Tracklist:
A1 Fair Weather 6:25 min B1 Black Mountain College 5:56 min B2 Brown And Beige 6:44
min C1 Rive Gauche 6:12 min C2 Nostalgic Tyme 6:07 min D1 Cable Knit 5:45 min D2 Stateside
6:08 min
Info:
For all of his life Berlin based musician Drei Farben House has been thrilled by the artistic concepts of
repetition and modifying resemblances. Small but precise and perceptible variations of (musical)
themes have been fascinating him throughout his life as a lover of dance-infused Pop. The artistic
concept of handwriting has been questioned in the world of fine arts with some justification, but
Michael Siegle aka Drei Farben House has remained a strong advocate of this artistic principle which
in his view has resulted in so many impressive musical expressions in the history of Soul and Disco –
reference points which have been particularly important to Siegle's creative work.
The album's sleeve shows the 'Doris and Norman Fisher House' in Hatboro (a suburb of Philadelphia)
designed by Louis I. Kahn from 1960-1967. Kahn, based in Philadelphia and one of the most
influential architects of the twentieth century, was already in his sixties and progressively getting
famous around this time for his sensitive combination of concrete and brick in larger scales. The
almost spiritual sensibility of his buildings and his poetry of light created deep, fundamental
connections between the spaces and their inhabitants.
New Release Information
“Every building must have . . . its own soul”, this famous quote of Kahn can easily be seen in the
modest and wonderfully warm Fisher house which consits of two intersecting cubic volumes created
from cedar wood – finished at the same time when only twenty miles away the newly founded Sigma
Sound Studio recorded the Delfonics first record, installing the basements of Philadelphia Soul which
was later leading to Phillysound, Disco and House.
Drei Farben House likes his new album 'Fluency Fabrics' to be seen as a piece of work using Disco as
a main inspiration source, but steers clear of aesthetically imitating the pioneering sounds of the 70s
and 80s from New York and Philadelphia. Instead, this album strongly emphasizes a claim to
contemporariness and unmistakably locates itself in the House music scene of the presence. Still, the
references to the times of classic Disco are all there: from the laid-back tempo which leaves room for
the dancers to breathe and unfold to the traditional format of a vinyl record. Remaining true to this
classic Disco format of vinyl 12”s results in certain limitations to the amount of how many tracks can be
pressed on a record without loss of quality. However, Drei Farben House considers these limitations of
format as a welcome challenge and an act of concentrating on the essence of the album.
Concept, art direction and graphic design of 'Fluency Fabrics' have been created by Till Sperrle of ITF
Grafikdesign, one the most sought after conceptual designers in the field of electronic & independent
music. The cover photograph has been photographed by the leading architectural photographer Tom
Crane. As always all tracks have been thoughtfully mastered and cut by sound engineering proficient
and vinyl expert Helmut Erler at Dubplates & Mastering. More
A1 Fair Weather 6:25 min B1 Black Mountain College 5:56 min B2 Brown And Beige 6:44
min C1 Rive Gauche 6:12 min C2 Nostalgic Tyme 6:07 min D1 Cable Knit 5:45 min D2 Stateside
6:08 min
Info:
For all of his life Berlin based musician Drei Farben House has been thrilled by the artistic concepts of
repetition and modifying resemblances. Small but precise and perceptible variations of (musical)
themes have been fascinating him throughout his life as a lover of dance-infused Pop. The artistic
concept of handwriting has been questioned in the world of fine arts with some justification, but
Michael Siegle aka Drei Farben House has remained a strong advocate of this artistic principle which
in his view has resulted in so many impressive musical expressions in the history of Soul and Disco –
reference points which have been particularly important to Siegle's creative work.
The album's sleeve shows the 'Doris and Norman Fisher House' in Hatboro (a suburb of Philadelphia)
designed by Louis I. Kahn from 1960-1967. Kahn, based in Philadelphia and one of the most
influential architects of the twentieth century, was already in his sixties and progressively getting
famous around this time for his sensitive combination of concrete and brick in larger scales. The
almost spiritual sensibility of his buildings and his poetry of light created deep, fundamental
connections between the spaces and their inhabitants.
New Release Information
“Every building must have . . . its own soul”, this famous quote of Kahn can easily be seen in the
modest and wonderfully warm Fisher house which consits of two intersecting cubic volumes created
from cedar wood – finished at the same time when only twenty miles away the newly founded Sigma
Sound Studio recorded the Delfonics first record, installing the basements of Philadelphia Soul which
was later leading to Phillysound, Disco and House.
Drei Farben House likes his new album 'Fluency Fabrics' to be seen as a piece of work using Disco as
a main inspiration source, but steers clear of aesthetically imitating the pioneering sounds of the 70s
and 80s from New York and Philadelphia. Instead, this album strongly emphasizes a claim to
contemporariness and unmistakably locates itself in the House music scene of the presence. Still, the
references to the times of classic Disco are all there: from the laid-back tempo which leaves room for
the dancers to breathe and unfold to the traditional format of a vinyl record. Remaining true to this
classic Disco format of vinyl 12”s results in certain limitations to the amount of how many tracks can be
pressed on a record without loss of quality. However, Drei Farben House considers these limitations of
format as a welcome challenge and an act of concentrating on the essence of the album.
Concept, art direction and graphic design of 'Fluency Fabrics' have been created by Till Sperrle of ITF
Grafikdesign, one the most sought after conceptual designers in the field of electronic & independent
music. The cover photograph has been photographed by the leading architectural photographer Tom
Crane. As always all tracks have been thoughtfully mastered and cut by sound engineering proficient
and vinyl expert Helmut Erler at Dubplates & Mastering. More
More records from drei farben house
1
Drei Farben House - A1 I'm Remaining Here (featuring Robert Owens) 3:47 min
2
Drei Farben House - A2 Material Detective 6:19 min
3
Drei Farben House - A3 Karyn's Dance 5:29 min
4
Drei Farben House - B1 Smother (featuring Mavin) 3:45 min
5
Drei Farben House - B2 Here (Knowledge And Wisdom) 6:18 min
6
Drei Farben House - B3 Breakfast Rush 5:46 min
LP, ALBUM
Tracklist: A1 I'm Remaining Here (featuring Robert Owens) 3:47 min A2 Material Detective 6:19 min
A3 Karyn's Dance 5:29 min B1 Smother (featuring Mavin) 3:45 min B2 Here (Knowledge And
Wisdom) 6:18 min B3 Breakfast Rush 5:46 min
Info about the music:
The Soulpop Continuum – by Arno Raffeiner
Six songs, one sound signature, one vision. Supreme Beats Series by Drei Farben House is an album
that firmly stands in the tradition of the big records of the disco era: a vinyl disc full of kicks and licks,
just as much as two sides in amazing sound quality can hold.
The album is the latest work of Michael Siegle, the Berlin-based producer and owner of Tenderpark
Records. 13 years after Drei Farben House's first full-length on the acclaimed Force Tracks label, it
features contributions by singer and songwriter Mavin and none other than Robert Owens who's voice
shaped house music forever. The trademark sonic elegance of Drei Farben House blends perfectly
with the timbre of the man behind Fingers Inc.'s Mysteries Of Love. Siegle's work as a producer is not
so much about turning this rich heritage upside down, but about refining it and creating a space within
that realm that's very much his own.
The title of the opening song with Owens states it: I’m Remaining Here. And Supreme Beats Series
invites you to come over and stay there, too, in a refuge of class and funkiness. The record offers
dense layers of rhythm, vintage keyboard sounds, chucking guitar, and vocal samples that indulge in a
many-voiced conversation. Not to forget the prominent, singing rather than walking bass lines
performed by the hands of Michael Siegle himself with his bass guitar.
New Release Information
You could think of Supreme Beats Series as a cross-section in time and space. It allows you to take a
closer look at the here and now of a much bigger picture, both aesthetically and socially. Siegle uses
the vocabulary of house music in a way that transcends its conception as merely a genre and speaks
of the historic evolution and the profound roots of this music as a movement. His record takes
inspiration from 60s Motown hits as well as the blue eyed soul of the 80s, you can discover influences
ranging from Philly's pre-disco craze to new jack swing and on to the heyday when house-pop divas
stormed the charts. By drawing these lines, Siegle deliberately opens up the space of a visionary
Soulpop Continuum.
