British Electro veteran Bass Junkie returns for his second vinyl outing on Bass Agenda Recordings, this time with a full-length album. As his last release, "Low Frequency Fugitive" indicated, he has been working hard on developing his trademark sound and taking things forward; no mean feat for someone who has been ahead of his time since he began releasing Electro in the mid-nineties. He has succeeded though and everything he is loved and respected for is here, plus some advanced structures and elements - Bass Junkie evolved - a true Sub Sonic Survivor. The harder edge is here in tracks such as "Blast Them to Infinity!" and the insanely hard kick of "Star Destroyer". His funkier side shines through too, in tracks like the shimmering space funk of "Rum and Raspberries". For fans of his exceptional vocal work there are treats in store too, particularly in the aggressive attack on the modern state of things that is "Reset".

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The 4th in the Transhumanism series is here. These four now well established Dutch producers approach Electro from their own angles, resulting in four energetic cuts ranging from the haunting vocal laced work of TFHats to the swirling darkness of RXmode.

The successful Transhumanism series has been supported by the likes of Dave Clarke, Juan Atkins, Helena Hauff, UMEK, Alienata and many others.

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Detroit's Filthiest and Go Nuclear are back sharing wax on Bass Agenda Recordings. The heat from their first split release on the label in 2017 is still radiating around the world, with tracks from both artists still getting support from the likes of DJ Stingray and leaving a trail of Electro destruction over the last 24 months thanks to Dave Clarke, Helena Hauff, UMEK, and many more out on the front-line spreading the word.

Detroit's Filthiest really should need no introduction at this stage in the game; one of Ghetto Tech's originators, a prolific artist with countless releases behind him spanning genres and, most interestingly, blending genre influences in ways that show vision and creativity on a level that is rare these days. This adventurous approach is always harnessed to the main mission though - getting people moving. This is dance floor Electro, laced with darkness and meant for those dark places true headz go to escape life's bullshit.

New Zealand's Go Nuclear came out all guns blazing with their debut on Bass Agenda Recordings in 2017 and their sound has developed at a pace to be reckoned with, turning heads in the Electro scene and quickly establishing themselves as one of the freshest acts out there. Similar in some ways to Detroit's Filthiest, you can trace each track back to the roots of the authentic Electro genre, but this is next is gen stuff - Electro evolved. Of course both artists could release each of these EPs separately, but this is more than just releasing music, it's also long term friends working together, critiquing each other's work, pushing each other to build a record that, like 2017's Descent Into Darkness/Machine Learning split release, finds a long term home in any discerning Electro DJ's bag.

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Detroit's Filthiest returns for his 7th appearance on Bass Agenda Recordings with a new solo EP on vinyl and digital formats. With over 20 years in the game he is one of Detroit's most enduring, hardworking, and versatile artists and, as his previous outings have shown, he saves his darkest, hardest, most energetic electro material for Bass Agenda. Here he brings four new killer tracks that are immediately identifiable as being his sound; a powerful blend of punchy dancefloor machine funk, laced with darkness, that stand separate from the crowd in every sense.

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The Transhumanism collective was born on the dance-floor at Dave Clarke's first Whip It party at the Melkweg in Amsterdam. This is the fourth vinyl release on Bass Agenda Recordings that features the four Dutch Electro artists w1b0, RXmode, Slaves of Sinus, and TFHats. The releases to date have had ongoing support from many key DJs who support the authentic Electro scene - Dave Clarke, UMEK, Helena Hauff, DJ Stingray, Maceo Plex, and Alienata to name but a few. Juan Atkins and Helena Hauff were still dropping w1b0's track from the first release this Summer (2019) at various festivals. It's no surprise that the first in the series has just been repressed, and now, the third in the series keeps the pressure up with 4 brand new tracks. As always, the brief here was simple - "be yourself and do your best to kill it". All four artists have risen to the occasion - maintaining the fundamentals of their individual sounds, evolving a little in some parts, and bringing a compilation with something for every discerning DJ with an ear for cutting edge Electro.

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Dez Williams returns to Bass Agenda with a full-length album. A well established and prolific artist and live act, Dez is a master of his craft and 'Insulted Intelligence' shows his ability to remain individual whilst creating electronic music from across the sound spectrum. From the battering drums of opening track 'Dailybred' to the lush Detroit tinged electro of 'Vugue' on side A, and from the suspense filled bombastic filth of 'Hangdog' to the borderline frightening 'Take Back Control' on side B; Dez shows true versatility. It's this versatility that makes for an interesting album here, no two track structures are the same, and each has the rhythmic appeal your body craves whilst rewarding your mind with depth, atmosphere and a sense of journey.
Intelligent, heart felt work from one of the genres finest.

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Fans of Electro's big hitter DJs such as Helena Hauff, Dave Clarke, UMEK, Maceo Plex, and UMWELT won't have escaped the sonic assaults of Dutch artist RXmode and his fellow Transhumanism collective members; w1b0, Slaves of Sinus, TFHats.
RXmode's last EP 'Cerberus' was very much the EP he'd been building up to since his debut on Bass Agenda Recordings back in 2015; dark, sinister, heavy, and distinctive.
One of the tracks from that EP, 'Degraded', gets the remix treatment from the other Transhumanism members on this, the third vinyl release the collective have put out.
The original track kicks things off in style before the three very individual remixes take things to new territories. TFHats takes the track, remoulds it and adds his own lyrics and vocals to great effect. W1b0 brings what will certainly be looked back on as one of the heaviest tracks of 2018; his 'Violation in G Minor' mix is a brutal sonic assault with a bassline that will surely wake the dead. Last and by no means least Slaves of Sinus brings an abstract acid tinged version; laced with his own brand of sinister vibes and darkness.

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Long term friends and artistic collaborators Detroit's Filthiest (aka DJ Nasty) and Go Nuclear bring their next two Electro releases to Bass Agenda simultaneously. Detroit's Filthiest assaults hard with four ferocious dance floor destroyers, showing off both his lifelong passion for Electro and his ability to approach production differently from the majority - blending twisted Detroit rave hooks with a dose of infectious machine funk. New Zealand's Go Nuclear return after their very well received 'Techno World' debut on Bass Agenda Recordings. This record, their Machine Learning EP, stays faithful to their love of the old school Electro sounds of Detroit with 3 tracks of dance floor futuristic funk. The two artists meet here too, with Detroit's Filthiest remixing the title track in his usual no-nonsense style.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More