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Last in:21.02.2017
Label:tectonic
Cat-No:tec096
Release-Date:02.12.2016
Genre:Dubstep
Configuration:12"
Barcode:
1
ipman - Constrict
2
ipman - Running Man
Following last year's dangerously good 'Depatterning' LP, Ipman returns to Tectonic to deliver his latest instalment in bass-driven technoid mutations. Constrict' jumps straight into the deep end at 140bpm, diving head first into pulsing waves of warping, dynamic synth layers; swimming back up to the surface for air. As the intro build peaks, the track effortlessly strikes when the bass drops in, charging the techno synth interplay with a sort of 3/4-step type rhythm shaping the movements. Impeccable dance floor music that sits in an undefined zone between the worlds of techno, dubstep and somewhere yet defined. Flip then for 'Running Man', which sees a sharp drop in tempo, bringing the speed down to 120bpm but maintaining the energetic build of Constrict. Starting from an almost empty space, 'Running Man' takes an upward momentum, building and layering percussion and sonic textures as the heat of the chase takes full effect. Dark and deadly, this is one for fans of sci-fi sonics and dread vibrations.
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Last in:24.11.2015
Label:tectonic
Cat-No:tec088
Release-Date:25.09.2015
Genre:Dubstep
Configuration:2LP
Barcode:5065002108036
* Following releases on Osiris, Tempa and Cold Recordings, 'Depatterning' is the debut album by Ipman, set for release by Tectonic Recordings on 25th September.
* Jack Gibbons aka Ipman hails from the rural Herefordshire, a world away from the city-born influences that form his sound. Embracing the luxury of isolation, 'Depatterning' is compiled from two years of recording, realising a vision of Gibbon's passion for soundsystem music, rave culture and technology. A self confessed tech nerd, Gibbons built the record experimenting with granular and modular synths, rewiring drum machines and mangling sounds with hardware.
* "I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results."
* Lead track and recent 12" 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science, 'IPA' gives a sly nod to the Hereford pub staple through jamming techno synths, while the trinity of '¥, Ø, Ü' sandwiches atmospheric ambience between Gibbon's takes on dark 2-step and crushing rave.
* The restless 'Last One In The In The' pays tribute to the all-night dancer "It's like that bloke who is there from start to finish, eyeballs popping out of his head, just dancing like a maniac all through the dance (we've all been there). I had an idea for a video for it about him but never got round to it. It'd be like the Inspector Norse video. But in England so gritty and depressing."
* 'Depatterning' demonstrates Gibbons' individual ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between.
"Most of the inspiration for the album came from purely wanting to make something my own. The challenge for me was to pin down a sonic and craft an entire album's worth of material out of it, which for me was difficult as I tend to get bored and move on quickly. It feels good to finally be able to share this."
Tracklist:
1) Regicide, 2) Technicolour, 3) Gravity Dub, 4) IPA, 5) Last One In the In The, 6) ¥, 7) Ø, 8) Ü, 9) Strong Ones.
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* Jack Gibbons aka Ipman hails from the rural Herefordshire, a world away from the city-born influences that form his sound. Embracing the luxury of isolation, 'Depatterning' is compiled from two years of recording, realising a vision of Gibbon's passion for soundsystem music, rave culture and technology. A self confessed tech nerd, Gibbons built the record experimenting with granular and modular synths, rewiring drum machines and mangling sounds with hardware.
* "I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results."
* Lead track and recent 12" 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science, 'IPA' gives a sly nod to the Hereford pub staple through jamming techno synths, while the trinity of '¥, Ø, Ü' sandwiches atmospheric ambience between Gibbon's takes on dark 2-step and crushing rave.
* The restless 'Last One In The In The' pays tribute to the all-night dancer "It's like that bloke who is there from start to finish, eyeballs popping out of his head, just dancing like a maniac all through the dance (we've all been there). I had an idea for a video for it about him but never got round to it. It'd be like the Inspector Norse video. But in England so gritty and depressing."
* 'Depatterning' demonstrates Gibbons' individual ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between.
"Most of the inspiration for the album came from purely wanting to make something my own. The challenge for me was to pin down a sonic and craft an entire album's worth of material out of it, which for me was difficult as I tend to get bored and move on quickly. It feels good to finally be able to share this."
Tracklist:
1) Regicide, 2) Technicolour, 3) Gravity Dub, 4) IPA, 5) Last One In the In The, 6) ¥, 7) Ø, 8) Ü, 9) Strong Ones.
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Last in:28.10.2015
Label:tectonic
Cat-No:teccd020
Release-Date:25.09.2015
Genre:Dubstep
Configuration:CD
Barcode:5065002108043
* Following releases on Osiris, Tempa and Cold Recordings, 'Depatterning' is the debut album by Ipman, set for release by Tectonic Recordings on 25th September.
* Jack Gibbons aka Ipman hails from the rural Herefordshire, a world away from the city-born influences that form his sound. Embracing the luxury of isolation, 'Depatterning' is compiled from two years of recording, realising a vision of Gibbon's passion for soundsystem music, rave culture and technology. A self confessed tech nerd, Gibbons built the record experimenting with granular and modular synths, rewiring drum machines and mangling sounds with hardware.
* "I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results."
* Lead track and recent 12" 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science, 'IPA' gives a sly nod to the Hereford pub staple through jamming techno synths, while the trinity of '¥, Ø, Ü' sandwiches atmospheric ambience between Gibbon's takes on dark 2-step and crushing rave.
