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Cat-No:1-800-06
Release-Date:21.07.2016
Configuration:2LP
Barcode:
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Last in:15.09.2016
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Last in:15.09.2016
Cat-No:1-800-06
Release-Date:21.07.2016
Configuration:2LP
Barcode:
A trailblazing Radio 1 show, unparalleled club-nights and a promising label, the 1-800 DINOSAUR crew are undoubtedly a focal point for all tastemakers alike. With a string of understated 12” releases, 1-800 Dinosaur are now set to unveil their first full-length release. Anchored by Trim’s polarising narrative, ‘1-800 DINOSAUR Presents Trim’ is a collaborative endeavour featuring a slew of 1-800 members and affiliates, including: Happa, Dan Foat, Airhead, James Blake, Klaus Boothroyd and Bullion. Outspoken and sharp, Trim’s introspectively sinister delivery weaves hypnotically between the 1-800 crews’ varying soundscapes. Emerging Yorkshire producer Happa - who’s stock continues to rise with each release – puts forward a tribal-like march on ‘Before I Lied’, with Trim eerily advising to “be careful who you laugh amongst”. Already in circulation, the videogame like progression of ‘RPG’ seeps with Blake’s signature off-kilter soul, feeding the subversive nature that Trim revels in. Each track unlocks, heightens and explores an alternate, unsettling tone from the E14 resident’s armoury. Dan Foat - a notable figure in the re-emergence of the highly reputable R&S label, and all-round music aficionado - contributes a groove-laden affair on ‘13tH Apostle’. Airhead serves up three idiosyncratic tracks: ‘Waco’ channels Trim’s confrontational nature; ‘Stretch’ engulfs the analytical, self-reflective view of his isolated position within the UK scene; whereas ‘Man Like Me’ is undeniably the most anthemic track from the collection. Bridging a generational gap between pioneer and a product of the scene, Boothroyd provides two contrasting compositions. Having unveiled a remarkable collaborative EP with London mc Maxta towards the back-end of 2015 on Rinse, Boothroyd blankets psychedelic bursts over one of Trim’s calmer deliveries on ‘White Room,’ whilst ‘No Manners’ is entrenched with a more visceral, grime rooted layout. More