In the 1950s, the American issue of Vogue magazine had their say about Coco Chanel's work and its
ever-lasting impression on fashion and design. They claimed it was all about “infinite variety within
narrow limits,“ and meant that as a compliment, of course. Michael Siegle likes to think about Drei
Farben House in a similar way. And you should, too.
Info about the artwork:
As far as the cover artwork of 'Supreme Beats Series‘ is concerned, the release of Drei Farben
House’s new album shows the second part of an image series which has been started with TDPR
release # 021 and which revolves around architectural photos taken by Achim Valbracht. Tenderpark
art director Till Sperrle and photographer Achim Valbracht like these pictures of various commercial
buildings erected in Berlin in the 1990s to be seen as a critique of investor-driven architecture which
has been dominating Berlin for several decades now.
The fascination of these pictures lies in their ambivalence of staging a normalised and globally
standardised kind of beauty, but at the same time revealing a strong sense of isolation - noticeable not
only but also in the absence of human beings. This new series of images is to some extent a
continuation of art director Till Sperrle's and label manager Michael Siegle’s interest in architectural
photography. However, at the same time the photo series also embodies a new angle on the subject
since all previous picture series on Tenderpark had been an affirmation of socially progressive
architecture which expressed a longing for socio-cultural utopia. More
Tracklist: A1 I'm Remaining Here (featuring Robert Owens) 3:47 min A2 Material Detective 6:19 min
A3 Karyn's Dance 5:29 min B1 Smother (featuring Mavin) 3:45 min B2 Here (Knowledge And
Wisdom) 6:18 min B3 Breakfast Rush 5:46 min
Info about the music:
The Soulpop Continuum – by Arno Raffeiner
Six songs, one sound signature, one vision. Supreme Beats Series by Drei Farben House is an album
that firmly stands in the tradition of the big records of the disco era: a vinyl disc full of kicks and licks,
just as much as two sides in amazing sound quality can hold.
The album is the latest work of Michael Siegle, the Berlin-based producer and owner of Tenderpark
Records. 13 years after Drei Farben House's first full-length on the acclaimed Force Tracks label, it
features contributions by singer and songwriter Mavin and none other than Robert Owens who's voice
shaped house music forever. The trademark sonic elegance of Drei Farben House blends perfectly
with the timbre of the man behind Fingers Inc.'s Mysteries Of Love. Siegle's work as a producer is not
so much about turning this rich heritage upside down, but about refining it and creating a space within
that realm that's very much his own.
The title of the opening song with Owens states it: I’m Remaining Here. And Supreme Beats Series
invites you to come over and stay there, too, in a refuge of class and funkiness. The record offers
dense layers of rhythm, vintage keyboard sounds, chucking guitar, and vocal samples that indulge in a
many-voiced conversation. Not to forget the prominent, singing rather than walking bass lines
performed by the hands of Michael Siegle himself with his bass guitar.
New Release Information
You could think of Supreme Beats Series as a cross-section in time and space. It allows you to take a
closer look at the here and now of a much bigger picture, both aesthetically and socially. Siegle uses
the vocabulary of house music in a way that transcends its conception as merely a genre and speaks
of the historic evolution and the profound roots of this music as a movement. His record takes
inspiration from 60s Motown hits as well as the blue eyed soul of the 80s, you can discover influences
ranging from Philly's pre-disco craze to new jack swing and on to the heyday when house-pop divas
stormed the charts. By drawing these lines, Siegle deliberately opens up the space of a visionary
Soulpop Continuum.
In the 1950s, the American issue of Vogue magazine had their say about Coco Chanel's work and its
ever-lasting impression on fashion and design. They claimed it was all about “infinite variety within
narrow limits,“ and meant that as a compliment, of course. Michael Siegle likes to think about Drei
Farben House in a similar way. And you should, too.
Info about the artwork:
As far as the cover artwork of 'Supreme Beats Series‘ is concerned, the release of Drei Farben
House’s new album shows the second part of an image series which has been started with TDPR
release # 021 and which revolves around architectural photos taken by Achim Valbracht. Tenderpark
art director Till Sperrle and photographer Achim Valbracht like these pictures of various commercial
buildings erected in Berlin in the 1990s to be seen as a critique of investor-driven architecture which
has been dominating Berlin for several decades now.
The fascination of these pictures lies in their ambivalence of staging a normalised and globally
standardised kind of beauty, but at the same time revealing a strong sense of isolation - noticeable not
only but also in the absence of human beings. This new series of images is to some extent a
continuation of art director Till Sperrle's and label manager Michael Siegle’s interest in architectural
photography. However, at the same time the photo series also embodies a new angle on the subject
since all previous picture series on Tenderpark had been an affirmation of socially progressive
architecture which expressed a longing for socio-cultural utopia. More
Drei Farben House returns on Tenderpark with his third album 'Choice Item', consisting of eight light-footed slices of Soul and Disco as perceived through Housetinted glasses. Most cuts on 'Choice Item' are based on Philly grooves - born out of a deep respect and love for the Philadelphia Soul tracks of the late 70s and early 80s. It's from this period that Michael Siegle (aka Drei Farben House) draws his inspiration for this long player. As Soul and Disco lost their initial freshness and novelty, the music matured into something warmer - which perhaps already contained a sense of its own passing. Drei Farben House delves into this feeling, delivering an album as warm and welcoming as a late summer or early autumn afternoon. Each track sees Siegle balancing Pop sensibilities within a House music context - re-contextualising the commercial Soul music of the last decades. Taking snippets of this glorious musical past and feeding them through Drei Farben House's colourful prism results in the creation of something new and fresh: Part homage to the Pop/Soul sensibilities of the commercial side of Afro-American music, part forward-thinking House album. The record is also an expression of Drei Farben House's love for two particular instruments - the warm, muted sound of the acoustic snare drum and the dynamic tones of the bass guitar - both of which were dominant during the Philly era and which feature heavily throughout this record and thus fully complement Siegle's soft, emotive vocals. The sublime artwork comes courtesy of long-time Tenderpark collaborator Till Sperrle. With the recent Tenderpark release photography based on details of a building by Pierre Vago in Berlin's Hansaviertel, the new artwork decorating 'Choice Item' now makes use of a modernist building from the era of the former GDR (DDR) in Jena called 'Glashaus Paradies'.
More
Drei Farben House brings us Soul with smooth textures and softly shining tones. Crew Neck is indeed a wonderfully round House affair which boasts subtle Disco and Soul references and spins in a relaxed but powerful way. On Sartorial Realism Drei Farben House tailors an equally funky beat costume and decorates it with classic House chords and heavenly female vocals. Two deep House bombs and a very felicitous continuation of Tenderparks musical understanding
More
More
More records from tenderpark
1
Drei Farben House - A1 I'm Remaining Here (featuring Robert Owens) 3:47 min
2
Drei Farben House - A2 Material Detective 6:19 min
3
Drei Farben House - A3 Karyn's Dance 5:29 min
4
Drei Farben House - B1 Smother (featuring Mavin) 3:45 min
5
Drei Farben House - B2 Here (Knowledge And Wisdom) 6:18 min
6
Drei Farben House - B3 Breakfast Rush 5:46 min
LP, ALBUM
Tracklist: A1 I'm Remaining Here (featuring Robert Owens) 3:47 min A2 Material Detective 6:19 min
A3 Karyn's Dance 5:29 min B1 Smother (featuring Mavin) 3:45 min B2 Here (Knowledge And
Wisdom) 6:18 min B3 Breakfast Rush 5:46 min
Info about the music:
The Soulpop Continuum – by Arno Raffeiner
Six songs, one sound signature, one vision. Supreme Beats Series by Drei Farben House is an album
that firmly stands in the tradition of the big records of the disco era: a vinyl disc full of kicks and licks,
just as much as two sides in amazing sound quality can hold.
The album is the latest work of Michael Siegle, the Berlin-based producer and owner of Tenderpark
Records. 13 years after Drei Farben House's first full-length on the acclaimed Force Tracks label, it
features contributions by singer and songwriter Mavin and none other than Robert Owens who's voice
shaped house music forever. The trademark sonic elegance of Drei Farben House blends perfectly
with the timbre of the man behind Fingers Inc.'s Mysteries Of Love. Siegle's work as a producer is not
so much about turning this rich heritage upside down, but about refining it and creating a space within
that realm that's very much his own.
