Presales Week -1013
WAS Exclusives
1
Richie Hawtin - A1. 96:01 01:00
2
Richie Hawtin - B1. 96:02 03:00
3
Richie Hawtin - B2. 96:10 20:00
4
Richie Hawtin - C1. 96:06 11:00
5
Richie Hawtin - D1. 96:04 08:00
6
Richie Hawtin - D2. 96:07 13:00
7
Richie Hawtin - E1. 96:11 21:00
8
Richie Hawtin - F1. 96:05 09:00
9
Richie Hawtin - F2. 96:12 00:00
- Originally released in 1996
- Releases on From Our Minds as 2021 RE- Release on From Our Minds with including Bonus Track: Richie Hawtin "Concept 1 96:12 00:00“
- All parts made in the EU
- Eco-Friendly Vinyl produced by Deepgrooves
Genre: Minimal
Tracklist 12":
A1. 96:01 01:00
B1. 96:02 03:00
B2. 96:10 20:00
C1. 96:06 11:00
D1. 96:04 08:00
D2. 96:07 13:00
E1. 96:11 21:00
F1. 96:05 09:00
F2. 96:12 00:00
Short Info:
"This release marked a real shift in my production style in 1996, and was the start of a significant chapter in my recording career. Everything was handled independently from design to distribution to a subscription service to accompany it. Concept 1 was recorded in isolation at a time when I was not allowed to enter the USA and with everything going on in the world at this moment, it felt like the right time to finally release this project to a larger audience. Without the year of experimentation around the recording process of Concept 1 in 1995, I would never have gotten to the reduction that I was able to achieve later on the recording style of Plastikman 'Consumed'. In that way this is as an important album for me than any of my Plastikman albums."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
- Releases on From Our Minds as 2021 RE- Release on From Our Minds with including Bonus Track: Richie Hawtin "Concept 1 96:12 00:00“
- All parts made in the EU
- Eco-Friendly Vinyl produced by Deepgrooves
Genre: Minimal
Tracklist 12":
A1. 96:01 01:00
B1. 96:02 03:00
B2. 96:10 20:00
C1. 96:06 11:00
D1. 96:04 08:00
D2. 96:07 13:00
E1. 96:11 21:00
F1. 96:05 09:00
F2. 96:12 00:00
Short Info:
"This release marked a real shift in my production style in 1996, and was the start of a significant chapter in my recording career. Everything was handled independently from design to distribution to a subscription service to accompany it. Concept 1 was recorded in isolation at a time when I was not allowed to enter the USA and with everything going on in the world at this moment, it felt like the right time to finally release this project to a larger audience. Without the year of experimentation around the recording process of Concept 1 in 1995, I would never have gotten to the reduction that I was able to achieve later on the recording style of Plastikman 'Consumed'. In that way this is as an important album for me than any of my Plastikman albums."
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Maxine Funke - A1. Fairy Baby
2
Maxine Funke - A2. Quiet Shore
3
Maxine Funke - A3. Lucky Penny
4
Maxine Funke - B1. Moody Relish
5
Maxine Funke - B2. Anzac Day
6
Maxine Funke - B3. Homage
7
Maxine Funke - B4. Goodbye
LP + Insert
Tracklist:
A1. Fairy Baby
A2. Quiet Shore
A3. Lucky Penny
B1 Moody Relish
B2 Anzac Day
B3 Homage
B4 Goodbye
t.
Description:
A Colourful Storm presents Seance, a new set of songs by Maxine Funke.
Following a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.
The voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy / There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.
Opener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.
An assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
A1. Fairy Baby
A2. Quiet Shore
A3. Lucky Penny
B1 Moody Relish
B2 Anzac Day
B3 Homage
B4 Goodbye
t.
Description:
A Colourful Storm presents Seance, a new set of songs by Maxine Funke.
Following a productive recording period beginning with Silk (2018) and ending with Forest Photographer (2020), Seance marks a remarkable levitation of Funke’s tender, softly spoken songcraft first documented on Lace (2008) and Felt (2012) into new creative heights. Folksong confessionals with the burden of memory. Ghostly confines, murmurs from the cracks. Soil, blood and skin. The beauty and mundanity of the everyday.
The voice of Funke is a distinctive instrument, one which perfectly elucidates her sometimes confessional, at other times deeply inward allusions to love, loss, joy and disquiet. Lyrics grounded in observation and adventure (“Eyeballs, asphalt, grass clippings, peppercorns”) unravel into uneasy truths daubed in self-consciousness and forbidden desire (“I’m not shy / There's just a sparkle in your eye and I don't feel right”). The simplest things can be the most difficult to express.
Opener ’Fairy Baby’ and ‘Homage’ are sensuous and probing, celebrating new beginnings while cautiously closing old chapters. ‘Quiet Shore’, a seven-minute reverie of guitar strum and poetry, conjures spirits long forgotten and shines as Funke’s first solo foray into longform songwriting. A perfect accompaniment to the album’s centrepiece, ‘Lucky Penny’, a euphoric, entrancing rush foreshadowing the delicate dreamspeak still to come.
An assertive, visionary recording by one of New Zealand’s most extraordinary voices, Seance is a lover’s lament, a revealing of self and a secluded wander through fields of enchantment.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Benoit B - A1. Drums Symphony
2
Benoit B - A2. La Retraite Des Rockers
3
Benoit B - B1. We Come In Peace
4
Benoit B - B2. Dreelkrugz Conquest
Tracklist:
A1. Drums Symphony
A2. La Retraite Des Rockers
B1. We Come In Peace
B2. Dreelkrugz Conquest
Release Info:
ANIMALS009 sees French producer Benoit B make first contact with Melbourne's Animals Dancing after releases on Into The Light, Berceuse Heroique, Unthank, Versatile and his own Banlieue.
On 'We Come In Peace', Crystalline FM synthesis meets tight drums across four PSY FI tracks that showcase the producer's shapeshifting style.
'Drums Symphony' layers undulating rhythms from crisp drums, Arps, FM Bells & SFX that ebb & flow, building to a driving dance floor trip. 'La Retraite Des Rockers' conjures Sakamoto & Vangelis in '82 with eratic perc, warped metallic sfx & ominous pads that find balance with a glowing synth lead & syncopated bass. The title track, 'We Come In Peace' is a balearic trance stomper where swirling 303, pitch bending leads & glistening synths cascade across a pulsing bassline. 'Dreelkrugz Conquest' is lysergic mid tempo electro with gated synths hovering above a growling baseline and flutters of heavily affected synthwork.
"If you are alien and reading this then come and take me from earth".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Drums Symphony
A2. La Retraite Des Rockers
B1. We Come In Peace
B2. Dreelkrugz Conquest
Release Info:
ANIMALS009 sees French producer Benoit B make first contact with Melbourne's Animals Dancing after releases on Into The Light, Berceuse Heroique, Unthank, Versatile and his own Banlieue.
On 'We Come In Peace', Crystalline FM synthesis meets tight drums across four PSY FI tracks that showcase the producer's shapeshifting style.
'Drums Symphony' layers undulating rhythms from crisp drums, Arps, FM Bells & SFX that ebb & flow, building to a driving dance floor trip. 'La Retraite Des Rockers' conjures Sakamoto & Vangelis in '82 with eratic perc, warped metallic sfx & ominous pads that find balance with a glowing synth lead & syncopated bass. The title track, 'We Come In Peace' is a balearic trance stomper where swirling 303, pitch bending leads & glistening synths cascade across a pulsing bassline. 'Dreelkrugz Conquest' is lysergic mid tempo electro with gated synths hovering above a growling baseline and flutters of heavily affected synthwork.
"If you are alien and reading this then come and take me from earth".
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
super limited hand-stamped 12'' vinyl.
A1. Bheka Mina – A2. Fani Madida – A3. Wena – A4. Karlaplan – A5. Factory
Workers –A6. Voice of Meds – B1. EKSE – B2. Catch my Breath – B3. Hiccups –
B4. Vice Versa – B5. Dr. Silencer – B6. Wanting
Something special from Studio Barnhus: Acapella versions of every! single! track!
from Off The Meds’ self-titled debut album released in late 2020. The Swedish-South
African super group’s front man and vocalist Kamohelo Khoaripe standing alone in
the spotlight this time, his unique Zulu-Tsotsitaal-English flow lovingly recorded and
processed by the Off The Meds production team. Each track comes with a short/sweet
musical introduction, fully optimised for the modern professional discjockey. Out now
as a super limited hand-stamped 12'' vinyl .
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Bheka Mina – A2. Fani Madida – A3. Wena – A4. Karlaplan – A5. Factory
Workers –A6. Voice of Meds – B1. EKSE – B2. Catch my Breath – B3. Hiccups –
B4. Vice Versa – B5. Dr. Silencer – B6. Wanting
Something special from Studio Barnhus: Acapella versions of every! single! track!
from Off The Meds’ self-titled debut album released in late 2020. The Swedish-South
African super group’s front man and vocalist Kamohelo Khoaripe standing alone in
the spotlight this time, his unique Zulu-Tsotsitaal-English flow lovingly recorded and
processed by the Off The Meds production team. Each track comes with a short/sweet
musical introduction, fully optimised for the modern professional discjockey. Out now
as a super limited hand-stamped 12'' vinyl .
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Noah Slee - Noah Slee - Radar (Ruede Hagelstein RMX)
2
Noah Slee - Noah Slee - Radar (Kai Alce RMX)
3
Noah Slee - Noah Slee - Radar (Soulphiction RMX)
A1 Noah Slee - Radar (Ruede Hagelstein RMX)
A2 Noah Slee - Radar (Kai Alce RMX)
B Noah Slee - Radar (Soulphiction RMX)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A2 Noah Slee - Radar (Kai Alce RMX)
B Noah Slee - Radar (Soulphiction RMX)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Baris K - Honki ponki
2
Baris K - Aheste
3
Baris K - Ikimiz bir fidaniz
Finally the first ever repress of the legendary Disco Hamam serie is now available! still Vinyl Only!
The flagship release of the disco hamam series, including some of the edits that made Baris K's Eurasia mix trilogy series compulsive listening. The EP revives rare and hidden 70s Turkish disco, folk and psych classics, blending the golden era sound of Anadolu Pop with nu-disco style edits.
Tracklist 12":
A Honki ponki
B1 Aheste
B2 Ikimiz bir fidaniz
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The flagship release of the disco hamam series, including some of the edits that made Baris K's Eurasia mix trilogy series compulsive listening. The EP revives rare and hidden 70s Turkish disco, folk and psych classics, blending the golden era sound of Anadolu Pop with nu-disco style edits.
Tracklist 12":
A Honki ponki
B1 Aheste
B2 Ikimiz bir fidaniz
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:EMPIRE RECORDS
Cat-No:ERE638
Release-Date:30.07.2021
Genre:Dope Beat/Hip Hop
Configuration:CD Excl
Label:EMPIRE RECORDS
Cat-No:ERE638
Release-Date:30.07.2021
Genre:Dope Beat/Hip Hop
Configuration:CD Excl
CD
About:
East Oakland legend, Philthy Rich, returns with his first full length project of 2021 and 20th studio album, Phillip Beasley. Easily some of his most personal work, Philthy Rich taps in with his environment and reflects on how far he's come. With features from the likes of Jeremih, Ty Dolla $ign, Payroll Giovanni, Jim Jones & Landstrip Chip, Philthy sets himself up for success in a post-pandemic world.
Key Selling/Marketing:
20th Studio album
Features include Jeremih, Ty Dolla $ign, Payroll Giovanni, Jim Jones & Landstrip Chip
Videos planned for multiple songs
Billboards in select markets
Phillip Beasley Documentary airing same day as album release
Tracklist:
1. January 30th: Crown The King
2. Room Full of Gucci
3. Safe (feat. Jeremih & Ty Dolla $ign)
4. Aston Martin Truck
5. Me vs Me
6. Oakland To Detroit (feat. Payroll Giovanni)
7. 59 Bottles
8. Down Bitch
9. Too Bad (feat. Jim Jones & Landstrip Chip)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
About:
East Oakland legend, Philthy Rich, returns with his first full length project of 2021 and 20th studio album, Phillip Beasley. Easily some of his most personal work, Philthy Rich taps in with his environment and reflects on how far he's come. With features from the likes of Jeremih, Ty Dolla $ign, Payroll Giovanni, Jim Jones & Landstrip Chip, Philthy sets himself up for success in a post-pandemic world.
Key Selling/Marketing:
20th Studio album
Features include Jeremih, Ty Dolla $ign, Payroll Giovanni, Jim Jones & Landstrip Chip
Videos planned for multiple songs
Billboards in select markets
Phillip Beasley Documentary airing same day as album release
Tracklist:
1. January 30th: Crown The King
2. Room Full of Gucci
3. Safe (feat. Jeremih & Ty Dolla $ign)
4. Aston Martin Truck
5. Me vs Me
6. Oakland To Detroit (feat. Payroll Giovanni)
7. 59 Bottles
8. Down Bitch
9. Too Bad (feat. Jim Jones & Landstrip Chip)
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
CONFUSIONAL QUARTET - DLIN DLON COW BOY
2
CONFUSIONAL QUARTET - SAMBA PAPERINO
3
CONFUSIONAL QUARTET - PLASTIC CITY DINAMIC
4
CONFUSIONAL QUARTET - CINZANO
5
CONFUSIONAL QUARTET - PUBBLICITA' (DOCUMENTARIO)
6
CONFUSIONAL QUARTET - SIGLA 1
7
CONFUSIONAL QUARTET - SIGLA 2
8
CONFUSIONAL QUARTET - SIGLA 3
9
CONFUSIONAL QUARTET - SIGLA 4
10
CONFUSIONAL QUARTET - SIGLA 5
11
CONFUSIONAL QUARTET - SIGLA 6
12
CONFUSIONAL QUARTET - Bonus Sample : LIVE 13 may 1980 Milano Odissea 2001
12" album special edition GREEN vinyl /400 copies , 180 gr.
originally this was a 10" now as 2021 RE 12" with an exclusive live B Side
LIVE 13 may 1980 Milano Odissea 2001
Genre: Rock
SIDE A
01 DLIN DLON COW BOY
02 SAMBA PAPERINO
03 PLASTIC CITY DINAMIC
04 CINZANO
05 PUBBLICITA' (DOCUMENTARIO)
06 SIGLA 1
07 SIGLA 2
08 SIGLA 3
09 SIGLA 4
10 SIGLA 5
11 SIGLA 6
SIDE B
LIVE 13 may 1980 Milano Odissea 2001 including:
01 NEDBO ZIP
02 ORINOCO BLUES
03 PLASTIC CITY DINAMIC
04 CARUZON
05 XXX?
06 TRALLA' PAPPPA'
07 SWING
08 SAMBA PAPERINO
09 PENSIONE ELASTICA
10 GUERRA IN AFRICA
11 VOLARE
12 BOLOGNA ROCK
Short Info:
CONFUSIONAL QUARTET: A few months after the release of the first and self-titled LP, this 10-inch album carrying the same title "Confusional Quartet" was released. On this album the band continues to offer songs (called songs even if Confusional Quartet did not have a singer) using the energy of post punk and the mood of new wave.
This new project also includes the piece "Sigla" produced and edited in 6 different ways.
"Sigla" is an example of what Confusional Quartet used to call "Banal Music" inspired by the designer Mendini's "banal object". This track was recorded and edited by tape recorders to come out in different "metamusical" forms.
This record stands out also for the beautiful cover featuring a photo of Giacomo Balla's "flowers" sculptures, the Italian futurist artist who worked on a plastic and dynamic reconstruction of the universe.
You can now listen to the ten tracks of this 10" on the A -SIDE of the new release on a 12". The B-SIDE is dedicated to a rare live recording dated 1980.
Despite the quality of an amateur audio cassette, this recording testifies the band's iconoclastic energy. A fulminating live set, just over half an hour, no words, just music, quickly passing from a punk piece to a jazz piece or to a polka.
This record is also offered by Italian Records on a special colored vinyl edition of 180gr.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
originally this was a 10" now as 2021 RE 12" with an exclusive live B Side
LIVE 13 may 1980 Milano Odissea 2001
Genre: Rock
SIDE A
01 DLIN DLON COW BOY
02 SAMBA PAPERINO
03 PLASTIC CITY DINAMIC
04 CINZANO
05 PUBBLICITA' (DOCUMENTARIO)
06 SIGLA 1
07 SIGLA 2
08 SIGLA 3
09 SIGLA 4
10 SIGLA 5
11 SIGLA 6
SIDE B
LIVE 13 may 1980 Milano Odissea 2001 including:
01 NEDBO ZIP
02 ORINOCO BLUES
03 PLASTIC CITY DINAMIC
04 CARUZON
05 XXX?
06 TRALLA' PAPPPA'
07 SWING
08 SAMBA PAPERINO
09 PENSIONE ELASTICA
10 GUERRA IN AFRICA
11 VOLARE
12 BOLOGNA ROCK
Short Info:
CONFUSIONAL QUARTET: A few months after the release of the first and self-titled LP, this 10-inch album carrying the same title "Confusional Quartet" was released. On this album the band continues to offer songs (called songs even if Confusional Quartet did not have a singer) using the energy of post punk and the mood of new wave.
This new project also includes the piece "Sigla" produced and edited in 6 different ways.
"Sigla" is an example of what Confusional Quartet used to call "Banal Music" inspired by the designer Mendini's "banal object". This track was recorded and edited by tape recorders to come out in different "metamusical" forms.
This record stands out also for the beautiful cover featuring a photo of Giacomo Balla's "flowers" sculptures, the Italian futurist artist who worked on a plastic and dynamic reconstruction of the universe.
You can now listen to the ten tracks of this 10" on the A -SIDE of the new release on a 12". The B-SIDE is dedicated to a rare live recording dated 1980.
Despite the quality of an amateur audio cassette, this recording testifies the band's iconoclastic energy. A fulminating live set, just over half an hour, no words, just music, quickly passing from a punk piece to a jazz piece or to a polka.
This record is also offered by Italian Records on a special colored vinyl edition of 180gr.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Freund der Familie - A1 - Mountbatton (Shadow Area Remix) (06:04)
2
Freund der Familie - A2 - Ohm 1 (Shadow Area Remix) (06:21)
3
Freund der Familie - B1 - Window Shopper (Shadow Area Remix) (05:36)
4
Freund der Familie - B2 - Metan Bular (Shadow Area Remix) (05:49)
Genre: IDM, Broken Beats, Electronica
Tracklist EP:
A1 Freund der Familie - Mountbatton (Shadow Area Remix) 06:04
A2 Freund der Familie - Ohm 1 (Shadow Area Remix) 06:21
B1 Freund der Familie - Window Shopper (Shadow Area Remix) 05:36
B2 Freund der Familie - Metan Bular (Shadow Area Remix) 05:49
Short Info: Remixes by Shadow Area especially for RSD 21
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist EP:
A1 Freund der Familie - Mountbatton (Shadow Area Remix) 06:04
A2 Freund der Familie - Ohm 1 (Shadow Area Remix) 06:21
B1 Freund der Familie - Window Shopper (Shadow Area Remix) 05:36
B2 Freund der Familie - Metan Bular (Shadow Area Remix) 05:49
Short Info: Remixes by Shadow Area especially for RSD 21
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:HFN Music
Cat-No:hfn128lp
Release-Date:30.07.2021
Genre:Alternative/Electronic
Configuration:LP Excl
Label:HFN Music
Cat-No:hfn128lp
Release-Date:30.07.2021
Genre:Alternative/Electronic
Configuration:LP Excl
1
Kasper Bjørke - A1. Isola
2
Kasper Bjørke - A2. Glassy
3
Kasper Bjørke - A3. Baybi
4
Kasper Bjørke - A4. Running
5
Kasper Bjørke - A5. Kites
6
Kasper Bjørke - A6. Bon Voyage
7
Kasper Bjørke - A7. Biarritz
8
Kasper Bjørke - B1. Palace
9
Kasper Bjørke - B2. Sommervej
10
Kasper Bjørke - B3. Grace
11
Kasper Bjørke - B4. Mirage
12
Kasper Bjørke - B5. RDVSpecial
13
Kasper Bjørke - B6. Viewwws
Territories: WORLD excluding Scandinavia, Germany/Austria
LP, download code
Tracklist:
A1. Isola
A2. Glassy
A3. Baybi
A4. Running
A5. Kites
A6. Bon Voyage
A7. Biarritz
B1. Palace
B2. Sommervej
B3. Grace
B4. Mirage
B5. RDVSpecial
B6. Viewwws
Release Info:
Sprinkles sounds like a utopian postcard - sent from the past and with hopes for the future.
Recorded and produced on his laptop, while spending extensive periods of time in a cabin by the beach in a remote part of Denmark, Kasper Bjørke draws on what currently feels like distant memories; experiences of energy and euphoria from club the countless DJ gigs around the world, during his career which spans over two decades. Rooted in a colorful sound - filled with light and warmth - the balearic vibes and dream house grooves merge with synth choirs, guitars, fretless and acid bass lines and intertwine playfully into a sonic stream of consciousness; a mirage of the past and what will be.
Visual artist Luca Bjørnsten´’s mesmerizing work “Sprinkles”, picturing an empty, lush and colorful garden with a large, romantic fountain perfectly embodies the surreal scenario that we have all become much too familiar with. The 13 track instrumental album follows a string of singles this spring and summer and is as a breath of fresh air and a much needed, warm ray of sunshine.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
LP, download code
Tracklist:
A1. Isola
A2. Glassy
A3. Baybi
A4. Running
A5. Kites
A6. Bon Voyage
A7. Biarritz
B1. Palace
B2. Sommervej
B3. Grace
B4. Mirage
B5. RDVSpecial
B6. Viewwws
Release Info:
Sprinkles sounds like a utopian postcard - sent from the past and with hopes for the future.
Recorded and produced on his laptop, while spending extensive periods of time in a cabin by the beach in a remote part of Denmark, Kasper Bjørke draws on what currently feels like distant memories; experiences of energy and euphoria from club the countless DJ gigs around the world, during his career which spans over two decades. Rooted in a colorful sound - filled with light and warmth - the balearic vibes and dream house grooves merge with synth choirs, guitars, fretless and acid bass lines and intertwine playfully into a sonic stream of consciousness; a mirage of the past and what will be.
Visual artist Luca Bjørnsten´’s mesmerizing work “Sprinkles”, picturing an empty, lush and colorful garden with a large, romantic fountain perfectly embodies the surreal scenario that we have all become much too familiar with. The 13 track instrumental album follows a string of singles this spring and summer and is as a breath of fresh air and a much needed, warm ray of sunshine.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Inhale Exhale Records
Cat-No:InEx011
Release-Date:30.07.2021
Genre:Deephouse
Configuration:12" Excl
Label:Inhale Exhale Records
Cat-No:InEx011
Release-Date:30.07.2021
Genre:Deephouse
Configuration:12" Excl
1
V/A (Paso & Paul Cut, UC Beatz, ...) - A1. Paso & Paul Cut – Alienated Self
2
V/A (Paso & Paul Cut, UC Beatz, ...) - A2. Buzz Compass – In The Mood
3
V/A (Paso & Paul Cut, UC Beatz, ...) - A3. bendrik & Max Telaer - Soup
4
V/A (Paso & Paul Cut, UC Beatz, ...) - B1. UC Beatz - Apericube
5
V/A (Paso & Paul Cut, UC Beatz, ...) - B2. Marc Brauner – The Feeling
6
V/A (Paso & Paul Cut, UC Beatz, ...) - B3. Sebastian Gummersbach – The Bright Side
Tracklist:
A1. Paso & Paul Cut – Alienated Self
A2. Buzz Compass – In The Mood
A3. bendrik & Max Telaer - Soup 4 1
B1. UC Beatz - Apericube
B2. Marc Brauner – The Feeling
B3. Sebastian Gummersbach – The Bright Side
Short Info:
Let us welcome you to our upcoming release. We Have a premiere right here. bendrik & Max Telaer first collabo. UC Beatz bomb is deeply influenced by Daft Punk.
We have an old inex veteran again. Sebastian Gummersbach is back at it.
