The long-running Kompakt imprint will release an EP by German DJ and producer Sascha Funke in September. Sharing five tracks that traverse quirky house and techno, Treets marks Funke’s monumental return to Kompakt since his Zug um Zug two-tracker in 2014.

Speaking about Treets, Funke says he is "very happy to be back on the mothership Kompakt" after an eight-year break. As one would expect with Funke, the EP fits the cosmic world of Kompakt to a tee. The title track conveys a weird, tripped-out atmosphere as an alien-like vocal burbles between an acid bassline and squeaky percussion. It's a tantalising glimpse of Funke's freaky underworld. E_Plus follows a similar wonked-out vein, only this time, the vibe is ominous. Funke pairs an orchestral vocal with bleepy pads and signature acid-drenched melody — a solid offering oddball of energy. On Alles Paletti, a 2-step drum pattern and string of bright claps create a sunny soundscape, complemented by a robust bassline and ethereal synth notes. It's fairytale house music, the kind only Funke can produce. The penultimate track Haus More is subdued, as chugging drums slither between a wobbly melody. The Other Version feels futuristic, as Funke goes full-force electro. Extra-terrestrial vocals return, but the pace is cranked up by strident sound FX and thudding drums. An eccentric end to an eccentric EP.

Sascha Funke is a Berlin-based producer and DJ with two decades' worth of releases building his back catalogue. BPitch Control, Turbo Recordings, Endless Flight, Running Back, and several more esteemed imprints have released his work. Today, he continues to create sleek sounds that weave various genres from house, techno, disco, Krautrock, wave, electro and unclassified anomalies. As a DJ, Funke is just as free-wheeling as his productions. He's played E1 in London, Caos in Sa~o Paulo and Renate in Berlin, amongst others, displaying his sweeping sound to a worldwide audience. Having been exposed to euro-dance pop as a youngster, you can hear flashes from the genre stitched throughout his work but blended in a way that's quintessential to Funke. Never one to change his sound according to the latest trend, Funke stays true to his creative vision — one of the most significant challenges for producers today. More

if sascha funke is part of the club culture since the nineties: his musical memory and sensibility goes way back before the early techno and house eruptions. for his new works, that all had been produced in berlin during the year 2016, he removed the dogma of functionality and shifted into a riskier, more open terrain, that does not offer club sensations mainly. “i think i would not have made such a diverse album without the time with saschienne. before saschienne i mainly worked sample-based and produced exclusively at the computer. by working with julienne as saschienne i discovered my love for the instrument. "playing" with the different synths is for me the greatest progress and ultimately also the best pos-sible form of expression for my music.” he confesses. for his new tracks he used several kind of gear – from a korg arp odyssey to a dave smith prophet 8, moog voyager, solina string keyboard or a yamaha pacifica guitar. stylistically his new orchestra lead him to a mesmerizing meltdown of trance, techno, synth-wave, post-punk and ambient parti-cles. “the use of all the synths allows you to work more emotional” funke explains and points his finger to the emotional landscape of “lotos land” that delivers enchanted atmospheres, sensible stomping grounds, funky twisted spheres and tragically hip psychedelic zones. at large there is an unmistakable strong uk influence. be it new wave, pop or early dance and techno stuff. sometimes the bass rolls like in a the cure song, then dreamy synth sceneries arise to stick in the mind.
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After a few years spent in quiet reflection during his introduction to the wonders of fatherhood, In Relationen emerges as both a refined and mature comeback, as well as a distinct new beginning for the long-time Berlin producer. The pensive character, delicate emotional undertones, and careful lines drawn with precise tension across restrained arrangements may sound familiar to fans of his earlier work, but there is now a greater sense of calm, an openness that rewards listeners both on and off the dance-floor. As contemplative as it may be, In Relationen still rocks, particularly on the title track, where a frontal psychedelic guitar line gently weeps across a haunting, hypnotic field of rhythm. The krautrock influence runs deep, not in a superficial way but in the depths of the music: atop the rolling, pastoral grooves, the vibe of a bright German mind reorganizing itself to a new framework, re-aligning to a fresh phase of life, finding deeper communion with the world through the discovered balance of inner peace.

