Second album from Elias Mazian.

While his debut album Vrij Van Dromen hinted at the work of a bedroom producer, Elias Mazian never was the person to hide. After becoming a resident DJ at the now gone club Trouw ten years ago, he spent many nights playing records at clubs, and today he is as visible during the day as selector and host on FM radio. With this follow-up record he does one more step out of obscurity: moving from low to high fidelity, into more sincerity.

The songs on Alleen Bij Mij comfortably sit next to the songs he shares with friends on Private Hearts, Mazian's radio show dedicated to pop melodies. Like classic sixties records, the LP clocks just above thirty minutes, while also sharing their harmonic approach. Additional influences can be traced back to seventies krautrock, Dutch disco dub from the eighties and the storytelling of mid-2000's Dutch rap. Channeling these sounds into his own after hour tales, Elias Mazian created the perfect album for late bike rides and night trains alike.

Seconded by his good friend and multi-instrumentalist Anton Pieete and the all-knowing engineer Eelco Bakker, the album is produced and mixed for Mazian's melodies to shine. Combining observations from daily life with the big themes of pop music, this mixture results in eight songs ready for radio play.

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Experienced Dutch producer Tom Ruijg rightly won praise for his first 12” as Tracey, Skyfall, which surfaced on Voyage Direct in early 2017. Combining elements seemingly inspired by vintage Detroit futurism, ‘90s ambient techno and his own love of colourful synthesizer melodies, the EP saw Tracey set out his stall in impressive fashion. Compare and contrast, for example, the two A-side cuts. While “Testarossa” is far-sighted and spacey, with Tracey wrapping intergalactic electronics and lilting synthesizer melodies around a darting synthesizer bassline and swinging, electro-influenced house drums, “Sidekick” is blissful and almost overwhelmingly melodious: all 16-bit new age motifs, head-in-the-clouds electronics and driving, locked-in machine drums. The contrasts continue on the B-side, too. Many DJs may instinctively be drawn towards “Made My Love”, whose energy-packed groove (think vintage Chicago jack with a dollop of slick NYC house soul) is peppered with spacey chords, undulating electronic motifs and glacial melodies. Yet the track that follows, the wild and windy electro workout that is “Interceptor”, is every bit as potent when played over club sound systems. The track’s inherent hustle, seemingly the product of Ruijg’s darting synth stabs and feverish audio textures, is almost impossible to resist.

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5 Track EP. Yamaha’s DX series of synthesizers has long been a source of inspiration for Tom Trago. The DX7, in particular, appeals to the Dutch producer thanks to a unique sound that he describes as “glassy but classic and icy”. 34 years after it went on sale – the same year as Trago was born, interestingly – the synthesizer’s sound still bristles with futurist appeal.

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Dope archival release of Steve Rachmad's long time side project where he exposes the more funk / electro side of his talents. This is musical machine-head side of the Amsterdam electro scene (also purveyed buy the likes of Comtron). Dense undertones of Cybotron/ Model 500 on this one... Top notch productions from a Dutch Master. Check!

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Another side of Steve Rachmad. Preceeds and album of archive tracks that shows the far reaching talents of this master producer..

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Djoko is no stranger to Voyage Direct. Having first appeared on the label way back in 2012, he?s returned numerous times since, becoming an integral member of the imprint?s growing family of artists. X rated stuff.



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The interstellar electronics are once more pushed to the fore on closer “80 Axes”, where jaunty synth lines combine with soft bongo hits to create an instinctive rhythm, and intergalactic melodies sprint between the speakers. You can dance if you want to, but lying down is very much encouraged. As part of the label’s mission to champion Dutch talent, Voyage Direct has always promoted new, up and coming, and little-known producers. Boss Tom Trago’s master plan includes building a family of artists, in part through helping unheralded local producers to fulfill their potential. On the label’s latest release, he continues that approach, serving up a debut 12” from a mysterious young producer known only as Darling. Those paying close attention to the wider Dutch house and techno scene may have spotted his recent rework of Awanto3’s “Star Butchers” on Dekmantel, in which the man or woman of mystery added some killer keys to the Amsterdam legend’s woozy, deep house original. While that rework was undoubtedly superb, Jacob’s Lead offers a truer reflection of the shadowy producer’s previously hidden talents. As debut EPs go, it’s a bit of a cracker. The title track, in particular, is a beauty. Its’ restless, hypnotic rhythm tips a wink to classic Dutch techno of old, while the undulating, analogue electronics and swirling pads recall the far-sighted retro-futurism of vintage Motor City material. Throw in some of Darling’s trademark spine-tingling keys and a deliciously loved-up breakdown, and you have a choice chunk of life-affirming techno. On the flip, Darling heads towards deeper territory with the bubbling melodies, starburst electronics and saucer-eyed chords of “Video”. Unashamedly positive in sound and intent, it sounds like the kind of track that will be cited as a classic in two decades time. Melodious and infectious.......

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