The title of the opening song with Owens states it: I’m Remaining Here. And Supreme Beats Series
invites you to come over and stay there, too, in a refuge of class and funkiness. The record offers
dense layers of rhythm, vintage keyboard sounds, chucking guitar, and vocal samples that indulge in a
many-voiced conversation. Not to forget the prominent, singing rather than walking bass lines
performed by the hands of Michael Siegle himself with his bass guitar.
New Release Information
You could think of Supreme Beats Series as a cross-section in time and space. It allows you to take a
closer look at the here and now of a much bigger picture, both aesthetically and socially. Siegle uses
the vocabulary of house music in a way that transcends its conception as merely a genre and speaks
of the historic evolution and the profound roots of this music as a movement. His record takes
inspiration from 60s Motown hits as well as the blue eyed soul of the 80s, you can discover influences
ranging from Philly's pre-disco craze to new jack swing and on to the heyday when house-pop divas
stormed the charts. By drawing these lines, Siegle deliberately opens up the space of a visionary
Soulpop Continuum.
In the 1950s, the American issue of Vogue magazine had their say about Coco Chanel's work and its
ever-lasting impression on fashion and design. They claimed it was all about “infinite variety within
narrow limits,“ and meant that as a compliment, of course. Michael Siegle likes to think about Drei
Farben House in a similar way. And you should, too.
Info about the artwork:
As far as the cover artwork of 'Supreme Beats Series‘ is concerned, the release of Drei Farben
House’s new album shows the second part of an image series which has been started with TDPR
release # 021 and which revolves around architectural photos taken by Achim Valbracht. Tenderpark
art director Till Sperrle and photographer Achim Valbracht like these pictures of various commercial
buildings erected in Berlin in the 1990s to be seen as a critique of investor-driven architecture which
has been dominating Berlin for several decades now.
The fascination of these pictures lies in their ambivalence of staging a normalised and globally
standardised kind of beauty, but at the same time revealing a strong sense of isolation - noticeable not
only but also in the absence of human beings. This new series of images is to some extent a
continuation of art director Till Sperrle's and label manager Michael Siegle’s interest in architectural
photography. However, at the same time the photo series also embodies a new angle on the subject
since all previous picture series on Tenderpark had been an affirmation of socially progressive
architecture which expressed a longing for socio-cultural utopia. More
Tracklist: A1 I'm Remaining Here (featuring Robert Owens) 3:47 min A2 Material Detective 6:19 min
A3 Karyn's Dance 5:29 min B1 Smother (featuring Mavin) 3:45 min B2 Here (Knowledge And
Wisdom) 6:18 min B3 Breakfast Rush 5:46 min
Info about the music:
The Soulpop Continuum – by Arno Raffeiner
Six songs, one sound signature, one vision. Supreme Beats Series by Drei Farben House is an album
that firmly stands in the tradition of the big records of the disco era: a vinyl disc full of kicks and licks,
just as much as two sides in amazing sound quality can hold.
The album is the latest work of Michael Siegle, the Berlin-based producer and owner of Tenderpark
Records. 13 years after Drei Farben House's first full-length on the acclaimed Force Tracks label, it
features contributions by singer and songwriter Mavin and none other than Robert Owens who's voice
shaped house music forever. The trademark sonic elegance of Drei Farben House blends perfectly
with the timbre of the man behind Fingers Inc.'s Mysteries Of Love. Siegle's work as a producer is not
so much about turning this rich heritage upside down, but about refining it and creating a space within
that realm that's very much his own.
The title of the opening song with Owens states it: I’m Remaining Here. And Supreme Beats Series
invites you to come over and stay there, too, in a refuge of class and funkiness. The record offers
dense layers of rhythm, vintage keyboard sounds, chucking guitar, and vocal samples that indulge in a
many-voiced conversation. Not to forget the prominent, singing rather than walking bass lines
performed by the hands of Michael Siegle himself with his bass guitar.
New Release Information
You could think of Supreme Beats Series as a cross-section in time and space. It allows you to take a
closer look at the here and now of a much bigger picture, both aesthetically and socially. Siegle uses
the vocabulary of house music in a way that transcends its conception as merely a genre and speaks
of the historic evolution and the profound roots of this music as a movement. His record takes
inspiration from 60s Motown hits as well as the blue eyed soul of the 80s, you can discover influences
ranging from Philly's pre-disco craze to new jack swing and on to the heyday when house-pop divas
stormed the charts. By drawing these lines, Siegle deliberately opens up the space of a visionary
Soulpop Continuum.
In the 1950s, the American issue of Vogue magazine had their say about Coco Chanel's work and its
ever-lasting impression on fashion and design. They claimed it was all about “infinite variety within
narrow limits,“ and meant that as a compliment, of course. Michael Siegle likes to think about Drei
Farben House in a similar way. And you should, too.
Info about the artwork:
As far as the cover artwork of 'Supreme Beats Series‘ is concerned, the release of Drei Farben
House’s new album shows the second part of an image series which has been started with TDPR
release # 021 and which revolves around architectural photos taken by Achim Valbracht. Tenderpark
art director Till Sperrle and photographer Achim Valbracht like these pictures of various commercial
buildings erected in Berlin in the 1990s to be seen as a critique of investor-driven architecture which
has been dominating Berlin for several decades now.
The fascination of these pictures lies in their ambivalence of staging a normalised and globally
standardised kind of beauty, but at the same time revealing a strong sense of isolation - noticeable not
only but also in the absence of human beings. This new series of images is to some extent a
continuation of art director Till Sperrle's and label manager Michael Siegle’s interest in architectural
photography. However, at the same time the photo series also embodies a new angle on the subject
since all previous picture series on Tenderpark had been an affirmation of socially progressive
architecture which expressed a longing for socio-cultural utopia. More
Tracklist:
A1 Passenger Seat Driver (Hodini Remix) 8:04 min B1 Passenger Seat Driver 6:03 min B2 Running 6:50 min
Info:
After moving from London to Berlin Cromby is back on Tenderpark with his second EP for the vinyl label. The young man recreates our love for Deep House with two sample-based tracks which showcase his ever advancing skills with the old school Akai sampler MPC 2000 XL as well as his cool understanding of mixing haunting melodies with gripping groove patterns. The remix on the flip side comes from Hip-Hop super producer gone House lover Hodini who has collaborated with the talented bass player Chez Kerim for this funky workout.
The cover image shot by Achim Valbracht is the start of a new artwork series developed by Tenderpark art director Till Sperrle which revolves around critique of investor-driven architechture that has been dominating Berlin for several decades now. The speciously precious and glittering image displays a normalised and globally standardised kind of beauty but at the same time reveals a strong sense of loneliness.
As always both the mastering and as well as the lacquer cut of this record have been carefully executed by vinyl sound mastermind Helmut Erler at Dubplates & Mastering.
More
A1 Passenger Seat Driver (Hodini Remix) 8:04 min B1 Passenger Seat Driver 6:03 min B2 Running 6:50 min
Info:
After moving from London to Berlin Cromby is back on Tenderpark with his second EP for the vinyl label. The young man recreates our love for Deep House with two sample-based tracks which showcase his ever advancing skills with the old school Akai sampler MPC 2000 XL as well as his cool understanding of mixing haunting melodies with gripping groove patterns. The remix on the flip side comes from Hip-Hop super producer gone House lover Hodini who has collaborated with the talented bass player Chez Kerim for this funky workout.
The cover image shot by Achim Valbracht is the start of a new artwork series developed by Tenderpark art director Till Sperrle which revolves around critique of investor-driven architechture that has been dominating Berlin for several decades now. The speciously precious and glittering image displays a normalised and globally standardised kind of beauty but at the same time reveals a strong sense of loneliness.
As always both the mastering and as well as the lacquer cut of this record have been carefully executed by vinyl sound mastermind Helmut Erler at Dubplates & Mastering.
More
1
alex agore - don't make me
2
alex agore - tru luv
3
alex agore - vanity beat
Tracklist:
A1 Don't Make Me 06:59 min B1 Tru Luv 08:29 min B2 Vanity Beat 01:08 min
Info:
2016 Repress. 140 gramm vinyl. Alex Agore and Tenderpark - it just had to happen. Although Alex is not all soft and tender, above his tuff and powerful Garage beats it's all sweetness. With his sugary chords and piano hooks as well as heavenly soul vocals Alex demonstrates his deep love for harmonic richness and melodic sensitivity. A passion for the soulful side of House and a soft spot for Pop - that's what Alex and Tenderpark share and what makes them a perfect team. And a little bit of relaxed instrumental Hip Hop is the icing on the cake of this record and another joint love between the two.
