It’s been a real long while since I released my last EP on Holding Hands and I am very happy to be back on home turf.

The EP has some electro flavours from me on the first two tracks and then a heavy 2- step number for the third. The fourth track is a remix from Sid Angel and it came about from a remix competition that I ran last year. There was a ton of entries but I loved this one the most as it took things in a totally different direction. This will be Sid Angel’s first release and it’s got a super nice feel to it. Big things coming in the future from him.

I loved so many of the remix entries that I have decided to release a selection of them digitally following the vinyl release as well.
Stay tuned...

OK enough of my blather. Go and listen to the damn things yourself and decide if you like them, rather than trying to work it out from reading a bloody press release you weirdos.

All four tracks are produced and sculpted for the club. They want big sound systems and dark rooms.

Close your eyes, hold hands and experience transcendental space flight...

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Desert Sound Colony debuts on UTTU with 4 tracks of high-octane, data dump fuelled club trax!

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After providing Touch From A Distance's inaugural release not even one year ago, the mighty Desert Sound Colony is returning to Nick Ho¨ppner's label for another round on the bouncy bounce, his bubble gun at the ready! It's no exaggeration to say Desert Sound Colony smashed it on all fronts in the past year: He put himself firmly on the map by pushing his own label Holding Hands with a fresh take on beloved tropes of UK club music. His number of gigs also increased dramatically and he popped his Panorama Bar cherry earlier this year at the first TFAD label night, where he unleashed a joyous assault of beats and bass whipping the crowd into a frenzy. His new EP for Touch From A Distance is an algamation of all the good stuff we've come to expect from the London based DJ and producer: Opener „Zenome Archetype“ is a retrofuturistic joyride across mountainous bass and funked up syncopation. „Taking It Out For A Rip“ then couples a thumping 4/4-UKG-Beat with a cheeky vocal sample, while „Walrus Rodeo“ slows down the tempo and cranks up the folly for a slice of weird dancefloor fun Desert Sound Colony does so well. „Al Gore Rhythmic“, a collaboration with Guava, closes the EP channeling classic 2-Step and golden era HipHop vibes.

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Mark William Lewis’ acclaimed ‘Pleasure Is Everything’ & ‘God Complex’ receives a limited vinyl press on tastemaker London label Scenic Route Records.

Scenic Route Records is proud to announce the first vinyl press of Mark William Lewis's critically acclaimed EPs Pleasure Is Everything and God Complex. These releases, which have collectively amassed nearly 3 million Spotify streams, capture the raw and evocative sound that has earned Mark a dedicated following within London’s underground music scene. Influenced by left-field pop, ambient, and indie rock, is deeply personal, reflecting his experiences and the unique perspective gained from living on the 18th floor of a tower block in London.

Mark's music has been widely praised for its emotional depth and innovative songwriting, with support from publications such as Pitchfork and The Fader praising his ability to create atmospheric soundscapes that resonate with listeners on a profound level. This vinyl press offers fans a chance to experience these early EPs in a format that enhances the warmth and texture of his music.

As Mark continues to build his presence with sold-out shows at Cafe Oto & and international tours alongside NYC rapper MIKE, this pressing serves as both a celebration of his early achievements and a milestone in his artistic journey. Whether you're a long-time fan or new to his music, the repress of Pleasure Is Everything and God Complex is an essential addition to your collection, offering a deeper connection to the intricate, emotive world of Mark William Lewis.

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Introducing, the experimental violinist and performer Vanessa Bedoret.

The London-based French musician today announces that she’ll be joining, Scenic Route, a label renowned for selecting and nourishing rising stars for the release of her debut album, Eyes, due out on 8th of March 2024. Launching with a taste of what’s to come, today she also shares single “1/2”, a textural track that tells of the dichotomy between those who are selfless and those who are self-centred, and their need to merge as one. This duality is reflected in the industrial metallic echoes under Vanessa’s soaring vocals and the piercing strings of her chosen instrument, the violin.

Treating songwriting as an instinctive process, Bedoret transforms her deeply personal experiences into pure emotion. Not following any set narrative, Eyes takes the listener on a journey via their own experiences, prompting introspection through Bedoret’s hypnotic melodies.

Through the album, she awakens the audience's imagination, to open up their emotional response. On “Ballad”, a vague, loving lyrical letter to someone close, Bedoret’s heartbreakingly soft lament is barely audible over the dramatic atonal strings. She flips her narrative again in the titular track, “Eyes”, so the listener empathises through her isolated violin, and takes on her anguish, not needing to understand the full story.

Bedoret began her classical training at age 6 and on completion at 18 she embraced the thrill of playing guitar in punk bands, and like many at the turn of adulthood, was quickly captured by the allure of the dancefloor. Her far-reaching taste doesn’t stop there, she also counts black metal to opera and from eurodance to IDM as inspiration. Her deep understanding of musical form elevates her experimentation to a truly unique sonic experience, one that never strays too far from her original love of classical music.

With only a string of releases under her belt via independent labels like Laura Lies In and Archaic Vaults, her refined skillset has meant she’s been in high demand for both solo shows and collaborations. These accolades include playing violin with New York avant garde collective Standing On The Corner at The Serpentine, as well as a part of Kahil El’Zabar conducts MOKI at the ICA, and Linder: Another Music in a Different Arcadia at the Design Museum alongside artist Linder Sterling, Naima Cherry, Maxwell Sterling, Kenichi Iwasa & Ella Frears.

