Tracklist Double LP:
A1. Les Points - DOLPINHOUSE
A2. Les Points - 8BIT
A3. Les Points - KALAELECTROMELANCHOLIE
A4. Les Points - ALPHEX
B1. Les Points - SOWASWOTDOCHJEDE
B2. Les Points - ACIDTOOLER
B3. Les Points - MOTHEREARTH OHNE
C1. Les Points - BAKTERIA
C2. Les Points - WARPZ
C3. Les Points - ATTENTIONv2
D1. Les Points - CREDITTOFBAHYPOSAMPLEDITBABES
D2. Les Points - KOSMICSPACE
D3. Les Points - FINALBOSS

Short info:
A DIVERSE EXPERIENCE THROUGH PAST SONIC WAVES TRANSFORMED IN TO FUTURE MATTERS. OBSCURE DANCE MUSIC FOR EVERYONE. REPETITIVE GEGENSTANDLOSE REDUCTIONS EXPANDING INTO HUMAN EMOTIONEN - ONLY POSSIBLE VIA EXPRESSIONS AND NICHT SOUND-DESIGNS. LES POINTS AKA AUDINO, BARBIR, LOUH & NICOLA KAZIMIR


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Suprematistic Songs for eternal emptiness/happiness
Gatefold Cover
Tracklist Double LP:
A1. Les Points - LOST A2. Les Points - ULTITEMPLATE
B1. Les Points - KEI LUEG B2. Les Points - ERICA B3. Les Points - FDDD
C1. Les Points - SATURN2 C2. Les Points - BREAKBITS2
D1. Les Points - BAASICLAXER D2. Les Points - YOUKNOWWHATMINIMALISCH

Short info:
AVANTGARDE MICRO HOUSE ANUBIS MINIMAL 137 BPM HOUSE SUPREMATISTEN HARDCORE MINIMAL UNDERGROUND CLICKS 133 TEMPO GLITCH HOUSE OCCULT HOUSE GEGENDSTANDLOSER TECHNO FUTURE SATAN HOUSE ACID MINIMAL GABBER CLICKS MICRO MINIMAL CLUB SOUNDS PFLOTSCH LOOPS CROWLEY HOUSE FRAKTAL MINIMAL PROGRESSIVE REDUDANZ REPETITIONS LOOP MINIMAL RAVE OUTOFBODY TECHNO MIRCO SUPREMATISM MINIMALE GEGENSTANDSLOSIGKEIT 666 PFLOTSCH ACID BLEEP






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Specials: 4x STL LOCKED GROOVE REMIXES - ONLY SECOND TIME HE HAS DONE REMIXES IN HIS CAREER! AND FIRST TIME IN THE HISTORY OF VINYL THAT ORIGINAL TRACKS WERE ABSTRACTED INTO LOCKED GROOVE REMIXES!! (ONLY VINYL)
Tracklist Double LP:
A1. Barbir - Never Trust A Snake A2. Barbir - Witchsabbath A3. Barbir - Sabbathorange (STL Loop 1 Remix)
B1. Barbir- Girlwithanorange B2. Barbir - Englishred B3. Barbir - Englishclockpumas (STL Loop 3 Remix)
C1. Nicola Kazimir - Clementinejam C2. Isherwood & Nicola Kazimir - Zurichsunrisedub C3. Nicola Kazimir - Zurichspace234 (STL Loop 2 Remix)
D1. Nicola Kazimir - Space234 D2. Nicola Kazimir - Thule D3. Nicola Kazimir - Ethernalthuledub (STL Loop 4 Remix)
Short info:
A quest for form which is never static and accompanied by two constants - repetition and reduction. Reduction requires repetition in order to make the intangible tangible for man. This repetition also stimulates our perception and helps us find an inner self while illuminating towards the primal thought. Another synonym for "intangible" is "not human" - for the most reductive of primal thoughts, sprung from fractal chance, does not deal with human beings but with a formal language that is universal, drawing from the innermost, and only becomes tangible in accidental, fortuitous moments. Our efforts to free this formal language, by means of fragmentation, from the human conventions that bind us to overabundance, turns out to be - in our limited human perception - a never-ending search for artistic discovery. Repetitive Juxtaposition LP takes up two individual, but in their essence mutual, interpretations of seeking and breaking form, and places them - not opposite but next to each other.