More
A1 Don't Make Me 06:59 min B1 Tru Luv 08:29 min B2 Vanity Beat 01:08 min
Info:
2016 Repress. 140 gramm vinyl. Alex Agore and Tenderpark - it just had to happen. Although Alex is not all soft and tender, above his tuff and powerful Garage beats it's all sweetness. With his sugary chords and piano hooks as well as heavenly soul vocals Alex demonstrates his deep love for harmonic richness and melodic sensitivity. A passion for the soulful side of House and a soft spot for Pop - that's what Alex and Tenderpark share and what makes them a perfect team. And a little bit of relaxed instrumental Hip Hop is the icing on the cake of this record and another joint love between the two.
More
1
cromby - the good shit
2
cromby - planets
3
cromby - smoke & bubbles
Tracklist:
A1 The Good Shit 5:58 min B1 Planets 5:52 min B2 Smoke & Bubbles 6:04 min
Info:
Cromby is an exciting addition to the London House music scene: Originally hailing from Belfast he has made camp in the British capital and brought his MPC 2000 XL with him. The young man who has grown up listening to Chez Damier and Moodymann makes use of the Japanese sampler from Akai in
a highly fresh and creative way combining raw drums with sweet and melancholic pads and chords. On his 'Planets And Parks EP' Cromby displays a very nice balance between a traditional Deep House understanding and a forward thinking attitude and is thus just perfect for Tenderparks's idea of
musicality. As far as the artwork of the record is concerned the beautiful black and white image is the last part of Tenderpark's current series concieved by art director Till Sperrle and photographer Magdalena Bichler. And as you've come to expect from Tenderpark all tracks have been mastered
and cut by Helmut Erler at Dubplates & Mastering once more. More
A1 The Good Shit 5:58 min B1 Planets 5:52 min B2 Smoke & Bubbles 6:04 min
Info:
Cromby is an exciting addition to the London House music scene: Originally hailing from Belfast he has made camp in the British capital and brought his MPC 2000 XL with him. The young man who has grown up listening to Chez Damier and Moodymann makes use of the Japanese sampler from Akai in
a highly fresh and creative way combining raw drums with sweet and melancholic pads and chords. On his 'Planets And Parks EP' Cromby displays a very nice balance between a traditional Deep House understanding and a forward thinking attitude and is thus just perfect for Tenderparks's idea of
musicality. As far as the artwork of the record is concerned the beautiful black and white image is the last part of Tenderpark's current series concieved by art director Till Sperrle and photographer Magdalena Bichler. And as you've come to expect from Tenderpark all tracks have been mastered
and cut by Helmut Erler at Dubplates & Mastering once more. More
Tracklist:
A1 Mi Casa (Drei Farben House Version) 6:45 min A2 Mi Casa 6:30 min
B1 House Arrest 5:21 min B2 Mi Casa (Roman Rauch Remix) 7:41 min
Info:
Embezzlement Society takes us back to the early days of 80s Hip-Hop with his 'Rough Quarters EP'.
On his record the man from Belfast heavily relies on Funk-based drum loops as were popular in the
glorious days of old school Hip-Hop. The results are two super casual tracks with a cool Hip-House
attitude – just perfect for Hip-House lover Drei Farben House who took the chance to contribute a
remix in his slick and smooth style, merging the raw drums with some tender Rhodes. Tenderpark
regular Roman Rauch finishes off the EP and slows down the tempo in his remix concentrating on the
originals of the samples and displaying his mastery with the MPC once more. As always all tracks
have been mastered and cut by Helmut Erler at Dubplates & Mastering. More
A1 Mi Casa (Drei Farben House Version) 6:45 min A2 Mi Casa 6:30 min
B1 House Arrest 5:21 min B2 Mi Casa (Roman Rauch Remix) 7:41 min
Info:
Embezzlement Society takes us back to the early days of 80s Hip-Hop with his 'Rough Quarters EP'.
On his record the man from Belfast heavily relies on Funk-based drum loops as were popular in the
glorious days of old school Hip-Hop. The results are two super casual tracks with a cool Hip-House
attitude – just perfect for Hip-House lover Drei Farben House who took the chance to contribute a
remix in his slick and smooth style, merging the raw drums with some tender Rhodes. Tenderpark
regular Roman Rauch finishes off the EP and slows down the tempo in his remix concentrating on the
originals of the samples and displaying his mastery with the MPC once more. As always all tracks
have been mastered and cut by Helmut Erler at Dubplates & Mastering. More
1
borrowed identity & mechanical soul brot - groove on
2
borrowed identity & mechanical soul brot - all night long
3
borrowed identity & mechanical soul brot - dance with us
Tracklist: A Groove On 7:35 min B1 All Night Long 7:29 min B2 Dance With Us 6:27 min
Info:
There is quite a charming story of mutual love between Borrowed Identity and Tenderpark behind this record. The two have been exchanging letters of enthusiasm for each other for quite some time. And so the idea of this joint record has grown very naturally. For the 'Caps and Chords EP' Borrowed Identity teams up with his longtime musical partner Mechanical Soul Brother once more. As the title of the EP suggests, the two studio wizards come up with three very elegant Deep House tracks which are indulging in tender chords complemented by sweet Soul vocals und Funk samples. Add Borrowed's powerful trademark beats and you get an incredibly accomplished Deep House release which reflects the two men's mastery and perfectly fits Tenderpark's musical route. As always all tracks have been mastered and cut by Helmut Erler at Dubplates & Mastering.
More
Info:
There is quite a charming story of mutual love between Borrowed Identity and Tenderpark behind this record. The two have been exchanging letters of enthusiasm for each other for quite some time. And so the idea of this joint record has grown very naturally. For the 'Caps and Chords EP' Borrowed Identity teams up with his longtime musical partner Mechanical Soul Brother once more. As the title of the EP suggests, the two studio wizards come up with three very elegant Deep House tracks which are indulging in tender chords complemented by sweet Soul vocals und Funk samples. Add Borrowed's powerful trademark beats and you get an incredibly accomplished Deep House release which reflects the two men's mastery and perfectly fits Tenderpark's musical route. As always all tracks have been mastered and cut by Helmut Erler at Dubplates & Mastering.
More
Tracklist: A1 Whip Me Up 5:51min A2 Whip Me Up (CMAT Remix) 6:04 min B High Noon 6:55 min
Info:
Tenderpark celebrates its 15th release with new signing Tilman. On his Mild Western EP the young man from Mainz pleases with two very funky and soulful House tracks which just perfectly fit the label's musical philosophy. This is Deep House with a strong sense for the music's roots in Soul and
Disco implemented in a decidedly modern and fresh fashion. The remix of Tilman's track “Whip Me Up” comes from CMAT who is quite a well-known artist having released on Tenderpark before and who will soon come up with a new record on the label. CMAT is still a secret alias of his, but his identity will
be revealed soon. With catalogue number 015, Tenderpark also initiates a new artwork series once again concieved by the label's art director Till Sperrle, this time cooperating with photographer Magdalena Bichler from Berlin. The picture series will continue Tenderpark's interest in the interaction of artificial and natural as seen in the interplay of landscape and architecture. More
Info:
Tenderpark celebrates its 15th release with new signing Tilman. On his Mild Western EP the young man from Mainz pleases with two very funky and soulful House tracks which just perfectly fit the label's musical philosophy. This is Deep House with a strong sense for the music's roots in Soul and
Disco implemented in a decidedly modern and fresh fashion. The remix of Tilman's track “Whip Me Up” comes from CMAT who is quite a well-known artist having released on Tenderpark before and who will soon come up with a new record on the label. CMAT is still a secret alias of his, but his identity will
be revealed soon. With catalogue number 015, Tenderpark also initiates a new artwork series once again concieved by the label's art director Till Sperrle, this time cooperating with photographer Magdalena Bichler from Berlin. The picture series will continue Tenderpark's interest in the interaction of artificial and natural as seen in the interplay of landscape and architecture. More
UPC: 827170574663 Release: 24.11.2014
Tracklist: A Let's Do It In The Morning 6:23 min B1 Breakdown The Love Stoned 6:01 min B2 I Should Have Known 5:26 min
Info:
Wow - Black Dynamite's second strike for Tenderpark ventures even more into Hip-Hop territory than his successful first EP back in 2012. Ivano Tetelepta, the man behind Black Dynamite has created three casual and well-hung tracks which form a fascinating hybrid between leftfield House and instrumental Hip-Hop. All tracks have been recorded on an oldschool analogue tape machine to create a warm vintage feeling which subtly underlines the musical deepness of these beat-centered creations.
