‘Musica E Computer’ is a momentous release from Slow Motion label head Fabrizio Mammarella and Rodion recorded in the legendary Marche Synth Museum (Museo Del Synth Marchigiano).

A fully functional recording space that houses a fusion of several private collections of Italian electronic musical instruments gathered over the many years since their creation. The Marche region, being home to some of the most ground-breaking and foundational instruments, has created the likes of Crumar, Farfisa and Elka with innovative use from the likes of Tangerine Dream, Pink Floyd and Vangelis.

The opening track ‘Iris’ sets the exceptional tone for this release. Fully exploring the realms within the Marche with an eerie, metallic tropical soundscape showing their discoveries’ breadth. ‘A Corrente Alternata’ brings us back to Mammerella and Rodion’s revered partnership as unmatched creators of enigmatic, timeless earworms. The driving bassline sits beautifully within the characterfully saturated drums and tweets of an equally enigmatic synthesiser.

‘Un Segnale Di Speranza‘ launches us into the infectious, mind-bending signature arps of Mammerella and the rising harmonies of Rodion, with another ground-shattering bassline and arcane vocoders that transport you to peak time at Slow Motion’s Italorama Bar. ‘Musica E Computer’s’ soundscapes provide rich blends of the synthetic and organic sounds of the Italian region, acting as a geographic coda that can also be heard in ‘La Domenica Del Villaggio’.

‘La Memoria Dei Sistemi’ slips us back into the energetic, electronic environment that Rodion and Mammerella have so delicately crafted. Driving us through the celestial alchemy of this atmospheric track, which leads us to the chiming finish of ‘Una Nuova Era’. This ties together a transcendent homage to Musica E Computer’s recording surroundings and a bar-setting conclusion to another captivating masterpiece from the duo. More

Roman artist Heinrich Dressel delivers a sparkling gaze into the future with the glistening ‘Lambda 2077’. Opening with powerful, guttural drones and sweet sweeps from ‘Nebulosa’, the broad sonic scope of this LP is beautifully demonstrated.

Growling arps and magnetic, synthesised moans are throughout this record. Dressel cultivates a cinematic, cerebral experience throughout each track, delicately weaving a visceral soundscape. The rising, slicing tones of the atmospheric ‘CEM 8220’ provide a compelling journey through meandering arps with a defined structure. ‘Arpeggio Jawa’ swims into action with a watery, colourful arpeggio sailing through each intriguing section.

‘Francisco’ opens things up with an electro-tinged, thunderous remix. Building upon the chordal gravitas of the original, the remix provides the release with an acidic percussive journey. The swirling brilliance of the title track ‘Lambda 2077’ presents itself as stunning, emotive work which prepares you for the decade Heinrich Dressel is heading to next. The machine lead release shows Heinrich Dressel as a consistent unstoppable force behind the synthesiser, culminating in an astonishing, sophisticated record. More

Ma Spaventi makes a slick return to Slow Motion Records with the captivating ‘Tornerò’.

Descending arps trickle into ‘Tornerò’ from the get-go. Vocoded vocals flutter through the masterful mix, weaving into inviting synth swells. Defined drums are firmly felt across this record.

‘Non Ce L’Hai Solo Tu’ is a Detroit-infused, fierce floor filler. Layering vocoder motifs with crisp synth stabs make for many a euphoric payoff. The intelligent entwining of electro, early Detroit house and Ma Spaventi’s effortless earworms are plentiful. His gift for haunting, strong melodic intonation is prevalent in ‘Costa Brava.’ A grounded, growling bassline rasps throughout the track, reeling you further and further into this whirlpool of brilliance.

‘Tornerò Reprise’ closes this magnificent EP beautifully. Whispering vocal lines are hauntingly blended with synthesiser noise, keeping in line with the swells across the record and resolving the first edition of ‘Tornerò’ with a more acidic conclusion.

The revered Italian producer, mixing and mastering engineer makes his abundant sonic expertise clear in this enticing LP. Encapsulating his talents, ‘Tornerò’ transports you to Ma Spaventi’s unmatched state of flow. More

‘Advanced Process’ presents itself as a distinguished LP, oozing with Marcello Giordani’s innate talent to evolve the classic Italo Disco sound into consistently ear catching productions of the future.

With a warm welcome from the shimmering synths of ‘Morning News’ and a defined, driving bassline, you know you are safely sitting in Giordani’s passenger seat.