Marc Brauner's track will be that next Summer Hit. Buzz Compass is on it again and our good friend Paso made a collabo with Paul Cut
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
A1. Paso & Paul Cut – Alienated Self
A2. Buzz Compass – In The Mood
A3. bendrik & Max Telaer - Soup 4 1
B1. UC Beatz - Apericube
B2. Marc Brauner – The Feeling
B3. Sebastian Gummersbach – The Bright Side
Short Info:
Let us welcome you to our upcoming release. We Have a premiere right here. bendrik & Max Telaer first collabo. UC Beatz bomb is deeply influenced by Daft Punk.
We have an old inex veteran again. Sebastian Gummersbach is back at it.
Marc Brauner's track will be that next Summer Hit. Buzz Compass is on it again and our good friend Paso made a collabo with Paul Cut
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Label:Modern Obscure Music
Cat-No:MOMPRSNTB
Release-Date:30.07.2021
Genre:Electronic, Electronica
Configuration:LP Excl
Label:Modern Obscure Music
Cat-No:MOMPRSNTB
Release-Date:30.07.2021
Genre:Electronic, Electronica
Configuration:LP Excl
Ltd Black Vinyl Gatefold edition + 32 Page Booklet + Download Code
The LP contains original compositions by Ryuichi Sakamoto, Pascal Comelade, Laurie Spiegel, Lyra Pramuk, Chassol, Nicolas Godin and Pierre Rousseau, Pedro Vian and Pierre Bastien, Visible Cloaks, Kelman Duran, Raul Refree, Lucrecia Dalt, Lafawndah.
+ a booklet with writings by contemporary thinkers like Shumon Basar, François J. Bonnet, and pictures by, Araki, Juergen Teller, Elizaveta Porodina, Dani Pujalte, P Jack Davison, Zhong Lin, Alessandra Sanguinetti, Adrià Cañameras, Javier Tles among others. Lacquer cut by Josh Bonati & Mastered by Rashad Becker
'PRSNT' is a unique global artistic project combining the input of artists across the worlds of music, video and written word which acts as a statement on how we, as consumers, engage with music in the 21st century. Vital electronic musicians including Ryuichi Sakamoto, Lafawndah, Lyra Pramuk, Lucrecia Dalt and Visible Cloaks have each contributed tracks, which are approximately 32 seconds long.
The concept was devised by Created By Us and the Barcelona-based label Modern Obscure Music. They read a study which identified that the overwhelming volume of instantly accessible information online is shortening attention spans and altering how audiences engage with music digitally. Their curiosity about the state of online consumption developed further on discovering that around a third of all listeners using digital platforms skip to the next track, within the first 30 seconds of playing.
Each musician was given a fascinating challenge to create engaging compositions with real artistic merit, inside the confines of this shortened span. Akin to Brian Eno's famous Windows 95 start-up music, the time constraints are crucial, and the compositions are deceptively complex and more substantial than expectations of their nano nature would suggest.
'PRSNT' acts as a critique of flighty feed culture, but is simultaneously constructive, providing something which is either proposed solution, or "if you can't beat 'em join 'em" resignation. Every artist has interpreted the brief differently, resulting in an intriguing blueprint for the potential future of digital music. Could abbreviated micro compositions satisfy, inspire and nourish like their longer counterparts? They certainly take up much less of listeners' busy lives, which are often spent tackling ever-increasing workloads.
Tracklist:
1. Laurie Spiegel - 'Fly By'
2. Pedro Vian & Pierre Bastien - 'Memory'
3. Lyra Pramuk - 'Cage'
4. Chassol - 'ya!'
5. Nicolas Godin & Pierre Rousseau - 'Page Turner'
6. Pascal Comelade - 'Segons com'
7. Visible Cloaks - 'Lifeworld'
8. Raül Refree - 'Vid2020'
9. Lucrecia Dalt - 'cosa'
10. Kelman Duran - 'Dead Cat'
11. Lafawndah - 'The Super Lady From Nameless-Town´
12. Ryuichi Sakamoto - 'silence'
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
The LP contains original compositions by Ryuichi Sakamoto, Pascal Comelade, Laurie Spiegel, Lyra Pramuk, Chassol, Nicolas Godin and Pierre Rousseau, Pedro Vian and Pierre Bastien, Visible Cloaks, Kelman Duran, Raul Refree, Lucrecia Dalt, Lafawndah.
+ a booklet with writings by contemporary thinkers like Shumon Basar, François J. Bonnet, and pictures by, Araki, Juergen Teller, Elizaveta Porodina, Dani Pujalte, P Jack Davison, Zhong Lin, Alessandra Sanguinetti, Adrià Cañameras, Javier Tles among others. Lacquer cut by Josh Bonati & Mastered by Rashad Becker
'PRSNT' is a unique global artistic project combining the input of artists across the worlds of music, video and written word which acts as a statement on how we, as consumers, engage with music in the 21st century. Vital electronic musicians including Ryuichi Sakamoto, Lafawndah, Lyra Pramuk, Lucrecia Dalt and Visible Cloaks have each contributed tracks, which are approximately 32 seconds long.
The concept was devised by Created By Us and the Barcelona-based label Modern Obscure Music. They read a study which identified that the overwhelming volume of instantly accessible information online is shortening attention spans and altering how audiences engage with music digitally. Their curiosity about the state of online consumption developed further on discovering that around a third of all listeners using digital platforms skip to the next track, within the first 30 seconds of playing.
Each musician was given a fascinating challenge to create engaging compositions with real artistic merit, inside the confines of this shortened span. Akin to Brian Eno's famous Windows 95 start-up music, the time constraints are crucial, and the compositions are deceptively complex and more substantial than expectations of their nano nature would suggest.
'PRSNT' acts as a critique of flighty feed culture, but is simultaneously constructive, providing something which is either proposed solution, or "if you can't beat 'em join 'em" resignation. Every artist has interpreted the brief differently, resulting in an intriguing blueprint for the potential future of digital music. Could abbreviated micro compositions satisfy, inspire and nourish like their longer counterparts? They certainly take up much less of listeners' busy lives, which are often spent tackling ever-increasing workloads.
Tracklist:
1. Laurie Spiegel - 'Fly By'
2. Pedro Vian & Pierre Bastien - 'Memory'
3. Lyra Pramuk - 'Cage'
4. Chassol - 'ya!'
5. Nicolas Godin & Pierre Rousseau - 'Page Turner'
6. Pascal Comelade - 'Segons com'
7. Visible Cloaks - 'Lifeworld'
8. Raül Refree - 'Vid2020'
9. Lucrecia Dalt - 'cosa'
10. Kelman Duran - 'Dead Cat'
11. Lafawndah - 'The Super Lady From Nameless-Town´
12. Ryuichi Sakamoto - 'silence'
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Dauwd - A1. La Nota
2
Dauwd - B1. Steve
3
Dauwd - B2. La Nota (JD Twitch Remix)
Genre: House / Electronic
Tracklist 12":
A1. La Nota
B1. Steve
B2. La Nota (JD Twitch Remix)
Release Info:
Psssh Records returns with the second instalment of a trilogy of releases from label owner Dauwd. The EP matches two original cuts from Dauwd with a remix from Optimo head honcho, JD Twitch. In keeping with the labels initial release this three tracker offers a plethora of sounds, from the dub tango of "La Nota" on the A side, to the proper dusty house business of "Steve" on the flip, with JD Twitch bringing the full rukus on the remix. Check it.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist 12":
A1. La Nota
B1. Steve
B2. La Nota (JD Twitch Remix)
Release Info:
Psssh Records returns with the second instalment of a trilogy of releases from label owner Dauwd. The EP matches two original cuts from Dauwd with a remix from Optimo head honcho, JD Twitch. In keeping with the labels initial release this three tracker offers a plethora of sounds, from the dub tango of "La Nota" on the A side, to the proper dusty house business of "Steve" on the flip, with JD Twitch bringing the full rukus on the remix. Check it.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Non Exclusives
2xCD Digipak, including 20 page booklet
Tracklist:
CD1 - 1. 3MB - The 4th Quarter
CD1 - 2. 9-10-Boy - Robocop
CD1 - 3. Alec Empire - SuEcide
CD1 - 4. Futurhythm - Phuture
CD1 - 5. Vainqueur - Lyot (Maurizio Remix)
CD1 - 6. MMM - Donna
CD1 - 7. Kotai + Mo - Black Acid Pt.1
CD1 - 8. Ricardo Villalobos - Dexter
CD1 - 9. Sleeparchive - Elephant Island
CD1 10. Monolake - Alaska (Substance Mix II)
CD2 - 1. Heartthrob - Baby Kate (Plastikman Remix)
CD2 - 2. Ellen Allien - Go (Marcel Dettmann Remix)
CD2 - 3. Klockworks - Sean)
CD2 - 4. Efdemin - Acid Bells
CD2 - 5. Wax - Untitled / W30003 B
CD2 - 6. Rødhåd - Energomash
CD2 - 7. Ancient Methods - Else
CD2 - 8. Dasha Rush - Outer Space
CD2 - 9. Avalon Emerson - The Frontier
CD2 - 10. Barker - Cascade Effect
CD2 - 11. Modeselektor - Kalif Storch
CD2 - 12. FJAAK - Breathe
'No Photos on the Dance Floor! Berlin Techno 1992–Today', compiled by Heiko Hoffmann, follows a hugely successful photography and video art exhibition by the same name that was co-curated by Hoffmann and shown at C/O Berlin in late 2019. The exhibition included works by photographers and visual artists such as Wolfgang Tillmans, Romual Karmakar, Sven Marquardt and Camille Blake, that dealt with Berlin’s club culture since the fall of the wall. It was followed in 2020 by a book of the same name which collected together the most striking imagery from the exhibition alongside interviews and personal essays.
'No Photos on the Dance Floor!' is the first compilation to trace the history of techno made in Berlin over the last three decades, with a selection of classics and hidden gems that have helped shape Berlin’s sound from the early 90s until now. The title refers to a particularity of the Berlin club scene: photography is banned in almost all the important clubs to allow partying together in a space where you can lose yourself to the music and feel free and safe at the same time.
After the Berlin Wall fell in 1989, abandoned spaces and buildings were waiting to be filled with new life in the form of clubs, bars, galleries, workshops, and studios. Berlin became the epicenter of a new nightlife culture that soon resonated around the world. Berlin’s techno scene was heavily influenced by the pioneering sounds of Detroit techno created by African-American producers such as Juan Atkins, Kevin Saunderson and Underground Resistance.
Their records were imported to the Berlin DJ scene by the record store Hardwax, based on the ground floor of a building on Reichenberger Straße in Kreuzberg, from December 1989 onward. The original temples of DJ culture in New York amd Chicago, as well as the emerging rave culture developing in London and Manchester via Ibiza, would also go on to shape Berlin’s nightlife. Party series like Tekknozid and clubs such as Ufo, Tresor, and Planet can retrospectively be interpreted as the big bang of the first shared culture between Germany's East and West, having paved the way for what is still the last and biggest expression of European youth culture.
Part 1 of the vinyl edition focuses on the period between 1992 and 2006, with early 90s tracks by Thomas Fehlmann and Moritz von Oswald’s 3MB project (who teamed up with Detroit’s Juan Atkins on compilation opener 'The 4th Quarter'), Berlin techno pioneer DJ Tanith and Mijk van Dijk’s short-lived project 9-10-Boy, von Oswald’s and Ernestus’ influential Maurizio alias, and Alec Empire, who would later go on to start influential noise/industrial band Atari Teenage Riot. Further key tracks from the first half of the aughts come from Mo Loschelder and Klaus Kotai’s Elektro Music Department label, Sleeparchive and Ableton Live co-developer Robert Henke aka Monolake.
Part 2 is drawn from tracks made between 2007 and today, starting at a point when the city became the center for a new creative community of international artists, DJs and producers who often favoured the minimalist aesthetic & musical styles of clubs such as Berghain, Bar25 and Watergate and stayed for the ease of living. Beginning with a remix by Plastikman aka Richie Hawtin of his Minus label signee Heartthrob, the two 12"s also feature contributions from Ben Klock, Avalon Emerson and Modeselektor.
In addition to the two-part vinyl release, 'No Photos on the Dance Floor!' will also be available in expanded CD & digital formats, featuring additional tracks by Rødhad, Efdemin and Ricardo Villalobos.
The record was compiled by Heiko Hoffmann, former editor of Groove magazine and co-curator and co-editor of the 'No Photos on the Dance Floor!' exhibition and accompanying book. The double-vinyl release also features full-format photography by George Nebieridze and Wolfgang Tillmans.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Tracklist:
CD1 - 1. 3MB - The 4th Quarter
CD1 - 2. 9-10-Boy - Robocop
CD1 - 3. Alec Empire - SuEcide
CD1 - 4. Futurhythm - Phuture
CD1 - 5. Vainqueur - Lyot (Maurizio Remix)
CD1 - 6. MMM - Donna
CD1 - 7. Kotai + Mo - Black Acid Pt.1
CD1 - 8. Ricardo Villalobos - Dexter
CD1 - 9. Sleeparchive - Elephant Island
CD1 10. Monolake - Alaska (Substance Mix II)
CD2 - 1. Heartthrob - Baby Kate (Plastikman Remix)
CD2 - 2. Ellen Allien - Go (Marcel Dettmann Remix)
CD2 - 3. Klockworks - Sean)
CD2 - 4. Efdemin - Acid Bells
CD2 - 5. Wax - Untitled / W30003 B
CD2 - 6. Rødhåd - Energomash
CD2 - 7. Ancient Methods - Else
CD2 - 8. Dasha Rush - Outer Space
CD2 - 9. Avalon Emerson - The Frontier
CD2 - 10. Barker - Cascade Effect
CD2 - 11. Modeselektor - Kalif Storch
CD2 - 12. FJAAK - Breathe
'No Photos on the Dance Floor! Berlin Techno 1992–Today', compiled by Heiko Hoffmann, follows a hugely successful photography and video art exhibition by the same name that was co-curated by Hoffmann and shown at C/O Berlin in late 2019. The exhibition included works by photographers and visual artists such as Wolfgang Tillmans, Romual Karmakar, Sven Marquardt and Camille Blake, that dealt with Berlin’s club culture since the fall of the wall. It was followed in 2020 by a book of the same name which collected together the most striking imagery from the exhibition alongside interviews and personal essays.
'No Photos on the Dance Floor!' is the first compilation to trace the history of techno made in Berlin over the last three decades, with a selection of classics and hidden gems that have helped shape Berlin’s sound from the early 90s until now. The title refers to a particularity of the Berlin club scene: photography is banned in almost all the important clubs to allow partying together in a space where you can lose yourself to the music and feel free and safe at the same time.
After the Berlin Wall fell in 1989, abandoned spaces and buildings were waiting to be filled with new life in the form of clubs, bars, galleries, workshops, and studios. Berlin became the epicenter of a new nightlife culture that soon resonated around the world. Berlin’s techno scene was heavily influenced by the pioneering sounds of Detroit techno created by African-American producers such as Juan Atkins, Kevin Saunderson and Underground Resistance.
Their records were imported to the Berlin DJ scene by the record store Hardwax, based on the ground floor of a building on Reichenberger Straße in Kreuzberg, from December 1989 onward. The original temples of DJ culture in New York amd Chicago, as well as the emerging rave culture developing in London and Manchester via Ibiza, would also go on to shape Berlin’s nightlife. Party series like Tekknozid and clubs such as Ufo, Tresor, and Planet can retrospectively be interpreted as the big bang of the first shared culture between Germany's East and West, having paved the way for what is still the last and biggest expression of European youth culture.
Part 1 of the vinyl edition focuses on the period between 1992 and 2006, with early 90s tracks by Thomas Fehlmann and Moritz von Oswald’s 3MB project (who teamed up with Detroit’s Juan Atkins on compilation opener 'The 4th Quarter'), Berlin techno pioneer DJ Tanith and Mijk van Dijk’s short-lived project 9-10-Boy, von Oswald’s and Ernestus’ influential Maurizio alias, and Alec Empire, who would later go on to start influential noise/industrial band Atari Teenage Riot. Further key tracks from the first half of the aughts come from Mo Loschelder and Klaus Kotai’s Elektro Music Department label, Sleeparchive and Ableton Live co-developer Robert Henke aka Monolake.
Part 2 is drawn from tracks made between 2007 and today, starting at a point when the city became the center for a new creative community of international artists, DJs and producers who often favoured the minimalist aesthetic & musical styles of clubs such as Berghain, Bar25 and Watergate and stayed for the ease of living. Beginning with a remix by Plastikman aka Richie Hawtin of his Minus label signee Heartthrob, the two 12"s also feature contributions from Ben Klock, Avalon Emerson and Modeselektor.
In addition to the two-part vinyl release, 'No Photos on the Dance Floor!' will also be available in expanded CD & digital formats, featuring additional tracks by Rødhad, Efdemin and Ricardo Villalobos.
The record was compiled by Heiko Hoffmann, former editor of Groove magazine and co-curator and co-editor of the 'No Photos on the Dance Floor!' exhibition and accompanying book. The double-vinyl release also features full-format photography by George Nebieridze and Wolfgang Tillmans.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Kesa Getame - A1
2
Kesa Getame - A2
3
Kesa Getame - B1
4
Kesa Getame - B2
Furious debut from Kesa Getame. Precision drum programming and remorseless, uncompromising swing across four battle-ready tracks. It's music situated within dystopia, no doubt, but associations with only cataclysm and dread seem superficial. Vicious euphoria feels more appropriate, and it delivers this within a cutting-edge framework that manages to balance meticulous detail and raw expression whilst making it all sound effortless. Serious business.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
K15 & SMBD - Dry Mango Pt1
2
K15 & SMBD - Thursday
3
K15 & SMBD - Oceans
4
K15 & SMBD - Earth State
5
K15 & SMBD - Syntherlude
6
K15 & SMBD - Pace & Time
7
K15 & SMBD - Dry Mango Pt2
Over the last few years, K15 has been visiting Simbad's studio, where they delved deep in conversation, as well as into an arsenal of analog gear. The result? A revered collection of raw grooves...but what to do with all this heat? Enter Apron boss and mutual friend Steven Julien, who was compelled to share some of these works.
Welcome to Earth State
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DE - 22113 Hamburg
Germany
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Welcome to Earth State
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Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Humanoid - Truc
2
Humanoid - Last Seen
3
Humanoid - Pyramid 17
4
Humanoid - Swerver
5
Humanoid - Osculated
6
Humanoid - Hed-Set
7
Humanoid - Seen Last
Humanoid invades De:tuned with a new and highly anticipated 7 song album of classic acid cuts. Flashback to the '88 acid-house spirit! Brian Dougans embarks on another journey of 303 breakbeat euphoria followed by fast, frantic and beat driven productions. The additional 10" completes the hallucinating trip with 2 floating acidic corkers.
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Humanoid - Truc
2
Humanoid - Last Seen
3
Humanoid - Pyramid 17
4
Humanoid - Swerver
5
Humanoid - Osculated
6
Humanoid - Hed Set
7
Humanoid - Seen Last
Humanoid invades De:tuned with a new and highly anticipated 7 song album of classic acid cuts. Flashback to the '88 acid-house spirit! Brian Dougans embarks on another journey of 303 breakbeat euphoria followed by fast, frantic and beat driven productions. The additional 10" completes the hallucinating trip with 2 floating acidic corkers.
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
VONDA7 - Let Go
2
VONDA7 - Friend, Anyone?
3
VONDA7 - Change Of Heart
4
VONDA7 - Peace Transition
5
VONDA7 - Move It
6
VONDA7 - At The Right Pace
7
VONDA7 - Born Again
8
VONDA7 - Werk It
9
VONDA7 - Fair Play
10
VONDA7 - Start Over
VONDA7 delivers her ten-track debut album Let Go on art | werk uncovering a collection of productions which showcase her diverse and rich sound palette via her own imprint. Presenting a melting pot of influences, inspirations and artistry from across the electronic spectrum, taking in nuances and cues from house and techno through to hip-hop, indie, synth-pop and beyond, VONDA7’s debut album Let Go showcases and serves up a well-crafted and notable example of her continued experimentation across styles. With her own vocals at the core of her work, and with her productions connecting a variety of elements and sounds into a genre-fluid and evolving project, the ten-track offering presents the Berlin-based DJ and producer in her most complete musical form to date, highlighting her desire to not fit within conventional boundaries and guidelines, but instead to create her own realm. Combining a collection of tracks already released digitally as singles alongside a host of fresh, unreleased productions, the project unveils a rich body of work whilst telling a story of self-reflection, and exploring subjects such as human relationships and a quest for purpose. Often playful, with fairy tale and dream-like qualities at times, whilst also presenting real and raw questions, messages and thoughts throughout, Let Go offers up an in-depth and personal journey into VONDA7 not only as an artist, but as an individual, delivering an impressive debut album from a blossoming talent most certainly on the rise.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
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DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Bambounou X Bruce - Crash
2
Bambounou X Bruce - Rai
3
Bambounou X Bruce - Final Conference
Bambe, the new label run by Parisian artist Bambounou, presents its second instalment ‘Final Conference’ featuring 3 collaborations between the label head and Bristol producer Bruce, known for his deconstructed club cuts on Hessle Audio, Timedance and Hemlock Records. This is Bruce and Bambounou’s first time working together, expect detailed hypnotic rhythms with a postmodern edge.
Bambe is a passion project of Bambounou and follows the release of the well received ‘Cascade’ EP. The imprint is a space created for talent from diverse backgrounds coming together to use art and technology to create expansive musical experiences.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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Bambe is a passion project of Bambounou and follows the release of the well received ‘Cascade’ EP. The imprint is a space created for talent from diverse backgrounds coming together to use art and technology to create expansive musical experiences.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Skrattar - Kronikropi
2
Skrattar - Trouble
3
Skrattar - Never Gonna Slow Down
4
Skrattar - Born A Sucker
5
Skrattar - Já Já Já Já Já
6
Skrattar - You Know The Time
7
Skrattar - Ógisslegt
8
Skrattar - Gemmérséns
9
Skrattar - Ooh Baby
10
Skrattar - Nýtt Heimsmet Í Kvíðakasti Karla
11
Skrattar - Ég Vil Fara Niður
12
Skrattar - Drullusama
13
Skrattar - High On Hell
Bjarki’s bbbbbb records welcomes its first-ever non-electronic project as Icelandic rock band Skrattar joins the label to unveil their thirteen-track album, ‘Hellraiser IV’. Four-piece outfit Skrattar can be described as cigarette rock with an electronic vibe that makes your upper lip sweat. Having already developed a loyal fanbase in Iceland as a powerful live act with an energetic and provocative stage presence, the band now look further afield to global horizons as they reveal their latest album, ‘Hellraiser IV’. With the release of ‘Hellraiser IV’, bbbbbb broadens its catalogue beyond dance and electronic music. While the label’s primary focus will remain electronic, several other genres will also feature - the connecting factor being that the music is Icelandic, experimental and fresh... the best that grassroots has to offer. ‘Good music should be heard, and this is my take on delivering probably the best music coming from Iceland at the moment. It’s an honest, wild love story of true friendship and creativity coming together in one album’ - Bjarki ‘Hellraiser IV’ contains thirteen tracks written over three years, with the oldest songs composed the year the band was founded, 2016. In 2019, when a good foundation for an LP had been laid as the band gained followers and honed its sound, they locked themselves in the studio until they completed the album. With many of the tracks composed in the dead of night, containing both lyrics written over a long period as well as improvisation, the final product is a record made by them from A to Z, in line with the band’s endearing DIY ethos. ‘Skrattar’ is Icelandic for a specific type of demon that you can’t control, but in Swedish, it means ‘to laugh’ - with laughter involved across many of the tracks on ‘Hellraiser IV’ as if to mock the dualism of seriousness. Their subject matter is chaos and anarchism - but their humour and satire are never far away. The music is an ode to the eternal void, while at the same time laughing in its face. In addition, a remix album will be released digitally alongside Hellraiser IV, reimagined and reworked by a host of fellow musicians, producers, and artists. Among them, label regular Kuldaboli, bbbbbb boss Bjarki, DJ Flugvél og Geimskip, russian.girls, KGB and Anton Newcombe - the founder of The Brian Jonestown Massacre.
