Manni Dee returns to Perc Trax for the release of 'A Low Level Love', his second full album following on from 'The Residue' released in 2018 by Berlin techno institution Tresor. Manni opened his Perc Trax account back in 2017 with his 'Throbs Of Discontent' 12" which featured his breakout hit 'London Isn't England' and since then he's become Perc Trax regular releasing his recent 'Everyone's Replaceable Now' 12" plus his 'Gulabi Gang' contribution to first of the 'Forever' various artists series. During this time Manni has gone from a cult UK favourite to being internationally recognised, performing all around the world.

On 'A Low Level Love' Manni expands on both his previous album and his recent run of Perc Trax releases, mixing his trademark club techno rhythms with broken beat and non-dance floor outings. 'No More Heroes' and 'You Don't Always Get What You Want' see Manni at his most melodic and introspective, whilst the storm of kick drums on 'Closer' shows a new intensity and aggression to Manni's music even when compared to the heaviest of his previous releases.

Guest slots and collaborations can often detract from the artistic vision of an album, but Manni chooses his co-conspirators well, with vocalist Sylph adding a human element to album opener 'Persist & Change' and London acid techno legend Chris Liberator providing both vocals and some of the inspiration for club hit in waiting 'London In My System'.

'A Low Level Love' will be released by Perc Trax on 17th June on 2 x 12" vinyl, CD and digital. The album was mastered by Matt Colton at Metropolis, London. The front cover photography was taken by Bruna Kazinoti and design was handled by Adult Art Club.

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The long awaited debut S.L.A.M. EP 'Laminator' from Ayarcana arrives in expected fashion. This master of noise, texture and groove offers three original tracks. His unique ability to combine relentless evolving drum work, raw powerful synths and hellish modular noise into dance floor destruction is a creation to behold. Big daddy Perc comes through with a vintage remix to complete the first S.L.A.M. EP of 2020.

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It's an honour for S.L.A.M. to welcome long time friend Manni Dee to the label after his debut album on Tresor. Inspired by the progression of London's anti-rave direction since Thatcher took office, we present four original tracks as part of his contribution to the resistance. Take your pick of 4/4 on the A-side. Powerful tools each creating unique dance floor tension, hypnotic synths and driving drum work a common theme. The B-side contains a broken beat anthem that has been doing damage since the demo was received and the record is completed with a final call to "Comply or Die".

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Candela Rising welcomes Manni Dee to the fold with 2 original tracks covering broken beats, nostalgic rave elements, Industrial menace and heavy bass rhythms, All topped off with 2 remixes. Ancient Methods remixes ‘A Lover’s Rhetoric’ with his now famous ‘pitch black techno war funk’ attitude. ‘Voluptuous Surrender’ is reworked by New Yorker and L.I.E.S affiliate, Shawn O’Sullivan. Early support from Surgeon, Perc, AnD, Truss, Svreca, Tom Diccico and more....


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His compositions cleverly anchor stark, machine-like percussion in unprocessed field recordings and abstract noise sources, toying with the conventional boundaries between sound and music. The mixture of impromptu organic recordings and pin-sharp manmade elements simultaneously humanises and adds an air of detachment to the work; a testament to Manni Dee's command of texture and flair for sound design.


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His compositions cleverly anchor stark, machine-like percussion in unprocessed field recordings and abstract noise sources, toying with the conventional boundaries between sound and music. The mixture of impromptu organic recordings and pin-sharp manmade elements simultaneously humanises and adds an air of detachment to the work; a testament to Manni Dee's command of texture and flair for sound design.


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Light, Cruel & Vain

Label Text

"Parrish Smith is never one to let you breathe easy. As a globally renowned DJ, he’s become synonymous with high-velocity sets that cut and collide through his distinct array of obscure sounds. Meanwhile, however, the artist has been carefully constructing his own musical idiom. Manoeuvring his most delicate and most defiant feelings, Light Cruel & Vain (Dekmantel Records, 2022) is the first fruit of that painstaking process. A compilation of ‘imperfect music’, the record is shrouded in the artist’s characteristic veil of mystery. As always, his sound cuts and chokes – sometimes cruelly, sometimes soothingly – yet this record offers a new, longer, lighter gulp of air. Here, Parrish Smith bares his most private process so far: one of personal transformation and becoming a better version of oneself.

Light Cruel & Vain was developed over the course of nearly three years, following nearly a decade of individual experimentation. Where on the one hand, LC&V reflects an inward pilgrimage (aka Parrish Smith facing the world and Parrish Smith facing Parrish Smith), the project simultaneously reflects the birth and growth of a band. Each track on the record is originally based on a solo idea, moulded and fine-tuned in conversation with contributing musicians Sofiane Brahmi and Javier Vivancos, then finalized by the producer. The collaborative process brought together niches that wouldn’t typically share territory or sound, allowing music to emerge that transcends each of their boundaries. In the making of LC&V no conventional studio sessions occurred; due to covid-19, the full collaboration process was a remote affair of sharing snippets, (re)working recordings and, most of all, exchanging thoughts and feelings.

Those who know Parrish Smith a little, know his long-standing mantra: ‘No elitism, no prejudices, no genre. Hypnotic, tense, comprehensible – a state of mind.’ It’s this dictum that best describes the LC&V sound(s). Tapping into all irreverent niches close to his heart – noise, punk, industrial, electronic, and even pop – Parrish Smith refuses to foreground one influence over another, instead layering and warping his personal interpretations of each. To categorize his seeking sound would be to limit the artist who, more than anything, thrives in limbo. ‘You could call it a concept album because the sounds are so far apart. But perhaps that’s not a concept, perhaps that’s just me…’

Parallel to his extensive musical experimentation, the past years have allowed Parrish Smith to zoom in on his writing. The resulting fragments form the foundation of LC&V’s collage-like, soul-searching lyrics. Never, however, does the artist take his words to the front of stage; instead treating his voice as a malleable instrument, just one of many shifting layers in a bigger picture. The distorted lyrics, as such, are an statement: ‘It’s alright to be insecure about some of your qualities. In fact, the key is to embrace just that, to take matters into your own hands.’"

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Parrish Smith makes his Dekmantel debut on the labelâ??s sister-techno imprint, UFO, with a blend of avant garde electronics and industrial.

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Tracklisting:
A1 Domenico Crisci - Baia
A2 Domenico Crisci - Spaceboy
B1 Domenico Crisci - Acid Tension
B2 Domenico Crisci - Code

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Tracklisting:
A1 Remco Beekwilder - Industrofunk
A2 Grindvik & OnScreenActor - Perfectly Crushed!!
B1 CASKO - Revenge Spells
B2 Domenico Crisci - Driving on the SS7

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Tracklisting:
A1 Go Hiyama - Multifaceted I
A2 Go Hiyama - Piano Particles
B1 Go Hiyama - Multifaceted II
B2 Go Hiyama - Self Refining

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Tracklisting:
A1 CASKO - Ignorance vs Innocence
A2 CASKO - Premiss
B1 CASKO - Disrupt & Heal
B2 CASKO - Mother Tongues and Father Throats

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Pfirter & Grindvik on Leyla

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Pfirter & Grindvik on Leyla

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Pfirter & Grindvik on Leyla

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