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2023 repress

Format: LP

Tracklist

A1. Motorway Acid
A2. Microdose Mondays
A3. London Stock

B1. Meanwhile… In The Smoking Area
B2. Thursday
B3. Retracted
B4. Praha

Release Info:
Two visionary explorers of the acid and dub intersection team up for a seven track LP In The Afterworld on Acid Test.

Om Unit and TM404 have both been researching production and compositional elements in the crosshairs of dub and acid for the last few years - Om Unit most notably with his Acid Dub Studies 1 & 2, and TM404 with his Acidub album in particular.

Om Unit has been a longtime fan of TM404’s use of the TB-303 and the deconstructed space he brings to the house and techno template. Meanwhile Om Unit’s own leaning towards breaks and reggae instrumentation has offered a different approach to the acid sound they both love so much. So an LP with Acid Test seemed the perfect opportunity to combine those approaches and see what kind of mutations could be discovered. The result is a primordial soup that is in parts acid, dub, breaks and ambient, full of spaced-out synths and psychedelic bass, where the pair enjoyed building tracks with a feel for where the music wanted to go, irrespective of stylistic constraints.

Rolling opener Motorway Acid sets the pace high and strong, conjuring both wide open spaces and fast-paced travel at the same time, with weightless pads, stroboscopic breaks and a mighty 303 riff that can teleport you to the middle of a foggy dancefloor. Microdose Mondays on the other hand, slows the tempo down and veers into cosmic territory, with perfectly dubbed drum rolls and burbling squelch. But it’s London Stock that kicks the album into hyperspace, finding its futuristic steppers groove somewhere in the answer to the hypothetical question ‘what if Shaka had produced Stingray?’

Speaking of underwater electronics, Meanwhile In The Smoking Area delves deep into submarine territory, delivering the kind of bass weight and sonar acid signals you’d need a diver’s suit for. It’s a vibe that’s continued on the tracks Thursday and Refracted, and speaks to the record's title - otherworldly, dreamy bass meditations that aren’t of this realm. The album closes out with Praha, a pacey yet ambient vista of warm wide synths, layers of 303, and dub echoes that sound like the machines are slowly coming to life.

It’s in this altered state that the album resides, somewhere between worlds and styles, emerging out of the space around the TB-303 that Om Unit and TM404 have created, with their open-minded approach to the music and to this collaboration. Free the 303!



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Tracklist:

A1) Free Your Mind 03:32 min
A2) Around n Around 05:08 min
B1) House Non Stop 06:21 min
B2) Multitool 06:53 min

Short info:
Big Beat 2023! How does it sound? Bigger & better then ever! The prophet Eden Burns does not stop to share his beats with all you out there. Help him spread the message, the dance floors of the world will thank you for it. Beat moves feet, feet do dance, dance is joy, joy is life!



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Genre: Techno, Tech-House


Tracklist 12":

A1 – 212 (Rico Puestel's Uber Dub) (10:02)
B1 – Friend (Rico Puestel's Aachen Dub) (10:02)


Info:

Rico Puestel steps up his Dub game and delicately reinterprets two songs from his forthcoming 2024 singer-songwriter double-album „Anthems For A Lost Generation“ as Rico Friebe, delivering 10 deep and immersive minutes of electronic music on each side.

While the original songs have never been designed for the dancefloor, both perfectly blend into the dry and groovy environment of Puestel's remakes and won't loose anything from their original message: Struggle, hope, friendship – things we desperately need in this world...


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Territories: World excl. UK + North America

FORMAT 2x12" 180g vinyl, full printed sleeve, dl card

TRACKLIST
1 / A1. Oak Bank 06:37
2 / A2. Second Magnitude Stars 06:41
3 / B1. Metal Pig 06:55
4 / B2. We laugh and clap at the circus 05:41
5 / C1. Leadership Contest 06:34
6 / C2. Masks & Archetypes 06:17
7 / D1. Subcultures 05:59
8 / D2. Hope Not Hate 05:57

