1
Babe Roots - Work Hard (db1 rmx)
2
Babe Roots - Sufferation Time (felix k reinterpretation)
3
Babe Roots - Jah Nuh Dead (forest drive west rmx)
4
Babe Roots - Bless Me (mike schommer rmx)
5
Babe Roots - Sufferation Time (babe roots rmx)
Repress!
Following the success of last years Babe Roots EP, Echocord revisits the package with reworks from Forest Drive West, Mike Schommer, Felix K, DB1 and Babe Roots themself.
London’s DB1 leads the package with his take on ‘Work Hard’, a mostly beatless interpretation fuelled by oscillating white noise, winding dub chords and snippets of the original’s dub reggae vocals. Hidden Hawai’s Felix K then ups the energy levels with a high-octane take on ‘Sufferation Time’, driven by upfront, shuffled and distorted drums and unfaltering, tension building dub swells. The hotly tipped Forest Drive West steps up next to remix ‘Jah Nuh Dead’, a typically classy reimagining from the Livity Sound artist, stipping things back to ethereal pads, off-kilter percussion and sporadic echoes of the original composition. Former Deepchord member Mike Schommer’s take on ‘Bless Me’ follows, the pioneer of contemporary dub techno delivers a cinematic rework employing sweeping voices, glitched out electronics and resonant swells alongside the bouncy dub reggae groove of the original. Lastly Babe Roots revisit one of their own compositions, ‘Sufferation Time’, delivering a more refined feel this time round with more impetus on drums and dark, hypnotic synths to contrast the original’s more vocal focused feel.
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WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
Following the success of last years Babe Roots EP, Echocord revisits the package with reworks from Forest Drive West, Mike Schommer, Felix K, DB1 and Babe Roots themself.
London’s DB1 leads the package with his take on ‘Work Hard’, a mostly beatless interpretation fuelled by oscillating white noise, winding dub chords and snippets of the original’s dub reggae vocals. Hidden Hawai’s Felix K then ups the energy levels with a high-octane take on ‘Sufferation Time’, driven by upfront, shuffled and distorted drums and unfaltering, tension building dub swells. The hotly tipped Forest Drive West steps up next to remix ‘Jah Nuh Dead’, a typically classy reimagining from the Livity Sound artist, stipping things back to ethereal pads, off-kilter percussion and sporadic echoes of the original composition. Former Deepchord member Mike Schommer’s take on ‘Bless Me’ follows, the pioneer of contemporary dub techno delivers a cinematic rework employing sweeping voices, glitched out electronics and resonant swells alongside the bouncy dub reggae groove of the original. Lastly Babe Roots revisit one of their own compositions, ‘Sufferation Time’, delivering a more refined feel this time round with more impetus on drums and dark, hypnotic synths to contrast the original’s more vocal focused feel.
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DE - 22113 Hamburg
Germany
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More records from Babe Roots
1
Babe Roots - Intro
2
Babe Roots - Falling (feat. Milly James)
3
Babe Roots - Jah Nuh Dead (feat. Stephy Wright)
4
Babe Roots - Sun Is Shining (feat. Milly James)
5
Babe Roots - Bless Me (feat. Baba Ras)
6
Babe Roots - Sufferation Time (feat. Kojo Neatness)
7
Babe Roots - Peace, Love and Unity (feat. Baba Ras)
8
Babe Roots - Work Hard (feat. Kojo Neatness)
2025 repress
Tracklisting
A1 Babe Roots - Intro
A2 Babe Roots feat. Milly James - Falling
A3 Babe Roots feat. Stephy Wright - Jah Nuh Dead
A4 Babe Roots feat. Milly James - Sun Is Shining
B1 Babe Roots feat. Baba Ras - Bless Me
B2 Babe Roots feat. Kojo Neatness - Sufferation Time
B3 Babe Roots feat. Baba Ras - Peace, Love and Unity
B4 Babe Roots feat. Kojo Neatness - Work Hard
Sales Note
- 2025 repress -
First Babe Roots album perfectly executed. This is the perfect balance between dub structures and reggae rhythms.
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Germany
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Tracklisting
A1 Babe Roots - Intro
A2 Babe Roots feat. Milly James - Falling
A3 Babe Roots feat. Stephy Wright - Jah Nuh Dead
A4 Babe Roots feat. Milly James - Sun Is Shining
B1 Babe Roots feat. Baba Ras - Bless Me
B2 Babe Roots feat. Kojo Neatness - Sufferation Time
B3 Babe Roots feat. Baba Ras - Peace, Love and Unity
B4 Babe Roots feat. Kojo Neatness - Work Hard
Sales Note
- 2025 repress -
First Babe Roots album perfectly executed. This is the perfect balance between dub structures and reggae rhythms.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
More records from Echocord
1
Mike Schommer - Violet's Dream
2
Mike Schommer - Mariner's Dub
3
Mike Schommer - Moon Serpent
4
Mike Schommer - Violet's Dream (Another Channel Version)
5
Mike Schommer - Mariner's Dub (Mathimidori Sensuikan Remix)
6
Mike Schommer - Moon Serpent (TM Shuffle Basement Dub)
Echocord welcomes Mike Schommer onto its roster with hiz ‘Heirloom Signal’, featuring remixes from Mathimidori, TM Shuffle and Another Channel.
Mike Schommer co-founded Deepchord Records alongside Rod Modell and was associated with the label from 2000-2003, considered by many to be at the forefront of the second wave of dub techno in the early 2000’s following on from the legacy left by Basic Channel in the 90’s. Since then, Mike Schommer has gone out to unveil an impressive back catalogue of material beyond his own such as Steve O’Sullivan’s Mosaic, Greyscale, Lempuyang and Kontakt Records. Here the musical story continues with a new project for the equally beloved dub techno powerhouse, Echocord.
Opening is ‘Violet’s Dream’, a dropped tempo dub excursion employing an off-kilter, swaying rhythm section, pulsing subs, spiralling echoes and spring reverberations, Mariner’s Dub follows and employs broken percussion alongside hazy atmospherics and expansive stab textures before ‘Moon Serpent’ concludes the original material on the A-side, embracing a more loop-led feel with choppy stab sequences, robust 4/4 drums and resonant flutters.
The ’ Another Channel Version’ of ‘Violet’s Dream’ kicks off the B-Side, diving deep into a true roots reggae aesthetic with organic percussion and heavy doses of bottom end intertwined with the original elements. Mathimidori’s ‘Sensuikan Remix’ of ‘Mariner’s Dub’ then delves back into raw dance floor energy before TM Shuffle’s interpretation of ‘Moon Serpent’ rounds out the EP on a raw, reduced tip with stripped down drums and intricately processed stab lines.
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Mike Schommer co-founded Deepchord Records alongside Rod Modell and was associated with the label from 2000-2003, considered by many to be at the forefront of the second wave of dub techno in the early 2000’s following on from the legacy left by Basic Channel in the 90’s. Since then, Mike Schommer has gone out to unveil an impressive back catalogue of material beyond his own such as Steve O’Sullivan’s Mosaic, Greyscale, Lempuyang and Kontakt Records. Here the musical story continues with a new project for the equally beloved dub techno powerhouse, Echocord.
Opening is ‘Violet’s Dream’, a dropped tempo dub excursion employing an off-kilter, swaying rhythm section, pulsing subs, spiralling echoes and spring reverberations, Mariner’s Dub follows and employs broken percussion alongside hazy atmospherics and expansive stab textures before ‘Moon Serpent’ concludes the original material on the A-side, embracing a more loop-led feel with choppy stab sequences, robust 4/4 drums and resonant flutters.
The ’ Another Channel Version’ of ‘Violet’s Dream’ kicks off the B-Side, diving deep into a true roots reggae aesthetic with organic percussion and heavy doses of bottom end intertwined with the original elements. Mathimidori’s ‘Sensuikan Remix’ of ‘Mariner’s Dub’ then delves back into raw dance floor energy before TM Shuffle’s interpretation of ‘Moon Serpent’ rounds out the EP on a raw, reduced tip with stripped down drums and intricately processed stab lines.
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DE - 22113 Hamburg
Germany
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1
Deadbeat - To Much Pressure
2
Deadbeat - Double Bubble
3
Deadbeat - Rattle The Roof Down
Canada’s dub maestro Deadbeat makes a welcome return to Echocord to round out the year with his ‘Pressure Double Down’ EP, comprised of three original cuts.
Adopted Montrealer, Scott Montieth aka Deadbeat has been at the forefront of dub tinged Techno and Minimal leaning sounds since the turn of the millennium, racking up albums on the beloved Pole helmed ~scape in the early 2000’s before going on to run his own label BLKRTZ where he regularly release material, as well as further releases on imprints such as Wagon Repair and of course Echocord, where he returns here with his latest collection of works.
