Territory: WORLD

Tracklist
A1. Who Do You
A2. Priza Gdola
A3. Yam
A4. A Little Beat
A5. The Queen Is

B1. Uriah's Space Hooverboard
B2. Kanakoli
B3. Start Bombing
B4 Sashee Wonder
B5. Kolot Shel Bor


Key Selling Points:
Famous Enough, also known as Nadav Samuel is a duo of one.
From the tough neighborhood of habima, tel aviv.
His first experience with chopsticks at the age of 6 made him fall in love with the drum section. Since then he's been flirting with different instruments.
FNadav doesn't play violin, but knows how to listen to one.

In his debut Album, searching for a limousine, a project that was created and produced in Berlin since 2019, Nadav tries to share some thoughts and colors from his life journey short cuts.



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Tracklist
1. Took the Time
2. God
3. Onomatopoiea
4. I Don't Know
5. Balaila


Key Selling Points
"Balaila" is the first footprint of the interesting Jerusalem duo on the land of Israel, with the intention of creating electronic music that shows a constant search for new inspirations, texts dim as dreams, riding guitars and a production full of emotion.

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Territory: WORLD

Tracklist
A1. Experimentality 24
A2 Sigaria
A3. High Tree
A4. A Long Ride
A5. Drivin’
A6. No One Knows

B1. Same Old Spice
B2. Here Comes the Train
B3. Soon It Will Be Fall
B4. Night Falls
B5. In Days of Trial
B6. EX_TV
B7. Sham Ey Sham


Key Selling Points
Avishag Cohen Rodrigues is an artist and musician based in New York. She broke out to the Tel-Aviv underground scene at age 18 with the guitar drum duo Laila. Since then she has been playing electric guitar with Ryskinder, Sloppy Jane, Cumgirl8. She has a forthcoming solo project where she plays too many of the instruments. She is currently an MFA candidate at Columbia University in the Sound Art Department.

In 2019 she released her first EP “One Winter One Hunter” with Baby Satan Records (Berlin). She has opened for major acts such as Dirty Beaches, Better Oblivion Community Center, Mac DeMarco, Psychic Ills, Deerhoof, Cloud Nothing, Night Beats, Wire, The Shivers.



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WW excl. US

Track list
A1 – Syria
A2 – The North Star
A3 – Geshem
A4 - Masa
B1 – Nature Song
B2 – The Loneliest Man
B3 – Istanbul


Key Selling Points
Shen is a quartet from Tel Aviv, constantly switching between genres while searching for truth and patience in the process.
After dealing with urban experiences on their first album back in 2018, Shen has matured and started to explore the power of nature and the dimension of time with their latest offering, recorded at Kibbutz HaOgen, which is located on a kibbutz near Kfar Yona, far from the big cities of Jerusalem and Tel Aviv.


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WW excl. US

Tracklist:
A1. Kar BaGehenom (04:14)
A2. Kashe Lanu Meod (04:01)
A3. HD (03:33)
A4. Haemet (03:16)
A5. Vitamin X (02:50)
B1. Internet (04:05)
B2. Hanitzoz (05:06)
B3. Sketch for Mitzi (02:32)
B4. Bassim Issue (02:41)

Release Info:
Autarkic (Nadav Spiegel) is known for his impact on the Leftfield/Electronica scene, and on this LP he is taking a turn back to his roots - Songs in Hebrew, guitars, synths and samples wrapped with Lo-fi esthetics that he's recognized with.


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Tracklist:
A1. Olympus (02:53)
A2. Kever Rachel (02:12)
A3 Tedabri (02:57)
B1. Lichyot (04:01)
B2. Halav Av (00:41)
B3. Machshava (01:34)
B4. Har HaBeitar (01:29)

Release Info:
Halav Av is a Tel Avivian super-group consisting of members of the Israeli alternative music scene. Alonzo and Amitkes of The Crotches, Niv of Red Axes, Yovav of Shame on Us and Adiel of Hila Ruach & Future Shock.

