The B is back! Roza Terenzi puts the B in SBC; bounce, bass and.. Boss. Returning with a four track all original EP “Ministry of Wish” the label head is calling on corners of her ever expanding distinctive sound with a sliding scale (etherial to filth) sound bath. Something for every occasion, whether you’re looking to get down and dirty, leave the dancefloor in dust or stargaze via subbass, we got you covered. Recorded between Berlin and Perth, the tracks all signify moments in time that feels like it’s going too fast, an archival stamp on the year 2024; sometimes after a party that lingers with mythical adrenaline, sometimes a personal moment to express reflection.

With the only predictability being Roza’s penchant for Genre Bending, STEP14 sets the tone for the freaky, fabulous year to come of Step Ball Chain in 2025.

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Repress!
Tracklist:

A1 - Roza Terenzi - Cosmology
A2 - Roza Terenzi - Stylish Tantrum
B1 - Roza Terenzi & D. Tiffany - Chosen Family Feud
B2 - Roza Terenzi - Illusions
B3 - Roza Terenzi & Saoirse - Sxc Saloon


Sales Notes:
Popping The Cherry of 2020’s latest modern-contemporary record label; Step Ball Chain, is Roza Terenzi with “Stylish Tantrum”. Suggestive title to set the tone; the 5 track EP insisting sharp, sassy, high-tempered bombs with full bodied bounce. Unexpected tempo and timing variations, flared-up bpms, half time drum cuts and slicked modular flourishes, Terenzi’s signature cheek ramps up to an extra twisted club climate, atmospheric and evocative in texture as always. Featuring collaborations with D. Tiffany and Saoirse, the release covers extended dancefloor territory, assertive anthems delivering femme finesse, choreographed to perfection.

The A side fires up with an exuberant 4-by-4-2-the-floor routine, Cosmology. Vocal cuts from the queen Fiorella, billowing bells and dramatic synthetic sweeps to form fluidity over the tight bouncy low end. Whilst flirtatious melodic notions come and go, zip-lock percussion and commanding drumwork hold it down; squeaky steeze not-so-politely letting you know what’s to come. Deceivingly dubwise introductions soon furiously interrupted with Stylish Tantrum. Ricochet rhythms and bone breaking clap backs echo around your head, electrifying percussive fills and vocal spills snatching your attention before the everything glues together vicious harmony, baseline pulsating underneath a whiplash drum display - one for the dangerous deejays.

Chosen Family Feud opens the B side, a collab with seasoned associate D. Tiffany, showing off a bossy stomping brigade. Mumbling voices, waspy sirens and spooked out synth lines haunt the beginnings of the track, stripping back to a bassline breakdown before wailing vocals and clattered percussion take over, cymbals bursting. B2 is a moment to reflect, Illusions brings the energy down, low slung metallic backbeats thrown over encompassing, effortless pads and soaring resonance. The downtempo atmosphere crept up on by a double time d’n’b re-jig, softly gliding in over the growling sub, chopped breaks reflecting and falling. Closing out the record is another joint effort, recorded in Melbourne with Saoirse; Sxc saloon dashing back to the dancefloor, hot and deep. Throbbing bass married with slick galloping drums, sensuous fleeting whispers looping to draw you into hypnosis before a climactic tempo plummet intended to turn heads. STEP01 is kicking its heels up, stomping, strutting and trailblazing for what’s to come.olog

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One of the first visitors to Planet Euphorique, Melbourne-based producer Roza Terenzi makes her triumphant return with the first LP release on the label. A playful yet cohesive collection from post-electro and extra-terrestrial techno to dreamy prog-house and low slung zingers, bumping us into the new decade. Modern Bliss, the sound of Roza Terenzi fully realized.
Never shy to experiment with unconventional sounds or mingle influences, the album presents 9 offerings to suit every flavor of raver. Opener, "Jungle in the City," takes down-tempo to a new astral plane with blushing pads and tumbling pixels, perfectly poised for a spine-tingling after hours sunrise.The title track "Modern Bliss" featuring Barcelona based singer/producer Ivy Barkakati encapsulates the dancefloor euphoria we have come to expect from Terenzi; in essence the energy of this release, contemporary jubilation and contentment amongst a chaotic world. Flickering percussion prancing above deep rolling bottom end, allowing bubbling stabs and synth sequences to lift Barkakati's intoxicating vocals to dizzy heights. “Exactly where I need to be, my thoughts create reality” truer words…
Flipping it over to the B side things heat up, “Yo-Yo” chimes in immediately with a tough onslaught of metallic polyrhythms and a pulsating melodic bassline coaxing you down a path less travelled and preparing you for the sexy sub action that demands your attention, "That Track (Rewired Mix)", buckle up to sweat. Sweet relief comes with the C side “Exhale”, dipping in tempo; esoteric atmospheres to fill your ears, something fresh to absorb with each listen. To close off the record, something old and something new, “Eternal Lust” a delicate ode to the lovers and from the vaults “My Reality Cheque Bounced (Feat. DJ Zozi)” - a raucous party starter serving up that label defining sound, futuristic and bombastic, tipping its hat to the break.

