Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously. Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE. Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted. In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others. As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry. More

More edits from the PL archive. “Get out of jail” cards for discerning DJ’s. Get em while they’re there … they don’t stick around long. More

Paranoid London’s PLEDIT series has been a staple for DJs ranging from Tiga to Ben Simms, Marcel Dettman … even Solomun bought a bunch! Devastating dance floor must-haves that just keep coming. More

Suck A Dick has been a favourite in PL’s live sets for years. It’s one of the most requested tracks by DJ’s & it’s been through many different versions. After a long struggle to clear the sample it’s finally out! The repetitive hook goes throughout the track while Mutado Pintado delivers another iconic vocal half way through. A more spacey version & instrumental can be found on the other side. As usual Paranoid London make the most of very few elements & twist them into a guaranteed dance floor throbber! More

808, 303, 707 & Paris Brightledge on vox. Uncompromising acidic bass music for DJs & dancers. B-side is taken from our first live set at Warehouse Project, Manchester 2008. Totally improvised, totally live, by the seat of our pants. Acid house with one of the true House greats on vocals. Limited to 300 copies on 180G vinyl.

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Paranoid London’s 303 broke in lockdown & they couldn’t find anybody that would repair it, so they got on & made the new EP without any trademark Acid tracks. The 4 EP tracks range from Liaisons Dangereuses inspired white noise percussion to banging sine wave techno. Euphoric festival destroyers to deep, warped k-hole vocal house. Perfectly timed to drop as dance floors & festivals start to reopen get used to these tracks.

You’ll be hearing a lot more of them in the coming months! More

Dodgy white label number 1 from your favourite grumpy old shit sticks is a couple of low rent, don’t do much ass shakers from the vaults. Give Me The was made in 2007 & let’s DJ’s get on with what they love doing ….. mixing the hell out repetitive records. Our Man Though may, or may not, be heavily sliced out of something else & rearranged into dancer paradise from the shards left over. More

808, 303, 707 & Paris Brightledge on vox. Uncompromising acidic bass music for DJs & dancers. B-side is taken from our first live set at Warehouse Project, Manchester 2008. Totally improvised, totally live, by the seat of our pants. Acid house with one of the true House greats on vocals. Limited to 300 copies on 180G vinyl.

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