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"ZUG UM ZUG" will please fans of both Sascha Funke's solo productions and his work with Saschienne - thanks to the artist's knack for stylish and hypnotic techno that successfully combines the straightforward and the uncanny More

our old friend “sasse” come back on endless flight since 2007. his homie veteran artist “jimi tenor” join to the new single. we already loved their collaboration on studio barnhus. title track on a side is super romantic 80’s style vocal disco track. b side is spiritual jazzy deep house. great double sider. More

canadian beatdown master “eddie c” is back with fourth full length on endless flight! this new album is his unique mixture of laid back hip hop and lo-fi house sound which is inspired from late 80’s to early 90’s and much more darker than usual. the album kick off by old school hip hop tracks of “carbondate”,in the park” then new wave disco sound of “way uptown” it reminds us nyc post punk/new wave artist “konk”,dubby brazilian percus-sive disco track “batucada”,”berlina” is early 90’s nyc house like pal joy, probably most club friendly track “bad words” is wired new wavy vocal house madness and the album close with dreamy down tempo track “an der wedding” heavy kraut rock influenced stuff. More

happy to welcome new artist on endless flight. attari is brussels based artist and running very cool private club. title track “meridian” is melancholic deep house tune, it’s one of our most fav release in this year. both tracks on b side are dark new wave disco style tunes. More

happy to welcome luca bacchetti on endless flight. title track “disco blast” is super killer techno disco tune. it will be one of the summer anthem. b side is different mood,”nadir” is percussive break beats house and “nelson” is nice minimal latin house. More

we’re very happy to announce the debut release of best kept secret artist in san francisco. dmitri aka slope114 is a good friend of kink as both of them are modular synth mania… original version is old school chicago house sound with very emotional vocal,it reminds us how house music is musical…. kink remix is just bomb.2018 ver is for big room and another one is for all around. enjoy! More

eddie c is back with brand new three tunes. horizon on a side is brazilian feel deep house. it will be perfect stuff for your set in the morning. wanna feel on b side is disco banger for the dj who like dj harvey or idjut boys. More

we are very happy to announce the debut release of one of our most favorite artist at the moment. very unique mixture of house and african rhythm. beesmunt sound system remix is dope. More

the debut release of new artist in san francisco on endless flight. after we received his debut 7inch release on lips&rhythm records, we contacted him immediately…. summer feeling barealic tropical tunes. More

after the world applauded sascha funke for his latest album “lotos land”, he gave away some tunes to friends for remix duties. düsseldorf based tolouse low trax formed “twirl” into a foggy dark mpc-seducer for romantic nighthawks that love dancing. also australian boy dreems prepared a remix that grooves odd and uncommon. his percussive version of “im feiern und feuer” is a slow whirlwind, perfect to start and end a great dj night. with tuff city kids a duo formed a remix that is good for big room love affairs. their version of “purple hill” is a heartfelt melange between trance and house deepness that works on any dance floor. the final edit comes from glasgow‘s junto club, who transformed “comola”, a tune that they already produced originally with sascha funke, into a longing dark melodic synth stepper. four versions, four hits, four atmospheric dimensions beyond words. tune it loud! More

hrow the hands into the air: kornél kovács, on the go dj and producer from stockholm, who runs with his mates axel boman and petter nordkvist the label studio barnhus, delivers his debut ep on endless flight. it’s a 10inch, its juicy and enlarged with super happy emotions. two sample house bangers that came to life only for one reason: to make people smile. the a-side tune “szamár” twists with twisted rhythms, samples and disco sounds. the b-side features a remix of the tune “order to the sense” by the new zealand/german duo snacks. it was originally featured on the “i'm starting to feel okay volume 7” compilation on mule musiq. kornél kovács transformed it into a melancholic house anthem full of with highlife guitar riffs and smiling horn sounds. high spirits music for all circumstances of a party night. if you look for music that gives you joy: kornél kovács brings it here in a pure human panache. More

