Rounding-off a landmark year for Clark which saw an accelerated drive for variety and freshness - including skewed renditions of Bach performed at the Royal Albert Hall and a hugely acclaimed score for TV series ‘Kiri’ - the leftfield legend takes it back to the source with two bangers for the massive. The riff-powered heavy electrics of ‘Branding Problem’ romp from Detroit to Belgium via Chicago and the M25. It’s platinum-grade dancefloor techno, but it’s more too. The production flair and inventive sound sculpting ensure a level of quality and originality not found in your average grist-for-the-mill DJ fodder. ‘Legacy Pet’ is hardcore and tech step dipped in loopy juice; it’s the sound of a raver wandering out from a cavernous warehouse, across fields and into an enchanted dingily dell dance, throwing gun fingers with the goblins and faeries. “I’ve been quite amused at how easy it is to stream background music these days. How accessible it all is and how entitled we all feel to it, like it’s some sort of air freshener you spray in your Uber. For some reason I’m imagining a future where Elon Musk does a streaming deal, so he can prance around controlling nano implant VR chips for 1 million amortal coastal elites, while the rest of us don’t have electricity and only manage one rave a year - to a sound system powered by rationed candles. This is music for that fantasy scenario, ha. Anyway, I don’t want these 2 tracks to be part of background air freshener world. They are limited edition club gear. I wanna play them out so badly in my live show. Influences: Hardcore UK rave, Detroit techno, Jungle, Oizo, Ed Rush and Optical, No U-Turn. The origins, the source and it’s constant subsequent mutations. BEHOLD THE CONTINUUM, HARDCORE WILL NEVER DIE.” Clark More

Clark revs up the first Throttle Records release with E.C.S.T. T.R.A.X., a double A-side 12” that finds him colliding music from centuries past with sounds from the future. Both tracks open the door wide to echo new modes of production for Clark by joining the dots between two great forms of the avant-garde: Rave and Musique concrète. Kicking off with Harpsichord Ecst, a track that bestows the original rave hoovers, Clark shoots off a frenetic, rapid-fire outburst that’s driven by the instrument, forging a sound that is characterized as anything other than Clark music. Its peak time 'ed rush is perfectly framed by the use of Clark’s own vocals, which are reminiscent of both Meredith Monk’s ‘Vessel Suite’ and Arthur Russell. Perfectly pitching it, our man explains, “It could sound prancingly medieval, but I kind of took a blow torch to it, and made it something totally different”. Piano Ecst meanwhile sets out to search and destroy piano hardcore, built around a single broken chord, weaved into a stroboscopic digital tapestry of flute flutters, tuned sirens, whirrs and jitters. Although inspired as much by classical/orchestral and avant garde greats, as dance music, the titles multiple meanings nod to Clark’s foundation in and continued love for rave culture, but also to far older forms of revelry, and a church-like atmosphere of religious rapture, which is clearly audible in these ecclesiastic style pieces. This fully fired up, within the abstract, effervescent, yet psychedelic electronic sound makes it clear that Throttle Records is a sure-fire one to watch... More

Clark has been hard at work continuously progressing his sound since 2012's Iradelphic, which featured vocals, field recordings and live instrumentation for the first time. With this new 12" single Superscope, the Warp stalwart continues to push boundaries, fusing with a sound he's been associated with in the past - one that belongs on a dimly lit dance floor. Debuting an all new live show in London after recent tour in the US with Jon Hopkins, Clark has incorporated live visuals along the lines of oscilloscope cover image, which he calls Phosphor, that is classic acid at it's core. Hard biting white noise and cutting synths unite over a sputtering female vocal that would work themselves into an Underground Resistance set as easily as contemporary producers like Jacques Greene and the Night Slugs camp. More

New six track EP! It is a counterpart to Iradelphic, featuring new variations on key album tracks as heard in his recent live shows, this includes 3 reworks of album tracks and 3 brand new tracks. More

"To me 'Iradelphic' is looming, ambiguous, radiant. Glowing, whole, invincible, complete." - Clark More

"To me 'Iradelphic' is looming, ambiguous, radiant. Glowing, whole, invincible, complete." - Clark More

Clark revs up the first Throttle Records release with E.C.S.T. T.R.A.X., a double A-side 12” that finds him colliding music from centuries past with sounds from the future. Both tracks open the door wide to echo new modes of production for Clark by joining the dots between two great forms of the avant-garde: Rave and Musique concrète. Kicking off with Harpsichord Ecst, a track that bestows the original rave hoovers, Clark shoots off a frenetic, rapid-fire outburst that’s driven by the instrument, forging a sound that is characterized as anything other than Clark music. Its peak time 'ed rush is perfectly framed by the use of Clark’s own vocals, which are reminiscent of both Meredith Monk’s ‘Vessel Suite’ and Arthur Russell. Perfectly pitching it, our man explains, “It could sound prancingly medieval, but I kind of took a blow torch to it, and made it something totally different”. Piano Ecst meanwhile sets out to search and destroy piano hardcore, built around a single broken chord, weaved into a stroboscopic digital tapestry of flute flutters, tuned sirens, whirrs and jitters. Although inspired as much by classical/orchestral and avant garde greats, as dance music, the titles multiple meanings nod to Clark’s foundation in and continued love for rave culture, but also to far older forms of revelry, and a church-like atmosphere of religious rapture, which is clearly audible in these ecclesiastic style pieces. This fully fired up, within the abstract, effervescent, yet psychedelic electronic sound makes it clear that Throttle Records is a sure-fire one to watch... More