Label:Discos Extendes
Cat-No:de-002
Release-Date:12.04.2019
Genre:House
Configuration:12"
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Last in:06.05.2019
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Last in:06.05.2019
Label:Discos Extendes
Cat-No:de-002
Release-Date:12.04.2019
Genre:House
Configuration:12"
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Sabre - Condor Sense
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Sabre - Sem Terra
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Sabre - Condor Senses
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Sabre - Driving Bruno
After the praise for Morning Worship, released back in 2015 on Royal Oak, Portuguese duo Sabre returns to releases with the EP "Fora de Turf", pointing directly towards the dance floor. There is in "Fora de Turf" a certain idea of transient existence as a series of car journeys cruising the night with no clear sense of direction, recalling the gradual disappearance of public space and loss of community. The weight of Kraut references such as Kraftwerk's Autobahn or Stratosfear by Tangerine Dream is somehow clear in its alignment with a 1995 Carl Craig who had just released Landcruising
On the A side, “Condor Sense” and “Sem Terra”. The first one is a banger built around broken beats and repetitive synth chords that guide us through the drone landscapes on the background, very clearly marked by the 808's rhythms. The second one is anchored in a broken kick and on a growing acid line, punctuated by warm chords and some sliced pads that reminds us of the pulsating heart of the city of Detroit.
On the B side, "Condor Senses" and "Driving Bruno" got some sort of a gliding character. "Condor Senses" is the only track on the EP to accept the classic four-on-the-floor to guide some dubby chords along a quieter landscape where organic and natural sounds lurk. Is it dawn arriving? No. On the last track of the album, "Driving Bruno," Sabre get in the car and step on the throttle, full speed, on a bassline that could resemble some synthwave releases if synthwave had been lucky enough to be born a decade earlier and in the center of the state of Michigan. More
On the A side, “Condor Sense” and “Sem Terra”. The first one is a banger built around broken beats and repetitive synth chords that guide us through the drone landscapes on the background, very clearly marked by the 808's rhythms. The second one is anchored in a broken kick and on a growing acid line, punctuated by warm chords and some sliced pads that reminds us of the pulsating heart of the city of Detroit.
On the B side, "Condor Senses" and "Driving Bruno" got some sort of a gliding character. "Condor Senses" is the only track on the EP to accept the classic four-on-the-floor to guide some dubby chords along a quieter landscape where organic and natural sounds lurk. Is it dawn arriving? No. On the last track of the album, "Driving Bruno," Sabre get in the car and step on the throttle, full speed, on a bassline that could resemble some synthwave releases if synthwave had been lucky enough to be born a decade earlier and in the center of the state of Michigan. More
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Last in:28.11.2016
Label:royal oak
Cat-No:royal27
Release-Date:27.02.2015
Genre:techhouse
Configuration:12"
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sabre - Cascaval Breez
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sabre - Ghetto Prophet
3
sabre - Vigilante
4
sabre - Streets Of Love Blaze
Hailing from Lisbon, Portugal Sabre are delivering their debut release from Clone Royal Oak with a fresh take on house and techno. If you're looking for effective formular club tracks, then please skip through! Four playful and emotive tracks without any of the modern club dogma's, however strongly rooted in the more then 30 year long tradition of our musical culture. From Model 500's Detroit techno to even further back to the likes of Gottsching's electronics and Alice Coltrane's spiritual jazz. Sabre is giving us some personal music created from a subjective perspective evoking different kind of moods and emotions with their wide palette of sounds, rhythms and melodies. Even though this might be ''psychology for dummies'' you probably can say there is a heavy influence from their Portuguese culture and their hometown Lisbon. Warm sounding tracks with a cool (sea) breeze and some of the outgoing, yet laidback southern european character. But sticking to the facts... there is some wonderful and special music on this record!
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Last in:30.09.2013
Label:w.t.
Cat-No:wt19
Release-Date:31.05.2013
Genre:techhouse
Configuration:12"
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Sabre is a duo from Lisbon, Portugal. Coming from a more experimental and noise background, the 2 men stumbled onto something that works on the dancefloor, linear steady rhythms and off kilter melodies that make you feel like this is some kind of secret freaky hit that might even crosser over to the Balearic Islands or Cosmic Discoteques. Check!
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Label:tasteful nudes
Cat-No:nudes002
Release-Date:03.05.2013
Genre:House
Configuration:12"
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Last in:12.05.2014
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Last in:12.05.2014
Label:tasteful nudes
Cat-No:nudes002
Release-Date:03.05.2013
Genre:House
Configuration:12"
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Hailing from the bairros of Lisbon, the Portugese duo Sabre take the helm of Tasteful Nudes' second single. The young pair follow up an EP for W.T. Records by expressing adoration for German proto-techno on a majestic scale across a sub-tropical backdrop. "Bali" comes on like a strong cup of psychedelic tea, leaping from a tapestry of gamelan plucks to gigantic, growling bass lines and prismatic synth arpeggios. "Ging" channels Manuel G?ttsching's hypnotic synth lines with the dance floor in mind, rubbing shoulders with a gregarious 303 bass line.
