'Sunsets & Sublets' - a record with several big hits by Regularfantasy (British Columbia) - also from DJ Silk, Bobo Eyes, Plush Throw, Lonely Flute, etc.
with her pacific and personal vocal house/r&b sound
Guest touches by Plush Managements Inc, CZ Wang, Hashman Deejay, Neu Balance, etc.
Mixed by CZ Wang except b4 mixed by Sam Beatch
Mastered by Gabriel Schuman
Cover painting by Olivia Meek
Layout by Logan Sturrock More

a list of related configurations: live for each moon, pacific horizons, split secs, bluntman deejay, mood hut
artists from los angeles and vancouver
3 tracks - "tripping and gritty" - "earth scorchers" for "hot rooms": "the party" and two "mould" remix extensions by bluntman deejay
"full color" insert by james sinclair
mastered by anders peterson

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STASIS005 is another vinyl issue of Elysia Crampton's digital work, following STASIS003, the 'Bound Adam 2011’ 7". It is the first pressing of 'The Light That You Gave Me To See You', originally released under the name E+E. The arrangements were conceived between 2011 and 2012, and the l.p. was finally assembled in 2013, while the artist was homeless in Los Angeles, California. This edition also includes a previously unreleased bonus track, "Troll Song", which originates from the same period. As with 'Bound Adam 2011’, the art is by Felix Lee, and the master is by Brandon Hocura.

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New total stasis 12" with two personal and extended cuts by bobo eyes & plush throw aka regularfantasy, evy jane, d. tiffany from vancouver. one of the best trax about a fast car since "fast car" and another of pumping breakbeat house, both with special oblique construction and vocal techniques. mastered by brandon hocura. limited, stamped, with insert and lyric sheet.
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Following releases by Ramzi (Etwal Timoun) and Aquarian Foundation (Planet of Discipline), Montréal/Los Angeles label Total Stasis announces the first LP by Swiss producer Anom Vitruv, entitled Anomie. Subtitled “Five Studies About Death,” Anomieis an intricate tapestry of field recordings, incidental sounds, and blackened, looming ambience that fluctuates between detachment and foreboding. At one point a clattering house piece rises from the mix, punctuating the record’s sensual, vaguely funereal exhaustion. Cover art comes from Brazilian artist Marcellvs L., whose minimalistic studies on stasis, time, and mirage complement Anomie’s intro/outrospective sense of limbo. Mastered by Brandon Hocura (Invisible City Editions) at Polyphasic Studios in Toronto.
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