* The restless 'Last One In The In The' pays tribute to the all-night dancer "It's like that bloke who is there from start to finish, eyeballs popping out of his head, just dancing like a maniac all through the dance (we've all been there). I had an idea for a video for it about him but never got round to it. It'd be like the Inspector Norse video. But in England so gritty and depressing."
* 'Depatterning' demonstrates Gibbons' individual ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between.
"Most of the inspiration for the album came from purely wanting to make something my own. The challenge for me was to pin down a sonic and craft an entire album's worth of material out of it, which for me was difficult as I tend to get bored and move on quickly. It feels good to finally be able to share this."
Tracklist:
1) Regicide, 2) Technicolour, 3) Gravity Dub, 4) IPA, 5) Last One In the In The, 6) ¥, 7) Ø, 8) Ü, 9) Strong Ones.
More
* Jack Gibbons aka Ipman hails from the rural Herefordshire, a world away from the city-born influences that form his sound. Embracing the luxury of isolation, 'Depatterning' is compiled from two years of recording, realising a vision of Gibbon's passion for soundsystem music, rave culture and technology. A self confessed tech nerd, Gibbons built the record experimenting with granular and modular synths, rewiring drum machines and mangling sounds with hardware.
* "I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results."
* Lead track and recent 12" 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science, 'IPA' gives a sly nod to the Hereford pub staple through jamming techno synths, while the trinity of '¥, Ø, Ü' sandwiches atmospheric ambience between Gibbon's takes on dark 2-step and crushing rave.
* The restless 'Last One In The In The' pays tribute to the all-night dancer "It's like that bloke who is there from start to finish, eyeballs popping out of his head, just dancing like a maniac all through the dance (we've all been there). I had an idea for a video for it about him but never got round to it. It'd be like the Inspector Norse video. But in England so gritty and depressing."
* 'Depatterning' demonstrates Gibbons' individual ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between.
"Most of the inspiration for the album came from purely wanting to make something my own. The challenge for me was to pin down a sonic and craft an entire album's worth of material out of it, which for me was difficult as I tend to get bored and move on quickly. It feels good to finally be able to share this."
Tracklist:
1) Regicide, 2) Technicolour, 3) Gravity Dub, 4) IPA, 5) Last One In the In The, 6) ¥, 7) Ø, 8) Ü, 9) Strong Ones.
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Last in:27.07.2015
Label:tectonic
Cat-No:tec086
Release-Date:21.07.2015
Genre:Dubstep
Configuration:12"
Barcode:
Ipman's debut release for Tectonic steps in hard with two excellent cuts for the dancefloor, "Regicide" hitting in at 140bpm, while "Ghostrunner" takes it's pace at 128bpm. Following on from releases on imprints including Osiris and Tectonic's sister label Cold Recordings, Ipman demonstrates his ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between. The results are clear - high impact dancefloor energy delivered in a well-measured fashion: intricate rhythms and textures dance around thunderous subs and powerful sonic rushes. 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science for 2015. Atmospherics and pads build in tension throughout the intro, a distorted reese bass being summoned from the depths emerges over crashing breaks, chopped and rearranged, effected and dynamic. An irresistible energy is delivered on the drop that will get any raver on their feet - and moving hard! "That's why we killed the king". Wheel and come again - long live the king! 'Ghostrunner' originally featured, in an earlier incarnation, on the Pinch B2B Mumdance mix of last Summer and now appears here in full, refined glory! Building from a murky swamp of moodiness, hissing fx and buzzing anxiety - an intoxicating swirl of arpeggios drift into consciousness, leading up to the drop. Rolling snares prime you for a sonic pounding, delivered with a rasping bass throb - technoid in its form, organic in its movement. Dubby, techno-y, broken beats swirl around your head - soothing and dementing in balanced measure.
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Last in:06.11.2018
Label:tectonic
Cat-No:tec104
Release-Date:01.10.2018
Genre:Dubstep
Configuration:12" Excl
Barcode:5065002108364
1
boofy - Out The Box
2
boofy - Herbie
3
boofy - In My head
4
boofy - Perfunktion
* Boofy hails from Bristol's fine heritage of progressive bass music producers. Having made a name for himself as part of the Bandulu crew and his own Sector 7 Sounds imprint, as well as dropping killer releases on Innamind Re-cordings and No Corner.
* Lucky for us, he's saved some of his deepest, heaviest hitting cuts for Tectonic! This 4 track EP is a masterclass in minimal effectiveness, with rhythms ready to set the dancefloor off that reveal ever deeper subtitles on repeated lis-tens.
* 'Back In The Box' sets the pace with swinging hats, thumping kicks and a bass line that will sound like an earthquake on the right system! Follow up for 'Herbie' which takes things in dissonant direction, before dropping hard and with authority.
* Flip then for the EP title track, an exploration around the paranoid edges of a creative mind, stretched to capacity. Finally the EP closes up with 'Perfunktion', a rolling rhythm with a lighter mood, somewhat reminiscent of Mala circa 2006. Quality stuff from an excellent producer who is going from strength to strength right now.
* DJ Support from: Kahn & Neek, Mala, Tubby, RSD, Joker & many more
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* Lucky for us, he's saved some of his deepest, heaviest hitting cuts for Tectonic! This 4 track EP is a masterclass in minimal effectiveness, with rhythms ready to set the dancefloor off that reveal ever deeper subtitles on repeated lis-tens.