Release Info:
In March 2023, Tresor Records will release "Crash Recoil", a new album by Surgeon. It marks Anthony Child's first techno LP in
five years, following a period in which he felt uncertainty in his role as a techno producer and found it tough to locate
inspiration. This new album encounters him drawing on spontaneous techniques to arrive at unchartered topographies.
"Crash Recoil" originates from Surgeon's recent live sets, where he experimented with constraints in performing and
embracing the twists, turns and paradoxes that arrive from this. Each fresh iteration on consistent MIDI sequences and
hardware reconfigured tracks into dierent constellations, creating an inspiring vortex of unpredicted events where ideas
could flourish. This new approach allowed him to capture the spontaneous energy of his live shows in a way he had never done
before. "This is not a live album, since it has not been recorded in one go during a live performance. In the same way that
bands tour songs before going into the studio to record an album, I was able to explore these songs and hone their
eectiveness during my live performances before creating a studio version."
The result is eight tracks that emphasise a new techno sound for Surgeon, drawing in references from across the musical
spectrum. "I can hear Coil, King Tubby, Detroit Techno and The Cure all wrapped up with 30 years of DJing," Surgeon says of the
album. Melancholic hum-like ambiences smudge around unadorned, near-droning basslines, crunching rhythm and percolating
arpeggiations. The tracks carry unique and potent locomotion, with a low-slung grind through toughened terrains, breathing
with a free spirit, untethered by a studio-based perspective. We hear manifestations of the same raw material across the
album, like a textural motif, carving new variants and creating a cohesive work full of recollection.


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2023 Repress!

We complete 2019 with the "Sky, Horse and Catch EP" by label boss Noema himself. On his quest to "Bring the Jams", the world traveling DJ delivers two stunning tunes, streaked with percussions that he recorded on a trip to Sao Paulo. Last but not least, Noema's EP comes along with a mind-bending remix by our favorite Romanians Khidja.

The title track "Sky, Horse and Catch" translates a 90's Detroit House Groove to the present day and adds Cuica, Berimbau and several other Brazilian drums on top. Riding the complex groove, you encouter eccentric synths, mysterious soundscapes and of course the horse on this 11 minute long hack. Minhocão" trades the horse for a racing car and takes you on a cruise on the same-named elevated highway that leads through the city of Sao Paulo. Surrounded by driving beats, guitar single-notes, massive synthbass howls and a gritty Moog theme, this jam is a hell of a joyride!

Khidja strips down the original the title track to its core and creates a solely percussive version in a half-time groove. By adding a virtuos Qanon/Saz-like sound the tune develops an arabesque flavour with a dubby bass as the cherry on the top.


A1 - Sky, Horse and Catch
B1 - Minhocao
B2 - Sky, Horse and Catch (Khidja Rmx)


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2LP, limited edition vinyl + booklet

Tracklist:
A1. HYbr:ID Ectopia Environment
A2. HYbr:ID Ectopia Elastic 1

B1. HYbr:ID Ectopia Quarks Minus
B2. HYbr:ID Ectopia Removing Infinities
B3. HYbr:ID Ectopia Elastic 2

C1. HYbr:ID Ectopia Interacting
C2. HYbr:ID Ectopia Radiation Mechanics

D1. HYbr:ID Ectopia Field 1
D2. HYbr:ID Ectopia Singularity
D3. HYbr:ID Ectopia Gravitation

Info:
HYbr:ID Vol. 2 is the second installment of Alva Noto’sHYbr:IDseries initiated in 2021. The new album captures the music commissioned to score RichardSiegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor. Building upon the captivating blend of immersive dub and electronica from the first installment, HYbr:ID Vol. 2 takes the listener on a journey into the realm of intricately manipulated digital production. These ten compositions delve into infinity, drawing inspiration from resonance and elasticity, concepts rooted in Minkowski's four-dimensional spacetime model. Throughout the album, Carsten Nicolai summons precise rhythmic patterns that gracefully hover, reminiscent of celestial bodies orbiting in perfect cosmic unison. The sonic landscape gradually unfolds with somber and brooding tones, incorporating spacious sound design, ethereal atmospheres, and cascading metallic percussions. These elements are delicately crafted with artistic finesse, set against a backdrop of expansive dub textures. At times, the music takes unforeseen turns, as melancholic chords skitter and meander through a digital haze, evoking an atmosphere of introspection and emotion. The ten compositions are accompanied by graphic notations informed by the album’s sonic and acoustic codes.