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Label:Discos Extendes
Cat-No:DE007
Release-Date:03.03.2023
Genre:House
Configuration:12"
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Last in:23.03.2023
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Last in:23.03.2023
Label:Discos Extendes
Cat-No:DE007
Release-Date:03.03.2023
Genre:House
Configuration:12"
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Sérgio - Desista Da Cidade
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Sérgio - Rola Uns
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Sérgio - Keisuke
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Sérgio - Flashposergio
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Sérgio - Kenan & Kergio
After Diogo’s hit record, we are following it up with another set of swinging dance floor detonators! Arriving directly from Brasil, Sérgio presents itself as another moniker from one of the greatest creative minds in all South America, Gabriel Guerra. With dozens of releases scattered over Future Times, Superconscious Records, LAMA, Got Tun, Balaclava Records, or his own 40% Foda/Maneiríssimo, he lands on our lap with a couple of highly effective, UK infused, and slightly nostalgic dance tracks. We’ve allways neutered a profound sense admiration for everything that Guerrinha was releasing under his 40% Foda/Maneiríssimo label, and had the feeling that his vibe was definitely one that we could relate to. Happy, a little wacky, and truly unpretentious dance floor madness! From acknowledging that, to reaching out was just a step. He was super available to work with us, and after the first talks he promptly provided us with a google drive folder with more of 100 unreleased tracks… Yes! You heard it! More than 100 gems of pure creativity ranging from all kinds of genres and across a fucking multiverse of alias and alter egos! So yes, that’s the kind of creative genius we are talking about… Moving from this “garagy” universe, Guerrinha presents us with a set of super fun tracks, which both leans over this infamous side of dance music, as well as it keeps an eye open for the most blatant forms of pop culture. Pure and simple dance floor tracks, to be enjoyed with a smile on your face.
"Is this the sound Sérgio?" or "Is this Sergio's sound?". The question of the questions seems silly, but it was postulated in 2019 to answer Guerrinha a new sound idea: A super appealing garage sound, so that any kind of doubt about the fact that Guerrinha's sets being fun, and that he himself would be able to mix swinging rhythms, would be eliminated. Sérgio is Guerrinha’s pseudonym for this, and since its first release in 2019 with the album “Utensílios” it has strangely become his most played alias, with a few small hits in the small Brazilian scene. After the pandemic drama, he returned in 2022 with the album "Mais Utensílios" and the single "Fantabobi / Riquititas", two releases that again grew the good problem of other djs constantly asking Guerrinha for these tracks. Now he releases the 12'' "Pelo da Churreia" via Discos Extendes, made in 2020 and containing small garage hits from that time. All this information raises the initial questions, since Sérgio is not just a pseudonym, but the curse that grew inside Guerrinha himself, sometimes it's in the appeal that “the bug catches on”. More
"Is this the sound Sérgio?" or "Is this Sergio's sound?". The question of the questions seems silly, but it was postulated in 2019 to answer Guerrinha a new sound idea: A super appealing garage sound, so that any kind of doubt about the fact that Guerrinha's sets being fun, and that he himself would be able to mix swinging rhythms, would be eliminated. Sérgio is Guerrinha’s pseudonym for this, and since its first release in 2019 with the album “Utensílios” it has strangely become his most played alias, with a few small hits in the small Brazilian scene. After the pandemic drama, he returned in 2022 with the album "Mais Utensílios" and the single "Fantabobi / Riquititas", two releases that again grew the good problem of other djs constantly asking Guerrinha for these tracks. Now he releases the 12'' "Pelo da Churreia" via Discos Extendes, made in 2020 and containing small garage hits from that time. All this information raises the initial questions, since Sérgio is not just a pseudonym, but the curse that grew inside Guerrinha himself, sometimes it's in the appeal that “the bug catches on”. More
Label:Discos Extendes
Cat-No:DE005
Release-Date:29.07.2022
Genre:Breaks
Configuration:12"
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Last in:07.11.2022
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Label:Discos Extendes
Cat-No:DE005
Release-Date:29.07.2022
Genre:Breaks
Configuration:12"
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Diogo - Até Segunda
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Diogo - Ponto De Não Retorno
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Diogo - WHAT?!
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Diogo - Errar é OK
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Diogo - Ponto de Não Retorno (Violet Remix)
After three EP's in his own name, and one with Moreno Ácido at Holuzam, Diogo makes his debut 12” in the Discos Extendes series with “FINALMENTE!”. In a singular appropriation of the vast legacy of rave culture, Diogo crosses, along four tracks, a certain time span between the 90's and the 2020's, with all kinds of recycling and updates that the exercise entails. Syncopated rhythmic patterns, robust basses, junglist echoes, haunted voices or celestial pads make up a revivalist sound palette, here rearticulated beyond linear structures. “Até Segunda” sets the tone in territories close to Objekt's Theme from Q in a live sound design amidst sudden disturbances and rallying hooks. Tracks 2 and 3 stand out for their plot twists: “Ponto de Não Retorno” starts with a frenetic breaky maze before get immersed in a oneiric landscape, and “What?!” progresses gently within Vancouver coordinates to be opened to a schizophrenic rawness that, from there, completely remakes the track. “Errar É Ok” is an exercise of decompression, melodically woven, with a dreamy coda pointing to nostalgic horizons. Violet closes the EP with a muscular version of “Ponto de Não Retorno”. "Finalmente!" marks for this unstable balance between familiarity and strangeness, intuitiveness and disturbance, euphoria and immersion. Tracks for the dance floor, yes, with a twist, to be rediscovered as often as you like.