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1
Roughneck Jihad & Senz Beats - Endearing
2
Roughneck Jihad & Senz Beats - Half Man Half Amazo
3
Roughneck Jihad & Senz Beats - Smiling
4
Roughneck Jihad & Senz Beats - Catastrophe
5
Roughneck Jihad & Senz Beats - Cold Blood
6
Roughneck Jihad & Senz Beats - Ill Still Build
7
Roughneck Jihad & Senz Beats - The Little Assassination Handbook
8
Roughneck Jihad & Senz Beats - The Little Assassination Handbook (Instrumental)
This killer limited editon vinyl EP is a collaborative effort between Montreals SENZ Beats & Roughneck Jihad (From Third Sight). SENZ made all the beats and handled the scratch duties. Jihad held down the MC duties on all the tracks and there are no features. All vocals were recorded by Roughneck Jihad at Imhotep's Garden Studios. The cover art is by @misfitsleep and the project was mixed and mastered by Sqreeb.
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1
Appleblim / Deadbeat / Shackleton - Warsaw
2
Appleblim / Deadbeat / Shackleton - Warsaw (Shackleton Remix)
3
Appleblim / Deadbeat / Shackleton - Bladed Shogun
4
Appleblim / Deadbeat / Shackleton - Bladed Shogun (Deadbeat Remix)
Appleblim. Deadbeat. Shackleton. For anyone with a penchant for dub wise low end sonics and bleeding edge beat science over the last 2 decades seeing any one of these names on their own on a record would make it something well worth having a listen to. Having all 3 together on the same record however very easily launches it into the realm of "buy on sight". Comprised of 4 side long tracks previously only available via the BLKRTZ Bandcamp page, Dub Conference vol 1 sees these 3 masters of bass weight meditations exploring some of the most low slung and psychedelic corners of their respective catalogues. Vinyl only and strictly limited edition, this is a meeting of the minds not to me missed.
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1
Celestial Being - Awake
2
Celestial Being - Raise The Vibration
3
Celestial Being - The Love Frequency
4
Celestial Being - Love Tones
5
Celestial Being - Finding Our Way
6
Celestial Being - Always
7
Celestial Being - New Moon
This EP sees the third outing for Celestial Being, with creator Felix Buxton ( Basement Jaxx ) unveiling a recorded version of the Love Frequency Trilogy, sung by Citizens Of The World Choir & London Contemporary Voices ( LCV ) accompanied by some further sonic ethereal journeys. Celestial Being creates music and art with Spirituality and Connection to the Divine at its core. Love Frequency Trilogy was performed twice last year, by the ‘Got Soul Choir’ (created to combat loneliness and isolation) as part of the Edinburgh Wellness Festival and by Citizens Of The World Choir (Refugees and friends) & LCV as part of a global Peace Broadcast for International Peace Day 2020 with Peace One Day.
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1
Endfest - Meeting Mr. Magpie
2
Endfest - Meeting Mr. Magpie (Mark Du Mosch Remix)
3
Endfest - Drank (Jenever Is Op Minimix)
4
Endfest - Bus 53
5
Endfest - Bus 53 (Lijn11 Rotterhague Remix)
6
Endfest - Drank (2 Flesjes Bier Minimix)
Repress!
Cobra Club's second release, Mariahoeve EP comes directly from the magic hands of Endfest. After dropping some bombs on his own EP on Endless Illusion and a killer track on a compilation for Analogical Force it was time for another solo EP, suported with amazing remixes by Mark du Mosch and Dj Overdose as Rotterhague. Meeting Mr Magpie on the A-Side starts it of by hitting you hard with a straight up Gloomy beast of an Electro track, the remix by Mark Du mosch takes this track to another dimension stretching it out and adding his much loved vibe to it. On the B-side the dreamy and at moments even poppy Electro jam makes you want to take Bus 53 straight to the sandy shore of Scheveningen. Dj Overdose's Rotterhague remix flips it into a street version that has more of a link to harbour of Rotterdam than the beach of Scheveningen. Both sides come with a short version of the full length track "Drank".
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Cobra Club's second release, Mariahoeve EP comes directly from the magic hands of Endfest. After dropping some bombs on his own EP on Endless Illusion and a killer track on a compilation for Analogical Force it was time for another solo EP, suported with amazing remixes by Mark du Mosch and Dj Overdose as Rotterhague. Meeting Mr Magpie on the A-Side starts it of by hitting you hard with a straight up Gloomy beast of an Electro track, the remix by Mark Du mosch takes this track to another dimension stretching it out and adding his much loved vibe to it. On the B-side the dreamy and at moments even poppy Electro jam makes you want to take Bus 53 straight to the sandy shore of Scheveningen. Dj Overdose's Rotterhague remix flips it into a street version that has more of a link to harbour of Rotterdam than the beach of Scheveningen. Both sides come with a short version of the full length track "Drank".
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1
Orlando Voorn presents Basic Bastard - Electrocute
2
Orlando Voorn presents Basic Bastard - Outlaw
3
Orlando Voorn presents Basic Bastard - Tech The Soul
4
Orlando Voorn presents Basic Bastard - Solar System
The new dutch imprint presents Orlando Voorn aka The Stalker on the first release. Orlando shows once again his talent to deliver great music in all genres. This time it's an superb Electro 4 racker!
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1
Binary Operator - Breakin
2
Binary Operator - System Error
3
Binary Operator - Robot Trippin' Feat. Tmr Rbtr
4
Binary Operator - Automation Operation
5
Binary Operator - Cyber Funk
The Binary Operator is coming to you via Central Electronics. 5 Tracks full of electro power for mind, body and soul.
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1
C-LEKTRO - Mainkollektor
2
C-LEKTRO - Lunatictrip Csms Edit
3
C-LEKTRO - Electronicdatamass
4
C-LEKTRO - Destroit
5
C-LEKTRO - Mt Cut
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1
Binary Operator - Robotnic
2
Binary Operator - Machine Dance
3
Binary Operator - Computer Rhythm
4
Binary Operator - Processor
5
Binary Operator - Cmdc Cmdv
Binary Operator is back with his 2nd EP for Central Electronics. Again he delivered a mixture of electro and broken beats for dancers and digital dreamers
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1
Compound X - Sending Me Signals
2
Compound X - Gone Too Far
3
Compound X - Asexual Orgasm
4
Compound X - Ancient Sentient
Compound X launch new limited edition vinyl label CX BLACK, with four innovative tracks that set an immediately high standard.
Compound X is DAR and DULUM, both progressive and dedicated journeymen, their visions melting psychedelic rock and deconstructed techno to deliver a forward-thinking take on electronica. Their innovative sound first debuted in April 2020 on Distopic Utopia Records, and a live debut is scheduled for Dark Mofo festival in Tasmania, Australia, this June. The act's dynamic range and genuine sound artistry are what set Compound X beyond the status quo, something that's clearly displayed with this latest release.
The opener 'Sending Me Signals' is dark and thrilling techno. The blistering synths bring fizzing energy to the hammering kicks, while tortured voices add extra layers of eeriness. There is haunting paranoia to the unsettling voices that loop in the background of 'Gone 2 Far.' The drums are again brilliantly brutal, and the whole atmosphere is utterly arresting.
The synths on 'Asexual Orgasm' sound as if fired from a machine gun with caustic textures, scraping hits, and dehumanised vocals add up to a wall of intense techno noise that will disorientate all dance-floors. Finally, 'Ancient Sentient' is a slightly more spacious cut with buzzsaw synths, undulating rhythms, and distorted bass that makes for maximum impact.
This stellar EP will be released alongside a collaborative merchandising range with renowned Australian fashion brand Ten Pieces and a brand new Compound X website on 18th of June with street style editorials, vinyl, art, and their own line of limited edition dj accessories.
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Compound X is DAR and DULUM, both progressive and dedicated journeymen, their visions melting psychedelic rock and deconstructed techno to deliver a forward-thinking take on electronica. Their innovative sound first debuted in April 2020 on Distopic Utopia Records, and a live debut is scheduled for Dark Mofo festival in Tasmania, Australia, this June. The act's dynamic range and genuine sound artistry are what set Compound X beyond the status quo, something that's clearly displayed with this latest release.
The opener 'Sending Me Signals' is dark and thrilling techno. The blistering synths bring fizzing energy to the hammering kicks, while tortured voices add extra layers of eeriness. There is haunting paranoia to the unsettling voices that loop in the background of 'Gone 2 Far.' The drums are again brilliantly brutal, and the whole atmosphere is utterly arresting.
The synths on 'Asexual Orgasm' sound as if fired from a machine gun with caustic textures, scraping hits, and dehumanised vocals add up to a wall of intense techno noise that will disorientate all dance-floors. Finally, 'Ancient Sentient' is a slightly more spacious cut with buzzsaw synths, undulating rhythms, and distorted bass that makes for maximum impact.
This stellar EP will be released alongside a collaborative merchandising range with renowned Australian fashion brand Ten Pieces and a brand new Compound X website on 18th of June with street style editorials, vinyl, art, and their own line of limited edition dj accessories.
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The official soundtrack compilation release from Glitterbox and Defected Records first foree into Documnetary films : Where Love Lives. The film is a story of music’s enduring power to manifest diverse and inclusive community, and the power of that community to accept and embrace, to liberate, even to save lives. It’s a story of acceptance and creative expression – empowered, enabled and soundtracked by club music. Through extensive exclusive interviews with titans of nightlife culture, Where Love Lives contributors Billy Porter, Honey Dijon, Kathy Sledge, Kiddy Smile, Lucy Fizz, John ‘Jellybean’ Benitez, Kae Burke (House Of Yes), Fiorious and many more explore how those driven to the margins of society are welcomed unconditionally to the centre of the dancefloor.
Part one of this special edition three LP pack includes future classics from The Vision, DC La Rue, Powerdance, Quentin Harris and more.
Tracklist:
A1. Dimitri From Paris x Fiorious ‘Music Saved My Life’ (The Extended Discomix)
A2. Mike Dunn ‘If I Can’t Get Down’ (Luke Solomon’s Extended Clubland Remix)
B1. The Juan Maclean ‘A Simple Design’ (Purple Disco Machine Remix)
B2. Mighty Mouse ‘The Spirit’ (Extended Mix)
C1. Horse Meat Disco & Kathy Sledge ‘Falling Deep In Love’ (Joey Negro 12” Disco Blend)
C2. Eli Escobar & Nomi Ruiz ‘Dance 4 Love ‘99’ (Club Mix)
D1. Shakedown ‘At Night’ (Shakedown’s Galactic Boogie)
D2. Seamus Haji featuring Kathy Brown ‘A Better Place’ (Extended Mix)
E1. The Shapeshifters featuring Kimberly Davis ‘Life Is A Dancefloor’ (Club Mix)
E2. Aeroplane featuring Tawatha Agee ‘Love On Hold’ (Dr Packer Extended Remix)
F1. Debbie Jacobs ‘Don’t You Want My Love’ (Full Intention Extended Disco Mix)
F2. Hifi Sean featuring Paris Grey ‘Lost without U’ (Horse Meat Disco Extended Remix)
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Part one of this special edition three LP pack includes future classics from The Vision, DC La Rue, Powerdance, Quentin Harris and more.
Tracklist:
A1. Dimitri From Paris x Fiorious ‘Music Saved My Life’ (The Extended Discomix)
A2. Mike Dunn ‘If I Can’t Get Down’ (Luke Solomon’s Extended Clubland Remix)
B1. The Juan Maclean ‘A Simple Design’ (Purple Disco Machine Remix)
B2. Mighty Mouse ‘The Spirit’ (Extended Mix)
C1. Horse Meat Disco & Kathy Sledge ‘Falling Deep In Love’ (Joey Negro 12” Disco Blend)
C2. Eli Escobar & Nomi Ruiz ‘Dance 4 Love ‘99’ (Club Mix)
D1. Shakedown ‘At Night’ (Shakedown’s Galactic Boogie)
D2. Seamus Haji featuring Kathy Brown ‘A Better Place’ (Extended Mix)
E1. The Shapeshifters featuring Kimberly Davis ‘Life Is A Dancefloor’ (Club Mix)
E2. Aeroplane featuring Tawatha Agee ‘Love On Hold’ (Dr Packer Extended Remix)
F1. Debbie Jacobs ‘Don’t You Want My Love’ (Full Intention Extended Disco Mix)
F2. Hifi Sean featuring Paris Grey ‘Lost without U’ (Horse Meat Disco Extended Remix)
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• Limited Edition
• 180g triple vinyl
• Full colour photo inners
• Poster Print
Celebrating the release of their debut documentary ‘Where Love Lives’, Glitterbox Recordings delivers the official soundtrack compilation to the film’s narrative of dancefloor expression and liberation. Curated by label founder Simon Dunmore and Glitterbox A&R Seamus Haji, who guide the listener on a journey through disco days past and present, this compilation encapsulates the spirit of the film and the parties that inspired it.
Tracklist:
A1. The Shapeshifters featuring Billy Porter ‘Finally Ready’ (Dimitri From Paris TSOP - The Sound Of Paris - Remix, Pts I & II)
A2. Antenna! ‘Rhombus’ (Extended Mix)
B1. Mike Dunn ‘Strut Cho Phunky Stuff (Sho' Nuff)’ (Mike Dunn Extended Black Glitter MixX)
B2. Quentin Harris & Jason Walker ‘Stronger’ (Extended Mix)
C1. D.C. LaRue ‘Hot Jungle Drums And Voo Doo Rhythm’ (Dr Packer Dub)
C2. Smith & Mudd featuring Quinn Lamont Luke ‘The Distance’ (Ron Basejam Remix)
D1. The Vision featuring Andreya Triana ‘Mountains’ (Joey Negro Live And Direct Extended Mix)
D2. Horse Meat Disco featuring Fi McCluskey ‘Love If You Need It’
E1. William & The Young Five ‘You Turn Me On’ (JKriv Rework)
E2. Melvo Baptiste featuring Phebe Edwards ‘Bad Company’ (Extended Mix)
F1. The Phenomenal Handclap Band ‘Judge Not’ (Ray Mang Disco Mix)
F2. Powerdance ‘Power Dance’ (Mousse T.’s Disco Shizzle Extended Mix)
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• 180g triple vinyl
• Full colour photo inners
• Poster Print
Celebrating the release of their debut documentary ‘Where Love Lives’, Glitterbox Recordings delivers the official soundtrack compilation to the film’s narrative of dancefloor expression and liberation. Curated by label founder Simon Dunmore and Glitterbox A&R Seamus Haji, who guide the listener on a journey through disco days past and present, this compilation encapsulates the spirit of the film and the parties that inspired it.
Tracklist:
A1. The Shapeshifters featuring Billy Porter ‘Finally Ready’ (Dimitri From Paris TSOP - The Sound Of Paris - Remix, Pts I & II)
A2. Antenna! ‘Rhombus’ (Extended Mix)
B1. Mike Dunn ‘Strut Cho Phunky Stuff (Sho' Nuff)’ (Mike Dunn Extended Black Glitter MixX)
B2. Quentin Harris & Jason Walker ‘Stronger’ (Extended Mix)
C1. D.C. LaRue ‘Hot Jungle Drums And Voo Doo Rhythm’ (Dr Packer Dub)
C2. Smith & Mudd featuring Quinn Lamont Luke ‘The Distance’ (Ron Basejam Remix)
D1. The Vision featuring Andreya Triana ‘Mountains’ (Joey Negro Live And Direct Extended Mix)
D2. Horse Meat Disco featuring Fi McCluskey ‘Love If You Need It’
E1. William & The Young Five ‘You Turn Me On’ (JKriv Rework)
E2. Melvo Baptiste featuring Phebe Edwards ‘Bad Company’ (Extended Mix)
F1. The Phenomenal Handclap Band ‘Judge Not’ (Ray Mang Disco Mix)
F2. Powerdance ‘Power Dance’ (Mousse T.’s Disco Shizzle Extended Mix)
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1
Yann Kornowicz & Dan Amozig - Videoclub Opening Theme (Videoclub)
2
Yann Kornowicz & Dan Amozig - The Curse of the Golden VHS
3
Yann Kornowicz & Dan Amozig - Monte Carlo Drive (The Man from Monte Carlo)
4
Yann Kornowicz & Dan Amozig - Salomon Ski Chase (Secret Agent Ski Chase)
5
Yann Kornowicz & Dan Amozig - Ursulla Undressed
6
Yann Kornowicz & Dan Amozig - See you Soon (See you Soon Ursulla)
7
Yann Kornowicz & Dan Amozig - The Snitch (Johnny the Snitch)
8
Yann Kornowicz & Dan Amozig - Hellevator (Smoky Elevator)
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Yann Kornowicz & Dan Amozig - First Door (Behind the First Door)
10
Yann Kornowicz & Dan Amozig - Second Door (Behind the Second Door)
11
Yann Kornowicz & Dan Amozig - Back in Town
12
Yann Kornowicz & Dan Amozig - Psylocibe Atlantis (Psychedelic Haze)
13
Yann Kornowicz & Dan Amozig - The Sign of the Ancients
14
Yann Kornowicz & Dan Amozig - Car Chase in Montmartre (Seventies Car Chase)
Beatsqueeze Records and Bigwax Distribution are proud to present "VIDEOCLUB", a concept album made of 17 original compositions that will bring back ghost memories of your VHS sessions in company of Charles Bronson, Roger Moore, Pam Grier... Dusty deserts, casinos of the Riviera, wild jungles haunted by gloomy cults, enemy base on top of snowy peaks...
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Brilliant single out of Wackie's studio. Noel Robinson's "It's Like Yesterday" has a classic Wackie's vibe, smoky, haunting, underground.
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The two part jam "Skin Tight" by the Stepping Stones band has a raw reggae funk vibe that is impossible not to get your head nodding to. One of the hardest to find singles in the Wackies catalog, finally back out !
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1
The Luvmenauts - Extravehicular Activity
2
The Luvmenauts - Asteroid Mines of the Kuiper Belt
3
The Luvmenauts - A Stroll Through the Arboretums of Mars
4
The Luvmenauts - Michael Dorn Suffers a Spatial Anomaly
5
The Luvmenauts - 71 Shuttle
6
The Luvmenauts - Spice Always Flows
7
The Luvmenauts - Indoor Replenishment Plaza
8
The Luvmenauts - Follow Your IC 1805
9
The Luvmenauts - Rasputins Mystic Frozen Appendage Pt. 1 & 2 (feat. Adam Beer-Colacino)
10
The Luvmenauts - Worf Son Of Mogh Suffers A Spatial Anomaly
11
The Luvmenauts - Solstice & Equinox (feat. Leland Whitty)
12
The Luvmenauts - Cruiseship Enterprise
The Luvmenauts are an eclectic Toronto-based collective dedicated to paying homage to the sounds of the past. They draw inspiration from film composers like Janko Nilovic, Piero Umiliani, and Alan Hawkshaw; while holding their sound accountable to the faceless dollar-bin, library music gems. The core band consists of Andrew Moljgun (keys), Josh Cavan (guitar), Alex Furlott (bass), and Jon Hyde (drums). together, they are on a mission to create soundtracks for films that never were. For their latest outing, In Space, The Luvmenauts have created the score for an empyreal journey through an alternate universe. Into the cosmogonic meat-grinder goes the kaleidoscopic worlds of Jodorowsky & Moebius, spicy desert planets, and golden era pulp. What emerges is a psychotropic mosaic of grooves and synthesized eruptions, served with a side of krautrock. In Space features performances by Grammy Award-winning saxophonist Leland Whitty (BADBADNOTGOOD) and in-demand session guitarist Adam Beer-Colacino (JV's Boogaloo Squad).
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1
Luke Parkhouse - Side One
2
Luke Parkhouse - Side Two
Welcoming Luke Parkhouse to the Drumstream family with this versatile collection of heavy breaks. Luke is well respected and was prob the first drummer to play live jungle/DnB patterns on wax when he worked with 4hero in 1995 onwards, Luke also worked with Marc on his Visioneers project and as Hopper for Twisted Funk. Original and Exclusive to Drumstream!! POW!
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1
Various - Alfonso Bottone - How 2 Love Me (Alfio Vox)
2
Various - Alfonso Bottone - Give It To Me
3
Various - Discojuice - Rhythm Sun
4
Various - Discojuice - Flowers
Grovin’ deep vibes with Alfonso Bottone & DiscoJuice on new Dailysession Records wax.
A1. Alfonso Bottone - How 2 Love Me (Alfio Vox)
A2. Alfonso Bottone - Give It To Me
B1. Discojuice - Rhythm Sun
B2. Discojuice - Flowers
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A1. Alfonso Bottone - How 2 Love Me (Alfio Vox)
A2. Alfonso Bottone - Give It To Me
B1. Discojuice - Rhythm Sun
B2. Discojuice - Flowers
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Unknown - Unknown
Repress!
Just one look at you…and I know it's gonna be….a lovely day!"
EEE supplying a certified slice of summer sun with a raucous roller sure to get any party going. A marriage you never thought would happen like this but ticks all the right boxes with a swag in the step.
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Just one look at you…and I know it's gonna be….a lovely day!"
EEE supplying a certified slice of summer sun with a raucous roller sure to get any party going. A marriage you never thought would happen like this but ticks all the right boxes with a swag in the step.
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The Exaltics & Paris The Plack Fu - Wea Poni Zedin Form
2
Alex Jann - Android Memory
3
Lost Souls Of Saturn - Rave Is Back
4
Kim Cosmik - Moonrise
The 7th edition in the Exit Planet Earth vinyl series features another serving of electronic cuts designed for space travel with 20/20 Vision debuts from The Exaltics & Paris The Black Fu, Alex Jann, Lost Souls of Saturn and Kim Cosmik.
Opening with an interstellar serving of classic electro funk from the pivotal figurehead of Germany's electro-tipped underground 'The Exaltics' of 'SolarOneMusic' and 'Paris The Black Fu' from the mighty 'Detroit Grand Puhbas'.
This heavy weight collaboration comes in the form of 'wea poni zedin form ation' a masterclass in acid-influenced and undoubtably charismatic electro, complete with distinctive Kraftwerk-esque vocals. Alex Jann follows up on the A side with 'Android Memory' combining bleep techno elements with futuristic electro in an expertly crafted high paced does of sci-fi funk peppered with chaotic glitches, driving grooves and punchy kicks.
On the flip side we're joined by Seth Troxler and Phil Moffa under their inter dimensional moniker 'Lost Souls Of Saturn'. L.S.O.F offer up a mind altering hybrid of sci-fi inspired electronica, techno, electro, acid, free-jazz and more, blurring genre lines and pushing boundaries deep into the cosmos. Under-pinned by a predominately break beat groove 'Rave is Back' incorporates a plethora of un expected elements, from orchestral drones and harmonic melodies to unidentifiable machine glitches.
Wrapping up the 7th outing in the Exit Planet Earth vinyl series, we're joined by long-time purveyor of UK Electro -
Cybersoul's 'Kim Cosmik', firing on all cylinders with a tripped out assault on the senses. Her track 'Moonrise' hammers home with a fast paced, glitch heavy groove, serving up complex patterns across an ominous soundscape littered with ghost like echoes.
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Opening with an interstellar serving of classic electro funk from the pivotal figurehead of Germany's electro-tipped underground 'The Exaltics' of 'SolarOneMusic' and 'Paris The Black Fu' from the mighty 'Detroit Grand Puhbas'.
This heavy weight collaboration comes in the form of 'wea poni zedin form ation' a masterclass in acid-influenced and undoubtably charismatic electro, complete with distinctive Kraftwerk-esque vocals. Alex Jann follows up on the A side with 'Android Memory' combining bleep techno elements with futuristic electro in an expertly crafted high paced does of sci-fi funk peppered with chaotic glitches, driving grooves and punchy kicks.
On the flip side we're joined by Seth Troxler and Phil Moffa under their inter dimensional moniker 'Lost Souls Of Saturn'. L.S.O.F offer up a mind altering hybrid of sci-fi inspired electronica, techno, electro, acid, free-jazz and more, blurring genre lines and pushing boundaries deep into the cosmos. Under-pinned by a predominately break beat groove 'Rave is Back' incorporates a plethora of un expected elements, from orchestral drones and harmonic melodies to unidentifiable machine glitches.