* 'Back In The Box' sets the pace with swinging hats, thumping kicks and a bass line that will sound like an earthquake on the right system! Follow up for 'Herbie' which takes things in dissonant direction, before dropping hard and with authority.
* Flip then for the EP title track, an exploration around the paranoid edges of a creative mind, stretched to capacity. Finally the EP closes up with 'Perfunktion', a rolling rhythm with a lighter mood, somewhat reminiscent of Mala circa 2006. Quality stuff from an excellent producer who is going from strength to strength right now.
* DJ Support from: Kahn & Neek, Mala, Tubby, RSD, Joker & many more
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Last in:21.09.2018
Label:tectonic
Cat-No:tec103
Release-Date:11.09.2018
Genre:Dubstep
Configuration:12" Excl
Barcode:
1
pinch - The Boxer (Kromestar's Southpaw Remix)
2
pinch - Swish (Kromestar Remix)
BIG, BAD AND HEAVY! Two of Pinch's biggest dance floor bangers, remixed by one of UK dubstep's hardest hitters, Kromestar. Guaranteed rewinds.
'The Boxer' first appeared on Tectonic back in 2010, fusing grime and dubstep with tribal drums and tearing squarewave bass. Kromestar stays true to the original but switches his stance to swing hard with a left hook, Southpaw style. After a moody build up, the intro breaks away into a brief moment of calm, before bass comes out fighting, throwing knock out punches hard and fast. Tried and tested dancefloor damage of the highest order.
Flip then for an equally dangerous remix of Pinch's Deep Medi release 'Swish', from back in 2011. Simple, effective and deadly, Kromestar gives this classic an update, setting it up for another few years of wheel-ups!
DJ Support from: Kahn & Neek, Mala, RSD, Joker & many more.
Tracklist:
A: Pinch 'The Boxer (Kromestar's Southpaw Remix)'
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'The Boxer' first appeared on Tectonic back in 2010, fusing grime and dubstep with tribal drums and tearing squarewave bass. Kromestar stays true to the original but switches his stance to swing hard with a left hook, Southpaw style. After a moody build up, the intro breaks away into a brief moment of calm, before bass comes out fighting, throwing knock out punches hard and fast. Tried and tested dancefloor damage of the highest order.
Flip then for an equally dangerous remix of Pinch's Deep Medi release 'Swish', from back in 2011. Simple, effective and deadly, Kromestar gives this classic an update, setting it up for another few years of wheel-ups!
DJ Support from: Kahn & Neek, Mala, RSD, Joker & many more.
Tracklist:
A: Pinch 'The Boxer (Kromestar's Southpaw Remix)'
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Last in:18.10.2018
Label:tectonic
Cat-No:tec102
Release-Date:10.09.2018
Genre:Dubstep
Configuration:12" Excl
Barcode:
* With a number of high profile releases already behind him for labels including the legendary XL Recordings and Dusky's 17 Steps imprint, Hugo Massien has carved a sound for himself that sees him bring together elements from house, techno, dubstep and hardcore, all combining force to produce this killer 4-track EP, running at the techno-friendly tempos of around 128bpm.
* 'Advanced Aerial Threat' kicks things off with a fractured half-step rhythm that gives more than a nod to his formative years as a fan of the early UK dubstep movement. Stark, deadly and meticulously constructed, the rhythm taps a pace as wild bass stabs rip across a theatre of sound.
* Next up is the delightful melancholy of 'Ursa Minor' which takes a rolling breakbeat as its backbone before a Reese-like bassline emerges from beneath, rising and empowering. An intimate piano line comes in, providing an introspec-tive element, balancing the otherwise rave-savvy ingredients in place.
* 'Candy Flip' takes things into a more electro direction, providing a reliable work out for the dance floor as the tightly tuned drums and bass hold down the spooky synth stabs.
* Last up, closing the EP is 'Divisions From The Start' where once again we see Hugo's intuitive sense of soundscape grandure, creating a kaleidoscope of moods all strung together with precision drum programming and heavyweight sub work.
* DJ Support from: Shed, Loefah, Pinch & many more.
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* 'Advanced Aerial Threat' kicks things off with a fractured half-step rhythm that gives more than a nod to his formative years as a fan of the early UK dubstep movement. Stark, deadly and meticulously constructed, the rhythm taps a pace as wild bass stabs rip across a theatre of sound.
* Next up is the delightful melancholy of 'Ursa Minor' which takes a rolling breakbeat as its backbone before a Reese-like bassline emerges from beneath, rising and empowering. An intimate piano line comes in, providing an introspec-tive element, balancing the otherwise rave-savvy ingredients in place.
* 'Candy Flip' takes things into a more electro direction, providing a reliable work out for the dance floor as the tightly tuned drums and bass hold down the spooky synth stabs.
* Last up, closing the EP is 'Divisions From The Start' where once again we see Hugo's intuitive sense of soundscape grandure, creating a kaleidoscope of moods all strung together with precision drum programming and heavyweight sub work.
* DJ Support from: Shed, Loefah, Pinch & many more.