This summer the band will release their first album, the first singles to meet the public’s ears will be To Live, Talk to Me and Mt. Beitar. These singles and the rest of the album were recorded by Uri Mixmonster of The Apples straight onto two-inch tape like the good ol’ days.
In addition to Mixmonster’s recording expertise, the album features Cello virtuoso Noa Ayali of The White Screen and Keyboardist Shay Landa of The RPS Surfers.

Wrapped up in a cover by the praised Israeli artist David Tartakover, the songs in this album are meant to be short and ticklish just like a father’s bristles. Because Father’s Milk is the essence of male gentleness. It is romantic, optimistic, nostalgic and naive. It’s childhood. It’s longing. It’s longing for childhood. Father’s Milk is the feeling of fatherhood, even if without offsprings. Father’s Milk is love, it’s music, it’s nourishing music.

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Tracklist:
A1 - Pere Adam (02:53)
A2 - Zel Meshooga (03:43)
B1 - Ir Beton (02:28)
B2 - Sugar & Wine (02:42)

Key Selling Points
Any self-respecting scene can not do without a muse. Albeit a fragile one. Xen is a central figure in the (now not so) new Tel Aviv scene, having fluttered from projects to projects (with Red Axes, with Yovav Arzi or the soon to come Levantines), being herself kind of everywhere she goes, fragile yet strong, as if she was gaining gravity from both the little black hole inside of her and from the Garzen galaxy.

These four tracks written and produced with Dori Sadovnik from Red Axes may be the epitaph to Xen are romantic underachiever, her chrysalis. Pere Adam has been a hit (whatever that means these days) with many luminaries such as Vladimir Ivkovic or Ivan Smagghe, pure angst in psychedelic dub. On Zel Meshugah, Xen & Dori amp the gothic, though more moon than beach, proving once more that all good songs are about heartbreaks. There is a certain sixties folk air to Ir Beton, some lofi sun shining through Xen's adolescent clouds. This new found positivity finds its expression in the flea market funk of Sugar & Wine, Xen shouting to the stars that life, even if bumpy, is now really worth living.

-Words By Ivan Smagghe
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Tracklist
A1 - De Vibez (01:59)
A2 - Hashmal (feat Adi Bronicki) (02:54)
A3 - Living In A Garage (01:15)
A4 - TroublezZz (04:39)

B1 - De Vibez (Red Axes Remix) (06:07)
B2 - De Vibez (Smagghe & Cross Version) (08:31)
B3 - Hashmal - 12'' Dub (01:47)

Key Selling Points
One of the top drummers in the Israeli scene, Tel-Aviv based songwriter and producer BEÃTFÓØT launches his solo project with the powerful new EP De Vibez, a fanciful gutter-glam cross between stoner-acid-pop and 90’s-garage-punk. Side A contains some stunning originals alongside a surprising cover of a melancholic oldie by the legendary german singer Nico. Side B be the remixes: the first, a colorful club-driven remix by Garzen Records head honchos & electronic duo Red Axes, followed by a groovy down tempo drone version by the mesmerizing Smagghe & Cross.


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Tracklist
A1. Death To Techno
A2. Blue Blood
B1. Fire Girl
B2. The Next World
B3. Death To Techno (Red Axes Remix)

Release Info
“Death To Techno”?Death to Techno? is a new, futuristic ep of "The White Screen", ever before into a world of ruff beats, dark electronics and analog effects. Musical producer Dori Sadovnik, the sound genius from Red Axes, produced this ep at Garzen Studios, diving together with the whites into a new world of unknown pleasures and sins.

A mind and body bender between techno rhythms and broken rock n 'roll tapes, between the dancefloor and a campfire, between darkness and light - the new recordings are asking big questions about past and future, vintage and electro, about the screen and about the white.

"Death to Techno," the main track that opens the record, is also treated in a wildly remix version of the RED AXES pair. The cover of the album - "Hellenic Plasticine Party" - was created by multidisciplinary artist Oren Fisher, who has been accompanying the band since its inception.