Wrapping up the 7th outing in the Exit Planet Earth vinyl series, we're joined by long-time purveyor of UK Electro -
Cybersoul's 'Kim Cosmik', firing on all cylinders with a tripped out assault on the senses. Her track 'Moonrise' hammers home with a fast paced, glitch heavy groove, serving up complex patterns across an ominous soundscape littered with ghost like echoes.
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Germany
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A mosaic of lo-fi breaks, cosmic ambient jazz and wonky chromatic funk, the eccentric Brazilian DIY wizard's debut album ‘Furto’ beautifully pieces together a huge range of seemingly disparate sonic elements.
TRACKLIST
A1. Velhas Maos Novos Tapas
A2. Ai Meu Deus
A3. Passarinho
A4. Cama Do Estoque
A5. Movimento
A6. Burkina
A7. Lucca
A8. Novo Velho
A9. Atraso Granular
A10. Tender Strings
B1. Marvin Jorge
B2. Quebra Coco
B3. Doutor Contrafacc¸a~o
B4. Jazzlofi Da Morte
B5. Batebate
B6. Geraldo
B7. Brazileiro Com Z
B8. Amigão
B9. Decepcionado
B10.Samora
INFO
Residing in Rio de Janeiro, Vasconcelos Sentimento is a self-taught composer, producer and multi-instrumentalist. A mosaic of lo-fi breaks, cosmic ambient jazz and wonky chromatic funk, the eccentric Brazilian DIY wizard’s debut album Furto beautifully pieces together a huge range of seemingly disparate sonic elements. Calling himself an “amateur euphoric sound researcher”, he has no formal training in either music theory or production, and it’s simply by following his ear that has led him to creating his debut album for Far Out Recordings.
It was his fascination with his fellow countryman, the enigmatic, psychedelic 70s folk artist Jose Mauro, that led the young Vasconcelos Sentimento (real name Guilherme Esteves) to first make contact with Far Out. Coincidentally living in the same region as Mauro, Sentimento managed to track him down and put label boss Joe Davis in touch, after Davis had spent years of what felt like hopeless searching for the man many assumed dead.
When Joe and the Far Out team heard Guilhermes’ own music, there was a sense of shock. “It was unlike anything we’d heard before, but it also sounded curiously at home on Far Out. Like it had taken little pieces of different releases from the catalogue, and all the music from the ‘60s onwards that influences everything we do, and recreated all that magic in such an exciting new way”.
Indeed, Sentimento is not afraid to admit what he himself sees as acts of theft. (Furto=Theft in Portuguese). But while the debate surrounding the ethics of sampling is a never ending one, Sentimento’s music - while it does contain the odd sample, including an interview with Joe Davis himself, “One For The Masta Digga”) - steals in an entirely different way. His creative process involves an intensive period, in which he’ll listen to just one artist or song over and over, for days and weeks on end. Then he’ll head to his rudimentary bedroom studio, which, as he puts it, is “built for speed”, hit record and “blurt” whatever comes out. “I never spend more than a day working on any one song idea”...
Picasso once said “lesser artists borrow; great artists steal”. And it’s through this process of ‘Furto’ that Vasconcelos Sentimento has somewhat ironically cultivated a sound that is unmistakably his own.
Furto is due for vinyl, CD and digital release on 30th July 2021, via Far Out Recordings.
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TRACKLIST
A1. Velhas Maos Novos Tapas
A2. Ai Meu Deus
A3. Passarinho
A4. Cama Do Estoque
A5. Movimento
A6. Burkina
A7. Lucca
A8. Novo Velho
A9. Atraso Granular
A10. Tender Strings
B1. Marvin Jorge
B2. Quebra Coco
B3. Doutor Contrafacc¸a~o
B4. Jazzlofi Da Morte
B5. Batebate
B6. Geraldo
B7. Brazileiro Com Z
B8. Amigão
B9. Decepcionado
B10.Samora
INFO
Residing in Rio de Janeiro, Vasconcelos Sentimento is a self-taught composer, producer and multi-instrumentalist. A mosaic of lo-fi breaks, cosmic ambient jazz and wonky chromatic funk, the eccentric Brazilian DIY wizard’s debut album Furto beautifully pieces together a huge range of seemingly disparate sonic elements. Calling himself an “amateur euphoric sound researcher”, he has no formal training in either music theory or production, and it’s simply by following his ear that has led him to creating his debut album for Far Out Recordings.
It was his fascination with his fellow countryman, the enigmatic, psychedelic 70s folk artist Jose Mauro, that led the young Vasconcelos Sentimento (real name Guilherme Esteves) to first make contact with Far Out. Coincidentally living in the same region as Mauro, Sentimento managed to track him down and put label boss Joe Davis in touch, after Davis had spent years of what felt like hopeless searching for the man many assumed dead.
When Joe and the Far Out team heard Guilhermes’ own music, there was a sense of shock. “It was unlike anything we’d heard before, but it also sounded curiously at home on Far Out. Like it had taken little pieces of different releases from the catalogue, and all the music from the ‘60s onwards that influences everything we do, and recreated all that magic in such an exciting new way”.
Indeed, Sentimento is not afraid to admit what he himself sees as acts of theft. (Furto=Theft in Portuguese). But while the debate surrounding the ethics of sampling is a never ending one, Sentimento’s music - while it does contain the odd sample, including an interview with Joe Davis himself, “One For The Masta Digga”) - steals in an entirely different way. His creative process involves an intensive period, in which he’ll listen to just one artist or song over and over, for days and weeks on end. Then he’ll head to his rudimentary bedroom studio, which, as he puts it, is “built for speed”, hit record and “blurt” whatever comes out. “I never spend more than a day working on any one song idea”...
Picasso once said “lesser artists borrow; great artists steal”. And it’s through this process of ‘Furto’ that Vasconcelos Sentimento has somewhat ironically cultivated a sound that is unmistakably his own.
Furto is due for vinyl, CD and digital release on 30th July 2021, via Far Out Recordings.
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1
Ilija Rudman pres. Dead Horse - Three Four Amazing
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Ilija Rudman pres. Dead Horse - We Hold The Light
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Ilija Rudman pres. Dead Horse - Your Smile Is Shotgun
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Ilija Rudman pres. Dead Horse - Where Wild Horses Go
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Ilija Rudman pres. Dead Horse - Demons Race - Theme
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Ilija Rudman pres. Dead Horse - After The Gold Rush
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Ilija Rudman pres. Dead Horse - Over The Hill
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Ilija Rudman pres. Dead Horse - Broken Home - Lost Son's Diary
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Ilija Rudman pres. Dead Horse - Black Marble
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Ilija Rudman pres. Dead Horse - Exodus Theme
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Ilija Rudman pres. Dead Horse - Ministry Of Lost Souls - Outro Theme
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Ilija Rudman pres. Dead Horse - Riders Of The Secret Gardens
The Forbidden Dance label is marking their first year of existence and with already top-notch names (Vick Lavender, Alton Miller, The Mechanical Man) with the first three releases, they are celebrating the one year mark with another global gem, disco and house finest - Ilija Rudman!
Where Wild Horses Go is conveying an unquestionable sense of 80's electro and synth boogie filled with smooth and heavily reverberated rhythmics drenched in strong snares. Aligned with catchy and spaced-out disco pads, the album is riddled with ever strong analogue elements processed in a light, quirky and summerish way but with enough groove in some tracks easily applicable on the dancefloors in the late hours.
Dead Horse Gang is a brainchild music band/brand by Ilija Rudman dedicated to cinematic dance concept laying on the Los Angeles funk attitude, Art Of Noise perception of sound and raw 12-bit grooves making a statement of mid 80's culture with surf vibe of California summer.
"Dead Horse Gang Music is more than music, it's a way of life, a way of thinking, a path to a maximum freedom of the one, who can accept it."
-Ilija Rudman
Tracklist LP:
A1 Three Four Amazing
A2 We Hold The Light
A3 Your Smile Is Shotgun
A4 Where Wild Horses Go
A5 Demons Race - Theme
A6 After The Gold Rush
B1 Over The Hill
B2 Broken Home - Lost Son's Diary
B3 Black Marble
B4 Exodus Theme
B5 Ministry Of Lost Souls - Outro Theme
B6 Riders Of The Secret Gardens
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Where Wild Horses Go is conveying an unquestionable sense of 80's electro and synth boogie filled with smooth and heavily reverberated rhythmics drenched in strong snares. Aligned with catchy and spaced-out disco pads, the album is riddled with ever strong analogue elements processed in a light, quirky and summerish way but with enough groove in some tracks easily applicable on the dancefloors in the late hours.
Dead Horse Gang is a brainchild music band/brand by Ilija Rudman dedicated to cinematic dance concept laying on the Los Angeles funk attitude, Art Of Noise perception of sound and raw 12-bit grooves making a statement of mid 80's culture with surf vibe of California summer.
"Dead Horse Gang Music is more than music, it's a way of life, a way of thinking, a path to a maximum freedom of the one, who can accept it."
-Ilija Rudman
Tracklist LP:
A1 Three Four Amazing
A2 We Hold The Light
A3 Your Smile Is Shotgun
A4 Where Wild Horses Go
A5 Demons Race - Theme
A6 After The Gold Rush
B1 Over The Hill
B2 Broken Home - Lost Son's Diary
B3 Black Marble
B4 Exodus Theme
B5 Ministry Of Lost Souls - Outro Theme
B6 Riders Of The Secret Gardens
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1
Matthew Halsall - Music for a Dancing Mind
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Matthew Halsall - Song for Charlie
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Matthew Halsall - The End of Dukkha
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Matthew Halsall - Samatha
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Matthew Halsall - The Journey Home
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Matthew Halsall - The Move
7
Matthew Halsall - Only You (Bonus Track)
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Matthew Halsall - Singing Everyday (Bonus Track)
9
Matthew Halsall - Breathless (Bonus Track)
Special Edition Double Vinyl LP
Manchester based trumpeter, composer, arranger and band-leader Matthew Halsall is one of the rising stars of the UK jazz scene. His unique sound was brilliantly described as "Rain-streaked spiritual jazz from Manchester" by the Independent On Sunday and as a label-boss he has nurtured the careers of Mammal Hands and GoGo Penguin via his Gondwana Records imprint, while his own recordings have explored modal and spiritual jazz, string-laden minimalism and hard-bop. ON THE GO was Halsall's 2011 breakthrough disc, drawing inspiration from the late 60s hard-bop sounds of Max Roach and Art Blakey as well as the Strata-East and Black Jazz labels. it's Halsall's punchiest recording and won Jazz Album Of The Year at Gilles Peterson's Worldwide Awards while the tracks Music For A Dancing Mind and Song For Charlie have proved amongst Halsall's most requested compositions. Re-mixed and re-mastered at Gondwana's home from home, 80 Hertz studios in Manchester and reissued here due to popular demand, ON THE GO appears here in an extended format that adds three new tracks alongside the original album and appears on vinyl for the first time. Halsall explains the decision to reissue On The Go, "I have always loved this album, and when fans kept asking me for a vinyl version I decided to make a special edition release, so I remixed and remastered the whole album with George Atkins at 80 Hertz Studios and in the process decided to include three bonus tracks that were recorded around the same time and took inspiration from one of my favourite jazz records, Miles Davis's Lift To The Scaffold "
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Germany
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Manchester based trumpeter, composer, arranger and band-leader Matthew Halsall is one of the rising stars of the UK jazz scene. His unique sound was brilliantly described as "Rain-streaked spiritual jazz from Manchester" by the Independent On Sunday and as a label-boss he has nurtured the careers of Mammal Hands and GoGo Penguin via his Gondwana Records imprint, while his own recordings have explored modal and spiritual jazz, string-laden minimalism and hard-bop. ON THE GO was Halsall's 2011 breakthrough disc, drawing inspiration from the late 60s hard-bop sounds of Max Roach and Art Blakey as well as the Strata-East and Black Jazz labels. it's Halsall's punchiest recording and won Jazz Album Of The Year at Gilles Peterson's Worldwide Awards while the tracks Music For A Dancing Mind and Song For Charlie have proved amongst Halsall's most requested compositions. Re-mixed and re-mastered at Gondwana's home from home, 80 Hertz studios in Manchester and reissued here due to popular demand, ON THE GO appears here in an extended format that adds three new tracks alongside the original album and appears on vinyl for the first time. Halsall explains the decision to reissue On The Go, "I have always loved this album, and when fans kept asking me for a vinyl version I decided to make a special edition release, so I remixed and remastered the whole album with George Atkins at 80 Hertz Studios and in the process decided to include three bonus tracks that were recorded around the same time and took inspiration from one of my favourite jazz records, Miles Davis's Lift To The Scaffold "
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1
Portico Quartet - Terrain: I
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Portico Quartet - Terrain: II
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Portico Quartet - Terrain: III
Portico Quartet announce Terrain, a three-part suite drawing on American minimalism and ambient music alongside their own rich heritage as they explore new musical vistas When Duncan Bellamy and Jack Wyllie – the driving force behind Portico Quartet got together in their East London studio in May 2020 and started work on the music that would become their new album, the world, or most of it, was in the midst of the first lockdown. The unique impact of the events of 2020 became the backdrop to their time composing and recording; causing them to take stock, re-think, and plot a new musical path. These are compositions more in the lineage of Line and Shed Song (Isla/2009), Rubidium (Portico Quartet/2012) and Immediately Visible (Memory Streams/2019). Wyllie expands: "We've always had this side of the band in some form. The core of it is having a repeated pattern, around which other parts move in and out, and start to form a narrative. We used to do longer improvisations not dissimilar to this around the time of our second record Isla. On Terrain we've really dug into it and explored that form. I suppose there are obvious influences such as American minimalism, but I was particularly inspired by the work of Japanese composer Midori Takada. Her approach, particularly on 'Through the Looking Glass', where she moves through different worlds incorporating elements of minimalism with non-Western instruments and melodies were at the front of my mind when writing this music". Terrain I, II & III are all subtly different, but a short rhythmic motif that repeats is the starting point in all three movements. There is a sense of a shared journey to all these pieces, they move through different worlds, with a sense of horizontal movement that lends the music real momentum. Terrain I was the first piece they worked on and it started with a hang drum pattern, improvised by Bellamy, who added cymbals and synthesiser. From there on it grew, Wyllie adding saxophone, another synthesiser section, strings. For Bellamy "It felt more like filmmaking than music making, a bricolage of conflicting, shifting signs, subtle tension and multiple narratives. Andrei Tarkovsky's 'Mirror' and British artist John Akomfrah's incredible 'Handsworth Songs' were pivotal points of reference for me." Wyllie expands the point. "There is a sense of conversation between us both, in that someone presents a musical idea, the other person responds to it with something else, which would then be responded to again... until it feels finished. These responses are often consonant with each other but there is also a dissonance to some of this work. The music slowly evolves through these shared conversations."
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Germany
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Peggy Gou feat. OHHYUK - Nabi
Peggy Gou returns with 'Nabi' - her first single in over two years and the follow up to 2019's global crossover, 'Starry Night'.
'Nabi' is an incredible piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou’s mother used to play at home during her childhood. Showcasing a less familiar side of Gou’s diverse sound and influences, it retains the hallmarks of her unique take on electronic music; at once both nostalgic and totally modern.
‘Nabi’ - which translates as ‘Butterfly’ - is also Gou’s first ever vocal collaboration, as she teams up with fellow Korean sensation OHHYUK, the lead singer and guitarist in Hyukoh. It’s set to build on the widespread acclaim for her 2020 production collaboration with Baltimore techno legend Maurice Fulton (on his ‘Jigoo’ release for Gudu), ‘Nabi’ is the first of two songs Peggy Gou will release over the coming months.
While the forthcoming follow up is set to dial up the tempo, kicks, 808’s and 909s to soundtrack a summer where we can all (hopefully) dance together in our thousands again, ‘Nabi’ is very much the sound of now – a lowkey anthem fuelled by feelings of hope, freedom and positivity for what’s to come.
Tracklist
A : Nabi
Produced by Peggy Gou
Written by Peggy Gou & OHHYUK
Lyrics by OHHYUK & Maktoop
Mastered by Frank Merritt at The Carvery
Artwork by Inji Seo
Typography by Colin Doerffler
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'Nabi' is an incredible piece of slow-burning, 98bpm electronic pop, inspired by 80s synth classics, the piano pieces of renowned composer Erik Satie and the 80s and 90s Korean songs Gou’s mother used to play at home during her childhood. Showcasing a less familiar side of Gou’s diverse sound and influences, it retains the hallmarks of her unique take on electronic music; at once both nostalgic and totally modern.
‘Nabi’ - which translates as ‘Butterfly’ - is also Gou’s first ever vocal collaboration, as she teams up with fellow Korean sensation OHHYUK, the lead singer and guitarist in Hyukoh. It’s set to build on the widespread acclaim for her 2020 production collaboration with Baltimore techno legend Maurice Fulton (on his ‘Jigoo’ release for Gudu), ‘Nabi’ is the first of two songs Peggy Gou will release over the coming months.
While the forthcoming follow up is set to dial up the tempo, kicks, 808’s and 909s to soundtrack a summer where we can all (hopefully) dance together in our thousands again, ‘Nabi’ is very much the sound of now – a lowkey anthem fuelled by feelings of hope, freedom and positivity for what’s to come.
Tracklist
A : Nabi
Produced by Peggy Gou
Written by Peggy Gou & OHHYUK
Lyrics by OHHYUK & Maktoop
Mastered by Frank Merritt at The Carvery
Artwork by Inji Seo
Typography by Colin Doerffler
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DE - 22113 Hamburg
Germany
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1
Mocky - Ape-Ifanys
2
Mocky - Bora!
3
Mocky - Humans
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Mocky - Overtures
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Mocky - Stevie's Room
6
Mocky - Well Tempered Lament
7
Mocky - Wishful Thinking
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Mocky - Désirée (Piano Version)
Following up his score for the japanese Netflix Anime series “Carole & Tuesday”, Mocky returns to album mode with his new orchestral opus “Overtones For The Omniverse”. Just days before the first Covid lockdowns, Mocky brought a 16 person orchestra comprising of his usual who’s who of underground talent into LA’s Barefoot Studios (and into the same room where Stevie Wonder recorded “Songs in the Key of Life”) to record a pile of scores he had come up with during his previous year’s sabbatical in Portugal. The result is a stunning orchestral album recorded in 36 hours in one or two takes straight off the written page. Shunning the “possible perfection” of today's recording techniques, Mocky looked back as a way to find an alternate future.
According to Mocky: “We had to do it quick with no rehearsal to capture that big open sound of people working together in a room - in all its imperfect glory. In the imperfections you find the humanity. And in today’s tech driven spaces you have to fight to preserve a space for humanity. I felt a deep desire to create a sonic trajectory path for us to follow as we ascend and evolve our understanding of love and what it means to be human. This is the inspiration for „Overtones for the Omniverse“”.
The album runs the gamut from Steve Reich infused minimalism overlaid with Dorothy Ashby style harp runs (“Overtures”) to atonal analogue synth sounds over Martin Denny style percussion (“Bora!”). There's a classic Mocky crooning number that gives a Jim Henson-esque take on the state of “Humans” and the album as a whole captures Mocky's skill of bringing together the joyful energy of a unique cast of LA collaborators.
Featuring: Randal Fisher / Flute, Vicky Farewell / Piano, Vocals, Harry Foster / Bass, Vibraphone, Tubular Bells, Vocals Joey Dosik / Organ and Glockenspiel, Vocals, Guilermo E. Brown aka Pw / Percussion, Vocals, Jhan Lee Aponte (TossTones) / Percussion, Vocals, Timpani, Paul Cartwright / Violin, Molly Rogers / Viola, Gabe Noel / Cello, Contrabass, Liza Wallace / Harp, Coco O. / Vocals, Mocky / Compositions, Drums, Vocals, Roland Sh-1000
O for the O Choir : Nia Andrews, Leslie Feist, Moses Sumney, Durand Bernarr, Eddie Chacon
Recorded at Barefoot Studios, Los Angeles March 6 + 7, 2020. All songs written by Dominic “Mocky” Salole and published by Heavy Sheet Music/Warner Chappell except "Wishful Thinking" written by Dominic “Mocky” Salole and Matt Corby and "Bora!" written by Dominic “Mocky” Salole, Guillermo Brown, Aponte Poro.
Produced by Mocky, Justin Stanley and Renaud Letang. Mixed by Renaud Letang at Ferber Studios Paris Mastered by Emilie Daelemans. Cover artwork by Rand Sevilla. Photo by Vice Cooler.
ABOUT MOCKY Performer, producer, songwriter, composer and multi-instrumentalist, Dominic "Mocky" Salole came to prominence in the Berlin electronic scene of the mid 2000s, releasing three acclaimed solo albums, co-writing and producing classics like Jamie Lidell's "Multiply" and Feist's "The Reminder" and making waves on stage with close collaborators (and fellow Canadians) Peaches, Feist and Chilly Gonzales. In 2009, his music took a jazz-inflected turn to the acoustic with the release of "Saskamodie" and in 2011, after work in Big Sur on Feist's "Metals", Mocky relocated to Los Angeles, where he quickly established himself as a co-writer with uncommon credentials and eccentric working methods collaborating with L.A.’s brightest breakthrough artists like Kelela, Joey Dosik, Vulfpeck or Moses Sumney.
Whilst in L.A. songs he has written have been sung by Mary J. Blige, Jill Scott and many more and he has collaborated with artists as diverse as Mali’s Bassekou Kouyate and the GZA. His monthly rooftops gigs at the ACE Hotel breathed new life into the LA live scene and Mocky channeled those new creative energies into his fifth full length album "Key Change" and four digital mixtapes/EPs "The Moxtapes" Vol. I-IV.
After co-producing and co-writing Feist's "Pleasure", Kelela's "Take Me Apart" and Joey Dosik's "Inside Voice", in 2018 Mocky released two albums: "Music Save Me (One More Time)" - a collection of the best of Japan-only/unreleased gems and favorites from his so far digital only "Moxtapes" series and "A Day At United", an instrumental jazz album, recorded in a single day in the legendary LA recording studio United Recording.
In 2019 Mocky delved into soundtrack work by collaborating with legendary Anime director Shinichiro Watanabe (Cowboy Bebop) on the first two seasons of the breakthrough show “Carole and Tuesday” (Netflix) for which he won Best Score at the Anime Awards 2020.
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According to Mocky: “We had to do it quick with no rehearsal to capture that big open sound of people working together in a room - in all its imperfect glory. In the imperfections you find the humanity. And in today’s tech driven spaces you have to fight to preserve a space for humanity. I felt a deep desire to create a sonic trajectory path for us to follow as we ascend and evolve our understanding of love and what it means to be human. This is the inspiration for „Overtones for the Omniverse“”.
The album runs the gamut from Steve Reich infused minimalism overlaid with Dorothy Ashby style harp runs (“Overtures”) to atonal analogue synth sounds over Martin Denny style percussion (“Bora!”). There's a classic Mocky crooning number that gives a Jim Henson-esque take on the state of “Humans” and the album as a whole captures Mocky's skill of bringing together the joyful energy of a unique cast of LA collaborators.
Featuring: Randal Fisher / Flute, Vicky Farewell / Piano, Vocals, Harry Foster / Bass, Vibraphone, Tubular Bells, Vocals Joey Dosik / Organ and Glockenspiel, Vocals, Guilermo E. Brown aka Pw / Percussion, Vocals, Jhan Lee Aponte (TossTones) / Percussion, Vocals, Timpani, Paul Cartwright / Violin, Molly Rogers / Viola, Gabe Noel / Cello, Contrabass, Liza Wallace / Harp, Coco O. / Vocals, Mocky / Compositions, Drums, Vocals, Roland Sh-1000
O for the O Choir : Nia Andrews, Leslie Feist, Moses Sumney, Durand Bernarr, Eddie Chacon
Recorded at Barefoot Studios, Los Angeles March 6 + 7, 2020. All songs written by Dominic “Mocky” Salole and published by Heavy Sheet Music/Warner Chappell except "Wishful Thinking" written by Dominic “Mocky” Salole and Matt Corby and "Bora!" written by Dominic “Mocky” Salole, Guillermo Brown, Aponte Poro.
