S.A.M. returns to their Delaphine imprint with three tracks for the dance floor and beyond. All tracks carry a signature groovy and punchy low-end with deep other-dimensional swelling atmospheres and immersive compositions. The opening track 'What Defines You As A Human' takes you underwater with bubbly synth effects and arpeggiated bass plucks filling up the lows while flanging sizzling hi hats tickle the eardrum. The groove is driving with a single reflective line being repeated in whispering vocals.

The second track 'Lundeborg Winds' follows up with pad chords topped with an organically tweaked Moog melody all collapsing into a darker and stormy vibe. Here a new acidic bass line keeps you moving and brings you into the storm with curiosity. A soft and dreamy piano part carries the tunes outro and puts the storm to rest.

The full sided cut on the B-side named ‘Dive’ could refer to S.A.M. 's prior release from 2016 ‘Descend II Ascend’, because the track really does take you to deep inner oceans before ascending to shivering heights. Here the journey up high seems to be conditioned on diving inward. A solemn almost religious choir takes the composition in a unique direction toward a place somewhere in between the beats of the heart. More

S.A.M. is back on their own Delaphine label after a four year hibernation period.

The leading cut ‘Project050’ comes in two version, a Studio Version and a Live Mix.

The foundation is a grooving 12bit 909 pattern that’s as crisp as it’s phat. Combed in between the syncopes of the groove are layers of acidic and resonant tones padded with swelling chords lifting you in and out of the metaphysical.

Second track ‘Ha’ reveals references within a wide range of dance music history from early Derrick Carter-esque beats and 90’s dub techno to organ Melodies and UKG sub bass-lines. The transient beats work like tent poles for the thriving and continuously evolving melodic culture growing underneath.

S.A.M. is showing a drive and a ferocity with this EP that speaks to an interesting 10th year of Delaphine. More

Second part of the Prolific Trilogy series from S.A.M. on Delaphine. 'Money Blues' is a monster banger reminiscent of mid 90's french house but with a modern touch and very DJ friendly. Powerful 909 shuffle beats with a forward moving bassline, emotive pads, and a powerful vocal. Already received massive support from the usual suspects. Mixed and mastered by Joel Krozer.
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What difference does it make, whether it's 20 minutes or 20 years, since neither amounts to the faintest echo of the tiniest whisper in the thunder of time. More

A new year brings a third S.A.M. release on his own Delaphine label from Samuel Andre Madsen and a noted change in approach from the Danish producer. Whereas the two previous S.A.M. 12"s have seen Madsen explore the more minimal and dubby strains of techno with aplomb, this third record sees him retain the sense of atmosphere but discard with the need for any rhythmic backbone. It's telling that both tracks here are quite exquisite ambient journeys, suggesting Madsen is currently in the midst of an inspirational production patch. If you need some ambience to set the tone for a mix both tracks here fit the bill perfectly, with the orchestral touches of the B-side our personal favourite. More

S.A.M. returns to their Delaphine imprint with three tracks for the dance floor and beyond. All tracks carry a signature groovy and punchy low-end with deep other-dimensional swelling atmospheres and immersive compositions. The opening track 'What Defines You As A Human' takes you underwater with bubbly synth effects and arpeggiated bass plucks filling up the lows while flanging sizzling hi hats tickle the eardrum. The groove is driving with a single reflective line being repeated in whispering vocals.

The second track 'Lundeborg Winds' follows up with pad chords topped with an organically tweaked Moog melody all collapsing into a darker and stormy vibe. Here a new acidic bass line keeps you moving and brings you into the storm with curiosity. A soft and dreamy piano part carries the tunes outro and puts the storm to rest.

The full sided cut on the B-side named ‘Dive’ could refer to S.A.M. 's prior release from 2016 ‘Descend II Ascend’, because the track really does take you to deep inner oceans before ascending to shivering heights. Here the journey up high seems to be conditioned on diving inward. A solemn almost religious choir takes the composition in a unique direction toward a place somewhere in between the beats of the heart. More

S.A.M. is back on their own Delaphine label after a four year hibernation period.

The leading cut ‘Project050’ comes in two version, a Studio Version and a Live Mix.

The foundation is a grooving 12bit 909 pattern that’s as crisp as it’s phat. Combed in between the syncopes of the groove are layers of acidic and resonant tones padded with swelling chords lifting you in and out of the metaphysical.

Second track ‘Ha’ reveals references within a wide range of dance music history from early Derrick Carter-esque beats and 90’s dub techno to organ Melodies and UKG sub bass-lines. The transient beats work like tent poles for the thriving and continuously evolving melodic culture growing underneath.

S.A.M. is showing a drive and a ferocity with this EP that speaks to an interesting 10th year of Delaphine. More

Second part of the Prolific Trilogy series from S.A.M. on Delaphine. 'Money Blues' is a monster banger reminiscent of mid 90's french house but with a modern touch and very DJ friendly. Powerful 909 shuffle beats with a forward moving bassline, emotive pads, and a powerful vocal. Already received massive support from the usual suspects. Mixed and mastered by Joel Krozer.
More

A new year brings a third S.A.M. release on his own Delaphine label from Samuel Andre Madsen and a noted change in approach from the Danish producer. Whereas the two previous S.A.M. 12"s have seen Madsen explore the more minimal and dubby strains of techno with aplomb, this third record sees him retain the sense of atmosphere but discard with the need for any rhythmic backbone. It's telling that both tracks here are quite exquisite ambient journeys, suggesting Madsen is currently in the midst of an inspirational production patch. If you need some ambience to set the tone for a mix both tracks here fit the bill perfectly, with the orchestral touches of the B-side our personal favourite. More

A new year brings a third S.A.M. release on his own Delaphine label from Samuel Andre Madsen and a noted change in approach from the Danish producer. Whereas the two previous S.A.M. 12"s have seen Madsen explore the more minimal and dubby strains of techno with aplomb, this third record sees him retain the sense of atmosphere but discard with the need for any rhythmic backbone. It's telling that both tracks here are quite exquisite ambient journeys, suggesting Madsen is currently in the midst of an inspirational production patch. If you need some ambience to set the tone for a mix both tracks here fit the bill perfectly, with the orchestral touches of the B-side our personal favourite. More