Crisp, analog drum machines and glistening synthwork are a constant.

Giordani captivates you with compelling arrangements and considered hints to electro in the likes of ‘Metamorphosis’. Powerful vocals from Fred Ventura and Ready In LED feature on the two alluring singles ‘Mysterious Calls (In The Night)’ and ‘Fase Rem’. Encapsulating, intelligent acid work is heard in ‘Forbidden Pleasures’. Marcello’s clear love for analogue authenticity is at the forefront of this LP.

Delicately positioned arrangements and intelligent melodic pay offs in tracks like ‘Terza Classe’ are a plenty. A seasoned knowledge and intuition of the nature of the nightclub is apparent with the energy sustained throughout ‘Advanced Process’. A beautiful melt of golden era Italo Disco and Detroit Techno is heard in the sweltering melodic brilliance of ‘Via Mecenate’.

The title track is an immersive journey preparing you for the final side of the LP.

Sizzling keys and pulsating basslines drive this record making it hard to lower the volume. The dazzling, ethereal chimes of the final track ‘Aperitivo In Gracia’ are enticing and filled with picturesque mediterranean imagery.

Being no stranger to the inner workings of a packed out dancefloor Marcello Giordani delivers an immense, infectious LP. ‘Advanced Process’ truly lives up to its fitting title. More

Next up on Slow Motion, Rodion and Fabrizio Mammarella are back with another precious collaboration EP since “Appennini” released in 2012 but never forgotten in the fame.

They have been like brothers for many years, and after many collaborations, these two producers are well attuned to each other in their musical soul. Rodion and Fabrizio are both very sophisticated producers and known for their dramatic melodies, mixed with synthesized funk and disco, which turns it into emotional freaky electronic music.

All tracks are recorded in Mexico City, bringing in Mexican artist Mijo as a featuring on the track ‘’Cerro Gordo’’. Moreover, italo-belgian duo Front De Cadeaux join with a remix that grabs elements from both the original tracks, reworked in one timeless piece of music.

We are proud and delighted to present to you: “Sierra Madre”. More

Repress!
As head of Italian (centric) Slow Motion label (and international artist sister imprint, Wrong Era), and through his own productions and remixes, Franz Scala has been pioneering the retro-futuristic aesthetic of club culture weaving together elements of proto-house, wave and Italo for the nuovo contemporary dancefloor long before it’s current vogue. Now alongside Bordello A Parigi, and supported by Sameheads, Slow Motion presents Scala’s euphoric debut album Mondo Della Notte.

A homage to the world of the night where Franz plies his trade. Solid production and understanding of the various references informing the contemporary dancefloor imbues this set with a quality of permanence. Each track clocks-in at around the seven minute mark accommodating all Scala’s retro influences providing the space for walls of sounds to expand and unfold along these infectious rhythm voyages.

Industrial guitars signal the title track’s intent while ethereal vocal snippets escape the machines hailing to the listener through densely effected, spacey drums blurring the boundaries between disco and wave. Stelle’s cross-continental tunnel trip takes the listener to a darkened dancefloor. Flickering light emerging by way of rapturous synths complementing each other in short radiant bursts resulting in a steady, off-kilter workout that wouldn’t sound out of place during the latter years of The Paradise Garage. Cometa’s urgency hurtles through the void towards it’s destination gaining momentum with each synth stab and chorus leaving the impression you’re listening to some long lost classic that just collided with the planet. Dreamline a rhythm dense Chicago influenced jam packed with desolate, metallic strings; whispered, twisted vox, and haunting phrases. Rising from a swamp Chrono startles the listener, the track’s infectious trippy patterns reminiscent of the hazy trance that occured when clubbing collided with guitars at the dawn of the second summer of love. Museum of Illusion comes at you like John Carpenter scoring a heavy giallo soundtrack. The artist’s trademark tough, italo-informed drum workouts are best illustrated by Scala’s rework of One Way Love. The composition’s rhythms’ morphing into a darker proto-house framework with a tougher edge than it’s previous incarnation. Gladio’s hypnotic tribute to the foundational cyber-funk of Detroit ends this trip into the nether world of strobes and speakers, a sword-edged machine conversation between a measured motor-city bass and responding off-world hardware, the tracks warm undertones taking you inwards beyond the industrial world these sounds originally emerged from.