Produced by Mocky, Justin Stanley and Renaud Letang. Mixed by Renaud Letang at Ferber Studios Paris Mastered by Emilie Daelemans. Cover artwork by Rand Sevilla. Photo by Vice Cooler.
ABOUT MOCKY Performer, producer, songwriter, composer and multi-instrumentalist, Dominic "Mocky" Salole came to prominence in the Berlin electronic scene of the mid 2000s, releasing three acclaimed solo albums, co-writing and producing classics like Jamie Lidell's "Multiply" and Feist's "The Reminder" and making waves on stage with close collaborators (and fellow Canadians) Peaches, Feist and Chilly Gonzales. In 2009, his music took a jazz-inflected turn to the acoustic with the release of "Saskamodie" and in 2011, after work in Big Sur on Feist's "Metals", Mocky relocated to Los Angeles, where he quickly established himself as a co-writer with uncommon credentials and eccentric working methods collaborating with L.A.’s brightest breakthrough artists like Kelela, Joey Dosik, Vulfpeck or Moses Sumney.
Whilst in L.A. songs he has written have been sung by Mary J. Blige, Jill Scott and many more and he has collaborated with artists as diverse as Mali’s Bassekou Kouyate and the GZA. His monthly rooftops gigs at the ACE Hotel breathed new life into the LA live scene and Mocky channeled those new creative energies into his fifth full length album "Key Change" and four digital mixtapes/EPs "The Moxtapes" Vol. I-IV.
After co-producing and co-writing Feist's "Pleasure", Kelela's "Take Me Apart" and Joey Dosik's "Inside Voice", in 2018 Mocky released two albums: "Music Save Me (One More Time)" - a collection of the best of Japan-only/unreleased gems and favorites from his so far digital only "Moxtapes" series and "A Day At United", an instrumental jazz album, recorded in a single day in the legendary LA recording studio United Recording.
In 2019 Mocky delved into soundtrack work by collaborating with legendary Anime director Shinichiro Watanabe (Cowboy Bebop) on the first two seasons of the breakthrough show “Carole and Tuesday” (Netflix) for which he won Best Score at the Anime Awards 2020.
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Humanoid Gods - Aguadilla UFO
2
Humanoid Gods - Globular Light
3
Humanoid Gods - Vimanika Shastra
4
Humanoid Gods - Gemini 7
Humanoid Gods 02’ is a journey which embraces the unexplained, unidentified and unbelievable events which take place in our stratosphere from the beyond. A gripping odyssey from another realm of the cosmos full of darkness, tension and interstellar soundscapes. Opening with impending power, ‘Aguadilla UFO’ is a thumping track which sets a powerful mood for what’s to come. With the darkness also comes a glimpse of light as ‘Globular Light’ shows off euphoric chords that slowly build into a hypnotic 303 state of mind. Kick comes heavy and hard as ‘Vimanika Shastra’ turns up the intensity with a relentless track that pushes through the darkness of space at hyper speed. ‘Gemini 7’ features a beautifully syncopated feeling of floating through a distant galaxy as its acid notes dance playfully through the unknown. These 4 tracks from Humanoid Gods are a follow on from the first EP bearing the same name. Releasing on the Humanoid Gods’ imprint, these frequencies broadcasted from the far reaches of our universe galvanize harmoniously into a perfectly constructed EP that will excite and elate.
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Tommier Joyson - Clap Your Hands
2
Tommier Joyson - Clap Your Hands (East End Dubs Remix)
Swift newcomer Tommier Joyson makes his debut on Hot Creations this July with his first single, Clap Your Hands. On the B side, Eastenderz boss East End Dubs makes a long-awaited return to the label as remixer. The title track leads the charge. Manifesting as a fast-paced, techy-leaning number, reverberating vocals reside atop driving kick-hat combos whilst whispering hats create a signature four-four rhythm. East End Dubs’ remix completes proceedings, showcasing the UK-minimal sound with which he’s become best known. Stripped-back, looping and built for the late-night hours, it’s a seven-minute cut that you can’t help but groove to Tommier Joyson may be new to the global electronic music circuit but the quality of his sound speaks for itself. The rising talent has landed his first-ever release on Jamie Jones’ Hot Creations, a remarkable feat that sets the tone for a standout 2021. Eastenderz label head East End Dubs has become one of the most in-demand artists in recent years. A prolific producer, his work has found a welcome home on Fuse, Hot Creations and many more besides, whilst regular performances across Ibiza and beyond have cemented his reputation as an international talent.
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Various Artists - No Title
2
Various Artists - No Title
3
Various Artists - No Title
4
Various Artists - No Title
Hell Yeah's debut Buena Onda compilation proved hugely successful. It also kept people drenched in exotic dance floor sounds while the pandemic has kept everyone apart. Now the Berlin-based party is back and on a mission to redefine what Balearic means with a first-ever vinyl-only sampler featuring exclusive, unreleased tunes and remixes compiled by Marco Gallerani and Gallo from brothers around the world.
The a-side is all about new kids on the block: Australian cyborg disco don Kayroy appeared on the label in 2020 with his Imaginary Expeditions EP and now links with his friend Jaspar Robinson, a dreamer with his head amongst the stars. He provides the vocals which speak of an astronaut lost in space and aching for a missing loved one while sombre chords and downbeat bass make for a beautifully longing groove. It's a blue-eyed Balearic classic. The up-and-coming Italian Feel Fly of labels like Internasjonal then goes widescreen with his 'Esperanto.' The chords shimmer, the baseline percolates and the guitar riffs arc up to the heavens for some late-night intergalactic bliss.
The flip side features more mature and established artists: label regular Max Essa offers a remix of The Vendetta Suite 'Neon Secrets,' which has naive Eastern melodies and rueful 80s chords with a subtle new age feel that dumps you right on the beach at sundown. Last of all come Chris Coco and Micko Roche with true-school Balearic classic complete with cicada-like shakers, mellifluous Spanish guitar licks, flutes and soft, frothy, rolling beats that break like waves on a sun-kissed Mediterranean coastline.
Balearic Beats 2021 Sampler 1 offers something for every hour of the day, making this a perfectly functional 12" for the modern Balearic DJ.
Support by Prins Thomas, Calm, Chris Coco, Andy Wilson (Ibiza Sonica), Pete Gooding, Severino (Horse Meat disco), Will Nicol, Phil Cooper, Leo Mas, Mike Salta, Balearic For You, Jon Sa trinxa.
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The a-side is all about new kids on the block: Australian cyborg disco don Kayroy appeared on the label in 2020 with his Imaginary Expeditions EP and now links with his friend Jaspar Robinson, a dreamer with his head amongst the stars. He provides the vocals which speak of an astronaut lost in space and aching for a missing loved one while sombre chords and downbeat bass make for a beautifully longing groove. It's a blue-eyed Balearic classic. The up-and-coming Italian Feel Fly of labels like Internasjonal then goes widescreen with his 'Esperanto.' The chords shimmer, the baseline percolates and the guitar riffs arc up to the heavens for some late-night intergalactic bliss.
The flip side features more mature and established artists: label regular Max Essa offers a remix of The Vendetta Suite 'Neon Secrets,' which has naive Eastern melodies and rueful 80s chords with a subtle new age feel that dumps you right on the beach at sundown. Last of all come Chris Coco and Micko Roche with true-school Balearic classic complete with cicada-like shakers, mellifluous Spanish guitar licks, flutes and soft, frothy, rolling beats that break like waves on a sun-kissed Mediterranean coastline.
Balearic Beats 2021 Sampler 1 offers something for every hour of the day, making this a perfectly functional 12" for the modern Balearic DJ.
Support by Prins Thomas, Calm, Chris Coco, Andy Wilson (Ibiza Sonica), Pete Gooding, Severino (Horse Meat disco), Will Nicol, Phil Cooper, Leo Mas, Mike Salta, Balearic For You, Jon Sa trinxa.
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2 On A Tip / Paul Ibiza - Jungle Hardcore
2
2 On A Tip / Paul Ibiza - Pulp Fiction
3
2 On A Tip / Paul Ibiza - Pulp Fiction (Remix)
Ibiza Records brings you Archives Vol 12 EP with the flavours of 1994 when the scene was emerging from hardcore into Junglism thus the creation of Jungle. These 3 track are gems from 2 On A Tip n Paul Ibiza taken from Ibiza's vast back catalogue showcasing their musical prowess.
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Pillow Queen - Calling Me
2
Pillow Queen - Tunne Vision
3
Pillow Queen - She's Hot Magic
Pillow Queen, the production duo of D. Tiffany and Vani-T, continue their sonic, sensous charting of the dancefloor in their new 3-track release Calling Me, a collaboration with the vocalist, writer and sex worker Ruin. Sexual drive has always been in the alchemy of Pillow Queen’s music, but at the fore is a wider, more encompassing erotics – one of the spirit and uninhibited body. Such is the force Ruin and the girls incant on this record.
The opening track, which also gives the release its title, begins with wide, introspective chords. “Calling Me” is spacious, and takes its time to build over 10 and a half gorgeous minutes, riding on at 118 BPM. Akin to some works of Robert Leiner or John Beltran, it’s a track situating spirituality in the genre of trance via the builds and flows of the music itself, rather than gimmicky cues of “Eastern” Goa vocals or overblown psychedelic drama. As always with Pillow Queen, the vocal samples are pitched and twisted with the greatest care.
By their third release, one can begin to note the duo’s characteristic gestures, and “Tunnel Vision” is somehow emblematic here: those pitched vocals, synth loops frayed out from filters, and crisp, bright drum programming that makes 134 BPM feel like the most natural metronome your feet and ass could follow. We hear Ruin for the first time two minutes in: “You cannot tunnel vision me”. She speaks of a “dance without dogma” in between short choral swells, picking up on the theme of a rewritten divine that figures into Pillow Queen’s Burn Me Up (2020). The phrase “dance without dogma” refers to the writings of Gabrielle Roth, a dancer and author noted for founding the 5Rhythms movement-meditation. Roth’s phrase “sweat your prayers” has also been held aloft as an ethic of the party series Radiant Love, where this EP's final track, “She’s Hot Magic,” was intended to be performed live by Ruin and D. Tiffany. Again we start airborne with birdcall and floating chords. Picking up a kick drum after 3 minutes, and a bassline after 5, this is truly some deep-dancefloor-7AM-body-and-soul-fully-merged shit. Concurrently, we hear Ruin asking us “Unconscious floor, do you know what good touch is?” and “Can you trust this sound?” No doubt, we are being called.
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The opening track, which also gives the release its title, begins with wide, introspective chords. “Calling Me” is spacious, and takes its time to build over 10 and a half gorgeous minutes, riding on at 118 BPM. Akin to some works of Robert Leiner or John Beltran, it’s a track situating spirituality in the genre of trance via the builds and flows of the music itself, rather than gimmicky cues of “Eastern” Goa vocals or overblown psychedelic drama. As always with Pillow Queen, the vocal samples are pitched and twisted with the greatest care.
By their third release, one can begin to note the duo’s characteristic gestures, and “Tunnel Vision” is somehow emblematic here: those pitched vocals, synth loops frayed out from filters, and crisp, bright drum programming that makes 134 BPM feel like the most natural metronome your feet and ass could follow. We hear Ruin for the first time two minutes in: “You cannot tunnel vision me”. She speaks of a “dance without dogma” in between short choral swells, picking up on the theme of a rewritten divine that figures into Pillow Queen’s Burn Me Up (2020). The phrase “dance without dogma” refers to the writings of Gabrielle Roth, a dancer and author noted for founding the 5Rhythms movement-meditation. Roth’s phrase “sweat your prayers” has also been held aloft as an ethic of the party series Radiant Love, where this EP's final track, “She’s Hot Magic,” was intended to be performed live by Ruin and D. Tiffany. Again we start airborne with birdcall and floating chords. Picking up a kick drum after 3 minutes, and a bassline after 5, this is truly some deep-dancefloor-7AM-body-and-soul-fully-merged shit. Concurrently, we hear Ruin asking us “Unconscious floor, do you know what good touch is?” and “Can you trust this sound?” No doubt, we are being called.
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Lucy Duncombe - Brace
2
Lucy Duncombe - Mend
12th Isle quickly follow on from the double LP 'Athenian Primitivism' by Christos Chondropoulos with two recordings from performance, voice and sound artist Lucy Duncombe. Cut to 10" vinyl and mastered by Morgan Buckley (Wah Wah Wino), 'Brace / Mend' are collaborative works exploring an early musical fascination with theatrical vocal transposition and its duality with machinic interference and technologies. Lucy recently expanded upon this practice with a joint tape release with DJ Crud (Al White) entitled THE RAPTURE OF CELLULAR ACCRETION. This limited run single continues 12th Isle's on-going relationship with musicians in their city of Glasgow.
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New from JUNGLE CAT RECS. comes a slamming, tuff release 'Number 1 Crew' from Dub-Liner & Omen Breaks.
Coming with the East Coast hip hop flavour, the wax comprises of 2 big and heavy tunes for all Jungle/Hip Hop lovers.
The B side tfeatures another heavy tune with a hip hop vibe 'Dub-Liner - Blow Sh*t Up'
Tracklist: A. Dub-Liner & Omen Breaks - Number 1 Crew / B: Dub-Liner - Blow Sh*t Up
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Coming with the East Coast hip hop flavour, the wax comprises of 2 big and heavy tunes for all Jungle/Hip Hop lovers.
The B side tfeatures another heavy tune with a hip hop vibe 'Dub-Liner - Blow Sh*t Up'
Tracklist: A. Dub-Liner & Omen Breaks - Number 1 Crew / B: Dub-Liner - Blow Sh*t Up
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Belabouche - Brooklyn" (feat George Alla Dispari)
2
Belabouche - "I Gonna Miss You
3
Belabouche - "Ikeja
4
Belabouche - Country Headquarters
Belabouche is an Italian Producer. His Disco/Funk edits have been released on labels like DiscoDat, Gimme! Gimme !,
Magic Wand, Midnight Riot, Paper Disco, FKR, and Spare Change Disco. After making some remixes, he is out now with
a new EP on the JDP Disco label. 4 juicy tracks, including Brooklin with the feat. by flutist George alla Dispari,
written and performed in his studio. Further enhanced and mastered by Francesco Brini.
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Magic Wand, Midnight Riot, Paper Disco, FKR, and Spare Change Disco. After making some remixes, he is out now with
a new EP on the JDP Disco label. 4 juicy tracks, including Brooklin with the feat. by flutist George alla Dispari,
written and performed in his studio. Further enhanced and mastered by Francesco Brini.
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JAZZ N PALMS - Luz Del Sol
2
JAZZ N PALMS - Cold Drink
3
JAZZ N PALMS - I Wont Be Long
4
JAZZ N PALMS - Fenix
Volume 4: JAZZ N PALMS is back with another selection of some of the most iconic sunset, poolside sounds to be heard at Pikes Hotel (Ibiza), reworked, retouched and edited for your listening pleasure. A trusted taste, JAZZ N PALMS warms up the monthly exclusive Ronnie Scott's (London) jazz concerts held at Pikes, fusing jazz sartorially with latin, funk, rock and international sounds to be enjoyed under the palms and the sun of the Mediterranean sea.
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JAZZ N PALMS - Side A
2
JAZZ N PALMS - Side B
Jazz N Palms selects 100% fusion, jazz, funk in full exotic effect, re-edited and retouched with a modern approach and new sounds to listen under the palms or simply imagining it.
Limited Mixtape, cassette only, including tracks from the first three vinyl releases (JNP 01-02-03) + 2 unreleased.
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Limited Mixtape, cassette only, including tracks from the first three vinyl releases (JNP 01-02-03) + 2 unreleased.
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Sagat - Walking Dub
2
Sagat - Money Magic
Walking home late through the streets of your hometown on a summer night brings peace of mind and a special state of joy. This single with its sparkling sound and undulating rhythm is a blissful soundtrack to the hike home that keeps you awake just a little longer.
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Saidêra - Deixa Tudo Fluir (ft. Nathan Haines) (Ray Mang Remix)
2
Saidêra - Deixa Tudo Fluir (ft. Nathan Haines) (Ray Mang Radio Edit)
3
Saidêra - Deixa Tudo Fluir (ft. Nathan Haines) (Ray Mang Sambadrone Beats)
4
Saidêra - Deixa Tudo Fluir (ft. Nathan Haines) (Ray Mang Instrumental)
Ray Mang has been a spiritual brother to and lodestar for LPH since it's founding, but it was only when we began releasing these Saidêra tracks, defined by their suspension between laid-back Balearic electronica and poppy sun-bleached samba, that we knew we'd finally be able to naturally bring him into the fold. Mr. Mang has kept the bright aesthetic and uninhibited ebullience of the original intact while simultaneously beefing up the presence of the rhythm section, revealing male-female vocal harmonies that were somewhat hidden before, and expanding upon the ornamentations that imparted to it a light-as-a-feather airiness and expansiveness. In classic disco 12-inch style, the record includes a main mix and three spin- offs, each exploring a different facet. The radio mix is shorter and tighter, the “sambadrone beats” puts the percussion at the fore, and the instrumental lets the bed Mang has made take center stage.
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Label:Melody As Truth
Cat-No:MAT19
Release-Date:30.07.2021
Genre:Alternative/Electronic
Configuration:LP
Label:Melody As Truth
Cat-No:MAT19
Release-Date:30.07.2021
Genre:Alternative/Electronic
Configuration:LP
MAT is proud to announce the forthcoming release of ‘The Side I Never See’, by Hugh Small & Brian Allen Simon. Hugh forms half of Scottish post-punk duo Vazz, whose work was the subject of a recent retrospective by Belgian label Stroom. Brian is known best for his solo project Anenon, under which name he has released four full length albums and multiple remixes for artists including Ryuichi Sakamoto.
An improvised recording of Brian playing over the Vazz piece ‘Kazimierz’ catalysed this long-distance collaboration; 2000 feet up a mountain in Andalucia, Hugh heard the recording on a broadcast of Brian’s dublab LA radio show. Immediately taken in by Brian’s playing, the pair soon established contact and began discussing the possibility of working to create something new together.
The rest, as they say, is history: the results are fully realised in ‘The Side I Never See’, a shimmering suite of ten compositions for piano, soprano saxophone, synthesizer and guitar. In Hughs words… ‘so, what is it? It’s Ambient-Punk, Abstract-Jazz, Disaffected-Classical, it’s whatever the fuck you want it to be!’ :-)
‘The Side I Never See’ will be released on Melody As Truth in early August 2021, as always on vinyl and digital. Mastered by Stephan Mathieu, Artwork by Michael Willis.
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An improvised recording of Brian playing over the Vazz piece ‘Kazimierz’ catalysed this long-distance collaboration; 2000 feet up a mountain in Andalucia, Hugh heard the recording on a broadcast of Brian’s dublab LA radio show. Immediately taken in by Brian’s playing, the pair soon established contact and began discussing the possibility of working to create something new together.
The rest, as they say, is history: the results are fully realised in ‘The Side I Never See’, a shimmering suite of ten compositions for piano, soprano saxophone, synthesizer and guitar. In Hughs words… ‘so, what is it? It’s Ambient-Punk, Abstract-Jazz, Disaffected-Classical, it’s whatever the fuck you want it to be!’ :-)
‘The Side I Never See’ will be released on Melody As Truth in early August 2021, as always on vinyl and digital. Mastered by Stephan Mathieu, Artwork by Michael Willis.
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Beartrax - Clarity (John Tejada Remix)
2
Beartrax - Clarity (Original Mix)
3
Beartrax - Haunted Chalice
Melodize is a brand new label that kicks off with a mighty EP from Beartrax that includes a remix from US house legend John Tejada. Beartrax has already rebased on Motek Music, Lost Diaries and Deeper Love and makes a real impression here.
The US house legend and Kompakt regular that is John Tejada opens the EP with the moody and synth laden Clarity remix. It is a roller that takes you deep and has lush chords stretching to the heavens. Clarity in original form is a tender, piano laden tune with a vulnerable vibe and deep, resonating bass. Last up is Haunted Chalice, a track with a rasping lead synth that mesmerises as the warm drums roll on below.
This is a classy EP to kick off this exciting new label
feedback so far:
- Animal Trainer - "Haunted Chalice sounds awesome!"
- Huxley - "Like the remix."
- Nick Warren - "A fine mix from John and Haunted has great charm."
- Jamie Jones- "Sounds cool, will give proper feedback if played."
- Joyce Muniz- "John Tejada remix is sweet!“
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The US house legend and Kompakt regular that is John Tejada opens the EP with the moody and synth laden Clarity remix. It is a roller that takes you deep and has lush chords stretching to the heavens. Clarity in original form is a tender, piano laden tune with a vulnerable vibe and deep, resonating bass. Last up is Haunted Chalice, a track with a rasping lead synth that mesmerises as the warm drums roll on below.
This is a classy EP to kick off this exciting new label
feedback so far:
- Animal Trainer - "Haunted Chalice sounds awesome!"
- Huxley - "Like the remix."
- Nick Warren - "A fine mix from John and Haunted has great charm."
- Jamie Jones- "Sounds cool, will give proper feedback if played."
- Joyce Muniz- "John Tejada remix is sweet!“
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Beartrax - Original
2
Beartrax - Clarian Remix
3
Beartrax - Lauer Remix
Melodize builds on a fine first release with a new one from Beartrax that comes with big remixes from Clarian and Lauer. Having worked with labels such as Lost Diaries and Motek and seeing numerous releases appear in the Beatport charts, American artist Beartrax is a man in form right now.
Ethereal is a slick melodic house cut with far sighted chords and rolling drums. It's about getting lost in the majesty of the musical colour and allowing the emotions to wash over you. Clarian then remixes after many years making a name for his synth heavy sounds thanks to releases on the likes of Kompakt and Anjunadeep and here comes correct once more. His offering is deep and melodic, with a slick cosmic lead over shuffling, icy beats taking you away.
Lauer then closes out with a more edgy remix that has big synth chords riding up and down the scale and plenty of retro feels to the beats.
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Ethereal is a slick melodic house cut with far sighted chords and rolling drums. It's about getting lost in the majesty of the musical colour and allowing the emotions to wash over you. Clarian then remixes after many years making a name for his synth heavy sounds thanks to releases on the likes of Kompakt and Anjunadeep and here comes correct once more. His offering is deep and melodic, with a slick cosmic lead over shuffling, icy beats taking you away.
Lauer then closes out with a more edgy remix that has big synth chords riding up and down the scale and plenty of retro feels to the beats.
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1
Undo - Sixty Days
2
Undo - Sixty Days (Fort Romeau Remix)
3
Undo - Just On Days
Barcelona to Brooklyn via UK: following two very special releases from Beartrax, for their third release (and second of 2020) hot new NYC label Melodize welcome one of Spain’s most consistent electronic ambassadors, Factor City co-boss Undo, and Cin Cin bossman Fort Romeau for remix duties.
Hot on the heels of his stunning ‘Dark Woods’ EP earlier this summer, Undo comes packing some stunning electronic tackle. Sitting somewhere between Border Community and Underworld, both cuts are lavishly layered as myriad synths bubble and ripple away in their own little co-existing worlds.
Baggy, charming and just nicely off-grid, both sides of the coin can be flipped; those looking for a darker jam will be all over ‘Sixty Days’, a powerful cut where the basses melt into swaggering loose kicks. Need things even darker? Then jump on Fort Romeau’s remix where the kicks are cemented into place with a stark acidic twist.
Meanwhile those of us hungrier for more of a cosmic head trip will find serious pots of gold at the end of the rainbow that is ‘Just One Day’. A twinkling, shimmering odyssey, tracks like these don’t come round all that often. Melodize realise total bliss once again.
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Hot on the heels of his stunning ‘Dark Woods’ EP earlier this summer, Undo comes packing some stunning electronic tackle. Sitting somewhere between Border Community and Underworld, both cuts are lavishly layered as myriad synths bubble and ripple away in their own little co-existing worlds.
Baggy, charming and just nicely off-grid, both sides of the coin can be flipped; those looking for a darker jam will be all over ‘Sixty Days’, a powerful cut where the basses melt into swaggering loose kicks. Need things even darker? Then jump on Fort Romeau’s remix where the kicks are cemented into place with a stark acidic twist.