‘Too Much Pressure’ leads the EP, a fifteen minute excursion through intricate percussion, choppy, dubbed out stab sequences and psychedelic vocals all infused with Deadbeat’s signature subtly unfurling flair and nuanced dynamism.
‘Double Bubble’ follows and lays down an amalgamation of delicately intertwined chord melodies, sub bass tones spiralling echoes and a crunchy analogue rhythm section. ‘Rattle The Roof Down’ then concludes the EP on a more minimal tinged tip, bringing a heavy low-end dub reggae bass groove to the front while spacey percussive delays and murky swells ebb and flow throughout the hypnotic groove.
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Germany
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Adopted Montrealer, Scott Montieth aka Deadbeat has been at the forefront of dub tinged Techno and Minimal leaning sounds since the turn of the millennium, racking up albums on the beloved Pole helmed ~scape in the early 2000’s before going on to run his own label BLKRTZ where he regularly release material, as well as further releases on imprints such as Wagon Repair and of course Echocord, where he returns here with his latest collection of works.
‘Too Much Pressure’ leads the EP, a fifteen minute excursion through intricate percussion, choppy, dubbed out stab sequences and psychedelic vocals all infused with Deadbeat’s signature subtly unfurling flair and nuanced dynamism.
‘Double Bubble’ follows and lays down an amalgamation of delicately intertwined chord melodies, sub bass tones spiralling echoes and a crunchy analogue rhythm section. ‘Rattle The Roof Down’ then concludes the EP on a more minimal tinged tip, bringing a heavy low-end dub reggae bass groove to the front while spacey percussive delays and murky swells ebb and flow throughout the hypnotic groove.
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1
Forest Drive West - 100m
2
Forest Drive West - Recursion
3
Forest Drive West - Anchor
Repress!
Forest Drive West makes a welcome return to Echocord this February with the ‘Recursion’ EP, featuring one solo cut and two collaborations with DB1 and Localhost. London’s Forest Drive West has been steadily releasing his left of centre take on techno over the past five years on the likes of Livity Sound, Hidden Hawaii, Delsin, AD93 fka Whities and of course Echocord where here returns here following the ‘Parallel Space’ EP back in 2019.
Leading the release is the murky, tense atmospherics of ‘100m’, produced alongside regular collaborator DB1 the eight minute composition journeys through unfurling, expansive pads, subtly nuanced bass warbles and gritty off-kilter percussion.
Next up, Forest Drive West joins forces with Localhost for title-cut ‘Recursion’, embracing a 4/4 approach rhythmically this time and bringing hazy, ethereal pads, earth shattering subs and circling stab sequences into the limelight. Forest Drive West’s solo cut ‘Anchor’ then rounds out the release, taking things deeper into dub territory via tumbling percussive echoes, billowing chords and heavy doses of low-end drive.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
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Germany
Contact: [email protected]More
Forest Drive West makes a welcome return to Echocord this February with the ‘Recursion’ EP, featuring one solo cut and two collaborations with DB1 and Localhost. London’s Forest Drive West has been steadily releasing his left of centre take on techno over the past five years on the likes of Livity Sound, Hidden Hawaii, Delsin, AD93 fka Whities and of course Echocord where here returns here following the ‘Parallel Space’ EP back in 2019.
Leading the release is the murky, tense atmospherics of ‘100m’, produced alongside regular collaborator DB1 the eight minute composition journeys through unfurling, expansive pads, subtly nuanced bass warbles and gritty off-kilter percussion.
Next up, Forest Drive West joins forces with Localhost for title-cut ‘Recursion’, embracing a 4/4 approach rhythmically this time and bringing hazy, ethereal pads, earth shattering subs and circling stab sequences into the limelight. Forest Drive West’s solo cut ‘Anchor’ then rounds out the release, taking things deeper into dub territory via tumbling percussive echoes, billowing chords and heavy doses of low-end drive.
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Germany
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1
Altone - Naturally Unnatural
2
Altone - Naturally Unnatural (Naturally flowing Thomas Fehlmann Remix)
3
Altone - Unnaturally Balanced
4
Altone - Unnaturally Balanced (Another Channel Version)
Copenhagen’s Echocord returns this September with the ‘Invincible Nature’ EP by Altone, backed by a remix from Thomas Fehlmann and Another Channel. Atone is the guise of Tokyo’s Yuki Takasaki, one of the leading figures of the genre out of Japan with releases on the likes of Greyscale, Lempuyang, Vuo, Æ Recordings, Primary [colours] and many more. His distinctive twist on Dub Techno has earned him accolades worldwide within the underground and here he joins the roster of the esteemed Echocord, the Kenneth Christiansen helmed label that’s been at the forefront of Dub Techno for more than two decades now. The original mix of ‘Naturally Unnatural’ opens, showcasing Altone’s unique style via subtly nuanced chord flutters, expansive reverberations, pulsating low end tones and ever unfolding, subtly unfurling feel. The ‘Naturally Flowing Thomas Fehlmann Remix’ follows, the Swiss sonic wizard and former member of the legendary The Orb among many other projects delivers deep, throbbing subs and glitched out synth modulations intertwined with fragments of the original composition. ‘Unnaturally Balanced’ then opens the B-Side with Altone diving deeper into dub realms courtesy of ever alternating, billowing dub echoes and a raw, reduced rhythm section. The ‘Another Channel Version’ of ‘Unnaturally Balanced’ then rounds out the EP, embracing a more classic dub techno aesthetic as crunchy drums, swirling atmospherics and spaced out echoes ebb and flow amongst one another across the six and half minute duration.
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1
babe roots & another channel - Takeover (intro) feat. E. Pertoldil
2
babe roots & another channel - Can't See
3
babe roots & another channel - Money Run Things
4
babe roots & another channel - Get You Down
Repress!
Babe Roots & Another Channel join forces with Danish label Echocord with four dubbed out cuts titled, ‘Takeover’. Turin based artist, Babe Roots’ catalogue has seen a steady growth since he started out in 2016 with releases on French label Linear Movement, Portland dub label ZamZam Sounds and Rohs! Records. ‘Takeover’ sees him team up with Another Channel, an up and coming German producer with records on Transient Audio and Modern Hypnosis. After a successful summer for Echocord with albums from Silent Harbour aka Conforce and Idealist, the label continues 2018 with consistently intriguing output from artists across the electronic music spectrum. ‘Takeover (intro)’ kicks off the pack by delivering a minute of spaced-out, dub-tinged atmospheres to ease you in. ‘Can’t See’ then provides a pitched-down, meditative ambience peppered with deep, sedative reggae drums, calming synth flutters and an enchanting vocal. Next, ‘Money Run Things’ sustains the mellow moods, spirited chants and stirring flourishes of dubby vibrations. To finish, ‘Get You Down’ offers a meditative, dropped- tempo dub-techno track – with sound system culture, dispersed grooves and undulating minimalism becoming the main focus here.
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WAS - Word and Sound Medien GmbH
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Babe Roots & Another Channel join forces with Danish label Echocord with four dubbed out cuts titled, ‘Takeover’. Turin based artist, Babe Roots’ catalogue has seen a steady growth since he started out in 2016 with releases on French label Linear Movement, Portland dub label ZamZam Sounds and Rohs! Records. ‘Takeover’ sees him team up with Another Channel, an up and coming German producer with records on Transient Audio and Modern Hypnosis. After a successful summer for Echocord with albums from Silent Harbour aka Conforce and Idealist, the label continues 2018 with consistently intriguing output from artists across the electronic music spectrum. ‘Takeover (intro)’ kicks off the pack by delivering a minute of spaced-out, dub-tinged atmospheres to ease you in. ‘Can’t See’ then provides a pitched-down, meditative ambience peppered with deep, sedative reggae drums, calming synth flutters and an enchanting vocal. Next, ‘Money Run Things’ sustains the mellow moods, spirited chants and stirring flourishes of dubby vibrations. To finish, ‘Get You Down’ offers a meditative, dropped- tempo dub-techno track – with sound system culture, dispersed grooves and undulating minimalism becoming the main focus here.