Album art designed by Carsten Nicolai / Nibo
Mastering by Bo @ Calyx


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Tracklist:
01) Extrawelt - Alpha & Oma
02) Extrawelt - Email auf Klinke
03) Extrawelt - Automatik Akrobatik

Release Info:
New W-Agency signing Extrawelt deliver a trio of exhilarating “one-take” jams.
Since their inception in 2005, the Hamburg duo has commanded the loftiest respect throughout the industry
thanks to their thoughtful and emotive brand of house and techno. From ‘Soopertrack’ to ‘Dark Side of the
Room’, every raver worth their salt has had an Extrawelt dancefloor moment, their soaring chords touching
hearts and hips in equal doses.
Taking their intuitive approach to musical production to its next evolutionary phase, the ‘Automatik
Akrobatik EP’ sees them in free-flow form, gifting us with a triumvirate of superb studio jams that
encapsulate everything that’s special about their music. ‘Alpha & Oma’ is uplifting and throbbing, the kind of
visceral techno gem that would make even the most hardened punter a little weapy. ‘Email auf Klinke’ is
punchy and minimal, a solid roller to contrast its predecessor. The title track has the sonic arc of an epic
film score, building from a languid pace to a widescreen glistening wall of sound, inspiring and bad ass in
equal doses.
“These tracks are basically "one take" jams with very few edits afterwards. The computer was mostly acting
as a tape recorder while the arrange took place on the desk and machines. We feel that those tracks that
happen in a nice flow and without overthinking them too much often appear to deliver their energy in a more
raw and direct way but simultaneously also become rather homogenous instead of taking unnecessary
deflections.” - Extrawelt

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GENRE/S: Minimal/House/Tech House

TRACKLISTS:
A1 - matt
A2 - kool
B1 - Lagerfeuer

SHORT INFO:
TPG long term friend and homeboy Ben Oyefeso pulls out a trio of double-jointed cuts for the club and not, the German producer's debut EP ‘Lagerfeuer’ packs that left-of-centre house punch that’s come to define the label throughout the previous ten releases and certainly more than just that. Cutting his lane at the junction of oddball party music and deconstructionist boogie, Oyefeso’s maiden sortie floats like a butterfly and stings like a bee. A weird, buzzing slab of body-jacking electronics that doesn’t play by the book.

An off-road bouncer of a track, the opening number ‘Matt’ has us nodding our heads to a high-in-vitamin mix of jacking house programming and erratic acid patterns gone astray. Knee deep in 303-marinated puddles of psychedelic squelch, Oyefeso keeps swinging the pendulum between a proper syncopated 4x4 motif’d framework and frantic digressions into an abstract-leaning headspace.

A2 ‘Kool’ opts for a further sliced-and-diced rhythmic line of action, generously infused with twisted Rephlexian phrases and sustained waves of micro-house clicking. Topping off that strange journey, the title-track ‘Lagerfeuer’ merges polyrhythmic intricacies with a forward-moving, earwormy kind of linear groove, all laced with a spooky baseline that stretches out into a purgatory of frankly eerie dissonances. Enough with the words, just jump on board Ben Oyefeso’s ghost train for a seriously tortuous, nonconformist ride across dance music’s jagged ridges and most secret crevasses.




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Territories: WW minus FR

Tracklist :
A1 - "H" Friend
A2 - Timing, Forget The Timing
A3 - One To Choose
B1 - We Never Fly Away Again
B2 - Follow Me (Instrumental)
B3 - No Regrets

Release Info:
Disco Club is a groundbreaking 1978 EP of experimental electronic disco created by Bernard Fevre and his collaborator under their tongue-in-cheek aliases Joachim Sherylee and Junior Claristidge. The Aphex Twin-backed Rephlex label notably reworked a handful of Disco Club tracks in 2004, however this is the first ever reissue of the EP in its complete, originally intended sequence. So synonymous is Fèvre's career with this release, he continues to perform internationally as Black Devil Disco Club today. An impossibly rare piece, this edition has been treated to a remaster from the original tapes by Fèvre himself.

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Territories: Worldwide no restrictions

Format Notes: 2023 first-time 12" single release of lost tracks, 140g vinyl, mastered by Simon Francis

Track List:

A1 Playa Larga 08:32
B1 1900 Ocean Ave 04:42

Release Notes:

Long Beach legend Scotty Coats links the West Coast eclecticism of Stones Throw to the NYC cool of DFA and Rong to the Balearic gods of DJ Harvey et al. He personally introduced Be With to Ned Doheny 10 years ago and he was immortalised on Smith & Mudd's last LP. And he's the main man behind the mysteriously titled duo Todd Russell & The Dangerous Coats, alongside Erick "Todd" Coomes (Lettuce founder/bassist).

In very real danger of being lost forever, we unearthed two of their private recordings and present them as a double A-Side 12", adorned with S-T-U-N-N-I-N-G artwork, courtesy of Arizona artist Frank Gonzales.