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Last in:10.07.2018
Label:tectonic
Cat-No:teclp023
Release-Date:05.07.2018
Genre:Dubstep
Configuration:2x12" Excl
Barcode:5065002108333
1
walton - Black Lotus
2
walton - Point Blank
3
walton - Koto Riddim VIP
4
walton - No Mercy feat. Riko Dan
5
walton - Mad Zapper
6
walton - Angry Drummer
7
walton - Pan
8
walton - Erhu
9
walton - Vectors feat. Wen
10
walton - White Lotus
'Mad Zapper' is abstract, comprised of simple yet challenging beats, tones and stutters, whilst 'Angry Drummer''s taiko/kumi-daiko style percussion has a rousing, heavy thump.
Pan' sounds equally enthralling whether soundtracking a dark movie scene of impending danger, or carying enratptured ravers on a danceflor journey, especially one suited to the synapse-prodding drama of a high production, lazer-heavy festival set.
Choppy drums and bouncy bass tones are laced with the georgeos melody of 'Ehru', and 'Vectors' is sleek 'n' deep breakbeat-garage-meets-IDM.
Although already known for elements of musicality, Walton raises his game even higher with the beautiful closing track 'White Lotus', which has a wow factor akin to hearing Aphex's Twin's 'Jynweythek Ylow' for the first time.
"The title came from the idea that I wanted it to be sweet and melodic in areas, but dark and grimey at the same time", recalls Walton. "I never really listened to much Japanese and Chinese music before working on this, and that element originally came from listening to a lot of Sino grime stuff. It wasn't until I was deep into the process of making the album that I started listening to loads of traditional stuff on YouTube for melodic ideas, which changed how it turned out. The whole dubstep techno crossover thing was also a big influence."
"I'm really happy to have Riko Dan & Wen on there", he adds. "I've done a few remixes of Riko tunes which have had a great response, so it's been wicked to get some original material done together. The track with Wen was first started a while back, so I'm glad it was finally finished and will see a release."
Walton has been steadily gaining serious clout through releases since 2011 on Hyperdub, Keysound, Tectonic and Kaizen, with supporters including Mumdance, Logos, Slimzee, Laurel Halo, Wen, Hodge, Mary Anne Hobbs, Giles Peterson, Paleman, Teki Latex, Commodo, Loefah and Kode9. Key club, festival and radio shows include FWD at Plastic People, Fabric, Outlook, NTS, Rinse and BBC 1xtra.
Tracklist: A1) Black Lotus, A2) Point Blank, A3) Koto Riddim VIP, B1) No Mercy ft Riko Dan, B2) Mad Zapper, B3) Angry Drummer, C1) Pan, C2) Erhu, D1) Vectors ft Wen, D2) White Lotus
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Pan' sounds equally enthralling whether soundtracking a dark movie scene of impending danger, or carying enratptured ravers on a danceflor journey, especially one suited to the synapse-prodding drama of a high production, lazer-heavy festival set.
Choppy drums and bouncy bass tones are laced with the georgeos melody of 'Ehru', and 'Vectors' is sleek 'n' deep breakbeat-garage-meets-IDM.
Although already known for elements of musicality, Walton raises his game even higher with the beautiful closing track 'White Lotus', which has a wow factor akin to hearing Aphex's Twin's 'Jynweythek Ylow' for the first time.
"The title came from the idea that I wanted it to be sweet and melodic in areas, but dark and grimey at the same time", recalls Walton. "I never really listened to much Japanese and Chinese music before working on this, and that element originally came from listening to a lot of Sino grime stuff. It wasn't until I was deep into the process of making the album that I started listening to loads of traditional stuff on YouTube for melodic ideas, which changed how it turned out. The whole dubstep techno crossover thing was also a big influence."
"I'm really happy to have Riko Dan & Wen on there", he adds. "I've done a few remixes of Riko tunes which have had a great response, so it's been wicked to get some original material done together. The track with Wen was first started a while back, so I'm glad it was finally finished and will see a release."
Walton has been steadily gaining serious clout through releases since 2011 on Hyperdub, Keysound, Tectonic and Kaizen, with supporters including Mumdance, Logos, Slimzee, Laurel Halo, Wen, Hodge, Mary Anne Hobbs, Giles Peterson, Paleman, Teki Latex, Commodo, Loefah and Kode9. Key club, festival and radio shows include FWD at Plastic People, Fabric, Outlook, NTS, Rinse and BBC 1xtra.
Tracklist: A1) Black Lotus, A2) Point Blank, A3) Koto Riddim VIP, B1) No Mercy ft Riko Dan, B2) Mad Zapper, B3) Angry Drummer, C1) Pan, C2) Erhu, D1) Vectors ft Wen, D2) White Lotus
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Last in:18.10.2018
Label:tectonic
Cat-No:tec101
Release-Date:20.04.2018
Genre:Dubstep
Configuration:12" Excl
Barcode:
1
Ishan Sound x Hodge/Ishan Sound x Muttle - No Title
2
Ishan Sound x Hodge/Ishan Sound x Muttle - No Title
* Breaking into a new century, following last months 100th release on the label, Ishan Sound collaborates on 2 killer tracks with Bristol-based Hodge and Alex Hughes aka Muttley. ‘C5’ refers to cold explosives and makes for a perfect title for this stark, cold rhythm. A circling melodic
synth line sets a moody context before the floor drops out and an industrial strength sub drives things forward at 130bpm. Deep, hard, dark, original. Exceptional quality from Ishan Sound and Hodge. Flip for a 140bpm excursion from Ishan Sound & Muttley, melding elements of trap, grime and dubstep meticulously to form an engaging sonic that is both fuel for the dancefloor as well as providing introspective
qualities for bass weight meditation. 'Still Smoking' sums it up appropriately.