The cover design is the second part of Tenderpark's new black and white artwork series which has been concieved by the label's art director Till Sperrle and photographer Magdalena Bichler. As with previous artworks this series illuminates the various shades and interactions between man-made and natural environments.
More
Tracklist: A Let's Do It In The Morning 6:23 min B1 Breakdown The Love Stoned 6:01 min B2 I Should Have Known 5:26 min
Info:
Wow - Black Dynamite's second strike for Tenderpark ventures even more into Hip-Hop territory than his successful first EP back in 2012. Ivano Tetelepta, the man behind Black Dynamite has created three casual and well-hung tracks which form a fascinating hybrid between leftfield House and instrumental Hip-Hop. All tracks have been recorded on an oldschool analogue tape machine to create a warm vintage feeling which subtly underlines the musical deepness of these beat-centered creations.
The cover design is the second part of Tenderpark's new black and white artwork series which has been concieved by the label's art director Till Sperrle and photographer Magdalena Bichler. As with previous artworks this series illuminates the various shades and interactions between man-made and natural environments.
More
Drei Farben House returns on Tenderpark with his third album 'Choice Item', consisting of eight light-footed slices of Soul and Disco as perceived through Housetinted glasses. Most cuts on 'Choice Item' are based on Philly grooves - born out of a deep respect and love for the Philadelphia Soul tracks of the late 70s and early 80s. It's from this period that Michael Siegle (aka Drei Farben House) draws his inspiration for this long player. As Soul and Disco lost their initial freshness and novelty, the music matured into something warmer - which perhaps already contained a sense of its own passing. Drei Farben House delves into this feeling, delivering an album as warm and welcoming as a late summer or early autumn afternoon. Each track sees Siegle balancing Pop sensibilities within a House music context - re-contextualising the commercial Soul music of the last decades. Taking snippets of this glorious musical past and feeding them through Drei Farben House's colourful prism results in the creation of something new and fresh: Part homage to the Pop/Soul sensibilities of the commercial side of Afro-American music, part forward-thinking House album. The record is also an expression of Drei Farben House's love for two particular instruments - the warm, muted sound of the acoustic snare drum and the dynamic tones of the bass guitar - both of which were dominant during the Philly era and which feature heavily throughout this record and thus fully complement Siegle's soft, emotive vocals. The sublime artwork comes courtesy of long-time Tenderpark collaborator Till Sperrle. With the recent Tenderpark release photography based on details of a building by Pierre Vago in Berlin's Hansaviertel, the new artwork decorating 'Choice Item' now makes use of a modernist building from the era of the former GDR (DDR) in Jena called 'Glashaus Paradies'.
More
1
Drei Farben House, - Fluid Finish
2
Roman Rauch, - Hell Below
Drei Farben House from Berlin and Roman Rauch from Vienna first met at a gig in the ustrian capital last spring.The two guys discovered that they share a common interest in Soul and Funk music as well as digging for old vinyls on flea markets.When it comes to this joint record,it's all about the magic of soulful vocals,deep House chords and a relaxed Disco vibe. Roman's powerful beats and low frequency basses on “Hell Below ”are contrasted by soft and funky accoustic drums and a warm bass guitar which Drei Farben House chose for “Fluid Finish ” .nother classy Tenderpark trip to realms of deep musicality.
More
Drei Farben House brings us Soul with smooth textures and softly shining tones. Crew Neck is indeed a wonderfully round House affair which boasts subtle Disco and Soul references and spins in a relaxed but powerful way. On Sartorial Realism Drei Farben House tailors an equally funky beat costume and decorates it with classic House chords and heavenly female vocals. Two deep House bombs and a very felicitous continuation of Tenderparks musical understanding
More
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Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
Label:Systematic Recordings
Cat-No:syst0139-6
Release-Date:31.05.2024
Genre:Techno
Configuration:12" Excl
1
Extrawelt - Riverrun
2
Extrawelt - Midi Waters
12“ Vinyl
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
GENRE/S: Electro/Techno
TRACKLISTS:
A1) Extrawelt - Riverrun
B1) Extrawelt- Midi Waters
SHORT INFO:
Arne and Wayan of Extrawelt hardly need an introduction, yet their latest release is notably special as it marks their debut on Marc Romboy's Systematic Recordings imprint.
Renowned for their releases on Cocoon, Kompakt/Speicher, and Border Community, they masterfully blend techno with rich sound structures, harmonies, and intricate arrangements.
Their new track "Riverrun" features a captivating bass line that twists and transforms throughout the piece, showcasing their skills as sound architects. Alongside, "Midi Waters" delves into a darker, deeper soundscape that commands respect from Detroit Techno enthusiasts with its powerful, dystopian narrative. Experience the sound for yourself with this unique two tracker.
VITAL SALES POINTS:
- Debut EP from Extrawelt on Systematic
- Strictly limited vinyl (300 only)
- Special Sound Mastering by LUPO More
1
Rico Puestel - Volute (2024 Remaster)
2
Rico Puestel - Remembering October 3rd (2024 Remaster)
Genre: Techno, Tech-House
Tracklist 12":
A1 – Volute (2024 Remaster)
AA1 – Remembering October 3rd (2024 Remaster)
Info:
Two undeniable classics from Rico Puestel are back! Remastered in their truest idea of sound and for the first time on vinyl (AA1)!
More
Tracklist 12":
A1 – Volute (2024 Remaster)
AA1 – Remembering October 3rd (2024 Remaster)
Info:
Two undeniable classics from Rico Puestel are back! Remastered in their truest idea of sound and for the first time on vinyl (AA1)!
More
1
Tal Fussman - Freedom Defines House
2
Tal Fussman - The Royal
3
Tal Fussman - Pace
4
Tal Fussman - Even Rome Wasn't Built In A Day
Tal Fussman’s first EP for Rekids, ‘Definition’, kicks off with ‘Freedom Defines House’ - a contemporary reimagining of the classic NY house cut. Big, drummy and complete with a House-focused spoken vocal, the track channels classic Tenaglia and Vasquez sounds, just with added mix-down punch and flair.
On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.
Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level. More
On ’The Royal’, Survival Tactics label-boss Fussman runs with the expansive sound design and power percussion that feature across the whole ‘Definition’ EP but delves into Techno-influences with a soaring set of staccato strings and stabs. ‘Pace’ builds on ’The Royal’s Techno references but contrasts the captivating leads with a tunnelling, heads-down vibe created by rhythmic filtered hits. The closing track, ‘Even Rome Wasn’t Built in a Day’, wraps up the Definition’ EP neatly with a light but driving tone punctuated with yet more anthemic string sections.
Having released on Laurent Garnier’s COD3QR, Innvervisions, Drumpoet, and Dyinamic, Tal Fussman has already established himself as an artist to watch, but this memorable love letter to Detroit and debut for Radio Slave’s evergreen Rekids label sees him take things to the next level. More
1
Ali Berger - Rhythm & Simplicity
2
Ali Berger - A New World To Forget
3
Ali Berger - Tape Jam Pt. 2
4
Ali Berger - 0221 (Serious Mix)
5
Ali Berger - Motion Anthem
GENRE/S: Deep House
TRACKLISTS:
A1. Rhythm & Simplicity
A2. A New World To Forget
A3. Tape Jam Pt. 2
B1. 0221 (Serious Mix)
B2. Motion Anthem
New Jersey-born Ali Berger is a drum machine specialist and low-key US electronic music standby, now based in Pittsburgh after spending the 2010s in Boston and Detroit. His catalog of original music runs deep, with over 60 releases on his Trackland label and EPs on imprints like Spectral Sound and Sequencias, all resulting from a lovingly-cultivated studio approach which respects improvisation as a spiritual practice.
Here with this sublime release on Scissors and Thread, Ali shares a multitude of sounds and atmospheres across the five tracks. As Ali himself puts it "This record collects tracks from the last three years, plus 0221 (Serious Mix) which is from 2018. There's a full cross-section of production techniques represented here, from one-take jams to multi-tracked compositions, but through it all there's a deep melancholy which (I hope) is tempered by enough groove to be uplifting. Maintaining emotional balance takes constant, caring attention; music is a part of that process for me and these tracks reflect that."