"Playa Larga" is a melodic, mellow masterpiece and is quintessentially Balearic. It's stretched out, low slung, guitar-soaked drum-machine soul music. It's multi-layered and contains multitudes: it builds and builds and builds and mesmerises as it does so. On the flip, "1900 Ocean Avenue" is a super slo-mo, sunbaked drug-chug which is already blowing minds thanks to early leaks of this cosmic, psychedelic detonation.

On first listen back, Erick said to Scotty: “So wait, nothing really happens, I mean nothing bad happens but nothing really happens”. Apparently these tracks were a bit foreign for Erick, musically, because of the lack of structure in the songs.

One morning, years later, Erick called Scotty and excitedly declared: “dude, I get it now!”. He was listening to random music with a lady friend while watching the sunrise in his 1900 Ocean Ave apartment and "Playa Larga" came on randomly. He'd forgotten all about it and said he had to get up and see what song it was because "it was the perfect soundtrack for a psychedelic sunrise over the ocean."

And that's exactly how we came across it, circa 2018, randomly popping up on a playlist while we were busy doing other things. It stopped us in our tracks but, when trying to find any info on iTunes, we were out of luck. It was only years later that we worked out Scotty had sent it to us. Ever since, we've been working on getting this out to you all. It's finally time.

We've only 500 pressed for the world, with many of them spoken for by those lucky enough to be already ITK, so these are gonna fly: be warned!

Scotty is a world class raconteur so we'll hand over to him to explain how these songs came about and why they mean so much to him in the context of his wider raison d'être:

"These were made 13 years ago when I was a new dad and left my job at Ubiquity Records to provide security for my newborn son, Nolan Liam Chai Coats. I became miserable working a job outside of music for the first time in my life and I was laid off 4 months into it. I was left wondering how the fuck am I going to provide for my family?

I lived in Long Beach and Erick lived a few blocks away. I would walk to his house when Jen finally got Nolan to sleep so I could escape my panic, drink some beers (is it beerlearic?) and make some music. He lived overlooking the ocean with the Queen Mary on the horizon, so I guess mellow Long Beach nights unintentionally inspired the music. These songs were the first two songs we ever made and they embody the desperation and hope I really needed at that time. 12 years later, when Rob at Be With expressed an interest in releasing it, we had Erick's brother Tyler Tycoon Coomes play drums on it at Jazzcats Studio in LBC, with Jonny Bell.

Shortly after I was laid off, I discovered The Stepkids. I was blown away by "Shadows On Behalf" and sent it on to Gilles Peterson. He played it on Worldwide the next day. The Stepkids pulled me back into music and made me realize I wasn't prepared to do anything but be involved with music. After I heard their unreleased album, I knew there was something there so I sent it to my good friend Jamie Strong who was at Stones Throw at the time. Jamie passed it along to Peanut Butter Wolf and the band asked me to be their manager. I didn't think I was the right guy for the job but wanted to see them do well so I told them I would help shop their album. Jamie suggested I take his place at Stones Throw, just as he did when he left Ubiquity Records. I always joke that Jamie can call me Scotty Coat Tails because I had been riding his for years.

Wolf told him that "Scotty is a nice guy but has horrible taste in music", which was ironic because he was literally trying to sign the band that I brought him. The Stepkids signed with Stones Throw and found a real manager. 6 or so months later Jamie sent me a note saying "Stones Throw is hiring and you should apply lol". I told him I was going to send my resume and the subject of the email was to read I HAVE GREAT FUCKING TASTE IN MUSIC. I did just that and got a call the next day from their new GM asking me to come in for an interview. When I walked in I was in Wolf's office where I had been 6 months before, signing The Stepkids
deal. Wolf and Jason McGuire were asking me some questions and wanted to introduce me to Jeff Jank. Jank walked in and said "Isn't this the guy that Jamie wanted to bring on 6 months ago?" They confirmed and he threw his hands up and walked out saying "I've seen enough". I got the job. I worked there for 2 or 3 years until I left to join forces with Jamie Strong at his label and stayed there for almost 7 years."

Scotty wanted to use a painting by his good friend, Frank Gonzales, for the front cover image. Frank was incredibly generous in letting us use this one, and Scotty was completely honoured. We think you'll agree, it's pretty striking. Simon Francis carefully mastered the original audio for both tracks and Cicely Balston's precise cut for Alchemy at AIR Studios ensures this double A-side 12" sounds appropriately outstanding. The immaculate Record Industry pressing will ensure these previously unheard, recently discovered recordings finally get a chance to shine.


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