Tracklist: 1) Ishan Sound x Hodge ‘C5’, 2) Ishan Sound x Muttley 'Still Smoking' More
synth line sets a moody context before the floor drops out and an industrial strength sub drives things forward at 130bpm. Deep, hard, dark, original. Exceptional quality from Ishan Sound and Hodge. Flip for a 140bpm excursion from Ishan Sound & Muttley, melding elements of trap, grime and dubstep meticulously to form an engaging sonic that is both fuel for the dancefloor as well as providing introspective
qualities for bass weight meditation. 'Still Smoking' sums it up appropriately.
Tracklist: 1) Ishan Sound x Hodge ‘C5’, 2) Ishan Sound x Muttley 'Still Smoking' More
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Last in:21.09.2018
Label:tectonic
Cat-No:tec099
Release-Date:06.11.2017
Genre:Dubstep
Configuration:12"
Barcode:
Walton drops his third instalment on Tectonic in fine style, calling upon Japanese influences to create a truly unique sonic across both tracks in the release. Asian instrumentation meets directly head to head with the cutting edge sounds of a UK grime-techno axis to great effect.
'Praying Mantis' captures all the charm of a fine Japanese watercolour painting by means of some spectacular midi-harp programming. Hi-hats and detailed percussion set a shuffling pace, building the mood up before a beautiful harp section unfolds and takes over, expertly programmed by Walton to sound as if a master harpist had stepped into the room! As drums and bass join the party we have all the makings of a low-slung grimey masterpiece, both soothing and energising in a perfect zen balance.
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'Praying Mantis' captures all the charm of a fine Japanese watercolour painting by means of some spectacular midi-harp programming. Hi-hats and detailed percussion set a shuffling pace, building the mood up before a beautiful harp section unfolds and takes over, expertly programmed by Walton to sound as if a master harpist had stepped into the room! As drums and bass join the party we have all the makings of a low-slung grimey masterpiece, both soothing and energising in a perfect zen balance.
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Last in:10.07.2018
Label:tectonic
Cat-No:tec098
Release-Date:08.09.2017
Genre:Dubstep
Configuration:12"
Barcode:5065002108258
* The production duo behind the rave-new world sounds of 'Turbo Mitzi' and 'Big Slug (Feat. Riko Dan)' have been busy in the studio recently and return to form with 2 killer cuts designed to shock out the dancefloor.
* 'Control' picks up the tempo from the duos previous cuts, rolling at 140 beats per minute, in it's apocalyptic form. Powerful pads create the tension before sub-heavy kicks and cybernetic snares come pounding and chopping in, building up the mood before a radioactively charged Reese-bassline emerges, rising to the surface, unleashing its terror. This is a stone-cold banger.
* 'Strobe Light' returns to the more familiar 128bpm tempo that the pair have previously worked with. Taking a quite unique approach, 'Strobe Light' builds evermore, moving into the light, layering percussion up as an intoxicating drone of swirling strings swells and swells - entrancing and empowering in equal measures. this is a highly versatile DJ tool that also makes for an engrossing listen from start to finish. Refined dancefloor ear candy.
* Tracklist: a) Control aa) Strobe Light
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* 'Control' picks up the tempo from the duos previous cuts, rolling at 140 beats per minute, in it's apocalyptic form. Powerful pads create the tension before sub-heavy kicks and cybernetic snares come pounding and chopping in, building up the mood before a radioactively charged Reese-bassline emerges, rising to the surface, unleashing its terror. This is a stone-cold banger.
* 'Strobe Light' returns to the more familiar 128bpm tempo that the pair have previously worked with. Taking a quite unique approach, 'Strobe Light' builds evermore, moving into the light, layering percussion up as an intoxicating drone of swirling strings swells and swells - entrancing and empowering in equal measures. this is a highly versatile DJ tool that also makes for an engrossing listen from start to finish. Refined dancefloor ear candy.
* Tracklist: a) Control aa) Strobe Light
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Last in:08.03.2018
Label:tectonic
Cat-No:tec097
Release-Date:17.03.2017
Genre:Dubstep
Configuration:12"
Barcode:
1
mumdance & logos - Move Your Body (Perc & Truss remix)
2
mumdance & logos - Hall Of Mirrors (Perc & Truss remix)
Perc & Truss rework two key cuts, taken from Mumdance & Logos' debut album 'Proto' and deliver us a pair of hard-as-nails techno bangers 'Move Your Body' is mutated from the hardcore-referencing original into a searing industrial belter. Perc & Truss' version makes use of distorted 808 drums and rising machine noise to ramp up the tension before eventually dropping out to the 'move your body' vocal sample and unleashing a terrorising acid line. Dancefloor killer.
