12" (stamped + download)
Tracklist:
A1) Lone
A2) Sib
B1) Hord (Convextion Remix) - VINYL ONLY
B2) Hord

Infotext
Tolga Fidan returns to Vakant. Remix by Convextion (vinyl only).


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Global Superstar DJ Tolga Fidan is back.
After playing on the world's biggest stages alongside the best DJs. Charted by every living organism on our earth, Tolga Fidan is back with what could be a grammy award winning record. No no, just kidding. It’s me. Tolga. And this is my album's info sheet. I know it’s becoming a bad habit to write my own info sheets but otherwise it ends up sounding like the paragraph above. It portrays you like a galactic avenger that's been changing the rules of the game we call music over and over again. Which is obviously utter crap. What it doesn’t say is how miserable you look while doing it. I have discovered that I talk out loud to myself. Yes i do that. It's borderline sanity. Anyways what we have here is an album which is, if i may say, relatively positive and generally good for home listening. This album was recorded in about 10 weeks in a living room (the sofa being my bed), with restless swollen eyes at dusk and a love/hate relation with my machines, microphone and electric guitar. 3 machines gave up on me during the making of this LP. Lazy bastards. I hope you will like it.
Tolga.

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WAS - Word and Sound Medien GmbH
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Global Superstar DJ Tolga Fidan is back.
After playing on the world's biggest stages alongside the best DJs. Charted by every living organism on our earth, Tolga Fidan is back with what could be a grammy award winning record. No no, just kidding. It’s me. Tolga. And this is my album's info sheet. I know it’s becoming a bad habit to write my own info sheets but otherwise it ends up sounding like the paragraph above. It portrays you like a galactic avenger that's been changing the rules of the game we call music over and over again. Which is obviously utter crap. What it doesn’t say is how miserable you look while doing it. I have discovered that I talk out loud to myself. Yes i do that. It's borderline sanity. Anyways what we have here is an album which is, if i may say, relatively positive and generally good for home listening. This album was recorded in about 10 weeks in a living room (the sofa being my bed), with restless swollen eyes at dusk and a love/hate relation with my machines, microphone and electric guitar. 3 machines gave up on me during the making of this LP. Lazy bastards.
I hope you will like it. Tolga.

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WAS - Word and Sound Medien GmbH
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Welcome to the employee canteen at the offices of PRIVATE GOLD, would you like to have a seat? Take a load off, you've been working too hard. The kitchen has prepared some very special dishes for you this time around. Executive chef TOLGA FIDAN (best known for his incredible releases on VAKANT) provides the freshest ingredients to make the three entreés we have on the menu. Firstly, DOUBLE EDGE SWORD (Original Mix) does what Tolga does best: tease your psychedelic taste-buds. A meaty, umami flavored 80s electrofunk bassline anchors some wonderful call and response vocals asking you if you want to dance, telling you this song will make you dance whether you like it or not, and reminding you that all that's wanted is to use your imagination. Subtly placed chimes, pianos and synth hits are like a family passed down seasoning blend that makes the dish entirely unique. If the Brothers Johnson took ketamine and thought they turned into your dinner, this is what it would sound like.
Secondly PERLON's SAMMY DEE provides what amounts to a perfect clean remix course to re-whet the appetite and reset the taste-buds. A reductionist exploration of sharp and concise textures, sounds and flavors, it grooves while remaining taut and stretched (ULTRASTRETCHed, if you will). Hints of citrus, acidic berries, chili and the occasional full on root vegetable texture… all together not unlike a funky ass sorbet.
Finally we have label boss JIN CHOI pulling out all the bombastic stops. Pulling the flavor/sound that cut through the original mix (a vocal snippet that has been fully sautéed in weirdness) and putting it center stage, he then amps up the party aspect in his remake, adding some champagne and caviar audio touches that sound to the ears like big ass synth melodies. PRIVATE GOLD cannot stop with the magic and I'm guessing this one will leave everyone sated and happy.


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“I just woke and it’s pretty cold outside. I haven't opened the window yet, but I somehow know it and I'm listening to these six tracks again and try to make an approximation of why and how I have done this EP. They are pretty different from each other but tell the same story or at least are part of the same one as a matter of fact.
Maybe they were done as an excuse for my overdue album which is scheduled again for this year or maybe just because I was going through some odd times and needed to immerse myself in doing something. In this case music. More the latter I guess. Ok so, the opening track is in a way the end of an era and the last one the opening of a fresher one. And the rest fills in the gaps in between those two moments I guess. I hate conceptual things anyways. I never know or want to know why I do certain things. Concepts define something before it already begins its existence and trying to explain why is pretty useless. So here it is. The recording of a certain period of time in my tiny existence. With collaborations with Jaw (dOP), my brother Atilla, who is also responsible for the artwork, and Jonny Cruz. By the time it's out it'll be a distant memory for me but hope it lasts a bit longer for anyone that listens to it.”
Tracklisting:
A1) Dogs & Bones feat. Jaw
A2) Seduction feat. Atilla Fidan
B) Torega
C) Esprit Perdu feat. Jonny Cruz
D1) Softly
D2) Strip


