The final release on Trevor Jackson’s previously unreleased archive label Pre- is an album under his own name titled ’System’.- 8 tracks originally recorded between 2002-2010 these works consist of music taken from the same sessions that became his highly ambitious Vinyl Factory music and installation project ‘Format’ in 2015. Edited and complied from a series of lengthy nocturnal synthesiser, drum machine & 8 bit sampler improvisations they range from melodic IDM, driving electro, motor city techno & tripped out house excursions.

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The fourth release on Trevor Jacksons Pre- Label is by SKULL. A visceral journey into experimental noise and no wave avant grade beatscapes . The last SKULL release ‘SNAPZ’ appeared on Jacksons own Output Recordings label in 1999. A seminal collection of tracks that had previously featured on the first two legendary Mo wax ‘Headz’ compilations (also featuring Autechre, Beastie Boys, Air, and DJ Shadow) as well as tracks that had also appeared on Kevin ‘The Bug’ Martins notorious Macro Dub Infection albums during the mid 90’s. Reactionary sonic statements aimed at the coffee table world of Trip Hop, fuelled by his dissatisfaction and dissillustionment with Hip Hop of the time, Trevor pushed himself into uncomfortable and far more extreme areas than he had before, areas he felt unable to explore with his Underdog productions, which were mainly being utilised for major label remixes at the time. Influenced as much by the industrial pioneers, post punk and new wave of the past as the burgeoning post rock scene in the mid 90’s, This new set of previously unreleased recordings originally produced between 1996-2000 are equally as intense and visceral as the early releases. Dusty samples, raw beats, tape loops, and primitive effects combine to sound as relevant now as when they were initially created.

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Trevor Jacksons second release on his unreleased archive recordings label Pre- is a heady collection of subterranean minimalist synth jams, blissful technicolour textures, somber distorted drones and expansive cosmic soundscapes. Recorded during 2010-2014 with a limited analog vintage hardware set up - Elka Sythex, Roland Jupiter 6, Roland 808, Roland Chorus Echo, Bel BD80 delay & Tape, these solo recordings were created at unearthly hours as lengthy improvised compositions and cathartic personal experiments. Heavily manipulated using classic effects units, harmonic layers slowly evolve, arpeggiated melodies mutate, discordant drum machines and fractured voices merge elegantly into noise. Design your Dreams is Jackson at his best, uncompromising and considered, progressive and unique.

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First release on Trevor Jacksons new unreleased archive recordings label ‘Pre-’ is a timeless collection of twisted techno, militant EBM and filthy electro produced by Jackson himself and featuring vocals from Douglas (Nitzer Ebb) Mcarthy & Chloe from C.A.R. Originally produced in 2003 as a Playgroup side project, Pinklunch made its debut with a demo track on a Dj Hell International Deejay Gigolo Compilation, tracks also appeared on compilations for the exclusive Parisian department store Collette and the Berlin club F.U.N. The album lay in hibernation for nearly 15 years, gathering digital dust, Rediscovered in 2014 Trevor lovingly re-edited and remastered the original mixes as well as getting guest vocalists Douglas Mcarthy from Nitzer Ebb and Chloe from C.A.R to appear on two tracks.

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DE - 22113 Hamburg
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