Flip for 'Hall Of Mirrors' which sees the pair re-route Mumdance & Logos' original into a 4/4 roller, peppered
with metallic More
Flip for 'Hall Of Mirrors' which sees the pair re-route Mumdance & Logos' original into a 4/4 roller, peppered
with metallic More
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Last in:16.11.2016
Label:tectonic
Cat-No:tec094
Release-Date:14.11.2016
Genre:Dubstep
Configuration:12"
Barcode:5065002108111
1
walton - Gunman
2
walton - Caught In A Trip
Manchester's Walton returns to Tectonic following last year's explorations in grime flavoured house/techno offshoots on the killer "Bulldoze EP". This time Walton leads with a dance floor crushing anthem that cruises a cool line between grime and tribal dubstep. Featuring a looping Riko Dan sample, "Gunman" sets a stone cold tone from the offset, hi-hats setting up the groove before a grime flavoured melody cuts in preparing you for the drop. When the bass and drums come crashing in they bounce off each other to produce a disorientating tribal rhythm that will set the dance floor alight! Flip for a slower, more gentle mood with "Caught In A Trip". Rolling at 126bpm, "Caught In A Trip" builds around a developing melody played on a glockenspiel-esque instrument, backed with tribal percussion and a driving kick pattern. Ethereal in mood throughout, this one provides a lighter moment for the dance floor.
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Last in:31.05.2016
Label:tectonic
Cat-No:tec092
Release-Date:18.03.2016
Genre:Dubstep
Configuration:12"
Barcode:
Established Berlin based producer Carsten Aermes, aka PHON.O, delivers his latest EP 'Afterglow', bringing the Vorsprung Durch (to) Tectonic. Having dropped a number of acclaimed releases on Modeselektor's dynamic imprint 50 Weapons over the last several years, PHON.O has also had a variety of singles and EPs for the likes of Kompact, Bpitch Control, Shitkatapult and Detroit Underground, as well as remixes galore. Mercurial' kick starts the EP at 137bpm, melting the boundaries between techno, dubstep and footwork with effortless grace. The track sets a mood with an initial sense of ominous tension, before embarking on a strange, cosmic journey, narrated by polyrhythmic layers of percussive interplay. Kick drums bounce, snares crack, hats and the melody builds with mysterious intent. Flip over then for the first of two further tales in dubwise beat science. First up is 'U8 Phunk', taking it's name in part from a Berlin underground metro line, it represents a tougher, harder edge to the EP. Recalling echo's of jungle music alongside techno sensibilities, 'U8 Phunk' follows on again at 137bpm with a series of hyperactive drum hits and twisting percussive manoeuvres, charged with a reese-like bassline and grimy bass stabs. 'Bell Blender' closes off the EP, further developing themes of broken breakbeats and grimy sci-fi atmospherics, this time at a tempo more accessible to techno dancefloors. Dubbed and spacious, smattered with crashing remnants of breakbeats and scorching synth sonics - it's a fine way to round things off!
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Last in:23.02.2016
Label:tectonic
Cat-No:tec090
Release-Date:22.01.2016
Genre:Dubstep
Configuration:12"
Barcode:
Tectonic label boss Pinch returns to home territory with his latest tales from the darkside. Hard, uncompromising beats, sculpted for twisted dancefloors.Lead track 'Screamer' sees recent collaborator and grime-legend, Riko Dan, pick up the mic to voice Pinch's industrial garage style rhythm, true to terror-form. Complementing the darkside sonics, Riko's savage delivery threatens from the offset, with no let-up, no sign of weakness. Not for the faint hearted. Flip for 'No Justice', seeing Pinch on solo production duties providing a sub-heavy pounding rhythm, twisting an almost ragga style beat in dark dub territory. Police sirens wail around calamitous thunder and atmospherics before the beat pounds in. Second drop brings warped basslines to the forefront, pushing things further down the rabbit hole."Screamer" has been played on BBC Radio 1 on the Benji B show, also featured on Mary-Anne Hobbs' 6 Music show. DJ support from the likes of Mumdance, Loefah & many more.
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Last in:24.05.2017
Label:tectonic
Cat-No:tec089
Release-Date:06.11.2015
Genre:Dubstep
Configuration:2LP
Barcode:5065002108050
'Better Strangers' is the debut album by Manchester based producer Acre, set for release by Tectonic Recordings on 6th November 2015. The album follows EPs on both Tectonic and sister label Cold Recordings and Visionist's PAN collaboration label Codes. As influenced by rave & jungle, grime and techno as electronica, ambient and drone; his EP releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. Acre has sought to explore a wider variety of textures on 'Better Strangers'; to re-contextualise elements from UK bass music, bring them away from the dancefloor and open up new possibilities.
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Last in:10.11.2015
Label:tectonic
Cat-No:teccd021
Release-Date:06.11.2015
Genre:Dubstep
Configuration:CD
Barcode:5065002108067
'Better Strangers' is the debut album by Manchester based producer Acre, set for release by Tectonic Recordings on 6th November 2015. The album follows EPs on both Tectonic and sister label Cold Recordings and Visionist's PAN collaboration label Codes. As influenced by rave & jungle, grime and techno as electronica, ambient and drone; his EP releases have been rhythm driven snapshots of other-worldliness spliced with dancefloor sensibilities. Acre has sought to explore a wider variety of textures on 'Better Strangers'; to re-contextualise elements from UK bass music, bring them away from the dancefloor and open up new possibilities.
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Last in:28.10.2015
Label:tectonic
Cat-No:teccd020
Release-Date:25.09.2015
Genre:Dubstep
Configuration:CD
Barcode:5065002108043
* Following releases on Osiris, Tempa and Cold Recordings, 'Depatterning' is the debut album by Ipman, set for release by Tectonic Recordings on 25th September.