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1
Rising Sun - Eternal 1
2
Rising Sun - Eternal 2
3
Rising Sun - Eternal 3
4
Rising Sun - Eternal 4
5
Rising Sun - Eternal 5
6
Rising Sun - Eternal 6
Over the past decade Rising Sun has firmly established himself as a purveyor of the finest deep, dubby and cinematic leaning house and techno, consistently delivering a sound that is distinctly his through labels such as Fauxpas, Freund Der Familie and his own numerous imprints Reality Used To Be A Friend Of Mine, Kristofferson Kristofferson and Beautiful Things Don't Ask For Attention under a variant of guises such as The Ambientist, Rising Sun Project, Rising Sun Psyche, Rising Sun Melancholia and simply Rising Sun under which he returns here for Echocord. As one has come to expect from a Rising Sun release ‘The Eternal’ has a firm foundation in emotive melodies and atmospherics across six alternate versions. ‘Eternal 1’ leads with muted drums, fluttering stabs and a preaching spoken word vocal. ‘Eternal 2’ edges into darked realms, merging expansive dub echoes with swelling subs and tension building strings before ‘Eternal 3’ dives head first into ethereal hypnotism via unfurling textures, soft stab sequences and a rounded kick. ‘Eternal 4’ opens the B-side with a subtly unfolding construction as vocals, chords and swinging drums run in unison. ‘Eternal 5’ then strips things back to a gritty statured feel with boomy percussion, enchanting strings and nuanced stabs before ‘Eternal 6’ rounds out the release laying down murky, multilayered pads, widely dispersing reverberations and bubbling delays throughout.
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1
Mathimidori - Anata
2
Mathimidori - Zanziba
3
Mathimidori - Zanziba (Levon Vincent Remix)
Echocord welcomes the return of Mathimidori to the imprint with his ‘Anata’ EP, accompanied by a remix from New Yorker and Novel Sound boss Levon Vincent.
Mathimidori is the dub techno leaning guise of Germany’s Mathias Kaden, known for his works under his own name on imprints such as REKIDS, Ovum and Freude Am Tanzen, while Mathimidori material has found a home on the likes of Mule Musiq, Raum, Ornaments and of course Echocord where he returns here following 2020’s ‘Akebono’ LP.
Opening the release is ‘Anata’, a texturally dense six-and-a-half-minute composition fusing pulsating subs, billowing synth atmospherics, spiralling dub echoes and sporadic dubbed out spoken word running atop a crisp 4/4 rhythm. ‘Zanziba’ follows and dives deeper via ethereal pads, snaking low-end pulsations, choppy stab sequences and heavily echoing reggae chants.
Levon Vincent steps up to remix ‘Zanziba’ next, delivering a typically raw and dynamic rework, upping the energy levels as dub stabs dynamically unfold and retract amongst a thunderous low-end drive, intricate synth flutters and low-slung drums across its ten minute duration.
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Mathimidori is the dub techno leaning guise of Germany’s Mathias Kaden, known for his works under his own name on imprints such as REKIDS, Ovum and Freude Am Tanzen, while Mathimidori material has found a home on the likes of Mule Musiq, Raum, Ornaments and of course Echocord where he returns here following 2020’s ‘Akebono’ LP.
Opening the release is ‘Anata’, a texturally dense six-and-a-half-minute composition fusing pulsating subs, billowing synth atmospherics, spiralling dub echoes and sporadic dubbed out spoken word running atop a crisp 4/4 rhythm. ‘Zanziba’ follows and dives deeper via ethereal pads, snaking low-end pulsations, choppy stab sequences and heavily echoing reggae chants.
Levon Vincent steps up to remix ‘Zanziba’ next, delivering a typically raw and dynamic rework, upping the energy levels as dub stabs dynamically unfold and retract amongst a thunderous low-end drive, intricate synth flutters and low-slung drums across its ten minute duration.
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1
Babe Roots / Another Channel - Gunman
2
Mathimidori - Vibra
3
Deadbeat - The Old Doom And Gloom
4
Fluxion - Slide
5
Forest Drive West - Signals
6
Mikkel Metal - Lakma
7
Luke Hess / Jeff Hess - M1
8
Idealist - Ride
9
Grad_u - Pacific Lair
10
Quantec - Space Time Continuum
11
Resoe - Unused
12
Brendon Moeller - Slow Return
Repress! NOTE: RE-PRESS COMES IN BLACK VIYNL.
Echocord 20th anniversary special release
echocord records marks a momentous twenty years with an exclusive release, featuring 12 iconic artists on a limited edition triple clear vinyl, for dub-techno lovers and collectors.This vinyl series celebrates artists who continue to inspire the echocord journey, from 2001 to 2021 and beyond.
Over the past two decades, the Kenneth Christiansen helmed echocord imprint has been at the forefront of the dub-techno scene, discovering and developing sophisticated artists globally.
The twelve-track release is an exploration, from energetic dub techno, with cuts like Luke & Jeff Hess’ “M1 Dub”, grad_u’s “Pacific Lair”, and Idealist’s “Ride” to more esoteric passages with Forest Drive West’s “Signals”, Mikkel Metal’s “Lakam Dub” and Brendon Moeller’s “Slow Return”. Heavy dub vibrations resound in Babe Roots feat Another Channel’s “Gunman” and Deadbeat’s sub-driven “The Old Doom and Gloom” while Fluxion turns it to a jazzy, dub house wave with “Slide”.
“To me music is life, thank you for your support keeping the sound of echocord resonating” –Kenneth Christiansen
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Echocord 20th anniversary special release
echocord records marks a momentous twenty years with an exclusive release, featuring 12 iconic artists on a limited edition triple clear vinyl, for dub-techno lovers and collectors.This vinyl series celebrates artists who continue to inspire the echocord journey, from 2001 to 2021 and beyond.
Over the past two decades, the Kenneth Christiansen helmed echocord imprint has been at the forefront of the dub-techno scene, discovering and developing sophisticated artists globally.
The twelve-track release is an exploration, from energetic dub techno, with cuts like Luke & Jeff Hess’ “M1 Dub”, grad_u’s “Pacific Lair”, and Idealist’s “Ride” to more esoteric passages with Forest Drive West’s “Signals”, Mikkel Metal’s “Lakam Dub” and Brendon Moeller’s “Slow Return”. Heavy dub vibrations resound in Babe Roots feat Another Channel’s “Gunman” and Deadbeat’s sub-driven “The Old Doom and Gloom” while Fluxion turns it to a jazzy, dub house wave with “Slide”.
“To me music is life, thank you for your support keeping the sound of echocord resonating” –Kenneth Christiansen
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1
El Choop - Insane Sends
2
El Choop - Some Fall Harder Than Others
3
El Choop - Insane Sends (Sven's Angelic Sends Mix)
Echocord returns this March with a new EP from El Choop, backed by a remix from Sven Weisemann. Harvey Bones, better known to most as El Choop is a London based producer and DJ delivering dub leaning house and techno via the likes of Etui Records, Greyscale and now Echocord, a perfect home for his subtly nuanced, intricately unfolding aesthetic. Leading is title-track ‘Insane Sends’, employing a sturdy kick, cavernous percussion and choppy stab sequences, as the name would suggest all dynamically modulating across the composition’s six-minute duration. ‘Some Fall Harder Than Others’ then follows, embracing a more stripped back feel atmospherically, bringing filtered dub chords, ethereal pad textures and rounded subs into focus while dusty drums carry the hypnotic groove. Label regular Sven Weisemann then rounds out the release with his ‘Angelis Sends Mix’ of ‘Insane Sends’, a twelve-minute interpretation embracing a cinematic feel via expansive synth atmospherics, spiralling dub echoes and metallic chimes, all ebbing and flowing amongst one another throughout while a bumpy drum groove keep things moving.
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1
Mathimidori - Java
2
Mathimidori - Maiia
3
Mathimidori - Kioku
4
Mathimidori - Shao
5
Mathimidori - Kobe
6
Mathimidori - Asaka
7
Mathimidori - Ork
8
Mathimidori - Akebono
9
Mathimidori - Soso
10
Mathimidori - Akari
Copenhagen’s Echocord returns with a long player from Mathimidori this October, entitled the ‘Akebono’ LP and comprised on ten original compositions. Mathimidori, better know by most as Mathias Kaden has been using this alias as a way to showcase his take on dub-leaning, minimalistic and refined Techno via labels such as Dorian Paic’s Raum Musik, Tokyo’s Mule Musiq and Berlin’s Ornaments. Here though we see deliver his debut long player under the guise, and fittingly the LP will be released via esteemed Dub Techno imprint Echocord, home to releases from the likes of STL, Deepchord, Fluxion, XDB and Forest Drive West. Across the ‘Akebono’ album Mathimidori delivers hazy, spaced out instrumentals like ‘Maiia’, ‘Ork’ and ‘Soso’ while tracks like ‘Asaka’ and ‘Shao’ offer a darker approach. The project also welcomes an assortment of collaborations such as opening track ‘Java’ alongside Spain’s Pulshar, ‘Kioku’ featuring Japanese artist Tomomi Ukumori and ‘Kobe’ with Germany’s Rhauder which all lean towards downtempo dub territories. Also featured are Sakura who provides spoken word vocals for ‘Akebono’ and Shoco who joins Mathimidori for the ambient leaning album conclusion ‘Akari’.
