As tension and seduction overlap in “Zero One”, the sound and the build-up is just enough to suck the listener in before the slight shift of style in “Zero Two”. The track gains the rhythmic flow of its own and grapples with higher pitch without losing the distinct tone of the producer. All three tracks share familiar dark undertones which are notably highlighted in “Zero Three” with a clear intention to leave the listener on an unmistakable high.

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With his new four-track EP, Gardens of God takes you in and keeps your body and mind in motion alongside its somber, yet fast-paced rhythmic flow. “Blut” comes in with a feeling of impending danger which lingers throughout the higher-pitched title-track “Rau”, never cutting down the established tension. As the anticipation grows and the dark and steady “Trys” lets you revel in its consistent beats, “Red Is The Colour” takes in on the challenge to bewilder, remaining sharp and compelling before leaving the listener lingering on the ominous dreamscape of “Rau EP”.

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Even though his name's been on plenty of lips since the drop of his debut EP, 'Ys', released back in 2014, each new record from Gardens Of God comes as a fresh and vibrant kiss of life to whichever label gets him to grace its grooves. Back on Ellum Black to kick off the new year after three outings in the imprint's main series, the Lithuanian producer unleashes one of his home-cooked assortments of stripped-down, yet salient, warehouse-sized brain melters. Starting with the title-track 'Ken', which - sure to have the fierce winds of dementia blowing on all dance-floors it comes across - lays down a balanced mix of textural roundness and train-like dynamism with an ever trenchant, gut-punching churn. Minimal in essence but forged in the strongest of alloys, GoG's compositions keep rolling and pitching like carbon-made nutshells in a tempest of raging elements. Same goes with the tribal dub of 'Spirits', which trades most of the opener's spheric bounce for a harsher, steelier kind of rhythmic shuffle, whilst lifting its listener to a further entrancing state of mind. Rushing headlong into euphoric 4/4 terrains, the steady rolling highlight 'Bell You' nails it on an even more addictive note with its delicate wind chimes cutting a path of illumination across intricate games of delayed drums and hypnotic, knee-buckling bass moves from down the greater depths. 'Ken EP' encapsulates most of what makes Garden of God's singular appeal: a subtly-inlaid hybrid of trancey buildups, electronica-infused melodicism and an out-there, big-room-dedicated pound that's no other aim but to morph a disparate crowd into one giant, malleable mass of pleasure and ecstasy. Tune yourself in.

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One year ago, Sodai burst onto the electronic soundscape with fearless River / Ghost from label boss Gardens of God. Renowned for delivering the highest quality with meticulously selected artists, the label has carved out a fresh sound and distinct style. To celebrate the first milestone, Gardens of God solidifies the integrity of the label with the profound Maple EP . “These three tracks represent what I’ve been playing and enjoying since River / Ghost was released last year. No compromises, just for people to get lost in.” - Gardens of God Subtle distorted keys pan the atmosphere in lead track Maple for an enticing start to the EP, before a dominating bass soon carries the track through layers of melodic synths. The sinister tones of Whistler are next and set to cause a serious stir on the dancefloor. Last up, Bek is a solid techno roller with a thundering bass, enhanced by an incredible richness in the haunting synths that echo throughout. Vilnius based Gardens of God has established himself as a key player in the world of house and techno. The classically trained artist has enjoyed a groundbreaking few years with weighty features on BBC Radio 1, plus vital releases on Maceo Plex’s Ellum and his own imprint Sodai.

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As tension and seduction overlap in “Zero One”, the sound and the build-up is just enough to suck the listener in before the slight shift of style in “Zero Two”. The track gains the rhythmic flow of its own and grapples with higher pitch without losing the distinct tone of the producer. All three tracks share familiar dark undertones which are notably highlighted in “Zero Three” with a clear intention to leave the listener on an unmistakable high.

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Germany
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With his new four-track EP, Gardens of God takes you in and keeps your body and mind in motion alongside its somber, yet fast-paced rhythmic flow. “Blut” comes in with a feeling of impending danger which lingers throughout the higher-pitched title-track “Rau”, never cutting down the established tension. As the anticipation grows and the dark and steady “Trys” lets you revel in its consistent beats, “Red Is The Colour” takes in on the challenge to bewilder, remaining sharp and compelling before leaving the listener lingering on the ominous dreamscape of “Rau EP”.

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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Lithuanian based label Sodai started its journey in 2016, making it a label still in it’s infancy but making a big impression. Owned by artist Gardens Of God, who started the label to create his own ‘no limits’ plat-form for his experimental sounds and projects. While at the same time a platform to give other artists the chance to also have freedom with art and music. With releases from Raxon, Few Nolder and Third Son under their belt, the label shows no sign of slowing down, next in line is Italian producer Alex Schaufel (Suara, Diynamic) who is welcomed to the label with a his heavy hitting four track EP entitled ‘Roots’.

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Lithuanian based label Sodai started its journey in 2016, making it a label still in it’s infancy but making a big impression. Owned by artist Gardens Of God, who started the label to create his own ‘no limits’ platform for his experimental sounds and projects. While at the same time a platform to give other artists the chance to also have freedom with art and music. With releases from Raxon, Few Nolder and Alex Krell under their belt, they can announce the exciting debut from UK producer Third Son this April. “I’ve been an admirer of Gardens Of Gods’ music for a long time, when he asked me if I could do something for his imprint, I was more than thrilled!” adds Joseph.
Syncope’s’ synths spread far and wide, making this a journey of a track, modulating and panning in and out, pushing and pulling along a percussive drive. His broad musical range can be felt in this mix, with its slightly hypnotic tones. ‘Irony’ has a punctuated low end, which creates a deep and dark groove. The synthetic elements in this track gain in attitude, on top of ambient pads, leading nicely into ‘Bach’ to close out the release. It’s driving and determined bass makes the backbone of the track, with a modulating hook line, along building and expanding frequency ranges.