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Label:Discos Extendes
Cat-No:DE004
Release-Date:30.09.2021
Genre:House
Configuration:12"
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Last in:30.03.2021
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Last in:30.03.2021
Label:Discos Extendes
Cat-No:DE004
Release-Date:30.09.2021
Genre:House
Configuration:12"
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Rabu Mazda - "Fumo No Olho
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Rabu Mazda - "Mago Mazda" (3:15)
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Rabu Mazda - "Fumo No Olho" (Silvestre remix) (6:10)
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Rabu Mazda - "Bom Feito" (4:40)
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Rabu Mazda - "Sonho Weird" (4:08)
COLLECTING ORDERS FOR RESTOCK!
Tá Sempre Pegando Fogo is Rabu Mazda's second album, a long-standing solo project of Leonardo Bindilatti, this time debuting at Discos Extendes.
Leo is part of Cafetra Records, where he maintains an active role in musical creation and production. He was a member of Kimo Ameba, Go Suck A Fuck, Kridinhux, Egg Shell, Rabu Mazda & Van Ayres and is part of Iguanas and Putas Bêbadas.
This multiplicity of experiences and styles is also reflecting the private and intimate multiplicity of this Rabu Mazda that we now finally get to know better. He is ceaselessly a physical soul on fire and, thus, it sets, naturally, fire to this record that he’s sharing with us.
In parallel, if contemporaneity is also a place on fire, his music can be a timely response to this confusion. Even with all the layers that each song contains, they can bring, to anyone who wants, an energetic clarity with regard to being alive and the pleasure that one can find in that condition. Although some kind of contemporary aggressiveness and crudity are a fundamental part of the identity of this work, the tracks push us to give in to the constraints and point us to the impetus of dancing, pulsating inside the body and finding ways to get out.
It seems that this is what Rabu Mazda really wants: to light up the dance and encourage us to catch the glasses and share a wheel of positivism. Given his Brazilian ancestry, he gave his name to this disc with an appropriation of an idiomatic expression, which refers to states of agitation, sexual excitement, or drunkenness - here, as a starting point for a type of imaginary. It becomes curious to see how he uses his music not only as an end, but also as a way to create some sort of happening.
Adds, to the references of Brazilian Funk, Kuduro, Footwork and House, his melodic textures, mostly nostalgic and his rhythmic compositions to deconstruct music that we thought we knew.
text and original pic. by Sara Zita Correia
* The record also comes with a killer remix by one of the greatest in the Tuga scene! King Silvestre signs a remix for the opening track Fumo no Olho, transforming its introductory lightness and serenity into a hit that stands between Ghetto House and Rave for the littest dance floors!
More
Tá Sempre Pegando Fogo is Rabu Mazda's second album, a long-standing solo project of Leonardo Bindilatti, this time debuting at Discos Extendes.
Leo is part of Cafetra Records, where he maintains an active role in musical creation and production. He was a member of Kimo Ameba, Go Suck A Fuck, Kridinhux, Egg Shell, Rabu Mazda & Van Ayres and is part of Iguanas and Putas Bêbadas.
This multiplicity of experiences and styles is also reflecting the private and intimate multiplicity of this Rabu Mazda that we now finally get to know better. He is ceaselessly a physical soul on fire and, thus, it sets, naturally, fire to this record that he’s sharing with us.
In parallel, if contemporaneity is also a place on fire, his music can be a timely response to this confusion. Even with all the layers that each song contains, they can bring, to anyone who wants, an energetic clarity with regard to being alive and the pleasure that one can find in that condition. Although some kind of contemporary aggressiveness and crudity are a fundamental part of the identity of this work, the tracks push us to give in to the constraints and point us to the impetus of dancing, pulsating inside the body and finding ways to get out.
It seems that this is what Rabu Mazda really wants: to light up the dance and encourage us to catch the glasses and share a wheel of positivism. Given his Brazilian ancestry, he gave his name to this disc with an appropriation of an idiomatic expression, which refers to states of agitation, sexual excitement, or drunkenness - here, as a starting point for a type of imaginary. It becomes curious to see how he uses his music not only as an end, but also as a way to create some sort of happening.
Adds, to the references of Brazilian Funk, Kuduro, Footwork and House, his melodic textures, mostly nostalgic and his rhythmic compositions to deconstruct music that we thought we knew.
text and original pic. by Sara Zita Correia
* The record also comes with a killer remix by one of the greatest in the Tuga scene! King Silvestre signs a remix for the opening track Fumo no Olho, transforming its introductory lightness and serenity into a hit that stands between Ghetto House and Rave for the littest dance floors!
More