This balancing of melancholic atmospheres and groove is evident throughout - Rhythm & Simplicity is a low key thoughtful banger for the more discerning dancefloors, while A New World To Forget also exhibits a deep love of cultured house music and analog drum machines. Tape Jam Pt 2 is the perfect mix of improvisation and pure groove, put down in a rough and gritty fashion. 0221 (Serious Mix) merges a breakbeat with pads and synths that give off a balearic sunrise vibe, while Motion Anthem wraps up the EP with a tougher groove coupled with wistful melodies and oceans of feeling.
More
TRACKLISTS:
A1. Rhythm & Simplicity
A2. A New World To Forget
A3. Tape Jam Pt. 2
B1. 0221 (Serious Mix)
B2. Motion Anthem
New Jersey-born Ali Berger is a drum machine specialist and low-key US electronic music standby, now based in Pittsburgh after spending the 2010s in Boston and Detroit. His catalog of original music runs deep, with over 60 releases on his Trackland label and EPs on imprints like Spectral Sound and Sequencias, all resulting from a lovingly-cultivated studio approach which respects improvisation as a spiritual practice.
Here with this sublime release on Scissors and Thread, Ali shares a multitude of sounds and atmospheres across the five tracks. As Ali himself puts it "This record collects tracks from the last three years, plus 0221 (Serious Mix) which is from 2018. There's a full cross-section of production techniques represented here, from one-take jams to multi-tracked compositions, but through it all there's a deep melancholy which (I hope) is tempered by enough groove to be uplifting. Maintaining emotional balance takes constant, caring attention; music is a part of that process for me and these tracks reflect that."
This balancing of melancholic atmospheres and groove is evident throughout - Rhythm & Simplicity is a low key thoughtful banger for the more discerning dancefloors, while A New World To Forget also exhibits a deep love of cultured house music and analog drum machines. Tape Jam Pt 2 is the perfect mix of improvisation and pure groove, put down in a rough and gritty fashion. 0221 (Serious Mix) merges a breakbeat with pads and synths that give off a balearic sunrise vibe, while Motion Anthem wraps up the EP with a tougher groove coupled with wistful melodies and oceans of feeling.
More
1
tornado wallace - Lonely Planet
2
tornado wallace - Trance Encounters
3
tornado wallace - Today ft. Sui Zhen
4
tornado wallace - Warp Odyssey
5
tornado wallace - Voices
6
tornado wallace - Kingdom Animalia
7
tornado wallace - Healing Feeling
2024 Repress
Tracklist:
A1. Lonely Planet A2. Trance Encounters A3. Today ft. Sui Zhen
A4. Warp Odyssey B1. Voices B2. Kingdom Animalia B3. Healing Feeling
Info:
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.
How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.
Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.
Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
More
Tracklist:
A1. Lonely Planet A2. Trance Encounters A3. Today ft. Sui Zhen
A4. Warp Odyssey B1. Voices B2. Kingdom Animalia B3. Healing Feeling
Info:
The eye of the storm: welcome to Tornado Wallace's debut album! The accumulation of about four years of work, with tracks written in Berlin and Melbourne, 'Lonely Planet' is nothing like you may have expected from the Australian expat. No stranger to fans and followers of ESP Institute, Beats in Space and Music From Memory's sister Label Second Circle, Tornado Wallace's strain of releases so far merged functionality with a musical playfulness that led him to find himself as one of the producer's behind José Padilla's International Feel album. Here, he leaves the needs of the dance floor behind in order to create a magical mystery tour de trance into his and our inner jungle.
How about some references? New Age sounds meet new wave melodies, Grace Jones runs into the Dire Straits at Compass Point, while a Korg Mini Pops and a Roland CR78 make amends for Sly & Robbie's absence, Michael Mann pictures Joseph Conrad's 'Heart of Darkness', Robert Rauschenberg tries his luck at naturalism and an imagined Wally Badarou echoes through all of it.
Sandwiched between the title track and the yearning beauty of the album's final point 'Healing Feeling', you get all of that as well as collaborations with and contributions of NO ZU, David Hischfelder and the voice of Sui Zhen on 'Today', who would easily make Anna Domino take her proverbial hat off.
Tornado Wallace created an album that supersedes the requirements and expectations of a debut. Like a lost Island Records or a never released Made to Measure album, 'Lonely Planet' soundtracks notions and ideas that recall the nostalgic future in the past as much as it looks ahead.
More
1
Sound On Sound - Sweat
2
Sound On Sound - Particules
Introducing the latest release from Berlin's "kickin’ up dust" label: "Sound On Sound," a collaboration between Shan, known for his releases on labels like Running Back, Permanent Vacation, and Live at Robert Johnson, and his close friend Mr. Mellow. This production duo presents two tracks guaranteed to set dancefloors on fire this summer. Kickin’ off with 'Sweat' on the A-Side, Sound on Sound delivers six minutes of pure disco madness. This peak-time gem is driven by its signature funky bassline, lively chords, and heavy strings. Flipping to the B-Side, 'Particules' pays homage to the 80s with Italo and early House vibes. Deep and funky, this track promises to take listeners on a journey. (This a vinyl only release, download code incl. in every sleeve + digitally exclusive on Bandcamp)
Tracklist:
A Sweat
B Particules
-Produced by Mr. Mellow & Shan for What If? Productions
-Mixed and Master by Lopazz for Mixmastering
-Executive Producer: Tom Kutsche
Sound On Sound
https://www.instagram.com/sound.on.sound
https://www.discogs.com/de/artist/4590719-Shan-14
kickin’ up dust
https://kickinupdust.bandcamp.com
https://www.instagram.com/kickin_updust
https://soundcloud.com/kickin_updust
https://de.ra.co/promoters/100546 More
Tracklist:
A Sweat
B Particules
-Produced by Mr. Mellow & Shan for What If? Productions
-Mixed and Master by Lopazz for Mixmastering
-Executive Producer: Tom Kutsche
Sound On Sound
https://www.instagram.com/sound.on.sound
https://www.discogs.com/de/artist/4590719-Shan-14
kickin’ up dust
https://kickinupdust.bandcamp.com
https://www.instagram.com/kickin_updust
https://soundcloud.com/kickin_updust
https://de.ra.co/promoters/100546 More
1
Atelier - A1 Lights Towards The Exit
2
Atelier - A2 Call My Name
3
Atelier - A3 Miss You
4
Atelier - A4 Ritual
5
Atelier - A5 Metal Head
6
Atelier - B1 Friday
7
Atelier - B2 Talk To Her
8
Atelier - B3 Honeysucker
9
Atelier - B4 Sometimes I Break
10
Atelier - B5 Confidant
Special remarks : LP (incl. Download Code), Inlay, Housed in a PVC Sleeve with Flap
Tracklist Vinyl:
A1 Lights Towards The Exit
A2 Call My Name
A3 Miss You
A4 Ritual
A5 Metal Head
B1 Friday
B2 Talk To Her
B3 Honeysucker
B4 Sometimes I Break
B5 Confidant
Release info:
Switching seaside ambience for a sound shaped by inner-city living, Atelier’s second full-length studio album, Lights Towards The Exit, channels the mood of a sleepless cityscape.
Lights Towards The Exit is Atelier’s second full-length studio album. After the release of Varsam Court at the end of 2019 on Lossless, run by mentors and friends Mathias Schober and Thomas Herb, the duo experimented with different ideas in the studio, and at the start of 2020 a common thread began to appear between a few of the tracks which laid
the foundation for the sound of their second album.
Both Alexander and Jas moved to Berlin in the period before the release of Varsam Court from their hometown of Cape Town, South Africa, where their first album was written and recorded. Moving provided some challenges, particularly with what was the most essential equipment to bring from their previous studio set-up, but those limitations proved to
be useful in incorporating new instruments and techniques to the recording process. Lights Towards The Exit was written and recorded in different spaces in Berlin – from bedrooms in apartment blocks to three different studios across the city. The different locations all had a specific ambience – such as 4th- and 5th-floor bedrooms with busy street views; a studio with no windows in a typical old Berlin backyard complex forever under threat of being sold and gentrified; and a bigger studio with windows on the opposite side of the corridor overlooking the backyard of a mechanic workshop. The final details and edits were completed in Atelier’s current studio, in a contrasting area surrounded by office blocks, plazas, 9-5ers and, most importantly, their friends and colleagues.