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WAS - Word and Sound Medien GmbH
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Germany
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Germany
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1
STL - Fluxxy
2
STL - Dub Plus
3
STL - Magic Thing
Echocord welcomes the return of STL this May with the ‘Take Off Music’ EP, comprised of three murky, dubbed out cuts from the acclaimed German producer. Stephan Laubner, better known as STL has long been one of the most respected producers in the underground electronic music scene. Racking up releases on the likes of Smallville, Perlon, Echospace [Detroit], his own Something and of course Echocord where he returns here. ‘Fluxxy’ leads on the package, embracing STL’s signature style via, dusty analogue drums, choppy dub stabs, penetrating low end flutters and airy atmospherics before ‘Dub Plus’ lays focus on a stripped-back, perfectly balanced drum groove, hazy field recordings and bubbling chord delays and bell chime synths. ‘Magic Thing’ then rounds out the release, fusing fm synth melodies and gritty bass stab sequences with thunderous subs and Laubner’s robust rhythmic style. Once again STL delivers a touch of class with a contemporary Dub Techno style for Echocord.
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Germany
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1
ywf - Replaced
2
ywf - All Is Temporary
3
ywf - Cutoff (Fdf's Reshape)
4
ywf - Cutoff (Fdf's Days Of Doom Remix)
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1
stl - Lost Harbour
2
stl - Mr. Sinister
3
stl - Sensimilla
The inimitable STL makes a welcome return to Echocord this May with a new three-track EP in the shape of ‘Take Your Seats’. Stephan Laubner, better known to most as simply as STL is highly regarded for his unique twist on dubbed out house and techno sounds and has been responsible for some underground anthems such as the lauded ‘Silent State’ on Smallville Records and other material on the likes of Perlon, Echospace [Detroit] and ofcourse his own Something imprint. Here though we see him returning to Echocord following 2015’s ‘Message Of Sound’ Part 1 & 2 EP’s with yet more mind- altering murky cuts. ‘Lost Harbour’ leads on the package with textural field recordings, crunchy distorted rhythms and an amalgamation of snaking bass, synth and piano lines, intertwining and unfolding throughout. ‘Mr Sinister’ switches the vibes over to menacing bass swells, fluttering subs, gritty percussion and an underlying tension before ‘Sensimilla’ edges into more ethereal territory with spiralling dub chords, shuffled hats and winding atmospherics.
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Idealist returns with his second long player this October, entitled ‘Mind Field’ and featuring eight dub-leaning cuts from the Swiss producer. Based out of Zurich, Switzerland, producer and DJ Idealist has become a respected figure in raw, dubby house and techno over the past five years via his releases on Echocord and his Idealistmusic and Details Series labels, picking up support along the way from the likes of Mike Huckaby, Dana Ruh, Tini and Mandar to name but a few. Here though we see him returning to Copenhagen’s Echocord with his second long player following 2016’s ‘Firewood Street’ on his own label. Leading on the package is ‘Explorer’, setting the tone with crunchy percussion, billowing stab sequences and airy dub swells before ‘Dimension’ employs pulsing subs, soft organ like chords and gritty analogue drums as its foundation whilst fluttering stabs and sweeping atmospherics wander within.‘Stage One’ is up next, consisting of a weight low end drive, thunderous kick and snappy clap running in unison with swirling dub echoes and tension building strings, a shining example of an effective dub-techno tool. ‘Golden Places’ offers something different, this time round embracing a walking bass groove, soft 303 style resonant flutters and cinematic strings. ‘M.I.T.H’ opens up the flips side of the release, upping the energy levels with a dynamic, robust rhythm, gritty stabs and murky modulating effects throughout before ‘Singularity’ edges things back into deeper territory with fluttering synth licks, vacillating pads and low-slung drums. ‘Smoke and Mirrors’ embraces a loop driven approach next with a focus on short, sharp synth cuts, bumpy drums and skippy hats before ‘Final Cut’, as the name would suggest, wraps up the album with oscillating percussion, choppy bass hits and raw drums all unfolding with the subtle nuances prevalent throughout yet another smooth and understated addition to Idealist’s catalogue.
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1
conforce pres. silent harbour - Riparian
2
conforce pres. silent harbour - Noctiluca
3
conforce pres. silent harbour - Dwelling
4
conforce pres. silent harbour - Peridinum
5
conforce pres. silent harbour - Fusiformis
6
conforce pres. silent harbour - Pelagia
Conforce returns under his Silent Harbour guise this August with the ‘Noctiluca’ mini LP, a six track collection set for release via Copenhagen’s Echocord. Dutch producer Boris Bunnik has been releasing material under various guises over the past two decades such as Conforce, Versalife, Hexagon, Vernon Felicity and of course Silent Harbour which he revisits here following 2015’s ‘Hinterland’ on Deep Sound Channel and the self-tilted inauguration of the project in 2012 on Echocord. The beatless drones of ‘Riparian’ open the package, perfectly setting the tone with murky bell like chimes, rumbling subs and splashes of white noise before title-track ‘Noctiluca’ picks up the pace, tipping the focus over to bubbling dub echoes, glitched out, minute percussion and a sturdy muted kick to keep things driving. ‘Dwelling’ is up next, featuring expansive, washed out synth textures, cavernous bass tones and modulating percussion throughout. Leading on the B-Side of the release is ‘Peridinum’, employing classic dub techno tropes with an amalgamation of choppy stab sequences dynamically evolving over off-beat hats and a thunderous kick. ‘Fusiformis’ strips things rhythmically whilst keeping the bubbling delays and expansive reverbs at it’s core before closing track ‘Pelagia’ brings bright, resonant synth lines, delayed percussive hits and tension building synth bass into the limelight.
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1
mikkel metal - Awake
2
mikkel metal - Bregnan
3
mikkel metal - Jech
4
mikkel metal - Include
5
mikkel metal - Konkin
6
mikkel metal - Restore
Mikkel Metal returns to Copenhagen’s Echocord this May with his new mini LP ‘Just Enough Light’, comprising six originals from the Danish artist. Copenhagen based producer and DJ Mikkel Metal has been a beacon of light in the Danish electronic music scene and further afield for nearly two decades now, with the Dub Techno imprint from his hometown, Echocord, being the predominant home for his output, whilst also releasing material on Cologne’s Kompakt, Tartelet, Semantica and Avant Roots, a telling sign of the quality embodied in his work. Here though we see Mikkel deliver a mini album concept in the shape of ‘Just Enough Light’ and opener ‘Awake’ perfectly sets the tone with emotive, dynamically unfolding atmospherics, tension building bass drones and spiraling dub chords subtly easing us into the project. ‘Bregnan’ then stirs in some classing Dub-Techno tropes with billowing stab sequences, lumpy subs and off beat high hats carrying the hypnotic groove for six and a half minutes. ‘Jech’ then strips things back to an almost beatless amalgamation of murky chords and modulating synth whirrs. Opening the flip side of the release is ‘Include’ which embraces a brighter feel via ethereal pad swells, jazztinged synth melodies and bumpy 909 rhythms before ‘Konkin’ edges back into the eerie, brooding aesthetic with bubbling echoes, broken drums and menacing bass swells at its core. ‘Restore’ then closes the package on a stripped-back vibe, laying focus on an ever- eveolving singular dub chord to ebb and flow around thunderous subs, kicks and bright hats.
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1
fluxion - En Route
2
fluxion - The Place
3
fluxion - Flick
Greek producer Fluxion returns to Danish imprint Echocord in January with his ‘Upsides & Sideways EP’, comprising three original productions. The Athens-based artist has spent nearly two decades honing his craft both on stage through his live improvised performances and in the studio, producing records for the likes of Chain Reaction, Vibrant Music and Subwax Bcn. Copenhagen’s Echocord has consistently delivered high quality dub techno from the likes of Roberto Clementi, Brendon Moeller and Luke Hess since its inception in 2001 and now Fluxion returns with his twelfth outing on the label with his latest material. Fluxion opens with ‘En route’, employing sharp percussive foundations, white noise atmospheres and haunting chord progressions which evolve throughout the track before ‘The Place’ offers dubbed out synthesiser motifs and glitching arpeggios which are underpinned by echoing drums and a subtle bass melody. ‘Flick’ then closes out the release with spacey synth riffs developing over groove-led percussion and a warm, distorted low-end.