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WAS - Word and Sound Medien GmbH
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Germany
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One year ago, Sodai burst onto the electronic soundscape with fearless River / Ghost from label boss Gardens of God. Renowned for delivering the highest quality with meticulously selected artists, the label has carved out a fresh sound and distinct style. To celebrate the first milestone, Gardens of God solidifies the integrity of the label with the profound Maple EP . “These three tracks represent what I’ve been playing and enjoying since River / Ghost was released last year. No compromises, just for people to get lost in.” - Gardens of God Subtle distorted keys pan the atmosphere in lead track Maple for an enticing start to the EP, before a dominating bass soon carries the track through layers of melodic synths. The sinister tones of Whistler are next and set to cause a serious stir on the dancefloor. Last up, Bek is a solid techno roller with a thundering bass, enhanced by an incredible richness in the haunting synths that echo throughout. Vilnius based Gardens of God has established himself as a key player in the world of house and techno. The classically trained artist has enjoyed a groundbreaking few years with weighty features on BBC Radio 1, plus vital releases on Maceo Plex’s Ellum and his own imprint Sodai.

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Lithuanian Alex Krell rides the new wave of deep and dark techno straight into the Sodai fold, delivering a comprehensive and cohesive four track EP for Gardens Of God’s respected imprint. Enticingly deep and dubby, title track Parallel Seduction sets the tone with a rumbling bass and reverbing stabs. Optyx picks up the pace, with driving percussion and shimmering synth soundscapes. The subtle distortions of Wiemar are next up, conjuring a deep brooding atmosphere. Lastly, Knocturne is expertly crafted for the dancefloor leaving us fully immersed in a flawless EP. “ I find it difficult to finish tracks, so most of mine are made in just one session” Alex reveals. “I also avoid listening to electronic music when spending time in the studio, because with all those sounds stuck in your head it’s hard to keep your originality.” Alex Krell is a DJ, producer and petrolhead who lists Led Zeppelin, Nirvana and Queen as his influences. Now living in the capital, Vilnius, his background enhances his productions with a uniquely dark and earthy energy that makes his techno stand out from the crowd and proves he is one to keep a close eye on.

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The fourth release from Gardens of God’s imprint Sodai is the Barcelona based, Egyptian DJ and producer Raxon with his ?Detla EP?. A trend-setter, the former-architect exhibits a cogent production style making him an fitting addition to the label. A special track for Raxon, “?Detla was created en route to Cape Town for a big festival. I thought I would need to make some changes after the show, as is often the case, but the track worked, so I left it exactly as it is in its first original arrangement?. ?Which any producer will know is rare?”. The EP kicks off with an enticing intro, growing layer by layer with a detailed arrangement of ethereal synths and minimalistic percussion. A full breakdown mid-track leaves you craving more, before the final drop in all it’s stomping glory. On the flipside, ?Jungle Express ?features a hastier intro and a balearic-inspired drum pattern. A siren hooks you in as it drops into a bass-ridden techno roller. Raxon ?has ?received critical acclaim east of the Mediterranean, boasting Best Dubai DJ in 2013/14 by Time Out Dubai. Developing and collaborating, Raxon has continued to develop his career working with imprints and artists including Ellum and Diynamic. Catching the eye of tastemaker John Digweed, Raxon has featured as a special guest on his Transitions radio show twice cementing his place in the Techno scene.

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Gardens Of God Sodai imprint continues to unearth creative production talent from the label’s native city of Vilnius with the third and latest artist from the city to feature on the label. Introducing Talassa Barda for his debut introducing three expertly crafted techno cuts.
Lead track Wolf has a howling big room sound effect and a dark Techno underbelly. Human with it’s haunting like qualities develops into a peak time monster that is sure to thunder in vast spaces over the summer. Finally, Bleed is a rolling acid tinged track that fuses electro, breakbeat and techno for possibly the most interesting of all three.

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Few Nolder has created a fitting second EP for Gardens of God’s Sodai label, spotlighting the cream of electronic talent coming out of Lithu?ania. ’?Ace Of Space’ confidently delivers three original tracks that build upon an already solid reputation. “?Showing a steady upward trajectory, Few Nolder has established himself as an internationally respected ? DJ-producer”sosaid?XLR8Rofhisrecentwork.H?isopeningtrack‘?Balance’isthemostunexpectedtrack Linas Strockis AKA Few Nolder ?claims to have done in years. He is particularly surprised with his approach, discussing the “?deep percussion and long tail cowbells together with windy tex? tures, and lush hypno feel”. While ‘?Teaser’, which Gardens Of God played during his Back to Back with ?B.Traits ?on BBC Radio 1 recently is contrastingly unrelenting. “?The m? elody evolves into a monster”, he says of the record, which can be heard in the metal snares and enchanting flute.? On title track ‘?Ace Of Space’ Nolder wants you to imagine “?stars passing by in their intergalactic travels ?[whilst the drops] are like a return from an uncharted nebula”. This is an EP based on big melodies and endless spaces, and a worthy fit for the burgeoning label. Few Nolder has been creating music for over a decade with a steady succession of releases on Ghostly International, Planet MU, Connaisseur Recordings and Needwant Recordings.

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