* Jack Gibbons aka Ipman hails from the rural Herefordshire, a world away from the city-born influences that form his sound. Embracing the luxury of isolation, 'Depatterning' is compiled from two years of recording, realising a vision of Gibbon's passion for soundsystem music, rave culture and technology. A self confessed tech nerd, Gibbons built the record experimenting with granular and modular synths, rewiring drum machines and mangling sounds with hardware.
* "I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results."
* Lead track and recent 12" 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science, 'IPA' gives a sly nod to the Hereford pub staple through jamming techno synths, while the trinity of '¥, Ø, Ü' sandwiches atmospheric ambience between Gibbon's takes on dark 2-step and crushing rave.
* The restless 'Last One In The In The' pays tribute to the all-night dancer "It's like that bloke who is there from start to finish, eyeballs popping out of his head, just dancing like a maniac all through the dance (we've all been there). I had an idea for a video for it about him but never got round to it. It'd be like the Inspector Norse video. But in England so gritty and depressing."
* 'Depatterning' demonstrates Gibbons' individual ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between.
"Most of the inspiration for the album came from purely wanting to make something my own. The challenge for me was to pin down a sonic and craft an entire album's worth of material out of it, which for me was difficult as I tend to get bored and move on quickly. It feels good to finally be able to share this."
Tracklist:
1) Regicide, 2) Technicolour, 3) Gravity Dub, 4) IPA, 5) Last One In the In The, 6) ¥, 7) Ø, 8) Ü, 9) Strong Ones.
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* Jack Gibbons aka Ipman hails from the rural Herefordshire, a world away from the city-born influences that form his sound. Embracing the luxury of isolation, 'Depatterning' is compiled from two years of recording, realising a vision of Gibbon's passion for soundsystem music, rave culture and technology. A self confessed tech nerd, Gibbons built the record experimenting with granular and modular synths, rewiring drum machines and mangling sounds with hardware.
* "I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results."
* Lead track and recent 12" 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science, 'IPA' gives a sly nod to the Hereford pub staple through jamming techno synths, while the trinity of '¥, Ø, Ü' sandwiches atmospheric ambience between Gibbon's takes on dark 2-step and crushing rave.
* The restless 'Last One In The In The' pays tribute to the all-night dancer "It's like that bloke who is there from start to finish, eyeballs popping out of his head, just dancing like a maniac all through the dance (we've all been there). I had an idea for a video for it about him but never got round to it. It'd be like the Inspector Norse video. But in England so gritty and depressing."
* 'Depatterning' demonstrates Gibbons' individual ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between.
"Most of the inspiration for the album came from purely wanting to make something my own. The challenge for me was to pin down a sonic and craft an entire album's worth of material out of it, which for me was difficult as I tend to get bored and move on quickly. It feels good to finally be able to share this."
Tracklist:
1) Regicide, 2) Technicolour, 3) Gravity Dub, 4) IPA, 5) Last One In the In The, 6) ¥, 7) Ø, 8) Ü, 9) Strong Ones.
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Last in:24.11.2015
Label:tectonic
Cat-No:tec088
Release-Date:25.09.2015
Genre:Dubstep
Configuration:2LP
Barcode:5065002108036
* Following releases on Osiris, Tempa and Cold Recordings, 'Depatterning' is the debut album by Ipman, set for release by Tectonic Recordings on 25th September.
* Jack Gibbons aka Ipman hails from the rural Herefordshire, a world away from the city-born influences that form his sound. Embracing the luxury of isolation, 'Depatterning' is compiled from two years of recording, realising a vision of Gibbon's passion for soundsystem music, rave culture and technology. A self confessed tech nerd, Gibbons built the record experimenting with granular and modular synths, rewiring drum machines and mangling sounds with hardware.
* "I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results."
* Lead track and recent 12" 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science, 'IPA' gives a sly nod to the Hereford pub staple through jamming techno synths, while the trinity of '¥, Ø, Ü' sandwiches atmospheric ambience between Gibbon's takes on dark 2-step and crushing rave.
* The restless 'Last One In The In The' pays tribute to the all-night dancer "It's like that bloke who is there from start to finish, eyeballs popping out of his head, just dancing like a maniac all through the dance (we've all been there). I had an idea for a video for it about him but never got round to it. It'd be like the Inspector Norse video. But in England so gritty and depressing."
* 'Depatterning' demonstrates Gibbons' individual ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between.
"Most of the inspiration for the album came from purely wanting to make something my own. The challenge for me was to pin down a sonic and craft an entire album's worth of material out of it, which for me was difficult as I tend to get bored and move on quickly. It feels good to finally be able to share this."
Tracklist:
1) Regicide, 2) Technicolour, 3) Gravity Dub, 4) IPA, 5) Last One In the In The, 6) ¥, 7) Ø, 8) Ü, 9) Strong Ones.
More
* Jack Gibbons aka Ipman hails from the rural Herefordshire, a world away from the city-born influences that form his sound. Embracing the luxury of isolation, 'Depatterning' is compiled from two years of recording, realising a vision of Gibbon's passion for soundsystem music, rave culture and technology. A self confessed tech nerd, Gibbons built the record experimenting with granular and modular synths, rewiring drum machines and mangling sounds with hardware.
* "I like to create music by experimenting with new ideas and mechanics and letting tracks evolve, and this was no different. I had a pretty free reign and just tried new things and looked at the results."
