Pressed For Time did a great job of unearthing British deep house cult heroes BRS with the Situation E.P. last year, and now they're back with another slab of high grade club tackle from this criminally overlooked outfit. "Devil's Music" is a luscious, easy-paced groover that drips with honey-coated synth lines to make you go "hmmmm." Pressed For Time regular YSE knows what's up, nudging the track into a headier deep house zone that would go down perfect in a woozy, smoke filled late hour of the party. "Better For That!" is a cheeky little organ laced number that straddles the deep house and minimal shuffle crowds with its sharp, snappy arrangement. Then Goshawk lands a killer remix of "Out Of Reach" which heads into freaky, swinging territory for the cool cats to get loose to.

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If there's one thing WOLF Music know a thing or two about, it's house music. So it's no surprise then that they've decided to reissue a golden 2003 deep house nugget in the form of BRS (British Rhythm Services) - 'Spring Dom'.
Reissued from the original DAT tapes 'Spring Dom' is one of those timeless records that even 15 years on, sounds as soulful as it did when it first hit the racks. Echoed sweeping stabs, chunky drum loops and powerful synth flurries alongside those mesmerising vocal refrains, all tied together with a driving bassline - this is deep, deep goodness of the highest degree. Reworking 'Spring Dom' for the present day, WOLF mainstay Medlar provides a rave tinged remix, chopping the vocals and reworking the synth lines to give it a peak time, dancefloor demeanour.
The flip houses the other two tracks from the original '03 release - 'Clubtronic' with it's UKG flavoured beat, M1 pads and jazzy free flowing melodies and 'Miss You' combining a bumping groove, dynamic bass melody and stirring Rhodes chords.
A much-welcomed reissue package from the WOLF camp and a chance to own this house treasure without feeding the sharks.


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Back by popular demand, this Cyclo re-issue of the 2nd EP from the Bath Somerset UK based trio BRS is an invitation to jazzy and quirky House grooves for cool parties.



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BRS were a UK house outfit who released between 2000-2008 on their own imprint Friends & Families & on many other labels including 2020 Vision, Cyclo & Imperial Dub - the group comprised of Rob Evans, Ben Vacara & Mr Mulatto (the 2x latter now members of the Situation collective). "Lovin' Me" was first released on a BRS EP on Imperial Dub recordings back in 2000. In its original format the 12" included The original mix, Dubtribe Sound System remix and a bonus track Bouncing. SITUATIONISM are delighted to re-release the incredible full length Dubtribe Soundsystem remix again on limited vinyl. This remix became a classic, appearing on numerous compilations including Groove Armada's 'Another Late Night' and Ministry of Sound's Chillout sessions 2004 to name but a few. Included on this limited vinyl run will be 2x new remixes from Italian deep house, motorbike duo Harley & Muscle & the also the lovely BitterSuite, both delivering quality mixes. All brought to you in time for those long summer evenings!


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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Pressed For Time did a great job of unearthing British deep house cult heroes BRS with the Situation E.P. last year, and now they're back with another slab of high grade club tackle from this criminally overlooked outfit. "Devil's Music" is a luscious, easy-paced groover that drips with honey-coated synth lines to make you go "hmmmm." Pressed For Time regular YSE knows what's up, nudging the track into a headier deep house zone that would go down perfect in a woozy, smoke filled late hour of the party. "Better For That!" is a cheeky little organ laced number that straddles the deep house and minimal shuffle crowds with its sharp, snappy arrangement. Then Goshawk lands a killer remix of "Out Of Reach" which heads into freaky, swinging territory for the cool cats to get loose to.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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After a series of mesmerising (and massive) EPs under his more disco orientated YSE Saint Laur'ant moniker - Pressed for Time label head Ant Plate is back in his deep house mode with an EP of YSE goodness No messing about with the opener 'This Loves the Same' - YSE goes straight in there with some dancefloor heat that has enough quirk to counteract the house swing. '9 8 2 8' is all badboy garridge wonk with some excellent detuned chords and a catchy, nagging vocal refrain - SWAG. On the flip, 'I gave you my' is proper deep house (as in it's actually deep) with some trademark YSE chords, blissed out vocal samples and great drum programming. 'Night Prescription' rounds things off with a homage to the classic US house sound. Think Chuggles 'I remember dance' but with an East midlands twist. No idea what the EP title means, we think Ant's keyboard is faulty



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After a rare sighting on the esteemed Kolour LTD with the much lauded 'From the Woods EP', the secretive and elusive Goshawk is now taking flight on Pressed For Time with 'The Hunt EP' - a four tracker of warm, garage swung grooves. Taking influence from mid 90s US house, late 90s French house and the free party sound much loved by DiY, this second solo EP should go some way to establishing the signature Goshawk 'sound': Warm yet heavy. Happy yet sad. The music of a boat party drifting out to sea. As one half of Rhythm Plate he has been involved in the house scene for over 15 years, releasing seminal EPs on Mantis, Winding Road, Hudd Traxx, DiY and Lost my Dog to name a few. With remixes for Kiko Navarro, Joshua IZ, and Situation all in the bag, 2015 really is the year of the Goshawk.




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This fourth release from Pressed For Time is the label's second various artist EP featuring three known names and one new. The newcomer is Ben 'Boe Recordings' Boe under his Maad Maxx Traxxe alias. He provides "Lakeshore Rollin", a linear, dub-tinged slice of thwacking deep house. YSE top and tails this 12" with a chiming, rhode-cruising "Tomorrows Yesterday", while his B2 is slower and woozy with a killer smacking hit on the offbeat. Label regular Rhythm Plate also features with the vocal lead "I, The Music".



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The production renaissance of Rhythm Plate continues apace with the third release on their Pressed For Time label which revisits one of the Peak District duo's earliest releases. Originally issued on the crucial UK house imprint DIY Discs back in the halcyon days of the late nineties, the Masters At Wirksworth EP helped establish the Rhythm Plate sound. Clever programming and a deep stomping vibe permeated all four tracks and this is still the case some fourteen years on. As the cunningly re-titled EP suggests, the two original tracks have been newly remastered and are accompanied by two brand spanking new mixes by Matt Rhythm and Ant Plate...so there's now no reason to pay L106 on discogs for the original EP!


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Rhythm Plate's re-emergence through their Pressed For Time label continues apace on this second release, a split 12" that pairs a new cut from Matlock's finest with solo productions from Ant Plate as YSE and YSE Saint Laurent. Hissy warehouse beats, simple chord vamps and Rapturous oh-vocals characterise YSE's dryish yet muscular "99% Invisible", whilst Plate's YSE Saint Laurent contribution "When You Love Me" pairs some R&B vocal sampling with drawn out synths and wispy percussion placed on top of a grooving bassline similar to Bernard Badie's '09 Mojuba hit "Move To The Beat". Rhythm Plate's submission, "I Think I've Dreamed This Before" adds a warming calmness to the EP, allowing a spirited synth line to traverse its arrangement like a geisha float-walking through an Japanese garden of snowy arpeggios and moss covered basslines.


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Matlock's finest Rhythm Plate resurface brandishing a new label in Pressed For Time, and what better way to inaugurate it than revisiting one of their key tracks. Released back in 2002 on the Mantis label run by Atjazz, "Lean Part 2" was a wonderfully sleazy slab of deepness notable for the lascivious vocal hook that hung slinkily over the production throughout. It still sounds superb some 13 years on and is backed with an unreleased version that was done in the same period, along with deliciously freaky new "Leaner" mix from the pair.


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