Meanwhile those of us hungrier for more of a cosmic head trip will find serious pots of gold at the end of the rainbow that is ‘Just One Day’. A twinkling, shimmering odyssey, tracks like these don’t come round all that often. Melodize realise total bliss once again.
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WAS - Word and Sound Medien GmbH
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Germany
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1
Beartrax - Dream Riff
2
Beartrax - Dream Riff (Carl Finlow Remix)
3
Beartrax - Repentance
Beartrax is back on his own taste-making electronic label Melodize with a pair of fantastic new singles that get fine remix treatment by the cult underground figure that is Carl Finlow.
American Beartrax has been experimenting with electronic music for 10 years now, and has built up a fine reputation and discography that often leads to Beatport chart toppers and gets big support from high profile DJs.
Up first is Dream Riff, a low key roller with nice melancholic pads and crisp, crunchy hi hats as well as killer bass. It's a melodic musing that really carries your mind away from this world while keeping your body locked to the drums. Remixing is Carl Finlow, who has been an electro mainstay for decades. His version is haunting and minimal, with spooky bass notes and clacking hits that makes for a deep and atmospheric jam. Repentance closes out with nagging bass and a lead melody that is cautiously optimistic.
This is another classy EP from all involved.
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American Beartrax has been experimenting with electronic music for 10 years now, and has built up a fine reputation and discography that often leads to Beatport chart toppers and gets big support from high profile DJs.
Up first is Dream Riff, a low key roller with nice melancholic pads and crisp, crunchy hi hats as well as killer bass. It's a melodic musing that really carries your mind away from this world while keeping your body locked to the drums. Remixing is Carl Finlow, who has been an electro mainstay for decades. His version is haunting and minimal, with spooky bass notes and clacking hits that makes for a deep and atmospheric jam. Repentance closes out with nagging bass and a lead melody that is cautiously optimistic.
This is another classy EP from all involved.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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1
Llyr - Refuge Of Majesty
2
Llyr - Chorus Of The Insects
3
Llyr - Winged Chamber Music
4
Llyr - Courtship Signal
5
Llyr - Intrusion #509
6
Llyr - The Hawthorne Effect
7
Llyr - Interject (feat. Private Agenda)
8
Llyr - Encroachment
Constructed from a library of sounds collected by the artist in the rainforests of Borneo, Llyr’s debut album is an expansive documentation of natural beauty and human interference. Out July 29th on Max Cooper’s Mesh imprint, it is the first full-length album from the Berlin resident.
The result of painstakingly manipulating these recordings via a multitude of cutting edge production techniques, Biome is an expression of precarity and beauty. It invites the listener to be enveloped by Llyr’s augmented reality rendering of the tropical rainforest, one of the Earth’s most biodiverse and iconic biomes, and encourages them to consider our impact on the natural world.
Split into two sections - Pre-Anthropocene and Anthropocene - Biome tells its story with vast sonic ecosystems of molecular detail. Opening to the sounds of bird call, faint monkey hollers and the gentle crackling of mist-enshrouded trees, the album sets its tone with an archetypal impression of the jungle; one of instant familiarity. This is then expanded on across eight tracks, with the first four offering an abstract meditation on the marvels of nature, and the remainder of the album presenting a sonic vision of human interference - more chaotic and complicated than before.
Llyr’s recordings include signifiers of human presence left untouched as an integral part of the story, with natural phenomena manifesting in different ways on each track. The resulting creations are a testament to the inherent musicality of the natural world. ‘Courtship Signal’ uses a recording of frogs singing in Kubah National Park to map out the rhythms and pitches of its composition, reconstructing an exact structural replica of these mating calls before manipulating and recomposing. Elsewhere, ‘The Hawthorne Effect’ captures a swarm of insects engaging in a rare mating ritual, sampling both a collective hum and individual percussive moments to build an entire library of sound. Similarly, ‘Winged Chamber Music’ carves out a majestic sonic cave using recordings of water dripping and the chattering of bats pitched down to human hearing range. Having engaged wholeheartedly with these moments as they occurred, Llyr extracts themes and motifs with a sincere respect for their origins.
The first section is made in its entirety from Llyr’s own rainforest recordings with no use of drum machines, synths or samples. The recordings feature at every possible scale from macro to micro: unmodified binaural field recordings set the scene; granulated layers add pseudo-synthetic textural atmosphere; iteratively processed one-shots provide punctuation; and carefully designed custom instruments, forged from short fragments and cycles, express harmony and rhythm. The second half, heralding the arrival of humans, relaxes the rule book and a smattering of synthetic elements enter the fray to maximise visceral impact.
The resulting work is a debut album that considers extensive themes by weaving these rare recordings into a remarkably coherent sonic blueprint. Biome resonates as both an affecting listening experience and a thematic exploration of the changing world we inhabit.
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WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
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The result of painstakingly manipulating these recordings via a multitude of cutting edge production techniques, Biome is an expression of precarity and beauty. It invites the listener to be enveloped by Llyr’s augmented reality rendering of the tropical rainforest, one of the Earth’s most biodiverse and iconic biomes, and encourages them to consider our impact on the natural world.
Split into two sections - Pre-Anthropocene and Anthropocene - Biome tells its story with vast sonic ecosystems of molecular detail. Opening to the sounds of bird call, faint monkey hollers and the gentle crackling of mist-enshrouded trees, the album sets its tone with an archetypal impression of the jungle; one of instant familiarity. This is then expanded on across eight tracks, with the first four offering an abstract meditation on the marvels of nature, and the remainder of the album presenting a sonic vision of human interference - more chaotic and complicated than before.
Llyr’s recordings include signifiers of human presence left untouched as an integral part of the story, with natural phenomena manifesting in different ways on each track. The resulting creations are a testament to the inherent musicality of the natural world. ‘Courtship Signal’ uses a recording of frogs singing in Kubah National Park to map out the rhythms and pitches of its composition, reconstructing an exact structural replica of these mating calls before manipulating and recomposing. Elsewhere, ‘The Hawthorne Effect’ captures a swarm of insects engaging in a rare mating ritual, sampling both a collective hum and individual percussive moments to build an entire library of sound. Similarly, ‘Winged Chamber Music’ carves out a majestic sonic cave using recordings of water dripping and the chattering of bats pitched down to human hearing range. Having engaged wholeheartedly with these moments as they occurred, Llyr extracts themes and motifs with a sincere respect for their origins.
The first section is made in its entirety from Llyr’s own rainforest recordings with no use of drum machines, synths or samples. The recordings feature at every possible scale from macro to micro: unmodified binaural field recordings set the scene; granulated layers add pseudo-synthetic textural atmosphere; iteratively processed one-shots provide punctuation; and carefully designed custom instruments, forged from short fragments and cycles, express harmony and rhythm. The second half, heralding the arrival of humans, relaxes the rule book and a smattering of synthetic elements enter the fray to maximise visceral impact.
The resulting work is a debut album that considers extensive themes by weaving these rare recordings into a remarkably coherent sonic blueprint. Biome resonates as both an affecting listening experience and a thematic exploration of the changing world we inhabit.
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Germany
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1
Gordon Koang - Coronavirus
2
Gordon Koang - Corona Virus (edit)
3
Gordon Koang - Gordon Koang - Disco
Music in Exile is excited to announce a new 12” maxi-single release from the “King of Music”, GORDON KOANG. Titled Coronavirus / Disco, this double-A-side release share’s Gordon’s messages of peace, love and positivity, and is his first original offering since his acclaimed Unity album was released in late 2020. For the DJ’s out there, both tracks will feature on a limited edition, 12” maxi single vinyl complete with pull-out poster from Gordon, encouraging listeners to stay positive during this difficult time.
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1
Dubbing Sun - A1 - Hail Jah
2
Dubbing Sun - B1 - Evilman
Tracklist:
A1 Dubbing Sun - Hail Jah
B1 Dubbing Sun - Evilman
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A1 Dubbing Sun - Hail Jah
B1 Dubbing Sun - Evilman
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William Eaton - A Sample
2
William Eaton - B Sample
Originally released in 1978, Music By William Eaton is a private-press album from the accomplished experimental stringed instrument builder. The atmospheric recording techniques, mixed with a hint of Fahey/Takoma-lineage make for a listening experience akin to the mountainscape drawing represented on the album cover. The experience may seem simple at first, but like any great trip in nature, new details consistently reveal themselves upon each listen.
“When I started building instruments, playing guitar took on a whole new dimension. From the conception to the birth of each instrument, new layers of meaning unfolded. Cycles, connections and interdependencies became apparent as I contemplated the growth of trees from seed to old age, and the transformation from raw wood to the building of a musical instrument. I sought out quiet natural environments to play and listen to the “voice” of my 6 string, 12 string, 26 string (Elesion Harmonium) and double neck quadraphonic electric guitar. Deep canyons contained a beautiful resonant quality and echo. A starlit night with a full moon provided all the reflection and endless space by which to project music into the cosmos. The sound of a bubbling stream and singing birds added a natural symphonic tapestry to a melody or chord pattern. As I perceived it, everything was participating in a serendipitous dance. Everything was part of the music.
During this time, I decided to record an instrumental album of music. The idea was simple; it would be a series of tone poems with no titles or any information attached, only the words ‘Music by William Eaton.’ While some of the songs evolved out of composed chord progressions, most of the songs were played spontaneously, only on the occasion of the recording. These improvised songs haven’t been played since.” -- William Eaton
Recommended for fans of John Fahey, Harry Partch, Robbie Basho, Laraaji
A1 Untitled 6:15
A2 Untitled 5:20
A3 Untitled 2:29
A4 Untitled 2:58
A5 Untitled 0:49
A6 Untitled 2:56
A7 Untitled 1:14
A8 Untitled 3:42
B1 Untitled 4:25
B2 Untitled 3:37
B3 Untitled 2:10
B4 Untitled 2:49
B5 Untitled 2:12
B6 Untitled 1:14
B7 Untitled 1:52
B8 Untitled 1:45
B9 Untitled 2:04
B10 Untitled 2:41
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“When I started building instruments, playing guitar took on a whole new dimension. From the conception to the birth of each instrument, new layers of meaning unfolded. Cycles, connections and interdependencies became apparent as I contemplated the growth of trees from seed to old age, and the transformation from raw wood to the building of a musical instrument. I sought out quiet natural environments to play and listen to the “voice” of my 6 string, 12 string, 26 string (Elesion Harmonium) and double neck quadraphonic electric guitar. Deep canyons contained a beautiful resonant quality and echo. A starlit night with a full moon provided all the reflection and endless space by which to project music into the cosmos. The sound of a bubbling stream and singing birds added a natural symphonic tapestry to a melody or chord pattern. As I perceived it, everything was participating in a serendipitous dance. Everything was part of the music.
During this time, I decided to record an instrumental album of music. The idea was simple; it would be a series of tone poems with no titles or any information attached, only the words ‘Music by William Eaton.’ While some of the songs evolved out of composed chord progressions, most of the songs were played spontaneously, only on the occasion of the recording. These improvised songs haven’t been played since.” -- William Eaton
Recommended for fans of John Fahey, Harry Partch, Robbie Basho, Laraaji
A1 Untitled 6:15
A2 Untitled 5:20
A3 Untitled 2:29
A4 Untitled 2:58
A5 Untitled 0:49
A6 Untitled 2:56
A7 Untitled 1:14
A8 Untitled 3:42
B1 Untitled 4:25
B2 Untitled 3:37
B3 Untitled 2:10
B4 Untitled 2:49
B5 Untitled 2:12
B6 Untitled 1:14
B7 Untitled 1:52
B8 Untitled 1:45
B9 Untitled 2:04
B10 Untitled 2:41
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1
Miranda Nicole - Build A Bridge (DJ Beloved BPM Mix)
2
Miranda Nicole - Build A Bridge (DJ Beloved BPM Instrumental)
3
Miranda Nicole - Build A Bridge (Original NDATL Radio)
4
Miranda Nicole - Build A Bridge (Jihad Muhammad Bang The Drum Remix)
5
Miranda Nicole - Build A Bridge (Jihad Muhammad Bang The Drum Piano Dub)
NDATL continues with Miranda Nicole follow up release of "Build A Bridge" to her 2015 dancefloor hit "Dance Like You've Been Here",
Once again originally produced by Kai Alcé & Byron The Aquarius, NDATL call upon the remix talent of DJ Beloved who delivers a blistering deep but banging rendition of the dancefloor ballad. Next up Jihad Muhammed joins the team who curates a beautiful musical landscape for Miranda's vocals making u yearn for more! #Summer2021
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Once again originally produced by Kai Alcé & Byron The Aquarius, NDATL call upon the remix talent of DJ Beloved who delivers a blistering deep but banging rendition of the dancefloor ballad. Next up Jihad Muhammed joins the team who curates a beautiful musical landscape for Miranda's vocals making u yearn for more! #Summer2021
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1
The Utopia Project - A Better Day
2
The Utopia Project - You Don't Know What To Do
3
The Utopia Project - With You (Anytime, Anyplace)
4
The Utopia Project - La La Land
With a pioneering catalogue that boasts releases from artists such as Kenny Dope, Frankie Bones & Lennie Dee, Joey Negro and Joey Beltram, Nu Groove records was one of the key labels in establishing the NYC house sound. However, it was the brothers Rhano and Rheji Burrell who were by far the most prolific to release on Nu Groove. The Utopia Project is another alias from producer and creative genius Rheji, whose four track EP ‘Intuition’ makes the latest release on the revamped Nu Groove imprint. A sublime house package spread over four unique tracks, ‘Intuition’ kicks off with joyous, 1980s inspired ‘A Better Day’, followed by the slick groove of ‘You Don’t Know What To Do’. On the flip we’re greeted with the boogie-filled ‘With You (Anytime, Anyplace)’, before Rheji takes us underground for closing track ‘La La Land’, a guaranteed dancefloor mover. A masterclass in classic house from one of NYC’s most heralded names, ‘Intuition’ is another record collection essential from the Nu Groove camp.
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1
Mause - LocriLogAcid Seq
2
Mause - SeqtuningMlog Acid1
3
Mause - Strimsang [Baecon4]
4
Mause - Sunday Multi Acid Seq20d
Mause makes his debut release on npm with a stunning 4 track EP entitled ‘XOR’.
Starting with ‘LocriLogAcid Seq’ serving up soothing melodies that make you want to drift away on the dance-floor. ‘SeqTuningMlog Acid1’ proves that Mause isn’t averse to switching up tempos and beats with a powerful, trippy acid induced journey.
The cleverly structured ambient and melodically complex ‘Strimsang [Baecon4]’is reminiscent of early Aphex Twin with pure electronic bliss whilst ‘Sunday Multi Acid Seq20d’ is a strong finish to the EP delving deeper within the realms of electro and acid techno.
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Starting with ‘LocriLogAcid Seq’ serving up soothing melodies that make you want to drift away on the dance-floor. ‘SeqTuningMlog Acid1’ proves that Mause isn’t averse to switching up tempos and beats with a powerful, trippy acid induced journey.
The cleverly structured ambient and melodically complex ‘Strimsang [Baecon4]’is reminiscent of early Aphex Twin with pure electronic bliss whilst ‘Sunday Multi Acid Seq20d’ is a strong finish to the EP delving deeper within the realms of electro and acid techno.
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1
Luz1e & Sarah Farina - BMO
2
Jadzia - Orbit
3
DJ Mell G - Bladerunner
4
Overland - Cicada Rhythm
5
DJ Fuckoff - B.I.M.B. (Bills In My Booty)
A powerful selection of six female and non-binary producers join forces on this compilation full of energy and resilience. Jointly selected from across the globe, Tonic Noise ushers in a new era of bassy and eclectic tracks. Running the gamut from techno to breakbeat, jungle, bass, and electro, Tonic Noise promises to heal at the same time it cranks energy levels ever higher.
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1
Sonny Ism - Et Andet Sted
2
Sonny Ism - This Modern Life
3
Sonny Ism - Alpha Rhythm
4
Sonny Ism - Time 4 Love
5
Sonny Ism - Island Impressions
6
Sonny Ism - Vibe Science
7
Sonny Ism - Planet B
8
Sonny Ism - Archipelago Balearico
9
Sonny Ism - Favoured State
10
Sonny Ism - This Modern Life (Kasper Marott Remix)
'Island Impressions' depicts the moments and visions of Australian house producer Sonny Ism's year living on an Island in Stockholms Archipelago during the Covid 19 Pandemic. Littered with Kitchy melancholic vocal house tracks to alternative ambient electronica, Island Impressions is a journey of movement and documented moodswings in the underground house music genre.
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1
My Friend Dario - Neve Su Acireale - Hot Toddy Remix
2
My Friend Dario - Malvasia - Blair French Remix
3
My Friend Dario - Fenice - Willie Graff Remix
4
My Friend Dario - Storm - James Bright Remix
A1 Neve Su Acireale - Hot Toddy Remix
A2 Malvasia - Blair French Remix
B1 Fenice - Willie Graff Remix
B2 Storm - James Bright Remix
Dario Aiello’s first EP for NuNorthern Soul as My Friend Dario, Cosmic Sailing, was one of the label’s most inspired releases of 2020 – a six-track musical voyage into the unknown that cannily combined elements of Balearic disco, ambient, turn-of-the-90s Italian dream house, horizontal jazz-funk and colourful synth-boogie.
With such strong musical motifs and instrumentation to work with, NuNorthern Soul boss Phil Cooper decided to ask some well-established producers and friends-of-the family to put their own spin on the Sicilian producer’s EP. The result is Cosmic Sailing Remixed, a four-track set of reworks that takes Aiello’s mesmerising, atmospheric and enveloping cuts to whole new musical places.
Crazy P’s Chris Todd dons his now familiar Hot Toddy guise for an EP-opening revision of ‘Neve Su Acireale’. Todd makes the most of Aiello’s Pat Metheny style jazz guitar motifs, teasing the track in via an ambient intro that recalls both the Orb’s earliest singles and Steve Reich classic ‘Electric Counterpoint’. After building tension through loose-limbed, progressively more intense drum fills, Todd unleashes a glorious Balearic disco groove that carries the track forwards towards a blissful conclusion.
Sometime Music For Dreams, Hell Yeah recordings and Leng contributor Willie Graff steps up next, brilliantly re-imagining ‘Fenice’ as a hypnotic and bass-heavy chunk of Balearic dub disco rich in layered, samba-style percussion, glistening electric guitar motifs and fluid synthesizer flourishes. Later in the track, Graff introduces more elements from Aiello’s original track – twinkling pianos and dream house style aural textures for starters – before adding touches of tape delay to emphasize the track’s dubby dancefloor mood.
Those seeking extremely immersive, mood-enhancing music will be thrilled by Blair French’s tactile, sunrise-ready take on ‘Malvisa’. The Detroit-based musician and soundtrack composer draws heavily on the kaleidoscopic but mellow synthesizer textures of Aiello’s original version while continually adding new layers of percussion and electronic melodies. The result is a swirling, calming remix that should delight home listeners and slow-motion dancers alike.
To round off the EP, Balearic synth-pop specialist James Bright puts his creative stamp on ‘Storm’. In keeping with the warm, tactile and synthesizer-heavy sound of his superb debut album on !K7, Headroom, Bright re-frames the most atmospheric cut on Aiello’s EP and a yearning, heart-aching journey through slow-motion acid lines, twinkling pianos, huggable synth-pop grooves and the kind of sustained chords that feel like they’re wrapping your body in a toasty blanket made of the finest cashmere. It provides a poignant, jaw-dropping conclusion to a high-quality set of imaginative and kaleidoscopic remixes.
DJ Support:
Sasha, UK - Summer vibes!
Terry Farley, Faith, UK - Stunning record - get me on a plane somewhere HOT now!
Groove Assassin, UK - Lovely pack of summery mixes to boot !
Yam Who?, UK - Yes Toddy - a touch of 'Voices' being spirited here - love it!!
Robot 84, UK - TBH very hard to pick a winner here, all four remixes are superb... Love them all!!!
Severino, Horse Meat Disco, UK - Great Hot Toddy and James Bright remixes
Harold Heath, DJ / 5 Mag / IDJ, UK - I like all four tracks, quality EP
Dazzle Drums, Japan - New era cosmic style. Thanks (Blair French remix)
Parrish Wintersmith, Los Angeles, USA - This package takes me straight to the Balearic Islands... beautiful stuff.
Roberto Rodriguez, Finland - Beautiful pool music!
Fingerman, Hot Digits Music, Brighton, UK - Hot Toddy remix is a winner but there is some great sounds throughout here :)
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A2 Malvasia - Blair French Remix
B1 Fenice - Willie Graff Remix
B2 Storm - James Bright Remix
Dario Aiello’s first EP for NuNorthern Soul as My Friend Dario, Cosmic Sailing, was one of the label’s most inspired releases of 2020 – a six-track musical voyage into the unknown that cannily combined elements of Balearic disco, ambient, turn-of-the-90s Italian dream house, horizontal jazz-funk and colourful synth-boogie.
With such strong musical motifs and instrumentation to work with, NuNorthern Soul boss Phil Cooper decided to ask some well-established producers and friends-of-the family to put their own spin on the Sicilian producer’s EP. The result is Cosmic Sailing Remixed, a four-track set of reworks that takes Aiello’s mesmerising, atmospheric and enveloping cuts to whole new musical places.
Crazy P’s Chris Todd dons his now familiar Hot Toddy guise for an EP-opening revision of ‘Neve Su Acireale’. Todd makes the most of Aiello’s Pat Metheny style jazz guitar motifs, teasing the track in via an ambient intro that recalls both the Orb’s earliest singles and Steve Reich classic ‘Electric Counterpoint’. After building tension through loose-limbed, progressively more intense drum fills, Todd unleashes a glorious Balearic disco groove that carries the track forwards towards a blissful conclusion.
Sometime Music For Dreams, Hell Yeah recordings and Leng contributor Willie Graff steps up next, brilliantly re-imagining ‘Fenice’ as a hypnotic and bass-heavy chunk of Balearic dub disco rich in layered, samba-style percussion, glistening electric guitar motifs and fluid synthesizer flourishes. Later in the track, Graff introduces more elements from Aiello’s original track – twinkling pianos and dream house style aural textures for starters – before adding touches of tape delay to emphasize the track’s dubby dancefloor mood.
Those seeking extremely immersive, mood-enhancing music will be thrilled by Blair French’s tactile, sunrise-ready take on ‘Malvisa’. The Detroit-based musician and soundtrack composer draws heavily on the kaleidoscopic but mellow synthesizer textures of Aiello’s original version while continually adding new layers of percussion and electronic melodies. The result is a swirling, calming remix that should delight home listeners and slow-motion dancers alike.
To round off the EP, Balearic synth-pop specialist James Bright puts his creative stamp on ‘Storm’. In keeping with the warm, tactile and synthesizer-heavy sound of his superb debut album on !K7, Headroom, Bright re-frames the most atmospheric cut on Aiello’s EP and a yearning, heart-aching journey through slow-motion acid lines, twinkling pianos, huggable synth-pop grooves and the kind of sustained chords that feel like they’re wrapping your body in a toasty blanket made of the finest cashmere. It provides a poignant, jaw-dropping conclusion to a high-quality set of imaginative and kaleidoscopic remixes.
DJ Support:
Sasha, UK - Summer vibes!
Terry Farley, Faith, UK - Stunning record - get me on a plane somewhere HOT now!
Groove Assassin, UK - Lovely pack of summery mixes to boot !
Yam Who?, UK - Yes Toddy - a touch of 'Voices' being spirited here - love it!!
Robot 84, UK - TBH very hard to pick a winner here, all four remixes are superb... Love them all!!!
Severino, Horse Meat Disco, UK - Great Hot Toddy and James Bright remixes
Harold Heath, DJ / 5 Mag / IDJ, UK - I like all four tracks, quality EP
Dazzle Drums, Japan - New era cosmic style. Thanks (Blair French remix)
Parrish Wintersmith, Los Angeles, USA - This package takes me straight to the Balearic Islands... beautiful stuff.
Roberto Rodriguez, Finland - Beautiful pool music!