For her solo performances, she’s shared stages with Standing on the Corner, Ekaterina Bazhenova-Yamasaki, Philomème Pirecki, John T. Gast and Nexcyia to name a few. She’s also performed as a duo alongside musician Severin Black in support of their collaborative EP release, First Passage / Excommunicated.

Through the lens of a life lived to it’s fullest and one that does not shy from experiencing the rawest of emotions, it’s clear that Bedoret has a nack for translating personal observations into cinematic crescendoes. The field recordings throughout only heighten this feeling adding both a grounding and other worldy sensibility. Lyrically, she allows you to peek into her private world and for a fleeting moment letting you lock eyes with hers, asking what do you see?

This debut is a glowing experimental work that purrs with a distinctive narrative. Vanessa Bedoret is a promising new act, ready to take 2024 by storm.

Catch her on 29 January at Cafe Oto supporting Mark William Lewis or at the ICA playing as part of a string trio supporting ML Buch and Astrid Sonne on the 27 and 28 February 2024

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Repress of the first Nourished By Time record on Scenic Route

'Erotic Probitoic' is Nourished By Time’s debut EP on Scenic Route, following hot on the heels of his featured track , ‘Wild Thang, Sweet Thang’, on the critically acclaimed Scenic Route 16-track digital compilation, The Road Less Travelled Vol.1, supported by BBC 1Xtra, Dazed, CRACK, BBC 6 Music, Lot Radio, NTS, The Wire and Resident Advisor. The Erotic Probiotic is an intimate glimpse into the world of Baltimore native, whose two track EP shows the duplicity of this exciting singer/songwriter/producer.

Side A, ‘Give It Away’, a beautiful multi layered serenade, showcasing the breadth of his vocal range, with delicate textures sprinkled throughout; heartaching guitar riffs and celestial chords enveloping you into this contagious dream pop melody. Give It Away is a lush R&B ballad about choosing yourself over love but choosing love over pride. The Live performance video was shot at his sold out Servant Jazz Quarters show, in April, directed by Jono Canning.

Staring Into The Fireplace, a relatable anarchist anthem for anyone working a dead-end job, filled with angst and a foreboding energy driven by eerie drums and a melancholy tone. Written whilst employed by Whole Foods during COVID , spraying down shopping carts, what he describes as “the most soul destroying job”. The song explores America’s social constructs moulded by race and capitalism, through his gravelly baritone vocals over lo-fi punk sound, with lyrics reinforcing his ‘bun down Babylon’ sentiment. Along with a self directed music video.

The Erotic Probiotic is the first EP with Scenic Route as he looks to cultivate his unique off beat, guitar driven pop sound in the lead up to his album.

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This year Natty Wylah has been cementing himself in London’s rich contemporary music scene with festival performances at Glastonbury, We Out Here with Silhouettes Project and a headline Southbank show as part of Nabihah Iqbal’s ‘Glory To Sound’ series. As well as contributions to Rhythm Sections, compilation ‘Shouts’ all in the run up to his next EP, WILLOWISP.

MOTH WINGS / FB TRAP is the perfect introduction to Natty’s world where magic, slime and reality all mix together. With his cinematic lyrics on MOTHWINGS, Natty conjures up the imagery of celestial moths, who when seeking the moonlight end up stuck chasing flickering artificial light bulbs. The track features the unmistakable characteristics of Natty’s sound: traipsing across hip-hop, the psychedelic and punk, all adorned with ethereal vocals and woozy synths from Poppy and Finn Billingham.

MOTH WINGS/FB TRAP are the first tracks available to listen to from his debut EP, WILLOWISP. Taking its name from a painting by Jamaican artist John Dunkley based on the myth of Will-’o-the-wisp, a ghost light seen by travelers over bogs and swamps at night that often led them to their demise. This world of light and dark is expressed by Natty throughout the EP, questing through the unknown forest in the dark, wet air and moss, in order to move past constraints and to find freedom.

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Take To The Sky is a sun soaked EP with four dance floor heaters soundtracking the summer; capturing the euphoria and release of collectively gracing sweaty dance floors again. Inspired by nostalgic 90s UK club music/Summer of Love, incorporating broken-beat, garage and street-soul rhythms carried by melodic ear-worm vocals performed and produced by J. Caesar with co-production and mixing by Z Lovecraft (Rhythm Section). This year the East London based producer, singer/songwriter blessed the BBC airwaves with the EP title track, ‘Take To The Sky’ premiered on 1Xtra by Jamz Supernova originally featured on the well-received Scenic Route compilation and has been testing out dubs at his club night, Space Ghettos co-run by Qendresa and Albertina.

The opening track “I Told You” is a balearic love letter of gratitude to his friends, “ all I had was love, love of my friends, love of music and love of living.” his sentiment of meaningful relationships evoked through his sparse vocal arrangements, sprinkled over downtempo street soul drums. Take To The Sky, similarly paying homage to the underground Black dance music of the 90's, is a tale of escapism whilst Give Me To The Night is a celebration of hedonism featuring Jim’s sultry vocals punctuated by broken-beat drums. Lost In Space co-produced by Z Lovecraft is a moody, Garage/D’n’B infused B-side with disorientating breaks capturing the essence of romantic turmoil he found himself in during COVID. In his words “Take To The Sky EP is an ode to freedom”.

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