With subconscious salutes to the astrological world of OG maven Fiorella Terenzi, “Modern Bliss” invites you into an encapsulating, electronically ethereal universe. A record to summarize the myriad of diverse and evolving sides to Roza Terenzi, the full length allowing her to capture a moment in time with possibilities to transcend dance music expectations. It’s the listeners' decision whether to take a personal introspective journey through the sounds - or share the bliss with friends, united strangers and all those who dance in harmony on the tiny Planet Euphorique...


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Have you ever wondered what it sounds like to pack late night influences and dancefloor memories from Northern Hemisphere touring into your luggage, take it home to a sunburnt island and let it sweat out a bit more in the studio? Us neither. To be honest, I don’t think anyone has really pondered such a Bizarro concept.
Nevertheless, Roza Terenzi’s EP ‘The Worldwide’ on the inaugural Bizarro Records release is just that. A continental cross section of sounds and moods that always manages to keep a fist firmly pumping in seemingly eternal rave aesthetic.


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Perth native turned Melbourne local Roza Terenzi is one of Australia's exciting new electronic artists. Her debut for Voyage delivers a three-piece suite of experimental, rhythmic workouts; forward thinking with a heavy lean on early rave nostalgia.
The EP is rounded off with a fast-paced remix of the title track from Vancouver's D. Tiffany.

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For the 58th outing of the Wrecks anthology we're very happy to welcome the new Argentinian producer Gaston Cabrera to the ranks. Gaston has piqued our interest for a while now with his unique and atmospheric productions and it's a pleasure to have him join the Klasse Wrecks family. The 'Prohibido' EP doesnt waste anytime getting to the point, a snarling beast that goes straight for the jugular. Spooky techno tropes mix with the best of yesteryear electro house stylings, it's a sound that feels new and exciting yet at the same time very familiar. Both raw and musical, the 4 song record could soundtrack either a long lost John Carpenter horror or a Tron-esque retro sci-fi movie.

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Leeds Bleep-techno royalty Ability II aka David Duncan has been on the Wrecks radar for a few years now, the unison dating back to Luca Lozano's remix of his evergreen anthem 'Pressure' in 2017. Since the remix the communication has stayed open and talks of a collaboration started, linking generations old and new. That collaboration, recorded over a couple of years and a couple of studios, results in WRECKS057 'My Definition of Bass'. Four tracks split into two sides, the WRECKS side is taken care of by Lozano and long time collaborator and friend DJ Steve. The two producers live jammed sketches, recorded the sessions and then incorporated original vocals by Ability II, churning out acid wiggles and jacking drum tracks. Ability then took these versions and then dubbed them out in his crossover style for the I9M side, resulting in two steppers made for the strictly for the bassbins. Echoing vocal layers and new instrumentation takes them out of the usual 'wrecks wrealm' and into new, dubbier territories.

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For the latest Klasse Wrecks release, the label combine with Japan's finest festival and events crew Rainbow Disco Club to collaboratively present WRECKSRDC. Overrocket were an electro-pop band from Tokyo that enjoyed a grip of great releases in the early 2000s while signed to Neon Discs and its parent label Aten. During a digging session Luca Lozano discovered the forgotten tracks 'Duralumin' and 'Shadow of the Sun' and immediately set out trying to contact the band's members to arrange a re-release and remix. A few months of patient trying, the connection was finally made and wheels were set in motion. Musically the EP conjures up perfectly the sonics of that time, a grey area between analog convention and the unexplored territories of new digital freedom. Shadow Of The Sun is electro-pop perfection, with breezy vocals and a bouncing beat that sounds like nothing else around...past, present or future. Duralumin is a more dancey collection of blips and beats, one that will make sense in the current return to early 2000s aesthetics. To round out the release and propel it into 2025, KW label bosses take a track each and interpret in their own way. Lozano revisits his electro roots with two remixes of Shadow of the Sun, distorted 808s and growling 101 basslines provide a simple backdrop for the perfect vocals. Mr. Ho takes Duralumin into a more driving and pacey direction, upping the energy and excitement with fast percussion and a huge side chained breakdown that recalls the unbridled rawness of the early 2000s, when everything was just a little bit more fun. Keeping within the confines of Japan and in an effort to bring everything full circle, the label enlisted Japanese artist Gonno to master the tracks for an updated modern sound. The tracks themselves being mastered a few miles from where they were originally penned over 20 years ago.