* Lead track and recent 12" 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science, 'IPA' gives a sly nod to the Hereford pub staple through jamming techno synths, while the trinity of '¥, Ø, Ü' sandwiches atmospheric ambience between Gibbon's takes on dark 2-step and crushing rave.
* The restless 'Last One In The In The' pays tribute to the all-night dancer "It's like that bloke who is there from start to finish, eyeballs popping out of his head, just dancing like a maniac all through the dance (we've all been there). I had an idea for a video for it about him but never got round to it. It'd be like the Inspector Norse video. But in England so gritty and depressing."
* 'Depatterning' demonstrates Gibbons' individual ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between.
"Most of the inspiration for the album came from purely wanting to make something my own. The challenge for me was to pin down a sonic and craft an entire album's worth of material out of it, which for me was difficult as I tend to get bored and move on quickly. It feels good to finally be able to share this."
Tracklist:
1) Regicide, 2) Technicolour, 3) Gravity Dub, 4) IPA, 5) Last One In the In The, 6) ¥, 7) Ø, 8) Ü, 9) Strong Ones.
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Last in:15.01.2016
Label:tectonic
Cat-No:tec087
Release-Date:31.08.2015
Genre:Dubstep
Configuration:12"
Barcode:
Tectonic is proud to announce this double header of a plate, featuring 2 big rhythms that have been tearing up dances across the globe - in heavy rotation by the few DJs holding the tracks. Pinch & Mumdance caught ears and attention with last year's "Turbo Mitzi" and now too with the VIP version, titled the "Double Barrelled Mitzi". Referencing both the late 90s E of choice and it's even rushier counterpart, this full-throttle version, guaranteed to get your heart racing and your palms clammy. Big reactions on every play. Flip for the colder, darker Pinch version of Mumdance & Logos' anthem 'Legion' which sees the reese-laced beast move into harder, even heavier territory. Pounding kicks drive the rhythm, occasionally breaking up to near collapse before reforming and pushing forward with even more momentum. Claps circle and reverse around that reese bass, fully charged with dark energy. Tracklist: a1) Pinch & Mumdance - Double Barrelled Mitzi (Turbo Mitzi VIP) a2) Mumdance & Logos - Legion (VIPinch Mix)
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Last in:27.07.2015
Label:tectonic
Cat-No:tec086
Release-Date:21.07.2015
Genre:Dubstep
Configuration:12"
Barcode:
Ipman's debut release for Tectonic steps in hard with two excellent cuts for the dancefloor, "Regicide" hitting in at 140bpm, while "Ghostrunner" takes it's pace at 128bpm. Following on from releases on imprints including Osiris and Tectonic's sister label Cold Recordings, Ipman demonstrates his ability to seamlessly fuse sounds, textures and moods - from jungle to techno and everything in between. The results are clear - high impact dancefloor energy delivered in a well-measured fashion: intricate rhythms and textures dance around thunderous subs and powerful sonic rushes. 'Regicide' repackages the mid-1990s jungle experience into 140bpm breakbeat science for 2015. Atmospherics and pads build in tension throughout the intro, a distorted reese bass being summoned from the depths emerges over crashing breaks, chopped and rearranged, effected and dynamic. An irresistible energy is delivered on the drop that will get any raver on their feet - and moving hard! "That's why we killed the king". Wheel and come again - long live the king! 'Ghostrunner' originally featured, in an earlier incarnation, on the Pinch B2B Mumdance mix of last Summer and now appears here in full, refined glory! Building from a murky swamp of moodiness, hissing fx and buzzing anxiety - an intoxicating swirl of arpeggios drift into consciousness, leading up to the drop. Rolling snares prime you for a sonic pounding, delivered with a rasping bass throb - technoid in its form, organic in its movement. Dubby, techno-y, broken beats swirl around your head - soothing and dementing in balanced measure.
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Last in:30.06.2015
Label:tectonic
Cat-No:tec085
Release-Date:22.06.2015
Genre:Dubstep
Configuration:12"
Barcode:
1
walton - "Wrench"
2
walton - "Flute Riddim"
3
walton - "Bulldoze"
4
walton - "LEAN"
* Having previously released with the likes of Hyperdub, Manchester's Walton makes his Tectonic debut with 4 killer dancefloor cuts, that combine to form the 'Bulldoze EP'. Drawing influence from grime, house, techno, dubstep, hip hop and beyond, Walton has crafted a unique sonic that will ignite dancefloors everywhere. 'Wrench' opens the EP up with a sense of spaciousness and anticipation, building percussive layers meticulously before serving up warped bass and machinated drum patterns. Grime-techno crossover in action - rolling rhythms and icy moods all the way. Following on with the grime flavours, 'Flute Riddim' builds broken poly-rhythms before unleashing devastating bass and a twisted flute sample to great effect. Metallic bongos bounce around rolling claps and agitating bass with the flute motif returning to bring it all together again. Flip then for the title track, 'Bulldoze'. Distorted drums and snatches of rowdy pirate radio build the mood before slamming into some sweeping squarewave bass action - guaranteed to get heads nodding furiously. Rhythmical elements build and develop, eventually taking the track into 4/4 territory, ramping up the energy along the way. Last up is 'L.E.A.N' which closes the EP with its fizzing percussive hits and mysterious vocal hits, and a melodic line that could easily have featured in The Exorcist! Once again Walton shows us his taste for percussive movement laden with echoes of grime-past splashing here and there effortlessly.
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