Know
Movie Star
Primitive
SIDE C
Footprints
Dear Miami
Cry Baby
SIDE D
Tell Everybody
Scarlet Ribbons
Body Language
Parallel Lives
More
A singular presence in 21st Century pop, Róisín Murphy is a genuine maverick. Her seminal 2007 album Overpowered received widespread acclaim from music critics yet, arriving at a time of waning major label interest in vinyl, it was released only as a hyper-limited double LP. Accordingly, in the decade since, it has been obscenely difficult to find. It is a true honour to finally reissue this thoroughly modern dance-pop classic on Be With. Whilst remaining true to the loud pink and orange wax of the original release, this remastered edition enjoys the bonus inclusion of fan-favourite "Parallel Lives", finally making an appearance on vinyl.
A sumptuous, all-killer electro-disco gem, every song could've been a smash. With its heavy disco influence - deep beats, lush synths and subtle horns and strings - Overpowered was focused solely on the dancefloor. Inspired by the Eighties proto-house of D Train, Mantronix and Gwen Guthrie, but also recalling the intelligent pop of Yazoo and early Eurythmics, Overpowered presented sensual electronic soul for the heads and the hips.
Her collaborators, including Timbaland mentor Jimmy Douglass, Bugz In The Attic and Richard X, constructed a gleaming shrine to the spirit of Bobby O and Giorgio Moroder by stitching together crisp synthesised beats with the slicker tics of early house. The lead single and title track lifted the bassline squelch from the dawn of cosmic disco -- La Bionda's "I Wanna Be Your Lover" -- and the follow-up, "Let Me Know", effortlessly incorporated the chorus of Tracy Weber's 1981 boogie bomb "Sure Shot".
The wonderfully dank, sticky R&B of "Primitive" is Murphy's favourite track from the album: "I mean, who gets to put primordial soup in the first line of a song? That idea of not always being in control of the primitive parts of yourself, the bits that fall in love or the bits that dance or lose the plot or drink too much, and putting that across … that's pop for me. It's playing with all the different colours of the rainbow of life."
Murphy's blistering vocals are versatile enough to elevate the icy textures of "Dear Miami", the sexed up kaleidoscopic funk of "Footprints" and the grace of "You Know Me Better". Sharp, witty and heartbreaking, here Murphy laid claim to being the kind of strident disco singer "Dusty Springfield never quite had the abandon to become", as Pitchfork noted in their original, glowing "8.0" review.
Overpowered was considered an instant classic and, sounding deeply prescient, it has aged gloriously. There has long been an acknowledgement of Murphy's influence on other artists' gonzo fashion, and many musicians have spent the last decade crafting dancefloor tracks that embrace piano house and disco, even if they'd pale when held next to "Let Me Know". Shifting from the glam pop of "Movie Star" to the buzzing acid of "Cry Baby", when the dubby ballad for her dad, "Scarlet Ribbons", wends its way to the sweetest of endings, you realise you've been immersed in the best grown-up dance-pop album since Madonna's Ray of Light.
TRACKLISTING
SIDE A
Overpowered
You Know Me Better
Checkin' On Me
SIDE B
Let Me Know
Movie Star
Primitive
SIDE C
Footprints
Dear Miami
Cry Baby
SIDE D
Tell Everybody
Scarlet Ribbons
Body Language
Parallel Lives
More
1
Bo Harwood & John Cassavetes - No One Around To Hear It
2
Chen Ming Chang - Rainwater
3
Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4
The King Of Luxembourg - Poptones
5
Slapp Happy - Is It You
6
O.G. Jigg - Jesus Is My Jam
7
Klang - As It Is
8
Scala - Fuser
9
Soft Location - Let The Moon Get Into It
10
Gyeongsu - YZOBEL (feat. CROCHE)
11
Omertà - Moments In Love
12
Kasumi Trio - Cabbage Butterfly
13
Un - Fast Money Blues
14
Delphine Dora - V
15
Harry Plunket-Greene - The Hurdy-Gurdy Man
2LP
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
More
Tracklist
1. Bo Harwood & John Cassavetes - No One Around To Hear It
2. Chen Ming Chang - Rainwater
3. Bhairavi Raman & Nanthesh Sivarajah - Bittersweet Reflections
4. The King Of Luxembourg - Poptones
5. Slapp Happy - Is It You
6. O.G. Jigg - Jesus Is My Jam
7. Klang - As It Is
8. Scala - Fuser
9. Soft Location - Let The Moon Get Into It
10. Gyeongsu - YZOBEL (feat. CROCHE)
11. Omertà - Moments In Love
12. Kasumi Trio - Cabbage Butterfly
13. Un - Fast Money Blues
14. Delphine Dora - V
15. Harry Plunket-Greene - The Hurdy-Gurdy Man
Short info:
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
More