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Klasse Wrecks is happy to welcome a young new producer to its ranks, hailing from the magical city of Sheffield in the North of the UK Kwake is fresh on the scene with a debut EP brimming with style and function. The 'Nucleus' EP is a well curated selection of 303 and breakbeat sprinkled dance tracks, powerful enough to move the feet but with enough consideration to inspire the mind.

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G.Field, Abraham and O-Money are the originators of the Elecno Sound! Death 2 Techtro Crew, Podybopping for our life! 4 massively slammin' slammers to define the Elecno Sound in 2025. Hard edged 4/4 electro-acid-tekno that takes you to another place. Proudly presented by Klasse Wrecks overlords Luca Lozano And Mr. Ho.

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2025 kicks off a new year with a new artist for Klasse Wrecks, it is with great pleasure we welcome Glasgow based DJ and producer Stevie Cox to our ranks. Stevie's second full length release is one of deep cerebral breaks and evolving technicoloured techno, 4 tracks that surprisingly weave an already defined and recognisable sound from the young artist. Dont expect over-thought and over-cooked musings though, Ms. Cox keeps it fresh, to the point and relevant with most tracks clocking in around 5 minutes. There is enough playfulness to keep the gurners smiling and enough well-thought out drumwork to keep the feet moving, this tight selection will most likely find its way into a variety of record bags during its lifespan.

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The EP delves into spooky-dooky electro that squelches along with broken soles, warm breaky-bombastic fun and angular electro haus that evokes mid 2000s fringe attitudes. All in all it is UK music at its very best, a melange of styles mashed together tightly under the pressure cooker environment of Britannia's broken promises. There's even a bonus remix from Klasse Wrecks' regular Omega III who takes the original track on a joyride along the M62 in his broken Vauxhall Astra.

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For their recent capsule collection in collaboration with Obey Clothing, Klasse Wrecks label owners Mr. Ho and Luca Lozano turn their hands to an EP entitled 'FREE TEKNO'. Inkeeping with the range's celebration of free spirited exploration and unbridled creativity the well seasoned and experienced production duo provide 4 tracks of various flavours. The mood is a little darker and faster than usual KW fare and throws knowing glances to late 90s genres such as Tribal Techno and Acid Breaks. The resulting EP is a good reflection of two producers happily in their own lane, enjoying the journey that come alongside with making music and running a record label.

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'The 12 Moons of Ikutaro', originally slated for release in 1993 tells the story of Shioi, a young girl who embarks on an intergalactic journey to avenge the death of her father. Her journey takes her to the solar system of Ikutaro, where she must visit each moon to defeat the 'Moon Boss', and ultimately destroy the 'System Controller'. Aided by her 'Liquid Sound Device' she undertakes the task journeying between the moons on her 'Model JP8080' and meets various friends and foes on the way.

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As Klasse Wrecks enters the second chapter of our century of releases, we're happy to welcome the sounds and skills of Nicola Cruz to the roster. The Ecuadorian producer masterfully turns in a perfectly tuned handful of tracks for his 'Data Passenger' EP, the overiding soundscape being one of Electro, Breaks and infiniteless cosmic exploration. Sonically the tracks are as much for the soles as they are the souls, a heady mix of intricate rhythms and vibrations await the listener and dancefloor. Plug in to the console let the soundwaves carry you across the spectrum.

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Somehow Klasse Wrecks has made it to 50 official releases, not bad for a label that wears its ignorance for others and 'the norm' proudly on its dirty sleeve. Over the years the label has released a multitude of various sounds, spanning bleep, rave, deep house, down tempo and the 50th release does well to encapsulate that free spirit and openess. Without much planning and totally by way of coincidence the responsibility lies with label co-owner Luca Lozano and its sonically a typical mixed bag as to be expected. Kicking off with restless acid stomping, the title track barges through the door...knocks over a few drinks before blossoming into a breakdown that propels the 303 deep into space and back again. On the A2, Lozano shows off his love for creaky breakbeats and DX donks on a track called 'Re-Mix'...which as far as we know isnt a remix of anything at all. The flip contains more raving beauties, 'Save Me From The Rave' might be a desperate plea but by the sounds of it he's still enjoying the madness, the producer makes an epic breakdown that might well signify the end of all Trance homages. Then the final track of the EP sounds like it could be played in a field in Glastonbury in 1993, its haunting vocal harmonies signify the sun is coming up soon and likely that we're about to start Chapter 2 of the Wrecks Wrebellion. The special edition sleeve artwork features examples of previous artwork from the last 50 records, overlaid in a typically chaotic manner by the label's designer, PLANETLUKE.COM.

