Underground hero Bill Converse returns to Dark Entries with Take Parts, perhaps his most muscular and floor-focused work to date. Converse has honed his analog craft since the early days of the Midwest rave scene, absorbing lessons from luminaries like Claude Young and Traxx. His skill as a producer has been established with releases on labels such as Dark Entries, Fit Sound, and Obsolete Futures, and his prowess as a DJ has been witnessed on floors the world over.

On Take Parts, Converse peels away the layers of acidic gauze that have characterized much of his work, revealing his sharp grasp of dancefloor dynamics and DJ functionality. While the 808’s, 909’s, and 303’s are on full display, Converse does not indulge in retro-fetishism; he channels the future forward impulse of the originary rave ethos. Tracks like “Stroke” and “What You Have” pit seasick chords and analog squelch atop funky but unsettling loops. The flurry of 808 snares on “Measurement (Of What?)” nods towards both footwork and jungle, but feels ultimately planted in a world of Converse’s own. With the acid-electro masterpiece “Take Apart”, Converse implores us to both join him in this new world and reconfigure the one we’re living in now. The 6-tracks on Take Parts present a new focus for Converse, and will excite DJ’s and thrill dancers. More

Acidic powerhouse Bill Converse makes his debut on FIT SOUND. His sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. Treading the line between melody and brutality, while never being heavy handed, Converse has proved himself once again to be a true original lurking in the underground today. More

We are pleased to present the sophomore album from Austin, Texas analogue hardware enthusiast Bill Converse. Immersed in the early days of the 90s midwest rave scene, Bill began DJing at a young age in Lansing, Michigan. Luminaries such as Claude Young, Traxx, and Derrick May were key early influences. Techno, noise, ambient and tape processing are all part of his uncanny sound palette. His debut album ‘Meditations/Industry’ was released on cassette in 2013 and edited for a vinyl release in January 2016 followed by two 12” singles ‘Warehouse Invocation’ and ‘7 of 9’ the same year. ‘The Shape Of Things To Come’ is a 70 minute journey spread across two pieces of vinyl. It's comprised of seven tracks recorded directly to tape with no overdubs, made at Converse's home studio. At the time of recording, Bill was sending this material to Josh Vance (Josua Dorje Ngodup) for feedback. Most of the time Josh would respond in the form of artwork, and then Bill would create another track inspired by this
feedback chain. Converse has dedicated this series of tracks to him. The songs on this album reveal a sublime influence from Detroit techno, early Chicago house, and Acid. For this album Converse slightly bumped up the tempos geared for dancefloor energy. Built around vintage synthesizer lines and gritty drum machine percussion, the tracks evoke “how things have changed and how they have come to be.”

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Immersed in the early days of the 90s midwest rave scene, Bill Converse began DJing at a young age in Lansing, Michigan. Luminaries such as Claude Young, Traxx, and Twonz were key early influences. Since moving to Texas in 1998, he has experimented with analog techniques in varied studio bunkers. Early techno, noise, ambient, tape, and paranormal processing are all part of his uncanny sound palette. “Meditations/Industry” is Converse's debut vinyl release, collecting material from a cassette release on Obsolete Future. The tracks were recorded to tape with no overdubs in 2012-2013. As the title implies, the album places meditation inside tactile sonic processes. Bill is informed by his surroundings, influenced by scenes of desolation in nature, the sea, the desert, and places of industry, like power stations, old factories, and warehouses. The songs on this full length reveal a sublime influence from Detroit techno, early Chicago house, and Acid. The album was recorded and mixed by Bill at his home studio in Austin and mastered by Dave Alex. All songs were EQed for vinyl by George Horn at Fantasy Studios in Berkeley. A custom-made jacket designed by our in-house designer Eloise Leigh incorporates the abstract cobalt glaciers, reminiscent of blueprints, over a dark gray background. Each copy includes a postcard with notes and a photograph of a mountain range that looks like ocean waves.
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"Taken from Drome 003 - Phuture Classical Section C (1993) Part 3 of a 3-Part Series released on Tabernacle Records (2018)" More

One half of the Kestrel Explorations unit with longtime collaborator Scientific Dreamz Of U, Junior Loves brings his first vinyl release to Tabernacle.
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"Eight years since Shemale's 'Opening the Astral Doors' on Further Records, the quest for mystical enlightenment continues with 'Way to Hyperborea'. Shemale's debut on Tabernacle ventures further into shadowy and abstract domains, as stars watch over the northern wastes guiding the way to strange lands beyond the funeral sea.."
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Following on from a run of releases on Bastakiya Tapes and Total Black, Manni Dee's Nuances project joins the label with a mini-album recognising splendor in feelings of somberness and isolation.
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John Heckle's second album on Tabernacle
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Exotic tracks from the fruit loving Dutch Producer. More

We are excited to finally announce and share 'Presentiment', the second Long Player from The Connection Machine. This release is particularly special for us as it will be the first time in over 20 years that Jeroen and Natasja have put an album out on vinyl. Despite having a string of aliased releases in the '90s on the mighty U-Trax, a 12" during the early days of Carl Craig's Planet E, a remarkable album 'Painless' on Down Low Music, and most recently a series of in demand E.P.s with Lost Trax on Tabernacle, their output has remained tantalisingly infrequent. With 12 tracks that capture their unique and awe-inspiring sound, 'Presentiment' opens you up to a world that only The Connection Machine have access to.
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Music by Andrea Di Maggio Full colour sleeve art with illustration by Jason Hernandez
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Two original improvisations taken from a Hieroglyphic Being Live recording, plus two versions from John Heckle, one which samples the live recording and one inspired by it. More

Arcanoid presents his exploratory take on techno and electro.
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The long-awaited second album from John Heckle.
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Recently acclaimed for his high quality remixes, this time it’s John Heckle’s turn to be remixed. Back Alley Terminator is a menacing and industrial single, accompanied by three suitably dark reworks.
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The first part of Paul Mitchell’s Dichotomy series is a set of mind-expanding light and dark synth pieces. Vinyl only, limited to 300 copies.
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Glasgow duo Fancy & Spook make their long overdue return to the label with an intriguing Mini LP, packed full of electro oddities.
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Mark du Mosch’s second Tabernacle release exemplifies his trademark sound with tracks that overflow with goodness and surprise. Vinyl only, hand numbered, limited to 300 copies.
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Our final release of 2012 is a succession of ambient trips beautifully crafted by Paul Mitchell. Vinyl only, hand numbered, limited to 200 copies.
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One third of the Phantom Planet Outlaws, Mark Forshaw returns with a rich and diverse solo E.P. Vinyl only, hand numbered, limited to 300 copies More

With Phantom Planet in disarray, three unlikely heroes form an alliance to overthrow the oppressive Muscle Patrol. Meet mythical rebellion leader ‘The Forsh’, fearsome former Patrol agent ‘Bin Man’, and mysterious smuggler ‘The Red Defender’. These are the Phantom Planet Outlaws! ‘In Memory of Nick Hardie’
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