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1
sven weisemann - Lunation
2
sven weisemann - Bilateral Relations
3
sven weisemann - Monistic
4
sven weisemann - Decimation
Sven Weisemann is set to release his ‘Bilateral Relations’ EP via Copenhagen’s Echocord this September, comprising four originals from the German producer. Sven Weisemann has been immersed in the underground House and Techno scene for quite some time now having started DJing in 1997 during the rise of the scene on his home turf of Berlin and going on to release material via the likes of Amsterdam’s Delsin, Mojuba, Telrae and liebe.detail amongst many more. Here though we see Sven joining the roster of Echocord, a perfect fit for his more dubbed out compositions with artists like Fluxion, Rod Modell and STL on the roster. ‘Lunation’ opens the release and sees Weisemann fuse emotive string melodies and cavernous vocal echoes with off- kilter rhythms and rounded sub hits before title-track ‘Bilateral Relations’ embraces a more direct four-four approach via sparse percussion and tumbling toms alongside choppy bass stabs and ever-unfolding, echoing dub chords. Opening the flip is ‘Monistic’, an airy ethereal number employing billowing pads, bright synth chimes and a dropped tempo dubbed out feel to create something truly stunning and thought provoking before the ‘Decimation (Valvle tR9 Mix) closes things on a darker tip with looming stab swells, heavily swung drums and sporadic growling bass drones.
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Customers who bought this also bought this
Label:London Records
Cat-No:LMS1725578
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:London Records
Cat-No:LMS1725578
Release-Date:07.11.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Rights: World excluding FR & UK
Packaging: 2 x White Vinyl, 5mm spine sleeve, 2 x printer inner sleeve, marketing sticker
SHORT BIOG & KEY POINTS
- Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over 3 decades.
- "Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz."
- London Records celebrate 30 years of Timeless with limited edition vinyl formats, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.
TRACKLISTING:
A1. Inner City Life
A2. Pressure
A3. Jah
B1. Saint Angel
B2. State Of Mind
C1. Sea Of Tears
C2. Angel
D1. Sensual
D2. Kemistry
D3. You & Me
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DE - 22113 Hamburg
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Packaging: 2 x White Vinyl, 5mm spine sleeve, 2 x printer inner sleeve, marketing sticker
SHORT BIOG & KEY POINTS
- Goldie's 1995 debut Timeless is often described as one of the greatest dance music albums of all time. As one of the founders of Metalheadz, one of the most influential drum and bass labels, Goldie helped shape the sound of a generation, and a genre that has spanned over 3 decades.
- "Listening to Timeless is like taking an adventure. If the limits of music are the limits of society, then Timeless is going to create new worlds. It's a record that travels from darkness to light across electronic oceans, across streetsoul, ambience and jazz."
- London Records celebrate 30 years of Timeless with limited edition vinyl formats, re-imagining the original white sleeve and putting the album on double vinyl for the first time since '96, with new liner notes from Tim Carr. Remastered audio.
TRACKLISTING:
A1. Inner City Life
A2. Pressure
A3. Jah
B1. Saint Angel
B2. State Of Mind
C1. Sea Of Tears
C2. Angel
D1. Sensual
D2. Kemistry
D3. You & Me
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dam Swindle - Feel it much?
2
Dam Swindle - Backyard galaxy
3
Dam Swindle - Rhythm baby
4
Dam Swindle - What you give
Format : Vinyl 12" (Limited Full Cover)
Track list:
A1 Feel it much?
A2 Backyard galaxy
B1 Rhythm baby
B2 What you give
Release Info:
Dam Swindle's new 'Backyard Galaxy' EP is an ode to house music and the classic Swindle sound.
It's only been a few months since Dam Swindle released their highly acclaimed album "Open" and already the boys are back on Heist with a new release that takes you right back to the dancefloor. Where they've spent the better part of the last 3 years writing their album with all its sonic explorations and collabs, this new EP sees the duo return to their roots of club-ready house music. The 'Backyard Galaxy' EP comes with 4 high-energy house tracks made in their Amsterdam studio that have been road-tested all summer.
EP opener "Feel it much?" has all the ingredients of a classic Swindle heater, with warm pads, rich organic percussion and tons of soul. There's a simple and effective vocal running throughout the track that blends nicely with the classic house elements and electronic textures that are layered throughout the track. There's an effortless flow to this track and it comes as no surprise that it has been a highlight in their sets this summer.
The EP title track 'Backyard Galaxy' is an up-tempo Latin-themed jam with a hint of old school techno. The synth stabs hit you just right and the modulated vocal chops are a lovely boost for the build ups and add a touch of swing to a track that already has a tight groove. Add to that a huge breakdown and drum roll and you've got yourself a track that'll light up any dancefloor.
On the flip, we're moving into garage territory with the shuffling vibes of 'Rhythm Baby'. The current popularity of the genre is not missed on Dam Swindle, but when you look closely, you'll see this track is full of elements that the duo have built their legacy on. The vocal chops, transposed key samples and swing are all on point and work just as well below, as above 130 bpm if speed is your thing.
The EP closes with the NY-style house cut 'What you give', which reminds us of Dam Swindle's remix of Cinthie's Heist hit 'Won't U take me' with its lush organs and moody keys. It's perhaps the most classic house track they've made in a long time and you can hear they had a great time recording this. It's playful, vibey and catchy. Just the way we like it.
Dam Swindle might have delivered one of the standout cross-over albums of 2025, but on this EP the message is clear: Once a househead, always a househead.
As always, enjoy the music and play it loud!
Much love,
Heist HQ
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Track list:
A1 Feel it much?
A2 Backyard galaxy
B1 Rhythm baby
B2 What you give
Release Info:
Dam Swindle's new 'Backyard Galaxy' EP is an ode to house music and the classic Swindle sound.
It's only been a few months since Dam Swindle released their highly acclaimed album "Open" and already the boys are back on Heist with a new release that takes you right back to the dancefloor. Where they've spent the better part of the last 3 years writing their album with all its sonic explorations and collabs, this new EP sees the duo return to their roots of club-ready house music. The 'Backyard Galaxy' EP comes with 4 high-energy house tracks made in their Amsterdam studio that have been road-tested all summer.
EP opener "Feel it much?" has all the ingredients of a classic Swindle heater, with warm pads, rich organic percussion and tons of soul. There's a simple and effective vocal running throughout the track that blends nicely with the classic house elements and electronic textures that are layered throughout the track. There's an effortless flow to this track and it comes as no surprise that it has been a highlight in their sets this summer.
The EP title track 'Backyard Galaxy' is an up-tempo Latin-themed jam with a hint of old school techno. The synth stabs hit you just right and the modulated vocal chops are a lovely boost for the build ups and add a touch of swing to a track that already has a tight groove. Add to that a huge breakdown and drum roll and you've got yourself a track that'll light up any dancefloor.
On the flip, we're moving into garage territory with the shuffling vibes of 'Rhythm Baby'. The current popularity of the genre is not missed on Dam Swindle, but when you look closely, you'll see this track is full of elements that the duo have built their legacy on. The vocal chops, transposed key samples and swing are all on point and work just as well below, as above 130 bpm if speed is your thing.
The EP closes with the NY-style house cut 'What you give', which reminds us of Dam Swindle's remix of Cinthie's Heist hit 'Won't U take me' with its lush organs and moody keys. It's perhaps the most classic house track they've made in a long time and you can hear they had a great time recording this. It's playful, vibey and catchy. Just the way we like it.
Dam Swindle might have delivered one of the standout cross-over albums of 2025, but on this EP the message is clear: Once a househead, always a househead.
As always, enjoy the music and play it loud!
Much love,
Heist HQ
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Monolink - Amniotic
2
Monolink - Black Day
3
Monolink - Sirens
4
Monolink - Rearrange My Mind
5
Monolink - Frozen
6
Monolink - Father Ocean
7
Monolink - Swallow
8
Monolink - Take Me Home
9
Monolink - Riverman
10
Monolink - Return To Oz
11
Monolink - Burning Sun
WORLD EXCLUDING GERMANY, SWITZERLAND, AUSTRIA (GSA), NEW ZEALAND.
2LP, Special remarks : Doppelvinyl im Gatefold + 180g + 2 printed Innersleeves + Downloadcode
Tracklist 2LP:
A1 Amniotic
A2 Black Day
A3 Sirens
B1 Rearrange My Mind
B2 Frozen
B3 Father Ocean
C1 Swallow
C2 Take Me Home
C3 Riverman
D1 Return To Oz
D2 Burning Sun
Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.
Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
2LP, Special remarks : Doppelvinyl im Gatefold + 180g + 2 printed Innersleeves + Downloadcode
Tracklist 2LP:
A1 Amniotic
A2 Black Day
A3 Sirens
B1 Rearrange My Mind
B2 Frozen
B3 Father Ocean
C1 Swallow
C2 Take Me Home
C3 Riverman
D1 Return To Oz
D2 Burning Sun
Short release info:
Berlin's own Steffen Linck, a multi-instrumentalist known as Monolink, announces his debut album Amniotic, due April 20th via Embassy of Music subsidy Embassy One.
It is the experiential nature of Monolink's music that defies the muddy definition of modern live electronic music. Armed with a singular blend of Berlin underground culture with the pop-leaning sensibility of American electronica, Steffen transports listeners into his own realm of sonic exploration. The music is pillared by emotive guitar tones, analog synth stabs and, for the first time, his own vocals - acting as a singular point of departure for this budding talent.
Amniotic stands as Monolink's first complete body of work, following his 2017 EP 'Burning Sun' via Sol Selectas, and 'The End', a collaborative record with Acid Pauli in 2015.
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP 180g, beautiful embossed Chess Board Artwork Print, inner sleeve with artist picture and text by David Elliott, Sounds June 16, 1984
In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
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Germany
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In anticipation of the 35th anniversary next year one of electronic music´s most influential recordings, the legendary E2-E4, from 12.12.1981 does get an official rerelease by Manuel Göttsching on his own Label MG.ART.
Carefully overseen by the Master himself
Total Time: 59:34
Tracks:
Ruhige Nervosität 13:00, Gemäßigter Aufbruch 10:00, ... und Mittelspiel 07:00, Ansatz 06:00, Damen-Eleganza 05:00, Ehrenvoller Kampf 03:00, Hoheit weicht (nicht ohne Schwung...) 09:00, ... und Souveränität 03:00, Remis 03:00
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Germany
Contact: [email protected]More
Label:Because Music
Cat-No:BEC5615818
Release-Date:11.07.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Label:Because Music
Cat-No:BEC5615818
Release-Date:11.07.2025
Genre:Electronic, Electronica
Configuration:2LP Excl
Rights: World excl. FR, UK & US
Packaging: 2 x 180 grs Black Vinyl, 5mm spine sleeve, 2 x printed inner sleeve, marketing front sticker
TRACKLISTING - DOUBLE VINYL.
Exclusive 2025 repress - Double Heavyweight black LP , printed inners
A 1 Dry The Rain
A 2 I Know
A 3 B + A
B 1 Dogs Got a Bone
B 2 Inner Meet Me
B 3 The House Song
C 1 The Monolith
C 2 She's the One
D 1 Push It Out
D 2 It's Over
D 3 Dr. Baker
D 4 Needles In My Eyes
BIOGRAPHY BY IRVINE WELSH
I discovered the Beta Band, like I discovered a lot of great music, basically through eventually surrendering to the enthused urgings of a mate who was cooler than me. He continually evangelized about the EP's. I was lost to the concert hall and firmly ensconced on the dancefloor by then and highly resistant, but quite taken by the idea that a band would bring out extended plays rather than singles. When I did check them out, I was instantly smitten by their originality and power.
The band, therefore, were pivotal for me in terms of my own musical journey, in that they represented a gateway back into indie guitar music, which I'd basically given up since becoming obsessed with rave and acid house.
The Beta Band were definitely a band for the cool cognoscenti- like my buddy- the ones you make a bit of a tit of yourself trying to convert quite straight boring people to.
The emotions they induced were a kind of throwback to school days when you were very pompous and prescriptive about what you liked, and derisive towards non believers. It's a testimony to the power of the music that they could take me to the raw state of the younger man.
I took it personally that they didn't hit the mainstream commercial base. At least two of the three albums they made deserved quadruple platinum status. Hot Shots II and Heroes to Zeros are permanently lodged very high in my top one hundred albums of all time.
So, the return of the Beta Band has me moving into the same mode of immature, adolescent anticipation. Everyone should have the Beta Band albums and EP's in their collection. It still kind of annoys me - in fact it bugs the shit out of me - that most of them don't.
And that really is something.
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Packaging: 2 x 180 grs Black Vinyl, 5mm spine sleeve, 2 x printed inner sleeve, marketing front sticker
TRACKLISTING - DOUBLE VINYL.
Exclusive 2025 repress - Double Heavyweight black LP , printed inners
A 1 Dry The Rain
A 2 I Know
A 3 B + A
B 1 Dogs Got a Bone
B 2 Inner Meet Me
B 3 The House Song
C 1 The Monolith
C 2 She's the One
D 1 Push It Out
D 2 It's Over
D 3 Dr. Baker
D 4 Needles In My Eyes
BIOGRAPHY BY IRVINE WELSH
I discovered the Beta Band, like I discovered a lot of great music, basically through eventually surrendering to the enthused urgings of a mate who was cooler than me. He continually evangelized about the EP's. I was lost to the concert hall and firmly ensconced on the dancefloor by then and highly resistant, but quite taken by the idea that a band would bring out extended plays rather than singles. When I did check them out, I was instantly smitten by their originality and power.
The band, therefore, were pivotal for me in terms of my own musical journey, in that they represented a gateway back into indie guitar music, which I'd basically given up since becoming obsessed with rave and acid house.
The Beta Band were definitely a band for the cool cognoscenti- like my buddy- the ones you make a bit of a tit of yourself trying to convert quite straight boring people to.
The emotions they induced were a kind of throwback to school days when you were very pompous and prescriptive about what you liked, and derisive towards non believers. It's a testimony to the power of the music that they could take me to the raw state of the younger man.
I took it personally that they didn't hit the mainstream commercial base. At least two of the three albums they made deserved quadruple platinum status. Hot Shots II and Heroes to Zeros are permanently lodged very high in my top one hundred albums of all time.
So, the return of the Beta Band has me moving into the same mode of immature, adolescent anticipation. Everyone should have the Beta Band albums and EP's in their collection. It still kind of annoys me - in fact it bugs the shit out of me - that most of them don't.
And that really is something.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Pizza Hotline - A1. DUALSHOCK
2
Pizza Hotline - A2. LOW POLY ROMANCE
3
Pizza Hotline - B1. EMOTION ENGINE
4
Pizza Hotline - B2. DREAMSHELL
5
Pizza Hotline - C1. LEVEL SELECT
6
Pizza Hotline - C2. SHADOW MOSES
7
Pizza Hotline - D1. GLACIER ZONE (FT. DJ TOTAL 90)
8
Pizza Hotline - D2. POLYGON DREAMSCAPE
DLP: Limited Edition Transparent Vinyl with 45RPM Cut, Sleeve, Sticker
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
Tracklisting DLP
A1. DUALSHOCK
A2. LOW POLY ROMANCE
B1. EMOTION ENGINE
B2. DREAMSHELL
C1. LEVEL SELECT
C2. SHADOW MOSES
D1. GLACIER ZONE (FT. DJ TOTAL 90)
D2. POLYGON DREAMSCAPE
Info
WRWTFWW Records is extremely excited to announce the first ever vinyl release for Pizza Hotline’s brilliant 2022 full-length Level Select, originally only released on cassette and digital. The liquid drum & bass meets Y2K era video gaming aesthetics monster is now available in a limited edition transparent vinyl double LP with a glorious 45rpm cut, p
Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE", a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status - making a full-on vinyl release quite the necessity. It’s here now with the the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling.
Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late 90s / early 2000s video game influences. Hypnotic late night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre - LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It’s all fresh with a subtle nostalgia and so much heart. An instant classic.
Press start.
Points of interests
For fans of liquid DNB, Video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, good music, good music on video games, playing video games all night and possibly all week.
Limited edition vinyl of Pizza Hotline’s 2022 cult hit album redefining liquid drum & bass with a Y2K video game twist.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Genre: Liquid Drum n’ Bass, Electronic, Jungle, Video Game Music
Tracklisting DLP
A1. DUALSHOCK
A2. LOW POLY ROMANCE
B1. EMOTION ENGINE
B2. DREAMSHELL
C1. LEVEL SELECT
C2. SHADOW MOSES
D1. GLACIER ZONE (FT. DJ TOTAL 90)
D2. POLYGON DREAMSCAPE
Info
WRWTFWW Records is extremely excited to announce the first ever vinyl release for Pizza Hotline’s brilliant 2022 full-length Level Select, originally only released on cassette and digital. The liquid drum & bass meets Y2K era video gaming aesthetics monster is now available in a limited edition transparent vinyl double LP with a glorious 45rpm cut, p
Entirely written and composed by UK producer Pizza Hotline (apart from "GLACIER ZONE", a collaboration between Pizza Hotline and DJ Total 90), the stellar 8-song album was initially released as a limited cassette in January 2022 and quickly gained cult status - making a full-on vinyl release quite the necessity. It’s here now with the the previously unreleased track "POLYGON DREAMSCAPE" (which sounds as magical as its title) and 45rpm cut for louder, bigger, deeper bass rumbling.