Swapping the mountains, sea and seclusion for tall buildings, backyards and a new community, Lights Towards The Exit channels the sensation of being surrounded by people, but still feeling like you're on your own. The album was written through three years of cold winters, sweaty summers and a period where the world stood still during the
pandemic. Frustrated with the cease of momentum, but still optimistic, Atelier disappeared from public view, abandoning social media to focus on recording, songwriting and experimentation. It was a difficult time: the duo longed to perform and continue producing music, and the imposed limitations sometimes felt like an impossible obstacle. Ultimately, though, this would provide unexpected inspiration and influence the sound and direction of the new album.
The sound of Lights Towards The Exit is not a departure from their first album, but a progression: influenced by the new surroundings in the duo’s adoptive city, Atelier’s second album is an ode to first-time experiences, new languages, challenges, club culture and the shift from youth to maturity, as well as a balm to those stuck somewhere in between.
The overall sound is a lift not in tempo, but in energy, matching the openness needed to make a new start in a new place.
All tracks written, produced, arranged and performed by Atelier - Jás Miszewski & Alexander Inggs
Mastered by Mathias Schober, Artwork by David Kochs , Cover Photography by Alexander Inggs
A&R: Mathias Schober & Thomas Herb More
Tracklist Vinyl:
A1 Lights Towards The Exit
A2 Call My Name
A3 Miss You
A4 Ritual
A5 Metal Head
B1 Friday
B2 Talk To Her
B3 Honeysucker
B4 Sometimes I Break
B5 Confidant
Release info:
Switching seaside ambience for a sound shaped by inner-city living, Atelier’s second full-length studio album, Lights Towards The Exit, channels the mood of a sleepless cityscape.
Lights Towards The Exit is Atelier’s second full-length studio album. After the release of Varsam Court at the end of 2019 on Lossless, run by mentors and friends Mathias Schober and Thomas Herb, the duo experimented with different ideas in the studio, and at the start of 2020 a common thread began to appear between a few of the tracks which laid
the foundation for the sound of their second album.
Both Alexander and Jas moved to Berlin in the period before the release of Varsam Court from their hometown of Cape Town, South Africa, where their first album was written and recorded. Moving provided some challenges, particularly with what was the most essential equipment to bring from their previous studio set-up, but those limitations proved to
be useful in incorporating new instruments and techniques to the recording process. Lights Towards The Exit was written and recorded in different spaces in Berlin – from bedrooms in apartment blocks to three different studios across the city. The different locations all had a specific ambience – such as 4th- and 5th-floor bedrooms with busy street views; a studio with no windows in a typical old Berlin backyard complex forever under threat of being sold and gentrified; and a bigger studio with windows on the opposite side of the corridor overlooking the backyard of a mechanic workshop. The final details and edits were completed in Atelier’s current studio, in a contrasting area surrounded by office blocks, plazas, 9-5ers and, most importantly, their friends and colleagues.
Swapping the mountains, sea and seclusion for tall buildings, backyards and a new community, Lights Towards The Exit channels the sensation of being surrounded by people, but still feeling like you're on your own. The album was written through three years of cold winters, sweaty summers and a period where the world stood still during the
pandemic. Frustrated with the cease of momentum, but still optimistic, Atelier disappeared from public view, abandoning social media to focus on recording, songwriting and experimentation. It was a difficult time: the duo longed to perform and continue producing music, and the imposed limitations sometimes felt like an impossible obstacle. Ultimately, though, this would provide unexpected inspiration and influence the sound and direction of the new album.
The sound of Lights Towards The Exit is not a departure from their first album, but a progression: influenced by the new surroundings in the duo’s adoptive city, Atelier’s second album is an ode to first-time experiences, new languages, challenges, club culture and the shift from youth to maturity, as well as a balm to those stuck somewhere in between.
The overall sound is a lift not in tempo, but in energy, matching the openness needed to make a new start in a new place.
All tracks written, produced, arranged and performed by Atelier - Jás Miszewski & Alexander Inggs
Mastered by Mathias Schober, Artwork by David Kochs , Cover Photography by Alexander Inggs
A&R: Mathias Schober & Thomas Herb More
1
Juan Atkins & Moritz von Oswald present - Concave 1 07:28
2
Juan Atkins & Moritz von Oswald present - Concave 2 07:28
FORMAT 12“ vinyl, printed sleeve, dl card
TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
More
TRACKLIST
1. / A Concave 1 07:28
2. / B Concave 2 07:28
The serene source of captivating musical ideas that is Borderland, keeps on flowing and vibrating with subtle energy.
Two versions form a set of studio-refined sequences. Both parts of “Concave” are the ungraspable manifestation of the wild quietness in which the duo finds itself. Predicting at once, possible outcomes for the craft of electronic sound, while respecting their profound origins..
More
1
Silent Servant - M-87 (04:02)
2
Silent Servant - M-90 (04:32)
3
Silent Servant - M-99 (06:08)
4
Silent Servant - M-00 (04:45)
Territories: World excl. UK + North America
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
FORMAT: 12" 180g vinyl, generic sleeve, dl card
TRACKLIST
1. / A1 M-87 04:02
2. / A2 M-90 04:32
3. / B1 M-99 06:08
4. / B2 M-00 04:45
Juan Mendez aka Silent Servant is a figure in techno history that needs little introduction. As a member of the Sandwell District collective and the label’s art director he collaborated on works that were responsible for a global focal shift in the genre as their label adapted and challenged the paradigm of minimal techno, taking influence from other sources such as dub, post-punk, and even classical minimalism.
But Mendez’s relationship with music goes back much further than these seminal releases. With In Memoriam, Silent Servant’s latest release on Tresor Records, Mendez writes a deeply personal memoir of a 30-plus year career spent exploring and absorbing the shadowy side of music; a carefully crafted elegy to people, places, and times past and the lasting effect they have on the present.
Across the four tracks, Mendez pays tribute to the earliest Detroit techno and electro, the Belgian EBM movement and the wave music that followed, the monumental dub techno sound from Berlin, and the harder, abrasive sound of the UK at the turn of the last millennium; exploring and referencing the genres that informed his later work. Each track name gives a hint to the timeframe he is revisiting and re-contextualising as the E.P. repurposes the styles that exerted an influence on him.
This E.P. represents a pure distillation of Mendez’s memories whilst also cementing his place in the current and future sound of 21st century techno; aware of where we came from but focused on where we are heading. More
1
Basile3 - Wire Rise Feat. Lloydfears
2
Basile3 - Air Quality
3
Basile3 - Grateful, After All
4
Basile3 - U Stole The Summer
5
Basile3 - Secret Gathering
6
Basile3 - Love Machine Feat. Daisy Ray
7
Basile3 - 4Friends
8
Basile3 - My Window Feat. Lucy Sissy Miller
9
Basile3 - In The Clouds
10
Basile3 - Sirens Feat. Thelma Cappello
11
Basile3 - …And Tuning (Stereo Mix)
LP - Territory: WORLD EX France,UK,BENELUX
Tracklist LP :
A1. Wire Rise Feat. Lloydfears
A2. Air Quality
A3. Grateful, After All
A4. U Stole The Summer
A5. Secret Gathering
A6. Love Machine Feat. Daisy Ray
B1. 4Friends
B2. My Window Feat. Lucy Sissy Miller
B3. In The Clouds
B4. Sirens Feat. Thelma Cappello
B5. …And Tuning (Stereo Mix)
43°C, the debut LP by French electronic producer Basile3, is the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title "43°C" signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that’s grown slightly but surely warmer.
In this anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with r&b and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes.
Featuring Telma Cappelo, Daisy Ray, Loydfears, Lucy Sissi Miller and Minor Science.
More
Tracklist LP :
A1. Wire Rise Feat. Lloydfears
A2. Air Quality
A3. Grateful, After All
A4. U Stole The Summer
A5. Secret Gathering
A6. Love Machine Feat. Daisy Ray
B1. 4Friends
B2. My Window Feat. Lucy Sissy Miller
B3. In The Clouds
B4. Sirens Feat. Thelma Cappello
B5. …And Tuning (Stereo Mix)
43°C, the debut LP by French electronic producer Basile3, is the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title "43°C" signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that’s grown slightly but surely warmer.
In this anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with r&b and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes.
Featuring Telma Cappelo, Daisy Ray, Loydfears, Lucy Sissi Miller and Minor Science.