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Klasse Wrecks continues its expedition through the wilderness of early 2024 with a release from your favourite producers' favourite producer. Bufo Bufo continues his golden run after sterling records for the likes of Cabaret with a unique 4 tracker for Wrecks. Distilling all styles and influences into one record, 'Beelzebufo' sees the producer capture rare species of electro, breakbeat and mangled rave together...resulting in a supernatural sonic hybrid. Play with caution...the sounds you hear maybe devastating to your ear.

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For the first Klasse Wrecks release of 2024, the label looks back to 2020 and a previously digital only track from label co-owner Mr. Ho. During the first lockdown of covid Mr. Ho released '000Baby' as part of the digital 'Homeboys' EP alongside Luca Lozano. An alternative version popped up on the 'Michaelsoft' album in 2021 but the much lauded original has never seen the light of day on wax....until now. The first 10inch on Klasse Wrecks also features a suped and sped up interpretation from Om Unit, who expertly increases the pressure with deft 808 bass subs, a half time swagger and dubbed out atmospherics.

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It's the one you've been searching for....new white label action from Klasse Wrecks in the form of BOY1. The boy-wonder behind the music is none other than Seoul's favourite soulful son, Mogwaa. It's dubbed out pianos, forget-me-not vocal hooks and classic breaky House with a sprinkle of acid to sweeten the pot.

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Luca Lozano and Mr. Ho buckle up in the bucket seats and bring you a shiny new collaboration in the form of TWOCKERS. Club-ready and suped up Hard-House bangers with an injection of classic Rap lyrics that are sure to slay every dancefloor. This is not the sound of your favourite audiophile listening bar complete with gold plated Rotary mixer and wall of expensive unplayed vinyl, this is the sound of Southport's Manhattans nightclub in 1997. This is the sound of Vauxhall Corsa's driving down the M62 and Max Power compilation CDs with fresh hot rock burns in the casing.

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Always exciting when Klasse Wrecks comes with a new label project!! This one they do together with Kid Who and is a series of records showcasing previously unreleased house, techno, acid and more from the 90s Amiga Demoscene. Created using early sample sequencers such as ProTracker, these tracks radiate the authentic energy of techno's golden era - and they've been hiding in plain sight in Demoscene web repositories for many years. It was during the long days of the 2020 lockdowns that Kid Who began to explore these archives, sifting through thousands of tracks to eventually amass a collection of several hundred of his favourites. Curated by Klasse Wrecks and Kid Who in close collaboration with the talented artists behind them, the .NFO project aims to bring some of these finds to the broader dance music community via a series of VA 12"s and mixes. Tip!! Vinyl comes with A4 insert and stickered sleeve.

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For it's 46th outing, Klasse Wrecks recruits the Brooklyn based producer Gee Dee to it's ranks. Gee Dee aka Greg Droggitis turns in a wonderful and fully fledged collection of tracks that burst to the brim with atmosphere and sunny vibrations. True to the label's ethos, the music is as always, hard to pin down under one specific genre but instead slyly calls on various classic House, Electro and Acid tropes. The overall sound is one that is both universal and transcendent, feeling familiar but still surprising. 'Dream In Colour' is indeed an apt title for the EP as it spans the musical spectrum and is a lucid and vivid trip into the imagination of this new and exciting producer.

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Wrekcs045 blurb.... Somewhere in the dark corners of Barcelona, hidden away from the relentless sunshine and perfect weather there exists a group of friends. All veterans, skilled DJs and legends of the local scene, the friends have slowly been building up a powerful body of music that defies generic categorisation but at the same time somehow perfectly encapsulates the Mediterranean spirit and positive energy of the great Catalan city. Their debut EP 'Mi Yoyo', is a short selection of some of that wealth of music and centers around the epic title track. A summer anthem of good vibes and positive energy, 'Mi Yoyo' builds on a catchy vocal hook and a bassline reminiscent of French filter house. Ladies and gentlemen please keep your eyes firmly placed on the horizon and your heart open....enter Limit Blau.

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