As we approach the threshold leading us back to the Black Lodge on our transformative 8th journey, we are escorted through and beyond the mystical portal by the vigorous and fierce forces of Sneaker. Portrait in House is a collection of 3 resonant works, which are unified into a singular vision within its uncanny language that is rooted deeply in the foundations of Jak, New Beat, EBM, and Wave. Existing inside the liminal spaces of where light meets dark, we are presented with a documentation of dissonance and harmony. We begin our voyage with Jihad, a sluggish and slogging piece that unforgivingly drags us through the grime and the dirt in a ritualistic fashion that would have the ghost of Georges Bataille dancing in circles. Voices call out and howl into the dark as the drum patterns of the 707 rhythmically grasps onto its anarchic components. In the dark, we can see the light beyond the known universe. In the words of Sneaker "The name is not our message, but a document of an evident, traditional concept in (y)our world." As we find ourselves sprawled out on the ground following the 1st sonic stanza, a menacing voice bellows and warns that this is a Sax Track. Referencing Chicago icon Lil Louis, this work juxtaposes classical elements of house music together with the bare knuckled spirit of Jak. A magical spell led by disharmonious Portasound FM keys in conversation with a teetering sub bass, where at its core, this plus this, equals something that is uniquely familiar and unfamiliar at the same time. A number fit for any uncanny ritual that will fall under the night sky. Bringing our cosmic procession to a close we pick up the pace with a commanding number titled, Dance On, a no holds barred work that will possess your soul in the name of Jak. Flangers wail unforgivingly alongside a pulsating 101, as samples of the human voice are chopped up and arranged into a conversation that hypnotically calls for our bodies to be transformed into soft machines, while powered by ceremonious motions that are generated from the liberating process of ritual movement. We command you to dance! Words by Justin Aulis Long

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The dark beast descends on Deep Cover's enclave with a curious quartet of teutonic tweaks from the valley of the clueless. Scandinavian love on German waves of time. A Mediterranean salutation to a cruising Colombian."

12" with insert in stickered sleeve

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THE LIGHTS, THE HEAT, THE STROBE, THE SWEAT! Just in time for the club season, Sneaker hands in two ten-minute trips containing the darkest secrets of dance music. And for the working DJ, there are 4 stripped-down tools on top. The Flow is the sound of tomorrow! The Flow is the sound of the 90s. But elevated to the next level. Yeah, progressive! The Flow is the sound of our heroes. The Flow is the sound of NY and Boccaccio wrought into DEEP BEAT. The Flow is the mellow of LB and the trip of Andrew. May they rest in heaven's glory on the wings of eternity! The Flow is the endless vibe of Josh's groove and the elegant abyss of Murk ensouled with celestial angels. The Flow switches paradigm into the extravaganza synthesis of Dazzle Ships. Ain't nuthin but a 909, an Emulator and a Studer. Cream of the crop. Plus the immersive soul of Yvonne drawing from half a century of light, heat, strobe and sweat. And the vision of a continental producer, whose perspective is timeless, deep, and loving. The Flow is a utopia, where clubs exist. - And flourish!

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Sneaker delivering a quartet of insane analog rhythm/drum tracks that will make your wettest dj dreams come true. The Rhythm Composer EP is the culmination of two's years of painstaking refining. The result? Four pieces on one amazing sounding vinyl cut filled with warm, round bass, harsh snares and crashing cymbals from the Jacob Korn-custom-built RC-808 drum machine. The artist: 'to me the 12'' already is my statement of craftsmanship, my masterpiece in saturation and sound shaping. The tracks are stripped down to the bone - only drums. Constantly in movement. Through valve, flanger and cassette. Simple, yet complex. A timeless document of percussion, an ode to the beat.' Feeling is believing.

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Sneaker ist heir. Edit God. Edit Goddess. Macho macho Watumba. Really really really Magic Fly. Do it Do it Do it King. Panzer Peoples heil de neu Deutsche Meister ov Edits.

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Sneaker is going deep with his interpretation of Rai music on RAT 6. ''Rai is a type of Algerian popular music that arose in the 1920s in the Algerian city of Oran, back then known as ''little Paris'', it was a melting pot of various cultures, full of nightclubs and cabarets, it was the place to go for a bawdy good time. Out of this milieu arose a group of Male and Female Muslim singers, who rejected the refined, classical poetry of traditional Algerian music. Instead, to the accompaniment of pottery drums and end-blown flutes , they sang about the adversity of urban life in a raw, gritty, sometimes vulgar, and inevitably controversial language that appealed especially to the socially and economically disadvantaged.'' sounds like the definition of Rat Life! Put some drum machine patterns on top of it and here we go: long overdue Sneaker solo EP on Rat Life Records!

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Sneaker's first solo EP for Uncanny Valley is a record of high humidity. The Java / Sumatra EP evolved in large parts in Indonesia when Sneaker lived there for almost a year and it literally conveys the Indonesian heat to dance floors in the rest of the world. Compared to his Acid House-inspired "You Think You Think" which was featured on the Uncanny Valley 004 compilation, this four new tracks show another, rather dark, Pop and New Wave side of Sneaker. The "Java Island" side starts with "White Glow" where a serious percussion workout is blended together with the sharp electric guitar by Indonesian guitarist Al Goz. Backed up by Sneaker's typical drum work, Slovakian singer Helena and Sneaker himself are dreaming of that mystical light. In "Misty Mirror", it seems like Sneaker is speaking to his reflection in the mirror and trying to figure out what he is seeing there. The track is as relentless as it is bittersweet wit h its st umbling dark bass synth and the bell-like melody before the pads bring things to an almost orchestral end. "Sumatra Rain" again features Al Goz, this time on the Bamboo Flute, Guitar and with a poem in West-Sumatran Minang Language. The track can be read as a meditation on the fact that if it rains in Indonesia, it pours. At the same time it is an irresistible dance floor killer that sometimes feels like "I Feel Love" for modern clubs with its ongoing octave bass and an uncompromising kick drum. Eventually, "Run To You" stands in the tradition of love song duets like "Je T'aime...Moi Non Plus". You simply cannot forget this catchy synth melody. This is pop music for people that like Italo Disco and Chicago House and rounds up the EP in a charming way. The artwork is by courtesy of Uncanny Valley regular Robert Arnold aka Cuthead.



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