Produced by: Dori Sadovnik

Musicians:
Stav Ben Shahar - Drums
Noa Ayali - Chello
Liat Raz - Vocals
Nimrod Goldfarb - Contra Bas
Shay Landa - Organs


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Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Green Vinyl Edition
Tracklist:
Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise
Release Notes:
Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true
treasure that deserves a cherished place in the collection of every soul and funk connoisseur.
This long-awaited reissue brings back the original magic, preserving the essence and impact
it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its
status as an essential gem in the annals of musical history. Now, with this reissue, you have
the opportunity to experience the same captivating rhythms and infectious melodies that
captivated audiences decades ago.
Are you ready to awaken your boogie spirit and infuse your living room with the long-lost
spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to
the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before. More

2xLP, Gatefold Jacket, Marketing Sticker,Black Vinyl
The Machine is back! Following the 2022 release of the wildly successful, God Don't Make Mistakes, Conway the Machine returns with his next studio album, WON'T HE DO IT. Aptly titled for touching on the various obstacles he's been faced with and overcome to be in the position he's in today, Conway hopes to inspire listeneres to imagine the possibilities they themselves can achieve by breaking through the walls that have been put up and relentlessly pursuing their goals to turn their dreams into reality. The 14 track album sees appearances by longtime collaborators Westside Gunn & Benny the Butcher, as well as Jae Skeese, Sauce Walka, Juicy J, Fabolous, Dave East, GooseByTheWay, 7xvethegenius, Jozzy, Ransom & Drea D'Nur. Production is handled by heavyweight producers such as J.U.S.T.I.C.E. League, Khrysis, Daringer, Juicy J & more.

Key Marketing/Selling:
- Conway the Machine is a member of the well known Hip-Hop collective, Griselda, which includes artists such as Westside Gunn & Benny the Butcher
- Conway has 1.3M monthly listeners on Spotify
- Griselda/Drumwork titles are heavy physical movers and rarely offered at retail
- Album art reveal projection campaign done in Paris
- Documentary detailing the album creation process released on YouTube
- Features include Westside Gunn, Benny the Butcher, Fabolous, Juicy J, Dave East, Ransom, Sauce Walka and Conway's Drumwork Music Group signees Jae Skeese and 7xvethegenius, with production handled by Daringer, J.U.S.T.I.C.E. League, Khrysis, Juicy J and more!
- Press/radio coverage from outlets such as Hot97, Funkmaster Flex, Rolling Stone, Billboard, Elliot Wilson x Twitter Spaces, Vibe Mag, Okayplayer, Complex, Consequence of Sound, HipHopDX, Revolt, BrooklynVegan & more
- Multiple music videos released in support of the album
- Album release party held in NY with key partners/media/artists
- Conway the Machine will be touring with Sauce Walka & Jae Skeese in support of the album - 18 dates total, 5/26-6/28

Tracklist:
A1/1. Quarters
A2/2. Brucifix (feat. Westide Gunn)
A3/3. Monogram
A4/4. Stab Out (feat. Ransom)
B1/5. Flesh Of My Flesh
B2/6. Kanye (feat. Goosebytheway & Drea D'Nur)
B3/7. The Chosen (feat. Jae Skeese)
C1/8. Water To Wine (feat. Goosebytheway, Jozzy & Dave East)
C2/9. Kill Judas Interlude
C3/10. Brick Fare
C4/11. Brooklyn Chop House (feat. Fabolous & Benny the Butcher)
D1/12. Tween Cross Tween (feat. Goosebytheway)
D2/13. WON'T HE DO IT (feat. 7xvethegenius)
D3/14. Super Bowl (feat. Sauce Walka & Juicy J)
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Format: 1 x LP | Deluxe Handmade Tip-On sleeve | Analogue Remastered
Versions:
Limited Natural Transparent Vinyl Edition
Tracklist:
Side A
A1 Sweet Thang
A2 Teffany
A3 Time And Place
A4 Hang Loose
A5 Steppin' Out
Side B
B1 Sweet Lovely Girl
B2 Get Up
B3 Leanin
B4 Rise
Release Notes:
Originally released on Blue Candle Records in 1977, Steppin' Out by the 13th Floor is a true
treasure that deserves a cherished place in the collection of every soul and funk connoisseur.
This long-awaited reissue brings back the original magic, preserving the essence and impact
it had on the music scene.
Its profound influence on bands like the Red Hot Chili Peppers is undeniable, solidifying its
status as an essential gem in the annals of musical history. Now, with this reissue, you have
the opportunity to experience the same captivating rhythms and infectious melodies that
captivated audiences decades ago.
Are you ready to awaken your boogie spirit and infuse your living room with the long-lost
spark of the mid-seventies? Brace yourself for an immersive experience as you surrender to
the timeless grooves and soulful vibes that will transport you to a bygone era of musical
enchantment. Allow the music to ignite your soul, reigniting the vibrant energy of the past
and instilling in you an irresistible urge to groove like never before. More