Spellbinding, atmospheric, and beautifully melodic, Level Select is a large scope dreamy adventure of liquid DnB filled with ambient escapades, ethereal jungle, high vibe breaks, and a heavy loving dose of late 90s / early 2000s video game influences. Hypnotic late night hype and pensive chill moods mesh with ease in a cinematic soundscape that re-contextualizes and gives a new life to a beloved music genre - LTJ Bukem, Peshay, the Wipeout OST or Soichi Terada's Ape Escape come to mind, and sounds and soundtracks from the Sony Playstation, the Nintendo 64, and the Sega Saturn resonate from the speakers. It’s all fresh with a subtle nostalgia and so much heart. An instant classic.
Press start.
Points of interests
For fans of liquid DNB, Video games, ambient, late night vibes, computers and clubs, Soichi Terada's Ape Escape, LTJ Bukem, Peshay, Wipeout OST, good music, good music on video games, playing video games all night and possibly all week.
Limited edition vinyl of Pizza Hotline’s 2022 cult hit album redefining liquid drum & bass with a Y2K video game twist.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Jay Richford and Gary Stevan - A1 : Flying High (3:35)
2
Jay Richford and Gary Stevan - A2 : Going Home (2:46)
3
Jay Richford and Gary Stevan - A3 : Walking In The Dark (4:42)
4
Jay Richford and Gary Stevan - A4 : Fighting For Life (3:37)
5
Jay Richford and Gary Stevan - A5 : Feeling Tense (4:05)
6
Jay Richford and Gary Stevan - B1 : Running Fast (4:42)
7
Jay Richford and Gary Stevan - B2 : Loving Tenderly (3:27)
8
Jay Richford and Gary Stevan - B3 : Fearing Much (3:35)
9
Jay Richford and Gary Stevan - B4 : Being Friendly (2:54)
10
Jay Richford and Gary Stevan - B5 : Having Fun (4:00)
2025 repress
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Format Notes: 140g vinyl, remastered from the original tapes
Territories:
Worldwide no restrictions
Track List:
A1 : Flying High (3:35)
A2 : Going Home (2:46)
A3 : Walking In The Dark (4:42)
A4 : Fighting For Life (3:37)
A5 : Feeling Tense (4:05)
B1 : Running Fast (4:42)
B2 : Loving Tenderly (3:27)
B3 : Fearing Much (3:35)
B4 : Being Friendly (2:54)
B5 : Having Fun (4:00)
Release Notes:
More than once Jay Richford and Gary Stevan’s Feelings has been described as the greatest library record ever released. Of course Be With can’t be seen to be playing favourites, but we have to admit, it’s pretty good. Insanely rare and immensely sought-after, it’s a tough funk, street jazz masterpiece coveted for many years by collectors of all musical genres.
Since its original release on Italian label Carosello in 1974, Feelings has appeared on several labels with different sleeves and even under a different artist. Indeed cult library label Conroy put it out in one of their iconic red sleeves in 1976 and yes, Feelings has indeed had more than one modern re-issue since these “original” releases. But a record this special deserves to be kept in press and we think it deserves the Be With treatment.
No, Jay Richford and Gary Stevan aren’t two of the most Italian sounding names. As the story goes these were the pseudonyms adopted by Stefano Torossi and Giancarlo Gazzani who wrote the album but couldn’t use their real names on the original release for legal reasons. But Stefano Torossi himself later both clarified and confused the tale further by explaining that Feelings was the work of four people not just Gazzani and himself. Fellow composers and musicians Sandro Brugnolini and Puccio Roelens also worked on the album and as Torossi himself explained “we all worked together”, with all four gents “dividing the royalties in equal parts… that’s the story.” Right, so, with that all sorted out let’s get back to talking about the music. And what music it is.
Long hailed as a holy grail of library music, Feelings is the epitome of the sort of cinematic orchestral jazzy funk that is “that 70s library music sound”. Infectiously funky, deliciously melodic and with impeccible, elegant production, this record is the showcase for a stunning set of compositions and arrangements and with performances that are nothing short of virtuoso.
The record’s first side lifts off with “Flying High”, soaring brilliant and shimmering. Funk licks, menacing strings and swaggering horns combine for an ice-cold intro groove that Isaac Hayes would surely have envied, before the steady-paced drums deliver the slo-mo TKO. The string-drenched cop-funk of “Going Home” raises the tempo. All funky quick-fire bass lines and killer electric guitar soloing. A real thriller.
“Walking In The Dark” positively drips in blaxploitation-funk drama strings and horn struts, all laced with delicate drums, velvet piano and more filthy wah-wah. “Fighting For Life” is another funk-fuelled workout built around an effortlessly relentless drum track that refuses to give up until even the stiffest-necked head is nodding.
The loping, open drum break that guides the much-loved “Feeling Tense” through its early stages would be good enough on its own. The heavy bass gloss, swirling strings and ominous horns that follow take things to the next level.
The second side opens with another favourite “Running Fast”, and the track does precisely that. This is one fine rollicking chase theme underpinned by frenetic (yet funky) Fender Rhodes and skipping bass and drums. Those sweeping strings are a gorgeous extra. It’s a deliciously feel-good groove that sets the heart racing.
“Loving Tenderly” envelops us in warm, velvety night-time vibes with easy listening horns and slinky strings dialing up the seduction. Definitely one for the lithe lovers out there. The pace picks up on the electrifying “Fearing Much” where strings dart around deep bass, buzzing guitars and another funky drum break. The lush, melancholic “Being Friendly” is another easy beauty, all warm Rhodes and strings. Majestic stuff that puts an aural arm around you. The climactic “Having Fun” rides a pulsating, bass-heavy drum break with snatches of a funky guitar refrain, some luxurious keys, sweeping strings and triumphant horns. Sensational.
“Feelings” is a profoundly appropriate title for such an emotionally funky and genuinely affecting record. Groove-laden bass, irrepressible horns, sweet flute lines, warm Rhodes, lush string arrangements, blaxploitation-styled wah-wah guitars and so, so much more make this one of the finest instrumental soul LPs of the 70s, if not of all time.
The audio for this re-issue of Feelings comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis and cut by Pete Norman. The same care has been taken by the Be With team to restore that glorious original Carosello sleeve. Feelings is almost too good to be true. Feels good all over.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Sam Ruffillo - A1) Danza Organica (Musumeci Remix) (5:33)
2
Sam Ruffillo - A2) Perfetta Cosi (Gome Remix) (4:45)
3
Sam Ruffillo - B1) Es Buena (Extended Mix) (5:44)
4
Sam Ruffillo - B2) Perfetta Cosi (Extended Mix) (4:58)
Tracklist 12":
A1) Danza Organica (Musumeci Remix) (5:33)
A2) Perfetta Cosi (Gome Remix) (4:45)
B1) Es Buena (Extended Mix) (5:44)
B2) Perfetta Cosi (Extended Mix) (4:58)
Release Info:
It’s Italian time! Sam Ruffillo is back. Sicilian producer doing smooth Balearic disco with Italian vocals. The direction is clear: Sam Ruffillo's music brings us back into the Italian riviera and the hippy days of Ibiza in the late 1970ies. Even his way of production is similar to how the early days disco producers in Italia used to work: No samples needed. Instead a few guest musicians come to jam over Sam's beats in his Italian studio space. Guitar, bass, percussions. Sam later makes the production and added keyboard solos and put together the vibes into what is this new EP.
