This is the fifth release on Eye Teeth, the techno sublabel of Interdimensional Transmissions, by IT compatriot Alstadt Echo. Alstadt Echo effortlessly blends the avant garde with industrial techno influences into his own deeply austere sound, with grainy textures contrasting perfectly against his broken beat structures. The influences are clear, he has even been honored by one - with multiple tunes included on Regis? ?The Boys are Here? mix tape. Alstadt Echo also runs his own Detroit imprint known as Modern Cathedrals, an ode to the concept of cathedrals of sound, the place where this music belongs. More

The fifth Modern Cathedrals release by Altstadt Echo seeks to exhume genuine, complex, and often contradictory human emotion from dead samples and broken beat structures. Throughout the 1905 EP, the artist crafts melodies that embody a tension between nostalgia and frustration, supported by carefully textured and relatively functional percussion. The remix of “Dry Despair” by Abdulla Rashim (AR) strips the original of its lofty chords, instead pursuing a focused and bone-dry experimental techno approach. In contrast, the remix by Stave combines elements of the original’s drifting atmosphere with violent industrial percussion.
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The second release on Modern Cathedrals includes an original mix by Altstadt Echo supplemented with remixes crafted by Donor, Luigi Tozzi, and Asop. The inclusion of Donor's remix represents a continued effort to link together the Detroit and Brooklyn scenes, while the Luigi Tozzi remix connects Modern Cathedrals to the ghastly, dark styles of techno that Italian artists have become so respected for. As a core member of the Modern Cathedrals team and a primary force behind the label's event series, Asop's remix is the very first public release of work by this incredible new Detroit-based artist. But while the artist names change from record to record, the philosophy does not. We continue in a desperate attempt to generate meaning during the short spasm of a lifetime we are given in a world that seems to conspire to prevent this effort's realization. This situation might be inescapable, but through the rejection of complacency and dogma, we can approach our end with the bitter comfort that we were at least willing to be honest about our situation. More

The fifth Modern Cathedrals release by Altstadt Echo seeks to exhume genuine, complex, and often contradictory human emotion from dead samples and broken beat structures. Throughout the 1905 EP, the artist crafts melodies that embody a tension between nostalgia and frustration, supported by carefully textured and relatively functional percussion. The remix of “Dry Despair” by Abdulla Rashim (AR) strips the original of its lofty chords, instead pursuing a focused and bone-dry experimental techno approach. In contrast, the remix by Stave combines elements of the original’s drifting atmosphere with violent industrial percussion.
More

The second release on Modern Cathedrals includes an original mix by Altstadt Echo supplemented with remixes crafted by Donor, Luigi Tozzi, and Asop. The inclusion of Donor's remix represents a continued effort to link together the Detroit and Brooklyn scenes, while the Luigi Tozzi remix connects Modern Cathedrals to the ghastly, dark styles of techno that Italian artists have become so respected for. As a core member of the Modern Cathedrals team and a primary force behind the label's event series, Asop's remix is the very first public release of work by this incredible new Detroit-based artist. But while the artist names change from record to record, the philosophy does not. We continue in a desperate attempt to generate meaning during the short spasm of a lifetime we are given in a world that seems to conspire to prevent this effort's realization. This situation might be inescapable, but through the rejection of complacency and dogma, we can approach our end with the bitter comfort that we were at least willing to be honest about our situation. More