2LP Gatefold sleeve, Artwork Insert, Postcard

A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.



Tracklist


A1 Clearer
A2 Alison
A3 Popkiss
A4 Chelsea Guitar
A5 Fearon
B1 Meet Johnny Rave
B2 Elle/Air France
B3 Try Happiness
B4 A Gentle Sigh
B5 Stephanie
C1 River
C2 Nimbus
C3 Hit
C4 Dirty Mags
C5 Loony Tunes
D1 Toulouse
D2 Love Yourself
D3 Melancholia
D4 Marco Polo
D5 What Do People Do All Day?

Shortinfo:
"One Sunday afternoon in 1990, I had a phone call from Keith saying that Sarah Records had received the demo cassette the two of us had recorded on a 4-track in a friend's shed and were interested in putting out two of the songs as a single. They were Clearer and Alison. Delighted by this news, we booked some recording time with a studio we'd regularly used in our previous incarnation as Feverfew, the White House in Weston-super-Mare. This was the first time we'd ever played a note of music that was using someone else's money, so the pressure was being felt. We recorded Clearer, Fearon and Chelsea Guitar, with Clearer becoming Sarah 55, the first of eight singles for the band across two labels. At that time, we were still toying with a name for ourselves and had settled with the Art Bunnies. While driving us back home from Weston, though, I declared that I really couldn't see how people would take us seriously with a name like that. Disappointed, Keith (Girdler) then got out a piece of paper upon which he'd written several other contenders. These included Opal Trumpet, the Smiling Monarchs and (thankfully) Blueboy."

A Colourful Storm presents Blueboy's singles collection and the band's final retrospective release. Beautiful gatefold sleeve designed by Sarah Records' own Matt Haynes with original artwork insert, postcard and liner notes by Paul Stewart.







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Tracklist:

Side A: Don't Bother Knockin'. Side B: Be My Man

Release Info:
Roberta is back and taking no one's mess delivering two more deep cuts showcasing her far-ranging jazz, funk & soul influences. Side A's 'Don't Bother Knockin' is running right out of the gate with its brazen yet playful energy. B Side's Be My Man softens things a bit by adding the required feminine touches: once again delivering an EP with her signature sound replete with her penchant for groovy basslines. A much welcomed follow-up release to her successful debut on James Duncan's Brooklyn based Innermoods label.


- Releases on Innermoods, Sound Kemystry, Boutade Musique, A Friend In Need

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[Limited One-Off Pieces Edition 12” LP] incl. 12 Tracks for download

GENRE/S: Electronica

TRACKLIST:

Vinyl:
A1 Rampue - Harmonie
A2 Rampue - Verfahren
A3 Rampue - Tripomatic

B1 Rampue - Bubblebath Trance
B2 Rampue - Inside
B3 Rampue - Die leiden des hungrigen Fruehstuecks

Download:
01. Harmonie
02. Inside
03. Ich hasse Sonne
04. Tripomatic
05. Verfahren
06. Schattenschranz
07. Salz
08. Bubblebath Trance
09. Take away
10. Buchla Trip
11. Kajal
12. Die Leiden des hungrigen Fruehstuecks


SHORT INFO:


A long-in-the-works project of ours, here comes A Tribe Called Kotori's first foray into full-length territories, as the immensely talented Rampue takes us on a melancholy-riddled ride across his phantasmatic mindscapes. A true sound explorer, deftly steering his ship down the junction of electronica, abstract and balearic-infused prog house, the Berlin-based vibist has us transfixed and elevated throughout the twelve cuts that form the backbone to this lushly textured promenade in sound - at times understatedly euphoric, at others rivetingly exotic.