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Cadenza herdsman Luciano welcomes another amazing musician to the label´s illustrious gang of house producers. Having released a series of striking records on Berlin´s Vakant, Tolgas music flows seamlessly into Cadenzas vanguard club sound. Recovering the beauty and charm of its off-key moments, Fidan opens up towards more house related sensibilities. The Paris based musician of Turkish origin creates sonic arrangements that are complex yet striking, mazy yet seductive. Opening with "Slipt It", it´s multi-layered grooves crackle like wood burning in a fireplace. The yearning of the string melody develops subtle hit appeal. Tolga pulls us out of this moody autumnal atmosphere with a striking piano hook. Opening up another sonic experience, it enables us to enter a certain level of tranquility; it elicits a deeper level of happiness. Having become part of the absorbing fluxion of this epic record, the pervious grooves of "Rhythm vs Me" set our limps in motion. In the depth of the sonic space, a protruding melody proceeds in endless improvisation. Fusing the madness 70s funk weirdos Funkadelic with the simplicity of contemporary electronics, Tolga explores the intersection of craziness and grace, of weirdness and sweetness. With "Bass Ass", he switches into a more forthright mode of communication. The pulsating bassline puts us into a trance, the sound of the tom drum is so spacious that it is able to hold the whole dancefloor. The ingenious composition puts the freedom of a detached piano in contrast to the permanence of an organ hook line. The digital bonus "Shizzle Hearts and Nizzle B" is about those very special moments when the club experience is over for quite some time and yet the grooves are still present in one´s mind and body. The actual experience being gone for hours or days, the sounds are liberated and they develop a life of their own. In only half an hour Tolga manages to take one on a trip through inconceivable sonic spaces and places. Never failing to surprise us with his originality and resourcefulness, he creates a personal yet universal experience. tracks and 'heads down' techno both represented with aplomb, fans of the imprint can consider Cadenza55 a fitting addition to their collection.


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Tolga Fidan presents ‘Rezil’, the latest one in the Vakant Limited series! Whoever said ‘we need more cowbell’, will be more than happy to dig this tune. A little unusual in arrangement and sound for Mr. Fidan, ‘Rezil’ goes perfectly with the VALT format.

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Tolga Fidan, in his last tasty impartment on Vakant before his solo debut album due out in October of this year, brings 2 full sides of the most expansive mind and body moving you will find outside of a gypsy circle on Jupiter. If techno has a jazz fusion subgenre, A-side ‘Gaijin’ is it, making Tolga our own personal Chick Corea with a strobe light. With the prerequisite thickness and authority we have come to take for granted from the Vakant camp, “Gaijin” goes to space while sporting an afro and 15 piece avant-garde jazz band. 15 minutes later you remember the trip but have no idea where you’ve landed. B-side ‘Drunk Rotations’ loses a few members of the band due to cosmic radiation. Remaining members cut their parts into smaller morsels while Chick aka Tolga applies the icing by way of piano. Then the stowaway horn section appears. Where did the modular synth fit, and who brought the Theremin? These are questions for the Mystics. Yet in all the detail of ‘Drunk Rotations’ you never lose the jack or your place on the cosmic dance floor.

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Urban nomad Tolga Fidan continues Vakant’s limited series VALT with a much sought-after track which has been around for a while. Fidan, just moved to Berlin a few weeks ago, says ‘So Long Paris’
in such unique style that that we hope he’ll never leave Berlin again. Vakant’s VALT series has been kicked off last year with Onur Özer and keeps on delivering music straight for the dancefloor.

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Pop a Dramamine, slap a patch behind your ear, and grab ahold of the railing, because Tolga Fidan's debut EP "Now I´m Weak" lurches like a dinghy on the high seas. (Might as well throw on a slicker, too, because you're gonna get wet.) You haven't heard a synth swell as seasick as the one on "Abstract Prologues" since Motiivi:Tuntematon's sinking tanker of a track, "1939." But as woozily as this 12" rolls, it never loses its grip on the floor: all three tracks are solidly grounded in the blunt, toe-stubbing funk that's become a trademark of Berlin's Vakant label, home to mega-talents of minimal like Alex Smoke, Mathias Kaden, Onur Özer, and Robag Wruhme.

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