Fingerman, Hot Digits Music, Brighton, UK - Hot Toddy remix is a winner but there is some great sounds throughout here :)
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1
D Ball - Be
2
D Ball - Change
3
D Ball - Saha
More understated than previous releases from Dave, but carrying the same depth, essence and sentimentality that runs through all of his music.
Expansive landscapes on this one, a real trip.
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Expansive landscapes on this one, a real trip.
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1
36 / Zakè - Stasis Sounds For Long-Distance Space Travel (Stage 1)
2
36 / Zakè - Stasis Sounds For Long-Distance Space Travel (Stage 2)
3
36 / Zakè - Stasis Sounds For Long-Distance Space Travel (Stage 3)
4
36 / Zakè - Stasis Sounds For Long-Distance Space Travel (Stage 4)
REISSUE: Given the respective outputs of committed ambient explorers and sound designers Zake (best known for releasing no less than five fine albums in 2019) and 36 (most recently seen on A Strangely Isolated Place with the superb album "Fade To Grey"), you'd expect this trip into aural deep space to be rather good. It is of course, with the four tracks mixing echoing sonic tones and drifting sound effects with slow-burn electronic melodies and the kind of immersive, sustained chords that were once the preserve of German maestro Pete Namlook. The third track in the suite, appropriately titled "Stage 3", is little less than stunning, in part because of its grandiose, almost classical intent.
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Zakè - Gaffney Fields
2
Zakè - Chesnee Rivulet
3
Zakè - Woodland Aurora
4
Zakè - Meadow Twilight
According to the artist himself, zake's first solo album of 2020 was recorded and produced during "a four-day excursion in several secluded areas" in South Carolina. As a result, listeners can expect to hear babbling brooks, birdsong and the gentle rustling of leaves beneath Zake's alluring mixture of enveloping ambient chords, unearthly drone tones, opaque electronics and slowly-shifting, heavily processed neo-classical movements. The results are hugely immersive and undeniably enjoyable, with each of the four tracks delivering a head-in-the-clouds journey that ripples with becalmed, atmospheric intent. In other words, it's the kind of ambient music you can get lost in. More please!
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1
Felice - Infinite Suburbia feat. DJ City
2
Felice - Infinite Suburbia (Instrumental)
3
Felice - Leaving Trails
4
Felice - Infinite Suburbia (Lauer Remi)
Ladies & gentlemen, please welcome FELICE!
Working the fields of italo disco, rave and house, TURNLAND co-chief FELICE delivers the goods with a smashing tune entitled "INFINITE SUBURBIA" which indeed can easily be tagged with the "italo" moniker - a very modern and up to date, state of the art italo take that is. The tune is a stomping tour de force (or more likely a Giro d'Italia …) with razor sharp piano stabs and DJ CITY sweetening the former instrumental track by adding marvelous icy cold yet laid-back vocals - a collaboration which came into being during the 2020 Covid summer. Of course we put the instrumental on the EP as well - for those of you who want to sing yourself …
"LEAVING TRAILS" leaves us with some great trails of dancefloor magic. The atmosphere is slightly darker here, but FELICE keeps up the positive and uplifting spirit by speeding up the tempo a tiny bit and gracing this tune with that shuffling hi-hat for that extra groove.
Last but not least, man of the hour LAUER puts his magic hands on the title track with a couple of acid bleeps and lots of atmospheric and dreamy sounds keeping only tiny vocal snippets that pop up occasionally thus creating real infinite moments of joy - welcome to "INFINITE SUBURBIA"!
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Working the fields of italo disco, rave and house, TURNLAND co-chief FELICE delivers the goods with a smashing tune entitled "INFINITE SUBURBIA" which indeed can easily be tagged with the "italo" moniker - a very modern and up to date, state of the art italo take that is. The tune is a stomping tour de force (or more likely a Giro d'Italia …) with razor sharp piano stabs and DJ CITY sweetening the former instrumental track by adding marvelous icy cold yet laid-back vocals - a collaboration which came into being during the 2020 Covid summer. Of course we put the instrumental on the EP as well - for those of you who want to sing yourself …
"LEAVING TRAILS" leaves us with some great trails of dancefloor magic. The atmosphere is slightly darker here, but FELICE keeps up the positive and uplifting spirit by speeding up the tempo a tiny bit and gracing this tune with that shuffling hi-hat for that extra groove.
Last but not least, man of the hour LAUER puts his magic hands on the title track with a couple of acid bleeps and lots of atmospheric and dreamy sounds keeping only tiny vocal snippets that pop up occasionally thus creating real infinite moments of joy - welcome to "INFINITE SUBURBIA"!
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1
Pau Roca - Euphoria
2
Pau Roca - Marble Arch
3
Pau Roca - Euphoria (Pal Joeys Touch)
4
Pau Roca - Hope
Barcelona's Pau Roca is back with his 2nd release on LA label Pleasure of Love, EP of cool-hazy balearic house with equal parts sunrise and sunset energy.
Roca is a standout in the Barcelona DJ scene, with his party Libido and labels Escola and Bons Records, he’s established himself as a premiere record collector/DJ and a producer in the scene. You can hear it in "Euphoria", a track that shows Roca’s deep understanding/appreciation of this music’s roots while updating the sound and capturing the mood and essence of the title. "Marble Arch" is another chugging, deep italo/spanish house number - filtering in breakbeats, choir patches, and a resonant lead to hypnotizing effect.
The legend Pal Joey brings a trademark sound to his version of "Euphoria" on the flip, lending vocals and organ to a tripped out and blissful vision of the track. "Hope" rounds out the EP, a downtempo, uplifting piece for lovers of atmospheric retro-house.
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Roca is a standout in the Barcelona DJ scene, with his party Libido and labels Escola and Bons Records, he’s established himself as a premiere record collector/DJ and a producer in the scene. You can hear it in "Euphoria", a track that shows Roca’s deep understanding/appreciation of this music’s roots while updating the sound and capturing the mood and essence of the title. "Marble Arch" is another chugging, deep italo/spanish house number - filtering in breakbeats, choir patches, and a resonant lead to hypnotizing effect.
The legend Pal Joey brings a trademark sound to his version of "Euphoria" on the flip, lending vocals and organ to a tripped out and blissful vision of the track. "Hope" rounds out the EP, a downtempo, uplifting piece for lovers of atmospheric retro-house.
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1
Shadow Sect & Dope D.O.D. - A1 - STFU
2
Shadow Sect & Dope D.O.D. - B1 - STFU (Shadow Sect & Hallucinator VIP Rmx)
Tracklist:
A1 Shadow Sect & Dope D.O.D. - STFU
B1 Shadow Sect & Dope D.O.D. - STFU (Shadow Sect & Hallucinator VIP Rmx)
Release Sheet:
Dutch hardcore hip hop crew Dope D.O.D teams up with Italian hard Drum & Bass duo Shadow Sect for a solo track and a remix with Hallucinator.
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A1 Shadow Sect & Dope D.O.D. - STFU
B1 Shadow Sect & Dope D.O.D. - STFU (Shadow Sect & Hallucinator VIP Rmx)
Release Sheet:
Dutch hardcore hip hop crew Dope D.O.D teams up with Italian hard Drum & Bass duo Shadow Sect for a solo track and a remix with Hallucinator.
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Unknown - The Bottle
2
Unknown - Love Is The Respect
Two stone cold, all time classics, from two undisputed legends, re-edited, extended and repurposed for the modern dancefloor.
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1
Arp Frique - Nyame Ye
2
Arp Frique - Oi Quem Que Nos
Limited 7 inch for Recordstore day 2021 (July 17th drop). Taken from Arp Frique's upcoming album "The Seed"!
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The 3rd volume of Red Laser's electronic Boogie compilations !!
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1
Kovyazin D - Tales From The Bottle
2
Alessandro Adriani - Stranger In Moscow
3
Poexxxali - Skorost
4
Mujuice - Angst
5
Mashkov - Luna (Feat. Mirele)
The System 108 anniversary record sums up the label's five-year work without words. The new collection is an impression of everything that the team has become during its existence. System 108 has matured nominally and stylistically, defining for itself three main directions: post-industrial, techno and break-beat, disco and house. Each of the three parts of the new collection reveals one of the musical trajectories of System 108 development: Part 1 is a dark story that covers the genres of new beat, EBM, acid, new wave, with a light touch in Goa trance by Mashkov.
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1
Zeitgeist & Tucceri - Gathering
2
Zeitgeist & Tucceri - Komorebi
3
Zeitgeist & Tucceri - Surrender
4
Zeitgeist & Tucceri - Cleansing
5
Zeitgeist & Tucceri - Tzimtzum
6
Zeitgeist & Tucceri - Learning Curve
7
Zeitgeist & Tucceri - Movement/Breath
8
Zeitgeist & Tucceri - Without Body
9
Zeitgeist & Tucceri - Reaching Higher
10
Zeitgeist & Tucceri - Gratitude/Reflection
Having worked together for several years on the project 'Zeitgeist Freedom Energy Exchange' Zeitgeist and Tucceri come together here in a very intimate and vulnerable setting. This recording offers a place of reflection and healing amongst an ever imposing and disposable pop culture. In a time where we fight for each others attention in 10 second social media grabs. The duo offer something of the opposite. An opportunity to tap out of the technological bombardment and allow the listener the place to reflect, to ponder, to imagine.
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1
The Psychedelic Freaks - Passing Through the Doorways of Your Mind
2
The Psychedelic Freaks - The Chosen Path
3
The Psychedelic Freaks - To the Funk Valley
4
The Psychedelic Freaks - The Next Level
5
The Psychedelic Freaks - Illuminated Waterfalls
6
The Psychedelic Freaks - I See Absolute
Having worked together for several years on the project 'Zeitgeist Freedom Energy Exchange' Zeitgeist and Tucceri come together here in a very intimate and vulnerable setting. This recording offers a place of reflection and healing amongst an ever imposing and disposable pop culture. In a time where we fight for each others attention in 10 second social media grabs. The duo offer something of the opposite. An opportunity to tap out of the technological bombardment and allow the listener the place to reflect, to ponder, to imagine.
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1
Laguna Ladies - Laguna Style
2
Laguna Ladies - Laguna Style (Instrumental)
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Liebknecht - Barcelona
2
Liebknecht - Barcelona (Syrte Descent)
3
Liebknecht - Oberhausen
4
Liebknecht - Essex
5
Liebknecht - Reykjavik
For the fifth iteration of the eight-part Astra Spectra series, Science Cult presents iconic German producer Liebknecht with 4 dance floor ready tracks. Included is a deep and futuristic remix by label co-founder Syrte.
Pressed on a limited run of green vinyl, the colour and name of the EP correspond to Iron on the Fraunhofer Absorption Spectrum of our sun.
Stefan Weise aka Syrte envisioned the “Astra Spectra” series as a celebration of mankind’s vision for space exploration, past and future, while also expressing a love for space science, science fiction and the spirit of discovery. Each release in the series is representative of a color frequency in our sun’s absorption spectrum and the element which is represented by that, hence the name, which means “Solar Spectrum”.
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Pressed on a limited run of green vinyl, the colour and name of the EP correspond to Iron on the Fraunhofer Absorption Spectrum of our sun.
Stefan Weise aka Syrte envisioned the “Astra Spectra” series as a celebration of mankind’s vision for space exploration, past and future, while also expressing a love for space science, science fiction and the spirit of discovery. Each release in the series is representative of a color frequency in our sun’s absorption spectrum and the element which is represented by that, hence the name, which means “Solar Spectrum”.
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1
Miguel Migs - Midnight Memories
2
Miguel Migs - Sensations
3
Miguel Migs - Promises
4
Miguel Migs - Silver Sun
5
Miguel Migs - Restless Nights
6
Miguel Migs - To The Other Side
7
Miguel Migs - Into The Red Sky
8
Miguel Migs - Back Tonight
9
Miguel Migs - Running With You
10
Miguel Migs - Mood Lights
11
Miguel Migs - Follow Through
12
Miguel Migs - Chasing Time
13
Miguel Migs - Before I Go
Once in a while an artist will come along that carves out a sonic aesthetic so distinctive it takes just a few bars of a record to know it’s one of theirs. Miguel Migs is undoubtedly one of these artists, with the Californian producer’s catalogue of deeply soulful house demonstrating his adept knowledge of atmospheric, dimensional and creative soundscapes. Now he delivers new album ‘Shaping Visions’ on Soulfuric Deep, his first LP since ‘Dim Division’ on Soul Heaven Records/Defected in 2014. Produced during the height of lockdown, the intimate connection between the listener and the 13 tracks on the album reflects a laid back and deeply emotive side of Migs’ repertoire. From the mellow groove of opening track ‘Midnight Memories’, to the seductive soulfulness of ‘Mood Lights’, and the laid back, driving feel of ‘Chasing Time’, this collection of mid-tempo gems showcases Migs’ distinctive style at its very best. With an emphasis on quality, song-driven material, featuring a host of talented collaborators including house favourite Lisa Shaw, guitarist and vocalist for Prince Andy Allo and Rebel Soul founder Martin Luther, ‘Shaping Visions’ thoughtfully intimate intentions are what make it a truly special listening experience.
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1
Lloyd McNeil - O Mercado (Brazilian Market)
2
Lloyd McNeil - Tori (Segment One)
3
Lloyd McNeil - Tzigane
4
Lloyd McNeil - Tori (Segment Two)
5
Lloyd McNeil - Sambinha
6
Lloyd McNeil - Time Still / Passaro - Pifaro (Flute Bird)
7
Lloyd McNeil - Tori (Segment Three)
8
Lloyd McNeil - Tranquil
Soul Jazz Records’ limited-edition black vinyl 1000-copies worldwide LP (+ download code), (as well as CD and digital) issue of this very rare deep spiritual jazz meets Brazilian and Latin album first released as a private-press album in 1978 on flautist Lloyd McNeill’s own Baobob Record label in Washington, DC. The album has been out-of-print for 43 years and is lovingly remastered by Soul Jazz Records.
Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successfull resident live group in New York all set up to blend deep jazz, Brazilian and Latin music together.
Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.
McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.
Tracklist:
01. O Mercado (Brazilian Market)
02. Tori (Segment One)
03. Tzigane
04. Tori (Segment Two)
05. Sambinha
06. Time Still / Passaro - Pifaro (Flute Bird)
07. Tori (Segment Three)
08. Tranquil
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Tori is a stunning album that blends Brazilian and Latin flavours with deep Spiritual Jazz, recorded in 1978. The album features an unbelievably strong line-up which includes legendary Brazilian figures like Dom Um Romao, Nana Vasconcelos and Dom Salvador alongside jazz heavyweights such as Buster Williams, Howard Johnson, John La Barbera and more. These A-team musicians were all regulars in McNeill’s long-running and highly successfull resident live group in New York all set up to blend deep jazz, Brazilian and Latin music together.
Lloyd McNeill is an African-American flautist, painter, poet, and photographer born in Washington, D.C., in 1935. His multi-disciplinary creative life led to encounters and friendships with Nina Simone, Picasso, Eric Dolphy, Nana Vasconceles and other legendary cultural figures. Lloyd McNeill’s hypnotic ‘Washington Suite’ was originally commissioned as a piece of music for the Capital Ballet Company, in Washington, DC.
McNeill grew up through the era of the Civil Rights Movement in the 1960s and his life and work is a reflection of those ideals. In the mid-1960s he moved to France where he became friends with Picasso, working with a number of émigré-jazz musicians whilst living in Paris. In the late 1960s he taught jazz and painting workshops at the New Thing Art and Architecture Center in Washington. In the 1970s he travelled throughout Brazil and West Africa studying music and taught music anthropology in the US.
Tracklist:
01. O Mercado (Brazilian Market)
02. Tori (Segment One)
03. Tzigane
04. Tori (Segment Two)
05. Sambinha
06. Time Still / Passaro - Pifaro (Flute Bird)
07. Tori (Segment Three)
08. Tranquil
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1
Mark Laird - A1 - Bet
2
Mark Laird - A2 - I Just Wanna
3
Mark Laird - B1 - 4 Cruisin
4
Mark Laird - B2 - Woosh
5
Mark Laird - B3 - Ghetto Booty
Tracklist:
A1 Mark Laird - Bet
A2 Mark Laird - I Just Wanna
B1 Mark Laird - 4 Cruisin
B2 Mark Laird - Woosh
B3 Mark Laird - Ghetto Booty
Release Info:
While there is a wealth of young, fresh talent on the house music scene right now, few have cultivated such a polished sound as Mark Laird. Hailing from Ireland but already enjoying success on the international scene, Laird joins Shall Not Fade's Killer Cuts series for the diverse and invigorating Random EP.
First on the 5-tracker is "Bet", and it's an immediate onslaught of breaks and heavy kicks, a chunky melody that follows choppy vocals to create a cheeky bit of dancefloor action. "I Just Wanna" takes on a noughties fidget house style, cascading vocal samples that are somehow hypnotic.
On the B-side, Laird shows the breadth of his production abilities, moving away from the hard-hitting club beats for a moment on "4 Cruisin'" and instead crafting a pulsing, spaced out house track that feels like sunshine dazzling on some far-off beach. This blissful energy grows in the next track, "Woosh" - a euphoric warehouse rave-tinged number that showcases the best of classic piano house. Closing off the EP is the edgy, energetic "Ghetto Booty", with flavours of early American house sounds and a groove that is impossible not to move to.
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A1 Mark Laird - Bet
A2 Mark Laird - I Just Wanna
B1 Mark Laird - 4 Cruisin
B2 Mark Laird - Woosh
B3 Mark Laird - Ghetto Booty
Release Info:
While there is a wealth of young, fresh talent on the house music scene right now, few have cultivated such a polished sound as Mark Laird. Hailing from Ireland but already enjoying success on the international scene, Laird joins Shall Not Fade's Killer Cuts series for the diverse and invigorating Random EP.
First on the 5-tracker is "Bet", and it's an immediate onslaught of breaks and heavy kicks, a chunky melody that follows choppy vocals to create a cheeky bit of dancefloor action. "I Just Wanna" takes on a noughties fidget house style, cascading vocal samples that are somehow hypnotic.
On the B-side, Laird shows the breadth of his production abilities, moving away from the hard-hitting club beats for a moment on "4 Cruisin'" and instead crafting a pulsing, spaced out house track that feels like sunshine dazzling on some far-off beach. This blissful energy grows in the next track, "Woosh" - a euphoric warehouse rave-tinged number that showcases the best of classic piano house. Closing off the EP is the edgy, energetic "Ghetto Booty", with flavours of early American house sounds and a groove that is impossible not to move to.
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1
Fidde - A1 - Real Love
2
Fidde - A2 - Limmie
3
Fidde - A3 - Cry
4
Fidde - B1 - Funky Mr. Cameron
5
Fidde - B2 - Me Without You
6
Fidde - B3 - Reminisce
Format: 12", blue vinyl / label sleeve
A1 Fidde - Real Love
A2 Fidde - Limmie
A3 Fidde - Cry
B1 Fidde - Funky Mr. Cameron
B2 Fidde - Me Without You
B3 Fidde - Reminisce
Swedish producer and one to watch, Fidde, joins Shall Not Fade for his debut Real Love EP. The up-and-comer has gained attention with infectious self-released singles, blending house rhythms with more complex, natural instrumentation to great effect on this vinyl only release.
Subtle echoes of birdsong swirl around a glittering house beat in "Real Love", emotive sax and keys giving a jubilant feel to the record opener that captures the feeling of the early days of romance perfectly. "Limmie" uses hand drums and dreamy guitar loops to evoke hot summer holidays; the echoes of vocals and tinges of electro intonations bring the club energy. A jazzy edge to the EP builds from "Cry", where gentle piano is drawn into focus before the pulse of the dance hits, and melting across to the B-side with "Funky Mr. Cameron" - one long groovy, explorative jazz riff with playful guitar snippets.
Dynamic percussion undulates throughout "Me Without You"; a soulful, hazey song full of romance and complete with sax solo - one for star-crossed lovers on the dancefloor. "Reminisce" serves up high energy to close out the EP, building from the swirling melody into chopped up vocals that become an unstoppable earworm - ending with another delicate touch of that 303 bassline.
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A1 Fidde - Real Love
A2 Fidde - Limmie
A3 Fidde - Cry
B1 Fidde - Funky Mr. Cameron
B2 Fidde - Me Without You
B3 Fidde - Reminisce
Swedish producer and one to watch, Fidde, joins Shall Not Fade for his debut Real Love EP. The up-and-comer has gained attention with infectious self-released singles, blending house rhythms with more complex, natural instrumentation to great effect on this vinyl only release.
Subtle echoes of birdsong swirl around a glittering house beat in "Real Love", emotive sax and keys giving a jubilant feel to the record opener that captures the feeling of the early days of romance perfectly. "Limmie" uses hand drums and dreamy guitar loops to evoke hot summer holidays; the echoes of vocals and tinges of electro intonations bring the club energy. A jazzy edge to the EP builds from "Cry", where gentle piano is drawn into focus before the pulse of the dance hits, and melting across to the B-side with "Funky Mr. Cameron" - one long groovy, explorative jazz riff with playful guitar snippets.
Dynamic percussion undulates throughout "Me Without You"; a soulful, hazey song full of romance and complete with sax solo - one for star-crossed lovers on the dancefloor. "Reminisce" serves up high energy to close out the EP, building from the swirling melody into chopped up vocals that become an unstoppable earworm - ending with another delicate touch of that 303 bassline.
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1
Patrick Cowley Featuring Sylvester - Do You Wanna Funk? (Remix #1)
2
Patrick Cowley Featuring Sylvester - Do You Wanna Funk? (Remix #2)
3
Patrick Cowley Featuring Sylvester - Don't Stop
Storming electronic disco anthem from 1982 on official repress, special coloured wax edition! Patrick Cowley and Sylvester's megaton bomb of a record is often cited as being one of THE definitive disco records from the dawn of the 1980's. Influencing everything from the burgeoning house sound to Italo disco, synth-pop and way beyond, 'Do You Wanna Funk' is simply a classic in every respect. Released on the seminal San Francisco 80s Disco/Hi-NRG label that Cowley had founded, it found it's way onto the turntables - and in turn - onto the dance-floors of every self-respecting disc jockey and nightclub for the next few decades. This is it, pure energy, uplift, body shocking electronic funk of the highest order. On the flipside of this very special reissue you'll find Sylvester's 'Don't Stop' lifted from the 'Do You Wanna Funk' long player, yet another roof raising, slamming and soulful performance from one of the most influential disco performers and figures of all time, an unmissable 12" for real.
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Germany
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1
Brain Rays & Quiet - Slacker
2
Brain Rays & Quiet - Tigress Canisha
3
Brain Rays & Quiet - Ataru Flip
4
Brain Rays & Quiet - Creeps (Coco Bryce Remix)
5
Brain Rays & Quiet - Hemlock (Pesh Remix)
Further 160 hybrid ingenuity from Brain Rays & Quiet, and another 1.21 gigawatt fly-by from the future-past-future-present: opening with an abject shock to the portions of your brain that recognise time, the monstrous 'Slacker' comprehensively dysregulates you with its undeniable poly-rhythmic intensity and properly galactic scope, prior to the comparatively lush and sensual footwork vibes of 'Tigress Canisha', an edit of which featured in a short film for Vogue Italia by Stella Asia Consonni in 2019. Alongside a re-mastered version of 'Ataru Flip' from their full-fat 'Butter' album of last year, a fleet-footed Coco Bryce remix powers through on the B-side, before an indulgent Pesh remix rounds things up in abstract footwork style as a digital-only exclusive. Despite invoking Robert Zemeckis' 'Back to the Future' and Richard Linklater's delirious lo-fi sentiments of more than 30 years ago, Brain Rays & Quiet prove themselves to be increasingly synonymous with a thoroughgoing species of future funk, which is to say, with a post-generic hybrid vibe that is somehow properly timeless, infectious as shit and undoubtedly full of spunk. Enjoy it in your ride in motion, rub it on your skin like lotion.