The girl voice comes from NINFA. It’s the classic studio story: Ninfa is a singer and DJ and friend of Sam. She was hanging at the studio while Sam was finishing these tracks. She stated to sing along... the words came up spontaneously… so they decided to record her and finally decided to keep them. The vibe was too good. Why talk English if u can do it better: in Italian! :)
This is second for Toy Tonics after his Sport House EP from last year. Sam also appeared on the solo record of Joel Holmes on Toy Tonics. Together with Kapote Modica he co-produced and made the beats on that record. Now Sam is back with this pure Italian EP. Inclusive remixes by new German artists Gome and Italian Musemeci - known to many from his fabulous Italo-trance releases on Diynamic records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1) Danza Organica (Musumeci Remix) (5:33)
A2) Perfetta Cosi (Gome Remix) (4:45)
B1) Es Buena (Extended Mix) (5:44)
B2) Perfetta Cosi (Extended Mix) (4:58)
Release Info:
It’s Italian time! Sam Ruffillo is back. Sicilian producer doing smooth Balearic disco with Italian vocals. The direction is clear: Sam Ruffillo's music brings us back into the Italian riviera and the hippy days of Ibiza in the late 1970ies. Even his way of production is similar to how the early days disco producers in Italia used to work: No samples needed. Instead a few guest musicians come to jam over Sam's beats in his Italian studio space. Guitar, bass, percussions. Sam later makes the production and added keyboard solos and put together the vibes into what is this new EP.
The girl voice comes from NINFA. It’s the classic studio story: Ninfa is a singer and DJ and friend of Sam. She was hanging at the studio while Sam was finishing these tracks. She stated to sing along... the words came up spontaneously… so they decided to record her and finally decided to keep them. The vibe was too good. Why talk English if u can do it better: in Italian! :)
This is second for Toy Tonics after his Sport House EP from last year. Sam also appeared on the solo record of Joel Holmes on Toy Tonics. Together with Kapote Modica he co-produced and made the beats on that record. Now Sam is back with this pure Italian EP. Inclusive remixes by new German artists Gome and Italian Musemeci - known to many from his fabulous Italo-trance releases on Diynamic records.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Years of Denial - Devil In a Skirt
2
Years of Denial - Affaire de Coeur
3
Years of Denial - Hide & Sick
4
Years of Denial - We Are the Party
5
Years of Denial - In Your Bed
6
Years of Denial - AI Lover
12“ (+download, + sticker)
Tracklist:
01. Devil In a Skirt
02. Affaire de Coeur
03. Hide & Sick
04. We Are the Party
05. In Your Bed
06. AI Lover
Release Info:
Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts.
Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love - ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4x4 rhythms.
Kicking things off is the shadowy, death rock inspired, "Devil In a Skirt", an infectious ballad about a temptress that may not be what she seems. Next up, "Affaire de Coeur" delivers body fuelled stabs which elegantly bleeds into "Hide & Sick", a more high energy cut, set to scorch the floor. "We Are The Party" keeps the pulse pounding with your next EBM anthem while "In Your Bed" shatters sonic boundaries and leaves things drenched in acid rave. "AI Lover" closes things out with more future goth rave energy which acts as both a warning and a desire for more.
Love Cuts builds on Years of Denial’s previous work while setting the stage for what’s to come. Commanding vocals and dominating beats transmit a powerful message of both the dystopian and euphoric. Remaining uncategorizable, the project continues to evolve their unique sound while burning a path toward the future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
01. Devil In a Skirt
02. Affaire de Coeur
03. Hide & Sick
04. We Are the Party
05. In Your Bed
06. AI Lover
Release Info:
Prolific duo Years of Denial return to Veyl with another genre bending, dance floor ready EP titled Love Cuts.
Acting as a transit between 2023’s Suicide Disco 2 and the forthcoming Suicide Disco 3, Love Cuts explores the various angles of love - ranging from the digital to the forbidden, toxic to erotic and beyond. A blend of death rock, future goth, EBM and rave, we once again find the project’s poetic, powerful lyrics fusing with motorized beats and 4x4 rhythms.
Kicking things off is the shadowy, death rock inspired, "Devil In a Skirt", an infectious ballad about a temptress that may not be what she seems. Next up, "Affaire de Coeur" delivers body fuelled stabs which elegantly bleeds into "Hide & Sick", a more high energy cut, set to scorch the floor. "We Are The Party" keeps the pulse pounding with your next EBM anthem while "In Your Bed" shatters sonic boundaries and leaves things drenched in acid rave. "AI Lover" closes things out with more future goth rave energy which acts as both a warning and a desire for more.
Love Cuts builds on Years of Denial’s previous work while setting the stage for what’s to come. Commanding vocals and dominating beats transmit a powerful message of both the dystopian and euphoric. Remaining uncategorizable, the project continues to evolve their unique sound while burning a path toward the future.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Deepchord - Fog Hotel
2
Deepchord - Moving Lights
3
Deepchord - Wind in Trees
4
Deepchord - Lagonda
5
Deepchord - Varanasi
6
Deepchord - Portofino
7
Deepchord - Point Reyes
8
Deepchord - Underwater Galaxies
9
Deepchord - Azure
10
Deepchord - Devil Ray
11
Deepchord - Signals
12
Deepchord - Roca 9
Tracklisting
A1 Deepchord - Fog Hotel
A2 Deepchord - Moving Lights
A3 Deepchord - Wind in Trees
B1 Deepchord - Lagonda
B2 Deepchord - Varanasi
B3 Deepchord - Portofino
C1 Deepchord - Point Reyes
C2 Deepchord - Underwater Galaxies
C3 Deepchord - Azure
D1 Deepchord - Devil Ray
D2 Deepchord - Signals
D3 Deepchord - Roca 9
Sales Note
- 2025 repress
A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1 Deepchord - Fog Hotel
A2 Deepchord - Moving Lights
A3 Deepchord - Wind in Trees
B1 Deepchord - Lagonda
B2 Deepchord - Varanasi
B3 Deepchord - Portofino
C1 Deepchord - Point Reyes
C2 Deepchord - Underwater Galaxies
C3 Deepchord - Azure
D1 Deepchord - Devil Ray
D2 Deepchord - Signals
D3 Deepchord - Roca 9
Sales Note
- 2025 repress
A foray into deep, organic, cinematic dance music. Subterranean bass, intercepted alien transmissions, and stripped down dance-beats meld with sheets of sounds that roll over the listener like waves lapping up on the shore. Shimmering, watery, brain hemisphere synchronization tones caress and melt stress away. Dance floor friendly tracks that work equally well in one s private listening space. Immersive music with a distinctive aquatic quality. Inspired by Detroit & Berlin s dance genres, but tempered by more ambience / atmosphere than one would expect from those genres. Music without harshness or rough edges. Fuzzy, out-of-focus, soft-sounds that slip in and out of the listener's consciousness. Uniquely melds current dance rhythms with lushness and spirituality. Synesthetic sounds that trigger sensory experiences in cognitive pathways other than hearing smells of perfumes, thoughts of colours, and altered perception of time and space. Psychoacoustic, cerebral, electronic listening music for those wanting a different experience than the current harsher, darker dance trends are offering. Responsibly made gentle music designed from the ground-up to have a positive effect on the nervous system and leave the listener invigorated and recharged. Chi-building sonic balm. Timeless, exotic dance tracks for a new school of electronic music enthusiasts who are searching for beautiful sounds, crafted with a higher purpose in mind.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
&ME - In your eyes 09:41min
2
&ME - As above so below 08:02 min
2025 repress
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist
A. In your eyes 09:41min
B. As above so below 08:02 min
Release Info
Do you know what time it is? It's debut o'clock. Emitting his first material for Pampa, it's &ME - craftsman of all things deep and sturdy, at the same time connoisseur of emotive touch and virtuoso of sure instincts, one of the scene's central characters for a good amount of years now and one of the main figures of Berlin's Keinemusik-crew. The man has been hitting the bulls eye of public perception several times in the past, meeting everything it takes to get a crowd going with an intent on the detail when it comes to his arrangements and sound. These new two cuts seem nothing less than the essence of his abilities.
There is "In Your Eyes", the name lending A side to this EP, showcasing a rather pensive mood. It's just a few bars for the compound of kickdrum, tuned hi-hat tambourine and shimmering background noise until the first chords of an improvised piano-piece are tenderly laid upon the beat. Add a synth-motive coming back and forth and you'll have the main ingredients to this - in every sense of the word - floor-moving tune. Accordingly, the arrangement won't aim for an all too obvious sensationalism and rather opts for a flowing and intertwining call and response of its elements, ultimately resulting in a staggering impact anyway.
In comparison, "As Above So Below" on the flipside is adding a fair amount of emphasis. It unfolds in a dry and dense sounding beat-architecture that's suspense-packed with shaker sounds and subtextual field recordings. Most certainly, a slip-proof ground for this tune's centre-piece, a scale-riding synthbass sparking an almost anthemic trigger for floor-ecstasy. While details like subtle reverberating tapping and sparkling ambient textures sound like recorded deep down in a dripstone cave, the overall energetic layout pushes relentlessly to the heights of peaktime-grandeur. There you have it: "As Above So Below" - this tune works on every level.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More