More
1
Ezra Feinberg - A1. Future Sand (feat. David Lackner)
2
Ezra Feinberg - A2. Soft Power (feat. David Lackner)
3
Ezra Feinberg - A3. Pose Beams (feat. Jefre Cantu-Ledesma, Robbie Lee)
4
Ezra Feinberg - A4. Flutter Intensity (feat. Russell Greenberg)
5
Ezra Feinberg - B1. The Big Clock (feat. David Moore, Britt Hewitt)
6
Ezra Feinberg - B2. There Was Somebody There (feat. David Moore, Jefre Cantu-Ledesma)
7
Ezra Feinberg - B3. Get Some Rest (feat. Mary Lattimore)
1. LTD LP - Territory: WW Minus UK/Eire,Usa, Canada
- Limited Edition (300 copies worldwide)
- Transparent Clear vinyl
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
2. GENRE/S: Alternative / Experimental / Ambient
3. TRACKLISTS: see next page
Please add track lists for all listed formats.
A1. Future Sand (feat. David Lackner)
A2. Soft Power (feat. David Lackner)
A3. Pose Beams (feat. Jefre Cantu-Ledesma, Robbie Lee)
A4. Flutter Intensity (feat. Russell Greenberg)
B1. The Big Clock (feat. David Moore, Britt Hewitt)
B2. There Was Somebody There (feat. David Moore, Jefre Cantu-Ledesma)
B3. Get Some Rest (feat. Mary Lattimore)
4. SHORT INFO:
Ezra Feinberg's third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single 'Future Sand'.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding member of the San Francisco psychedelic collective Citay (Dead Oceans / Important Records) resides in the artistic enclave of upstate New York's Hudson River valley. Initial recordings emerged in the late summer of 2020, before added synthesis with collaborator John Thayer (Arp, Sunwatchers) during early 2021. Soft Power follows previous albums 'Recumbent Speech' (2020) and 'Pentimento and Others' (2018).
Feinberg artfully transcends the listener to an enriched place, his compositions distinguished by the deep humanity that lies at their core, plugging the listener into a state of wide eyed being, open and alive. Soft Power then is Ezra's own mantra but also one of power giving - a colourful catharsis translated into music.
Feinberg's music always speaks to the listener, but Soft Power, in whispering, speaks loudest.
"Much like everyday life, I wanted to convey these very plain, simple, tranquil, nearly quotidian aspects, but each piece contains this arc in which that form expands, is broken out of, so what starts out like a painting of flowers in a seaside motel turns into a riot of color and sound, or you feel slipped into a dream that feels like it could go on forever"
5. VITAL SALES POINTS:
- PR + Radio campaign by Five Worlds (UK/USA) / Dense PR + Radio campaign (EU)
6.
Ezra Feinberg - Previous Press / Quotes
"Invites you to a world so vivid and intricately textured that you might feel like you are part of it"
- Pitchfork
"Gently propulsive gems that evoke the kosmische sounds of Michael Rother, Brian Eno at his most sublime"
- Aquarium Drunkard
More
- Limited Edition (300 copies worldwide)
- Transparent Clear vinyl
- Printed on heavyweight board outer sleeve
- Vinyl comes in black poly-lined protective bag
- Housed in a heavyweight PVC protective outer sleeve
- Hype front sticker
- Vinyl pressed at Optimal media GmbH
- Printed at Delga in the UK
2. GENRE/S: Alternative / Experimental / Ambient
3. TRACKLISTS: see next page
Please add track lists for all listed formats.
A1. Future Sand (feat. David Lackner)
A2. Soft Power (feat. David Lackner)
A3. Pose Beams (feat. Jefre Cantu-Ledesma, Robbie Lee)
A4. Flutter Intensity (feat. Russell Greenberg)
B1. The Big Clock (feat. David Moore, Britt Hewitt)
B2. There Was Somebody There (feat. David Moore, Jefre Cantu-Ledesma)
B3. Get Some Rest (feat. Mary Lattimore)
4. SHORT INFO:
Ezra Feinberg's third album Soft Power sees the composer-guitarist enlist an impressive array of fellow musicians including Mary Lattimore, David Moore (Bing & Ruth), Jefre Cantu-Ledesma, Robbie Lee and share the life affirming lead single 'Future Sand'.
Defined by its abundance of melodies, repeating figures and ecstatic improvisations, Soft Power exudes an enlightened and transformative spirit to empower the listener. Feinberg, a practising psychoanalyst and former founding member of the San Francisco psychedelic collective Citay (Dead Oceans / Important Records) resides in the artistic enclave of upstate New York's Hudson River valley. Initial recordings emerged in the late summer of 2020, before added synthesis with collaborator John Thayer (Arp, Sunwatchers) during early 2021. Soft Power follows previous albums 'Recumbent Speech' (2020) and 'Pentimento and Others' (2018).
Feinberg artfully transcends the listener to an enriched place, his compositions distinguished by the deep humanity that lies at their core, plugging the listener into a state of wide eyed being, open and alive. Soft Power then is Ezra's own mantra but also one of power giving - a colourful catharsis translated into music.
Feinberg's music always speaks to the listener, but Soft Power, in whispering, speaks loudest.
"Much like everyday life, I wanted to convey these very plain, simple, tranquil, nearly quotidian aspects, but each piece contains this arc in which that form expands, is broken out of, so what starts out like a painting of flowers in a seaside motel turns into a riot of color and sound, or you feel slipped into a dream that feels like it could go on forever"
5. VITAL SALES POINTS:
- PR + Radio campaign by Five Worlds (UK/USA) / Dense PR + Radio campaign (EU)
6.
Ezra Feinberg - Previous Press / Quotes
"Invites you to a world so vivid and intricately textured that you might feel like you are part of it"
- Pitchfork
"Gently propulsive gems that evoke the kosmische sounds of Michael Rother, Brian Eno at his most sublime"
- Aquarium Drunkard
More
Tracklist:
A1. Essentia
A2. Essentia – Sunrise Mix
B1. Winnie’s Karaoke
B2. Winnie’s Karaoke – Sundown Mix
Release Info:
Essentia is not only the latin word for – you guessed that right – essential, but also the name of Krystal Klear’s return to Running Back. While trance might be a state of mind (according to DJ Dag), it’s also a tone theory with a very specific tool kit. Here you get the version that makes sense in the aural universe of a producer that got raised on a diet of hip hop, boogie and the foundation tunes in house music. Moderate in tempo, the result is still euphoric to say the least: melted brains, stimulated spinal cords and rave rampage included. Essentia balances the euphoric rush of its topical genre perfectly with the happy-sad moments after the rave. If that is not musical or emotional enough for your taste, you will find content in the Sunrise version. Excessive use of the well-beloved choir, breakbeats and - downs make it equally irresistible for sun-ups and love-ups.
Flip the coin for Winnies Karaoke. Stemming from the same source and session as Essentia. Named after the interactive entertainment bar in Chinatown NYC and made sometime in the early morning hours, its the quintessential Krystal Klear. Sawtooth boogie, if you will. It’s counterpoint is the Sundown mix. Techno prog for the tilted generation.
Sometimes, in the permanent search of happiness, the world of tomorrow needs the sound of yesterday made with the means and minds of today. Essential bliss.
More
A1. Essentia
A2. Essentia – Sunrise Mix
B1. Winnie’s Karaoke
B2. Winnie’s Karaoke – Sundown Mix
Release Info:
Essentia is not only the latin word for – you guessed that right – essential, but also the name of Krystal Klear’s return to Running Back. While trance might be a state of mind (according to DJ Dag), it’s also a tone theory with a very specific tool kit. Here you get the version that makes sense in the aural universe of a producer that got raised on a diet of hip hop, boogie and the foundation tunes in house music. Moderate in tempo, the result is still euphoric to say the least: melted brains, stimulated spinal cords and rave rampage included. Essentia balances the euphoric rush of its topical genre perfectly with the happy-sad moments after the rave. If that is not musical or emotional enough for your taste, you will find content in the Sunrise version. Excessive use of the well-beloved choir, breakbeats and - downs make it equally irresistible for sun-ups and love-ups.
Flip the coin for Winnies Karaoke. Stemming from the same source and session as Essentia. Named after the interactive entertainment bar in Chinatown NYC and made sometime in the early morning hours, its the quintessential Krystal Klear. Sawtooth boogie, if you will. It’s counterpoint is the Sundown mix. Techno prog for the tilted generation.
Sometimes, in the permanent search of happiness, the world of tomorrow needs the sound of yesterday made with the means and minds of today. Essential bliss.
More