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1
Wonky Logic - Anti-Galactic-Colonisation
2
Wonky Logic - Blast Off
3
Wonky Logic - Trans-Species Fuunk Entanglement
4
Wonky Logic - Andromeda Style Fuunk
5
Wonky Logic - Spacebass (Canis Major Style)
6
Wonky Logic - Perpetual Unsimulated Fuunk Source
London based multi-instrumentalist and beatmaker Wonky Logic drops 6 track EP “Transdimensional Fuunk (Transposed for Human Consumption)”, on July 30, 2021, marking the 14th release of Super-Sonic Jazz Records. Also, save the date for the first two singles on May 21 and June 25, 2021.
Last year, producer and multi-instrumentalist Wonky Logic released his debut album “0113”. Now, he continues to showcase his passion for wonky beats and swirling synths with his follow up “Transdimensional Fuunk (Transposed for Human Consumption)”. As a service to clubbers and dancers of Planet Earth, he translated his banging space funk for human needs. From steamy and dangerous to subtle and soulful, it’s all on his extraterrestrial palet. Ain’t no denying that, with these 6 tracks he establishes himself as one of the more rebellious beatheads in the UK Jazz scene, with strong connections to Super-Sonic Jazz and Summer Dance Forever.
Wonky Logic started out at the age of 11 on his mum’s computer and made his journey onwards from Leeds College of Music to jamming with Nubian Twist and GEO, into becoming a founding member of Steam Down. He collaborated with Nubya Garcia, Theon Cross, Wiyaala, Afla Sakey, K.O.G., and broken beat icon I.G Culture, for which he did Musical Direction of “Earthbound” (Super-Sonic’s ninth release). His current projects include his own band with Nache (Sons of Kemet) as well as The General Elation Soundsystem, alongside Brother Portrait and Nadeem Din-Gabisi. He plays keyboards for Bryony Jarmon-Pinto, synth bass with afrofuturism band ONIPA and has recently played on Emma Jean Thackray's project Um-Yang alongside Soweto Kinch.
However, this Summer will be all about his own brand new EP, which will be warmly welcomed by beatmakers, clubbers and dancers alike. Hopefully, they can do so in the freshly reopened clubs across the globe, where this piece belongs.
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Last year, producer and multi-instrumentalist Wonky Logic released his debut album “0113”. Now, he continues to showcase his passion for wonky beats and swirling synths with his follow up “Transdimensional Fuunk (Transposed for Human Consumption)”. As a service to clubbers and dancers of Planet Earth, he translated his banging space funk for human needs. From steamy and dangerous to subtle and soulful, it’s all on his extraterrestrial palet. Ain’t no denying that, with these 6 tracks he establishes himself as one of the more rebellious beatheads in the UK Jazz scene, with strong connections to Super-Sonic Jazz and Summer Dance Forever.
Wonky Logic started out at the age of 11 on his mum’s computer and made his journey onwards from Leeds College of Music to jamming with Nubian Twist and GEO, into becoming a founding member of Steam Down. He collaborated with Nubya Garcia, Theon Cross, Wiyaala, Afla Sakey, K.O.G., and broken beat icon I.G Culture, for which he did Musical Direction of “Earthbound” (Super-Sonic’s ninth release). His current projects include his own band with Nache (Sons of Kemet) as well as The General Elation Soundsystem, alongside Brother Portrait and Nadeem Din-Gabisi. He plays keyboards for Bryony Jarmon-Pinto, synth bass with afrofuturism band ONIPA and has recently played on Emma Jean Thackray's project Um-Yang alongside Soweto Kinch.
However, this Summer will be all about his own brand new EP, which will be warmly welcomed by beatmakers, clubbers and dancers alike. Hopefully, they can do so in the freshly reopened clubs across the globe, where this piece belongs.
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1
E.R.P. - SNOWDAY
2
LUKE EARGOGGLE - JUPITER TOUCHDOWN
3
-=UHU=- - BASE 808
4
WELTVIRTSCHAFT EARGOGGLE - TELE VISION
Repress!
After some quiet years Stilleben Records is back. This VA 12" goes on in exactly the same style as earlier records from Stilleben. A mix between electro and electro disco. Many records are planned and in the making right now for the future to be heard. This 12" has a nice mix from E.R.P's more 4/4 and harmonic melodies to more stiff electro-funk from up north. Here we go..
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After some quiet years Stilleben Records is back. This VA 12" goes on in exactly the same style as earlier records from Stilleben. A mix between electro and electro disco. Many records are planned and in the making right now for the future to be heard. This 12" has a nice mix from E.R.P's more 4/4 and harmonic melodies to more stiff electro-funk from up north. Here we go..
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1
UHU - SCIENCE OUT OF SILENCE
2
MORPHOLOGY - DEMENTIA
3
RONDO - BRAVACHE
4
DAS MUSTER - FORTSCHRITT
5
LUKE EARGOGGLE AND MARTIN MATISKE - ELEKTRO EMOTIONEN
6
ENCOUNTER - VISION SCREEN
Repress!
Stunning 6 track VA record with loads of funky and icey Electro from the scandinavian parts of the mind. From listening to the dancefloor feel free to discover the teamwork glued together from Sweden, Iceland, Finland, Germany & France...
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Stunning 6 track VA record with loads of funky and icey Electro from the scandinavian parts of the mind. From listening to the dancefloor feel free to discover the teamwork glued together from Sweden, Iceland, Finland, Germany & France...
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1
Das Muster - Signalstärke
2
Das Muster - Kontaktaufnahme
3
Das Muster - Fern Und Nah
4
Das Muster - Zwangstoleranz
5
Mumm - Biological Research
6
Mumm - Star
7
Mumm - Cell Phone
8
Mumm - Ausweg
Repress!
Finally after some years Das Muster form nothern Germany gonna join the Stilleben family of pure electro! Lurking in the shadows of Kraftwerk and Dopplereffekt he delivers a fantastic collection of songs that will smash the future with his electronics and precise machine funk. Welcome to the world upnorth and Das Muster!
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Finally after some years Das Muster form nothern Germany gonna join the Stilleben family of pure electro! Lurking in the shadows of Kraftwerk and Dopplereffekt he delivers a fantastic collection of songs that will smash the future with his electronics and precise machine funk. Welcome to the world upnorth and Das Muster!
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1
The Hacker - Propaganda
2
The Hacker - Still
3
The Hacker - La Marine
4
The Hacker - Propagande V2
Repress!
Finally we can announce that The Hacker is onboard at the Stilleben ship with some amazing electro that lurks in the shades of Kraftwerk and other fine electronic acts, but with his own significant style and signature. 3 electro songs and one more italo/electro disco that was hidden on a old hard disk. We are very happy to continue the electro journey on Eargoggles Stilleben with this strong and beautiful release... Let The Hacker guide you on a path...
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Finally we can announce that The Hacker is onboard at the Stilleben ship with some amazing electro that lurks in the shades of Kraftwerk and other fine electronic acts, but with his own significant style and signature. 3 electro songs and one more italo/electro disco that was hidden on a old hard disk. We are very happy to continue the electro journey on Eargoggles Stilleben with this strong and beautiful release... Let The Hacker guide you on a path...
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1
Sofie Birch and Johan Carøe - Calibrating Senses
2
Sofie Birch and Johan Carøe - Connotes Beauty
3
Sofie Birch and Johan Carøe - Sugar And Air
4
Sofie Birch and Johan Carøe - Portal Of
5
Sofie Birch and Johan Carøe - Repair Techniques
6
Sofie Birch and Johan Carøe - Sugi
7
Sofie Birch and Johan Carøe - Nangiyolo
8
Sofie Birch and Johan Carøe - You Make Me Care More
9
Sofie Birch and Johan Carøe - Bike Sacrifice
10
Sofie Birch and Johan Carøe - Heart Donor
11
Sofie Birch and Johan Carøe - Død & Hav
An album evolving around disruptive and chaotic life events. A testament to putting the pieces back together through love and support from friends and loved ones.
All tracks are built on two improvised live sessions recorded on a Roland Juno-60, Moog Sub 37, Roland XP 30 by Sofie Birch and Johan Carøe in Copenhagen in 2019.
Edited and reworked to 11 tracks during residency at Andersabo in Sweden the summer of 2020 with new recordings of acoustic elements.
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All tracks are built on two improvised live sessions recorded on a Roland Juno-60, Moog Sub 37, Roland XP 30 by Sofie Birch and Johan Carøe in Copenhagen in 2019.
Edited and reworked to 11 tracks during residency at Andersabo in Sweden the summer of 2020 with new recordings of acoustic elements.
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1
Club Winston - DKD (D. Tiffany Remix)
2
Club Winston - Blurt (Jabes Remix)
3
Club Winston - Slump (Tim Reaper Remix)
4
Club Winston - Reject (Katatonic Silentio Remix)
Four archival Club Winston tracks remixed by heavyweight talent.
Included: a visionary D. Tiffany trance journey, a carnival bass workout from Jabes, a face melting acid-jungle remix from Tim Reaper and an apocalyptic beat science throwdown from Katatonic Silentio.
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Included: a visionary D. Tiffany trance journey, a carnival bass workout from Jabes, a face melting acid-jungle remix from Tim Reaper and an apocalyptic beat science throwdown from Katatonic Silentio.
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1
Dollkraut - Vuile Leugenaar
2
Dollkraut - Trance Domina
3
Dollkraut - Amoebe
4
Dollkraut - Wie Ein (Slow) Groupie
New Dollkraut 4-tracker on The Hague's mighty Viewlexx. This is galactic sleaze at it's finest! ''Zijn jullie klaar..?!''
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1
Malin Genie - Corpse Grinder
2
Malin Genie - Death Mangler
3
Malin Genie - Weakling Poser
4
Malin Genie - Rendez-Vous Danse Macabre
5
Malin Genie - Stare At The Wall Start Crying
6
Malin Genie - Hell Dragger
7
Malin Genie - Lust Crazed Muck Men
Dutchman Malin Genie is head of his own self titled label, as well as this one, is co-owner of Oscillat and De Vloer and is also a member of Mandar member with Lazare Hoche and SAM. Despite all those projects he still manages to sound fresh and different each and every time he pops up. This time out he strides forwards on a loopy techno pulse on 'Corpse Grinder' , gets freaky on the dark synths and eerie pads of 'Death Mangler' and flips you the fuck out with the acid frenzy that is 'Weakling Poser'. And that's just the a-side, on the reverse are three more left of centre dance floor weapons that take in both sleazy house and cosmic electro. What an EP.
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1
Armec - Caged
2
Armec - Caged (Hardfloor Remix)
3
Armec - Curvature
4
Armec - Replicants
20/20 Vision present the debut release from Manchester based artists Armec. Following releases for Cultivated Electronics and Furthur Electronix, the Caged EP hits the ground running - with a record that spans heavy club-ready electro and futuristic soundscapes. Complete with a hefty remix from German acid connoisseurs Hardfloor.
'Caged' sucks us down the rabbit hole with dense textures fortified by an infectious groove, vast pads, and bubbling synth lines. The Hardfloor remix of 'Caged' submerges us into an acidic electro trip - fuelled by quirky melodic licks, a menacing low-end and body shaking drums.
On the flip side 'Curvature' is an out-and-out understated bomb. Propelled by a squelching, supercharged bassline which soars over Armec's signature textural landscape, it's reinforced by razor sharp hats and a heavy kick-drum. 'Replicants' is a side-winding, emotionally charged cut that feels truly fresh and forward-thinking. Deep, luscious pads are underpinned by a superbly engineered break-beat driven groove.
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'Caged' sucks us down the rabbit hole with dense textures fortified by an infectious groove, vast pads, and bubbling synth lines. The Hardfloor remix of 'Caged' submerges us into an acidic electro trip - fuelled by quirky melodic licks, a menacing low-end and body shaking drums.
On the flip side 'Curvature' is an out-and-out understated bomb. Propelled by a squelching, supercharged bassline which soars over Armec's signature textural landscape, it's reinforced by razor sharp hats and a heavy kick-drum. 'Replicants' is a side-winding, emotionally charged cut that feels truly fresh and forward-thinking. Deep, luscious pads are underpinned by a superbly engineered break-beat driven groove.
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1
retromigration - Bloom Street
2
retromigration - Brining It
3
retromigration - Free Spirit
4
retromigration & Arthur Dudley - One Night With Colin
5
retromigration - Slick Walkin'
WOLF Music welcomes Amsterdam’s Retromigration to the family with a five-track summertime sizzler, ready-made for hazy parkside sunsets and beach jaunts alike.
Hotly tipped and rarely skipped, Retromigration has been lighting up the scene with a string of killer releases over the past 18 months on labels like Healthy Scratch, Ltd, W/Lbl, GLBDOM and Ravanelli Disco Club.
Flexin’ that signature chopped and looped style across the EP, the A side is a double dose of house joints via ‘Bloom Street’ and ‘Brining It’, the former a bumpin’ New York nodding cut, the latter an synth heavy roller.
Flip it to find a more jazz-tinged affair but with its feet still firmly in the house domain. ‘Free Spirit’ channels a groove that could last forever, with a bass and keys combo that riffs away any creeping anxieties, before Arthur Dudley joins for ‘One Night With Colin’ a late night, smoked out, jazz joint trip.
‘Slick Walkin’' closes out the EP – a lesson in how to make samples dance any which way you want them to, as piano melodies flicker over a double nice bassline and tasty synth touches.
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Hotly tipped and rarely skipped, Retromigration has been lighting up the scene with a string of killer releases over the past 18 months on labels like Healthy Scratch, Ltd, W/Lbl, GLBDOM and Ravanelli Disco Club.
Flexin’ that signature chopped and looped style across the EP, the A side is a double dose of house joints via ‘Bloom Street’ and ‘Brining It’, the former a bumpin’ New York nodding cut, the latter an synth heavy roller.
Flip it to find a more jazz-tinged affair but with its feet still firmly in the house domain. ‘Free Spirit’ channels a groove that could last forever, with a bass and keys combo that riffs away any creeping anxieties, before Arthur Dudley joins for ‘One Night With Colin’ a late night, smoked out, jazz joint trip.
‘Slick Walkin’' closes out the EP – a lesson in how to make samples dance any which way you want them to, as piano melodies flicker over a double nice bassline and tasty synth touches.
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1
Willow - Squirrel City
2
Willow - Phoebe
3
Willow - Sexuall
4
Willow - Strawberry Moon
Blinding, warm grooving, pure House elegance - Tip!
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1
Max Winter - Body To Soul
2
Max Winter - Type Hex
3
Max Winter - How I Got Rid Of Me
4
Max Winter - Two Fold Silence
5
Max Winter - P.O.S
6
Max Winter - Shade
7
Max Winter - A Piece To Leave With
Hand stickered & stamped sleeve with compositional score insert.
Max Winter’s music seeks to traverse a breadth of styles – a world where freewheeling jazzwise drum workouts linger behind silk bass and glooming electronics, where compositional flurries of flute, cello, keys, and violin playfully exchange with restrained melodic ambience, where driving & pummelling big drop productions resurface as introverted pop stunners, where crystalline vocal melodies float above terminator slap bass sessions… it’s literally all going on…and all at the same time. Max holds that rare ability to serve as a vector for his own sweeping ideas, to think something and ‘just do it’ – coming from a jazz & classical compositional background Max writes everything, plays everything, and masterfully grasps everything. To be frank, ‘One Thousand Lonely Places’ has ended up being one of the most mysterious and exciting things we’ve ever put out.
Max strives to bring a very human element / approach to his electronic compositions, perhaps a result of the tactile nature of his classical training, he injects a unique rawness into his sound world via vocal experiments which breathe (literally) emotional states into much of the work, building and elevating his sound with the big room pieces, and pushing the other end extreme of anxious isolation deeper into the walls.
There’s no denying the strong pop sensibility that permeates ‘One Thousand Lonely Places’, hushed vocal parts are shared between Max and recurring guest IMOGEN, and there’s a definite structure within the chaos, but this is mostly an odd, isolated, experimental take on formal song structure - walking the same restrained, understated pathways forged by bands such as Talk Talk and The Necks one moment, and then the next minute pointing towards the likes Arto Lindsey & Bill Laswell’s more playful forms of No Wave, and then from there gazing towards the future focus of musically informed, genre less freedom explored by artists such as Laurel Halo, Kaitlyn Aurelia Smith. All of these touchpoints are subtly underpinned with an understanding and appreciation of classical & quiet music forms of composition encompassed and explored by masters such as Akira Rabelais, Harold Budd, David Sylvian.
Written & Produced by Max Winter
Additional Vocals by IMOGEN
Additional players - Michael Shrimpling (Flute), Lluís Domènech Plana (Flute), Joel Waters (Drums), Natasha Kenealy (Violin), Tom Crofton-Green(Violin), Daniel Springate (Cello), Peter Fenech (Viola).
Mixed by Joe Shrimpling
Mastered by Rupert Clervaux
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Max Winter’s music seeks to traverse a breadth of styles – a world where freewheeling jazzwise drum workouts linger behind silk bass and glooming electronics, where compositional flurries of flute, cello, keys, and violin playfully exchange with restrained melodic ambience, where driving & pummelling big drop productions resurface as introverted pop stunners, where crystalline vocal melodies float above terminator slap bass sessions… it’s literally all going on…and all at the same time. Max holds that rare ability to serve as a vector for his own sweeping ideas, to think something and ‘just do it’ – coming from a jazz & classical compositional background Max writes everything, plays everything, and masterfully grasps everything. To be frank, ‘One Thousand Lonely Places’ has ended up being one of the most mysterious and exciting things we’ve ever put out.
Max strives to bring a very human element / approach to his electronic compositions, perhaps a result of the tactile nature of his classical training, he injects a unique rawness into his sound world via vocal experiments which breathe (literally) emotional states into much of the work, building and elevating his sound with the big room pieces, and pushing the other end extreme of anxious isolation deeper into the walls.
There’s no denying the strong pop sensibility that permeates ‘One Thousand Lonely Places’, hushed vocal parts are shared between Max and recurring guest IMOGEN, and there’s a definite structure within the chaos, but this is mostly an odd, isolated, experimental take on formal song structure - walking the same restrained, understated pathways forged by bands such as Talk Talk and The Necks one moment, and then the next minute pointing towards the likes Arto Lindsey & Bill Laswell’s more playful forms of No Wave, and then from there gazing towards the future focus of musically informed, genre less freedom explored by artists such as Laurel Halo, Kaitlyn Aurelia Smith. All of these touchpoints are subtly underpinned with an understanding and appreciation of classical & quiet music forms of composition encompassed and explored by masters such as Akira Rabelais, Harold Budd, David Sylvian.
Written & Produced by Max Winter
Additional Vocals by IMOGEN
Additional players - Michael Shrimpling (Flute), Lluís Domènech Plana (Flute), Joel Waters (Drums), Natasha Kenealy (Violin), Tom Crofton-Green(Violin), Daniel Springate (Cello), Peter Fenech (Viola).
Mixed by Joe Shrimpling
Mastered by Rupert Clervaux
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Intercepts - Track 1
2
Intercepts - Track 2
3
Intercepts - Track 3
Intercepts is a brand new sub-label from London's Frequency Domain.
Frequency Domain has soundtracked late-night astral travelling since 2015, releasing drone, ambient and offbeat electronics from the likes of Forest Drive West, Plant43, Datassette, Matt Whitehead, Anthony Child, Jo Johnson and Ali Wade.
Intercepts indulges the parent label's more unruly and percussive leanings with a series of EPs drawn up from an anonymous pool of Frequency Domain artists and newcomers. Intercepts releases are served two at a time, with two separate strands - X and Y - each exploring their own sonic trajectory.
The first 'X' series EP delivers three tracks of skewed, mutant techno, landing some place between Livity Sound's cerebral rollers and Dynamic Tension's disorienting clunk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Frequency Domain has soundtracked late-night astral travelling since 2015, releasing drone, ambient and offbeat electronics from the likes of Forest Drive West, Plant43, Datassette, Matt Whitehead, Anthony Child, Jo Johnson and Ali Wade.
Intercepts indulges the parent label's more unruly and percussive leanings with a series of EPs drawn up from an anonymous pool of Frequency Domain artists and newcomers. Intercepts releases are served two at a time, with two separate strands - X and Y - each exploring their own sonic trajectory.
The first 'X' series EP delivers three tracks of skewed, mutant techno, landing some place between Livity Sound's cerebral rollers and Dynamic Tension's disorienting clunk.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
Intercepts - Track 1
2
Intercepts - Track 2
3
Intercepts - Track 3
Intercepts is a brand new sub-label from London's Frequency Domain.
Frequency Domain has soundtracked late-night astral travelling since 2015, releasing drone, ambient and offbeat electronics from the likes of Forest Drive West, Plant43, Datassette, Matt Whitehead, Anthony Child, Jo Johnson and Ali Wade.
Intercepts indulges the parent label's more unruly and percussive leanings with a series of EPs drawn up from an anonymous pool of Frequency Domain artists and newcomers. Intercepts releases are served two at a time, with two separate strands - X and Y - each exploring their own sonic trajectory.
The first 'Y' series EP delivers three tracks of urgent machine funk; a spannered slab of 170bpm Braindance hogs the A side, while two peak-time sci-fi electro cuts play out on the flip.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
Frequency Domain has soundtracked late-night astral travelling since 2015, releasing drone, ambient and offbeat electronics from the likes of Forest Drive West, Plant43, Datassette, Matt Whitehead, Anthony Child, Jo Johnson and Ali Wade.
Intercepts indulges the parent label's more unruly and percussive leanings with a series of EPs drawn up from an anonymous pool of Frequency Domain artists and newcomers. Intercepts releases are served two at a time, with two separate strands - X and Y - each exploring their own sonic trajectory.
The first 'Y' series EP delivers three tracks of urgent machine funk; a spannered slab of 170bpm Braindance hogs the A side, while two peak-time sci-fi electro cuts play out on the flip.
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
1
The Cinematic Orchestra - To Build A Home
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The Cinematic Orchestra - Familiar Ground
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The Cinematic Orchestra - That Home
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The Cinematic Orchestra - Child Song
5
The Cinematic Orchestra - Music Box
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The Cinematic Orchestra - Ma Fleur
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The Cinematic Orchestra - Prelude
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The Cinematic Orchestra - As The Stars Fall
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The Cinematic Orchestra - Into You
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The Cinematic Orchestra - Breathe
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The Cinematic Orchestra - Time And Space
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The Cinematic Orchestra - Flowers
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The Cinematic Orchestra - Talking About Freedom
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The Cinematic Orchestra - Colours
Clear vinyl reissue - includes three tracks from the time that have never been released on vinyl; ‘Flowers’, ‘Talking About Freedom’ and ‘Colours’, and come with four double sided art cards/prints.
At the time the album was recognised for its bold departure from the group’s sonic traditions. Dealing with themes of loss and love - and in itself representing a kind of absence - "Ma Fleur" is fertile ground for Swinscoe and long term collaborator Dominic Smith's brand of music-making, for while people rightly have talked about what they do in terms of jazz, the truth is that the basis of their music has always also been in raw emotion. From the achingly beautiful opener "To Build A Home" to the finale, "Time And Space," this is an album which reaches for and finds a truth and honesty far beyond what we would normally expect from such a record, but without losing any of the accessibility which made the band popular in the first place. If the mood is melancholy, The Cinematic Orchestra manage to make it an ultimately uplifting experience, perhaps in the end more about the love you find than the love you lose…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
At the time the album was recognised for its bold departure from the group’s sonic traditions. Dealing with themes of loss and love - and in itself representing a kind of absence - "Ma Fleur" is fertile ground for Swinscoe and long term collaborator Dominic Smith's brand of music-making, for while people rightly have talked about what they do in terms of jazz, the truth is that the basis of their music has always also been in raw emotion. From the achingly beautiful opener "To Build A Home" to the finale, "Time And Space," this is an album which reaches for and finds a truth and honesty far beyond what we would normally expect from such a record, but without losing any of the accessibility which made the band popular in the first place. If the mood is melancholy, The Cinematic Orchestra manage to make it an ultimately uplifting experience, perhaps in the end more about the love you find than the love you lose…
Sicherheits- und Herstellerinformationen / safety and manufacturer info (GPSR)
WAS - Word and Sound Medien GmbH
Liebigstrasse 2-20
DE - 22113 Hamburg
Germany
Contact: [email protected]More