It is a tribute to Franz’s careful, attentive approach to his love of music that, for the first time, after a decade running Slow Motion, he finally releases his own productions through his own label. Mondo Della Notte, a collection of contemporary mutations grounded in previous era’s, is the culmination and testimony to his artisanal dedication to his own creative output and his obsessive enthusiasm for what moves the dancefloor. Enjoy this journey through the night. Ascolta forte.

More

Inspired by the otherworldly sounds of horror sci-fi soundtracks, Filippo Diana is able to merge vintage, experimental and library music into something contemporary and soul-shifting. After his debut release Nemesi he is now joins Slow Motion for his first mini album Musica per Commenti Sonori. Slow, earthly rhythms churn from the inside, expelling a complex, abstract sound that is still very tangible to a dancers ear. More

Following his debut 12” “Human”, Armonics teleports back to the Slow Motion mothership with his debut mini-album: Nuovi Orizzonti. Dreamy, lo-fi fuzz emanates from cassette tape and vintage circuit boards to synthetic travel music that will jettison you into outer space. Strap in. Tune out. More

Summer is coming sooner this year, and you can tell from the heat of the two latest releases from Slow Motion: yes ladies and gents, Italian Dance Wave Compilations are back! The first of the two, “Italian Dance Wave Disco Sette”, is here to delight you: starting from a half Italo and half Asian influenced Altieri track, killing it with a dancefloor belter that will make you sweat the night away, raving sensations guaranteed. Lukebox (Fabrizio Mammarella and Umberto Saba from the duo Loudtone) will serve you a slightly more downtempo, modular, weirdo beast that will make your head bang without you even notice: banger. Back on your turntables, is also Robotalco who is providing some proto-house extravaganza and adding some charme to the dirty, chunky beats of the compilation. Last but not least, José Manuel, delivering a touch of biting deep house and electro tribal feels to close the gap, and make us scream “hell yes”.
1 Altieri - Red Town
2 Lukebox - Angola Acid
3 Robotalco - Cheers In Space
4 José Manuel - Got Down More

The eight chapter of the infamous Slow Motion Compilation series, “Italian Dance Wave Disco Otto”, has quite some hidden gems to be discovered. Beginning with a track from Marcello Giordani DJ (half of the duo Marvin & Guy), that expresses a perfect Italian melancholic sunset (as the title also states), energetic, strong, but always poetic. Always following that "beachy" vibes we find The Caribbean House, serving a track that could last a century, and we would never mind. Electro hints mixing with deep and balearic vibes: ears glued to the headphones. Moreover, we have again Slow Motion queen, System Olympia with a track that could make even nuns sweat on the dancefloor: beats and bass to die for. To close this chapter, you can pamper your ears with a angry balearic track from Gallo, not suited for the more weak hearts, that’s for sure.
1 Marcello Giordani – Viserbella Sunset
2 The Carribean House – Pavone Nero
3 System Olympia - Scandalous
4 Gallo – Not Enough More

Four stunning remixes of Front De Cadeaux by our Fabrizio Mammarella. Comprising Hugo Sanchez from Rome and DJ Athome from Bruxelles, Front De Cadeux serve up three brand new tracks of 4/4 leaning crackling, static dance-mechanics that will fit straight in to your peak time selection. Touching on tribal house at points and the foggy basements of Berlin in others these remixes are joined by Mammarella’s ‘Pedé BPM’ re-work – a gnarly slice of synthetic EBM that was previously only available digitally. More

Milan’s Brioski returns to Slow Motion for his first sole record following his appearance on the Italian Dance Wave compilation. Onertolati is four tracks of tweaked-out disco madness, off-kilter rhythms and electronic brain flutters. It’s kind of like being stuck inside a particularly sexy ECG machine. One of the heads and the dancers.

More

It’s been a while since Marcello Giordani last release. Now the man who powerfully relaunch the Italo sound in 2008 with the acclaimed blog Italo Deviance is back on the scene after 2 years of hard work and research into the deepest and obscure Italo sound.
This 6 tracks LP travel through again into the unique sound of the early 80’s Italo Disco built with spacey analog sounds, some cheesy atmospheres and a touch of primitive Trance chords. Marcello’s taste is very clear and specific when we speak about Electronic Disco and this LP is totally inspired by artists like Farina/Rago, Sangy, Alexander Robotnick, Alessandro Novaga, Doris Norton and also from his experience collecting and playing this shit during the last 20 years. If you want to give a name to the style of this LP, call it “Organic Italo”.
More