the italian duo boot & tax got already one lp and four eps under their wings who all deliver house and techno that stands out. so far their records been published by glasgow's finest optimo music and meant records from paris. now the two give their debut for endless flight and release three tunes that listen to the name "dimension". they all got funk, they all love mesmerising melodies. you can feel the power of disco coming in with heavy seducing strings. you can get lost in echoed drums, trippy sounds and some oriental tones. and you also can march to cosmic techno that loves krautrock without embracing it. a multi-coloured ep that spreads deepness in an uncommon sense. if moves the heart and soul profound, while staying edgy and catchy. More

the third and final part of the jacob f. desvarieux anthology on endless flight brings two more hot productions of the fabled french zouk veteran with roots in guadeloupe. the tune “rifyx” is taken from desvarieux’s 1985 album “oh madiana” and delivers arresting jazz-funk and zouk-suspense enlarged with touching horns, synth-enthusiasm and longing female vocals. the second song comes from the paris based, west cameroon born singer tala, produced by desvarieux for tala’s album “mother africa” in 1982. also here desvarieux tuned the synthesizers odd and edgy to let them dance with an afro styled rhythm. above all tala sings sexy with a chorus of girls while percussions go crazy and the sounds of horns are longing for the sky. on top of everything endless flight asked again the japanese producer kuniyuik to edit a desvarieux track. he chose “rifyx” and tuned it into an epic soulful eight minutes long dream house anthem that funks all dancers crazy. hotter than hot stuff here!
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eddie c drops a new ep, consisting of three new track and “auf der ufer” – a tune he did with his norwegian buddy rune lindbaek, that is dancing a cosmic dance and that was never released on vinyl before. the three other works are crossing different territories. the eight minutes meditation “pumapunku” marries balearic flair with otherworldly synth-spheres.
the also epic “inner piece” opens the house box with waving basslines, furious chord suspense and some unexpected breaks.
the final is marked by “lonely without you”. a funky blue tune that brings in some peoples potential unlimited vibes for endless autobahn rides.
another heartfelt arranged mix off instruments, synths, samples and drum machines by eddie c, the heartfelt canadian in berlin. More

if sascha funke is part of the club culture since the nineties: his musical memory and sensibility goes way back before the early techno and house eruptions. for his new works, that all had been produced in berlin during the year 2016, he removed the dogma of functionality and shifted into a riskier, more open terrain, that does not offer club sensations mainly. “i think i would not have made such a diverse album without the time with saschienne. before saschienne i mainly worked sample-based and produced exclusively at the computer. by working with julienne as saschienne i discovered my love for the instrument. "playing" with the different synths is for me the greatest progress and ultimately also the best pos-sible form of expression for my music.” he confesses. for his new tracks he used several kind of gear – from a korg arp odyssey to a dave smith prophet 8, moog voyager, solina string keyboard or a yamaha pacifica guitar. stylistically his new orchestra lead him to a mesmerizing meltdown of trance, techno, synth-wave, post-punk and ambient parti-cles. “the use of all the synths allows you to work more emotional” funke explains and points his finger to the emotional landscape of “lotos land” that delivers enchanted atmospheres, sensible stomping grounds, funky twisted spheres and tragically hip psychedelic zones. at large there is an unmistakable strong uk influence. be it new wave, pop or early dance and techno stuff. sometimes the bass rolls like in a the cure song, then dreamy synth sceneries arise to stick in the mind.
More

portland based producer strategy is back on endless flight. strategy have been released from kranky, 100%silk, further records and name a few. we always enjoy his unique house music and ambient stuff. this new ep contains four killer low-fi house stuffs. it’s probably his most club friendly record. More

we are very proud to announce the debut release of japanese brightest hope “sauce81” on endless flight. we really loved his past releases on eglo,catune,wonderful noise. this 4 tracks ep is full of love for black music which are his music roots. More