Of the creative process that lead to 'Bubblebath Trance', Rampue explains "It all started and ended in the same moment: my cherished feline companion, my laptop awash with an unintended bath, and alas, a dearth of backups. The resultant calamity, an echo of chaotic tranquility." Under the generous layer of irony lies some unaltered truth about Rampue's debut long-player for A Tribe Called Kotori: this sense of serenity that goes with stepping into this warm and bubbling primitive chaos of sorts infuses the listening experience far and wide. Distantly emulating the "euphonious strains" of iconic PS1 video games soundtracks from his youth days, the album has us surfing a constant paradox of emotions, wistful but not abandoning itself to sorrow, dynamic yet suspended in some sort of mind-expanding stasis. As if you were looking at the world beneath you in exploded view, conscious of all thing, slowly moving up the many layers of our atmosphere towards uncharted skies.

A paragon of Rampue's most poignant take on classic electronica tropes, 'Harmonie' blazes with a poetic fire that engulfs about everything in its wake. Just figure yourself riding a chocobo across the sand-covered expanse of North Corel (toasting to the FFVII nerds here) as this blasts out in the distance. From this trancey bubblebath emerge lots of musical shades and nuances, from the nicely dubbed-out, brass-heavy coastal jazz of 'Schattenschranz' to the choppy, trip-hop-adjacent future electronics of 'Inside', via the exuberantly joyous mess of faux-organic number 'Tripomatic' and cinematic charisma of 'Ich hasse Sonne' high-flying orchestrations.

Connecting the dots between that trance-indebted ebullience and further downtempo-friendly attraction, 'Verfahren' perhaps encompasses best what 'Bubblebath Trance' is about: gracefully walking the tightrope in-limbo nostalgia-soaked inner movements and a powerful outward thrust, burning to let the feelings ooze out from the shell that holds them.Clad in purely 90s-compatible breaksy motion, 'Salz' is another attempt to reconcile emotional and physical dissonance, like kneading all states - solid, liquid and vaporous - into an impossible mega-vibe of its own; malleable, strong and enveloping in equal measure. Borrowing from two-step and UK garage, 'Take Away' is a definite high in Rampue's master unfolding of musical twists and turns, summoning a Boarder Community-esque atmosphere and clashing it alongside floor-ready footwork motifs to fascinating effect.

An ode to his studio companion, 'Buchla Trip' finds Rampue's exploring his machinic friend's quirky yet soulful array of electronic potentialities - making it sound like a conversation you'd have with R2-D2 in the heart of a Sandcrawler, whereas 'Kajal' beams us up to a fragmented headspace, halfway altered PC-Pop and arps-loaded electronica on amphetamines. Effusive and transporting, the title-track 'Bubblebath Trance' could well figure as the album's no.1 medley in essence: a bountiful lucid dream of dancing forms, colours and sentiments to wrap your head around, confidently drifting from a liminal state of consciousness down the rapids of one's troubled inner workings.

Rounding off the package, the languid ambient finale of 'Die Leiden des hungrigen Fruehstuecks' rubber-stamps the feeling that 'Bubblebath Trance' belongs to that rare category of albums. The ones that mint their own alphabet aside from typical norms and expectations, teaching you the ropes of their new language as it unreels between your ears - real and unreal, elusive to any other meaning than the one your guts and brains will be inclined to give it to, in real time. A crystal-pure object if you will, that shall not reveal its secrets, even after a thousand listens and just as many wowing moments.
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